Showing posts with label Leonardo DiCaprio. Show all posts
Showing posts with label Leonardo DiCaprio. Show all posts

29 February 2024

Romeo + Juliet (1996)

Romeo + Juliet (Baz Luhrmann, 1996) is the tenth American film adaptation of William Shakespeare's 1596 tragedy. The title roles were played by Leonardo DiCaprio and Claire Danes. The film is a modern version of 'Romeo and Juliet'. Chases on foot have been replaced by car chases and swords by pistols, but the Shakespeare dialogues are authentic. Romeo + Juliet was nominated for an Oscar for Best Art Direction. More than 10 other film awards were given to the production, including the BAFTA Awards for Best Directing, Best Script and Best Production Design, the Silver Bear for Leonardo DiCaprio, and the award for Best Directing at the Berlin Film Festival.

Romeo + Juliet (1996)
French postcard by Sonis, no. C. 731. Photo: 20th Century Fox Film Corporation. French film affiche with Leonardo DiCaprio and Claire Danes in Romeo + Juliet (Baz Luhrmann, 1996). Caption: Hope despair tragedy love. The world's greatest love story.

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard, no. 012. Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996). Caption: Romeo.

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard. Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996).

Claire Danes in Romeo + Juliet (1996)
Vintage promotion card. Photo: 20th Century Fox Film Corporation. Claire Danes in Romeo + Juliet (Baz Luhrmann, 1996).

They immediately fall in love


Romeo + Juliet (Baz Luhrmann, 1996) is set in Los Angeles, in the fictional Verona Beach. Two great families, the Montagues, and the Capulets, are warring mafia empires with legitimate business fronts.

The young men of the two feuding Montague and Capulet families get into fights at every opportunity, although the heads of the families urge moderation. After a petrol station goes up in flames during a shootout, the police give the families the ultimate warning to keep the peace from now on.

Romeo (Leonardo DiCaprio), son of the Montague family, initially attends a costume party at the Capulet house without being recognised and meets the Capulet's daughter Juliet (Claire Danes). They immediately fall in love, although they don't even know each other's names at first. After talking to each other during a secret dip in the pool, they decide to get married the next day, settling the long dispute between the two families.

They find support from Juliet's nurse (Miriam Margolyes) and Father Laurence (Pete Postlethwaite), who marries them. Shortly afterwards, Romeo's friend Mercutio (Harold Perrineau) is killed by Juliet's cousin Tybalt (John Leguizamo) in a quarrel. Romeo, who initially tried to de-escalate the situation, is furious. He pursues Tybalt and shoots him. He then seeks help from Father Laurence, who advises him to spend the night with Juliet, flee to Mantua in the early morning, and stay there until he receives news.

Juliet's parents, who still know nothing about Romeo, have now arranged their daughter's wedding to the heartthrob Count Paris (Paul Rudd). When she resists, she is accused of ingratitude. Desperate, she also seeks advice from Father Laurence and receives a drug from him that will put her into a 24-hour death-like sleep to escape a forced marriage to Count Paris. Father Laurence immediately sends Romeo an express letter to Mantua to inform him of this plan. However, the letter cannot be delivered after two attempts.

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard by Promode, no. PR 090. Photo: 20th Century Fox. Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard. Photo: 20th Century Fox. Jamie Kennedy, Zak Orth, Leonardo DiCaprio, Dash Mihok, and Harold Perrineau in Romeo + Juliet (Baz Luhrmann, 1996). Caption: Montague. Quarrel I Will Back Thee.

Leonardo DiCaprio and Claire Danes in Romeo + Juliet (1996)
Vintage postcard by Promode, no. PR 094. Photo: 20th Century Fox Film Corporation. Leonardo DiCaprio and Claire Danes in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio and Claire Danes in Romeo + Juliet (1996)
Vintage postcard by Promode, no. PR 094. Photo: 20th Century Fox Film Corporation. Leonardo DiCaprio and Claire Danes in Romeo + Juliet (Baz Luhrmann, 1996). Caption: My only love sprung from my only hate.

Claire Danes and Leonardo DiCaprio in Romeo + Juliet (1996)
Australian postcard by Avant Card, 1996, no. 1205. Photo: 20th Century Fox Film Corporation.Claire Danes and Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996). Caption: The greatest love story the world has ever known.

Firearms called Dagger, Sword, or Rapier


Romeo + Juliet is the second film in Baz Luhrmann's Red Curtain trilogy. The other two are Strictly Ballroom (1992) and Moulin Rouge! (2001). The film was an international co-production involving principals from the United States, Mexico, Australia, and Canada.

Kate Winslet auditioned for the role of Juliet. A year later, she appeared alongside Leonardo DiCaprio in Titanic (James Cameron, 1997). Natalie Portman, then 14, had been cast as Juliet but, during rehearsals, it was thought that she looked too young for the part, and the footage looked as though DiCaprio (21) was "molesting" her. After Sarah Michelle Gellar turned down the role due to scheduling conflicts, DiCaprio proclaimed that Claire Danes should be cast, as he felt she was genuine in her line delivery and did not try to impress him by acting flirtatious.

Both Christian Bale and Ewan McGregor auditioned for the role of Mercutio, which eventually went to African-American actor Harold Perrineau. Romeo + Juliet was filmed in Mexico from January to April 1996. Mercutio's murder was filmed during a hurricane. The element of water has a special significance in this film. It symbolizes the purity of love between Romeo and Juliet. Both are seen underwater in various scenes, they see each other for the first time through an aquarium and kiss in the pool. The purity of this love is destroyed by Tybalt's death in a fountain.

One of the reasons the film has become famous is because of the specially modified vehicles and weapons. The modified automatic pistols are based on the Beretta 92FS model and its licensed version Taurus PT92 or PT96 and the Colt Combat Commander, a variant of the Colt 1911. The engraved names were then adapted to the original of William Shakespeare's version. Thus, the firearms are called Dagger, Sword, or Rapier, each with the corresponding calibre information.

Romeo + Juliet is the third major film version of the play, following adaptations by George Cukor in 1936 and Franco Zeffirelli in 1968. The film, produced by 20th Century Fox, was met with generally positive reviews from critics. However, Roger Ebert gave the film a mixed review of only two stars out of four, saying, "I've seen King Lear as a samurai drama and Macbeth as a Mafia story, and two different Romeo and Juliets about ethnic difficulties in Manhattan (West Side Story and China Girl), but I have never seen anything remotely approaching the mess that the new punk version of Romeo & Juliet makes of Shakespeare's tragedy.". The film grossed over $147 million against its $14.5 million budget.

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard. Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio and Claire Danes in Romeo + Juliet (1996)
Spanish postcard by Memory Card, no. 434. Leonardo DiCaprio and Claire Danes in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio in Romeo + Juliet (1996)
Spanish postcard by Editions Mercuri, no. 399. Jamie Kennedy, Zak Orth, Leonardo DiCaprio, Dash Minok and Harold Perrineau in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio in Romeo + Juliet (1996)
Spanish postcard by Memory Card, no. 406. Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio and Claire Danes in Romeo + Juliet (1996)
Vintage postcard in the Cinemascope Collection, no. 24. Poster by: 20th Century Fox Film Corporation. Leonardo DiCaprio and Claire Danes in Romeo + Juliet (Baz Luhrmann, 1996). Caption: My only love sprung from my only hate.

Sources: Roger Ebert (RogerEbert.com), Wikipedia (Dutch, German and English) and IMDb.

23 August 2020

Leonardo DiCaprio

American actor Leonardo DiCaprio (1974) has often played unconventional parts, particularly in biopics and period films. His role in the blockbuster Titanic (1998) cemented DiCaprio's reputation as a teen heartthrob. He became one of the biggest movie stars thanks to his films with the directors Martin Scorsese, Christopher Nolan, and Quentin Tarantino. He won an Oscar and a Golden Globe Award for The Revenant (2015) as well as two other Golden Globes for The Aviator (2004) and The Wolf of Wall Street (2013).

Leonardo DiCaprio
Vintage postcard by One. Photo: David LaChapelle, 1995.

Leonardo DiCaprio
British postcard by The Alternative Picture Co., no. RCL845. Photo: David LaChapelle, 1995.

Leonardo DiCaprio
Vintage postcard. Photo: David LaChapelle, 1995.

Handpicked by Robert De Niro out of 400 young actors


Leonardo Wilhelm DiCaprio was born in Los Angeles, in 1974. He is the only child of Irmelin (née Indenbirken), a legal secretary, and George DiCaprio, an underground comix writer, publisher, and distributor of comic books. His parents separated when he was a year old. When his older stepbrother earned $50,000 for a television commercial, DiCaprio was fascinated and decided to become an actor. At age 14, he began his career by appearing in television commercials such as for Matchbox cars by Mattel, which he considered his first role. In 1989, he played the role of Glen in two episodes of the television show The New Lassie. Leo played recurring roles in various television series, such as the sitcom Parenthood (1990-1991) based on the successful comedy film of the same name.

He made his film debut as the stepson of an evil landlord in the low-budget horror direct-to-video film Critters 3 (Kristine Peterson, 1991). He was handpicked by Robert De Niro out of 400 young actors to play the lead role in the biographical coming-of-age drama This Boy's Life (Michael Caton-Jones, 1993) with De Niro as his stepfather, and Ellen Barkin as his mother. Critic Roger Ebert in 1993: "Toby is played by Leonardo DiCaprio, a relative newcomer (he's done TV, and had the lead in Critters III). The movie is successful largely because he is a good enough actor to hold his own in his scenes with De Niro, so that the movie remains his story, and isn't upstaged by the loathsome but colorful Dwight."

In 1993, DiCaprio co-starred as the intellectually disabled brother of Johnny Depp's character in What's Eating Gilbert Grape (Lasse Hallström, 1993), a comic-tragic odyssey of a dysfunctional Iowa family. The film became a critical success, earning DiCaprio a National Board of Review Award for Best Supporting Actor and nominations for an Oscar and a Golden Globe.  The 19-year-old was hailed as an actor to watch. His next films were the Western The Quick and the Dead (Sam Raimi, 1995) with Sharon Stone, the biopic The Basketball Diaries (Scott Kalvert, 1995) in which he played a teenage Jim Carroll as a drug-addicted high school basketball player and writer, and the erotic drama Total Eclipse (Agnieszka Holland, 1995), a fictionalised account of the homosexual relationship between Arthur Rimbaud (DiCaprio) and Paul Verlaine (David Thewlis).

In 1996, DiCaprio appeared opposite Claire Danes in Baz Luhrmann's Romeo + Juliet, an abridged modernisation of William Shakespeare's romantic tragedy of the same name. The project grossed $147 million worldwide and earned DiCaprio a Silver Bear for Best Actor at the 1997 Berlin International Film Festival.

DiCaprio then achieved international fame as a star in the epic romance Titanic (James Cameron, 1997), opposite Kate WinsletRoger Ebert in his review: "James Cameron's 194-minute, $200 million film of the tragic voyage is in the tradition of the great Hollywood epics. It is flawlessly crafted, intelligently constructed, strongly acted and spellbinding. If its story stays well within the traditional formulas for such pictures, well, you don't choose the most expensive film ever made as your opportunity to reinvent the wheel." Against expectations, Titanic went on to become the highest-grossing film to that point, eventually grossing more than $2.1 billion in box-office receipts worldwide. DiCaprio turned into a superstar, resulting in intense adoration among teenage girls and young women in general that became known as "Leo-Mania".

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard. Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard. Leonardo DiCaprio in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio and Claire Danes in Romeo + Juliet (1996)
British postcard by Memory Card, no. 434. Leonardo DiCaprio and Claire Danes in Romeo + Juliet (Baz Luhrmann, 1996).

Leonardo DiCaprio in Titanic (1997)
Vintage postcard by 7up, no DD 2079B. Photo: Twentieth Century Fox and Paramount. Leonardo DiCaprio in Titanic (James Cameron, 1997).

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
German postcard by Sunburst Merchandising GmbH, Osnabrück / Ana Anakos AG, München. Photo: Paramount / Fox, 1998. Leonardo DiCaprio and Kate Winslet in Titanic (James Cameron, 1997).

A Golden Raspberry Award for Worst Screen Couple


Leonardo DiCaprio played a self-mocking role as a badly behaved movie star in Woody Allen's caustic satire of the fame industry, Celebrity (1998). It was a small appearance. That year, he also starred in the dual roles of the villainous King Louis XIV and his secret, sympathetic twin brother Philippe in The Man in the Iron Mask (Randall Wallace, 1998). The film received mixed to negative response, but became a box office success, grossing $180 million internationally. DiCaprio was awarded a Golden Raspberry Award for Worst Screen Couple for both incarnations the following year. Also, his next film, The Beach (Danny Boyle, 2000), proved to be a disappointment both financially and artistically. However, DiCaprio soon bounced back.

In 2002, he starred in two successful features in which he demonstrated his range as an actor. The first was the biographical crime drama Catch Me If You Can (Steven Spielberg, 2002), based on the life of Frank Abagnale Jr., who before his 19th birthday committed check fraud to make millions in the 1960s. The film received favourable reviews and was an international success, becoming DiCaprio's highest-grossing release since Titanic with a total of $351 million worldwide. The second was the historical drama Gangs of New York (Martin Scorsese, 2002) with Cameron Diaz and Daniel Day-Lewis. It is a sprawling tale of gangland violence in early America. The film marked his first of many collaborations with legendary director Martin Scorsese. Gangs of New York earned a total of $193 million worldwide and received mostly positive reviews.

DiCaprio played eccentric and reclusive billionaire genius Howard Hughes in The Aviator (Martin Scorsese, 2004), which DiCaprio also co-produced. Perry Seibert at AllMovie: "Though the film feels a bit overlong, it never loses the audience's interest, thanks in large part to DiCaprio's determined blue eyes. Those eyes are always able to communicate the intensity of Hughes' feelings -- be it his passion for women and aviation, or his fear of losing control." In 2005, DiCaprio was named the commander of the Ordre des Arts et des Lettres for his contributions to the arts. He next played a mercenary in the political thriller Blood Diamond (Edward Zwick, 2006).

DiCaprio played an undercover cop opposite Jack Nicholson and Matt Damon in the crime saga The Departed (Martin Scorsese, 2006). Perry Seibert at AllMovie: "Leonardo DiCaprio deserves much praise for his excellent work in the film. He broods and goes for the big emotions when it is appropriate, but for the most part, he serves as the quiet center of this film. He delivers a monologue in the middle of the movie where he explains that no matter what tension surrounds him, no matter how fast his heart beats, his hands remain still. That remains true throughout the picture, but DiCaprio compensates for this control by letting his eyes do much of the work. During moments of openness, his bearing and his posture don't change, but his eyes convey just enough vulnerability for the audience to register his inner experiences, both with regard to the specific scene and to the double-life that is slowly eating him alive." Budgeted at $90 million, the film grossed $291 million and emerged as DiCaprio and Scorsese's highest-grossing collaboration to date.

He reunited with Kate Winslet in the romantic drama Revolutionary Road (Sam Mendes, 2008). DiCaprio is the founder of Appian Way Productions — a production company that has produced some of his films and the documentary series Greensburg (2008–2010) — and the Leonardo DiCaprio Foundation, a non-profit organisation devoted to promoting environmental awareness.

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
German postcard by Sunburst Merchandising GmbH, Osnabrück / Ana Anakos AG, München. Photo: Paramount / Fox, 1998. Publicity still for Titanic (James Cameron, 1997).

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
British postcard by Twentieth Century Fox / 7up, no. DD 2079A. Photo: Paramount / Fox. Kate Winslet and Leonardo DiCaprio in Titanic (James Cameron, 1997).

Leonardo DiCaprio in The Man in the Iron Mask (1998)
British postcard by the London Postcard Company, no. MG 2004 (Series 1 of 9), Portrait #6. Photo: United Artists. Leonardo DiCaprio as King Louis in The Man in the Iron Mask (Randall Wallace, 1998).

Gabriel Byrne, Leonardo DiCaprio, John Malkovich, Gérard Depardieu and Jeremy Irons in The Man in the Iron Mask (1998)
French postcard by Sonis, no. C. 854. Photo: United Artists. Gabriel Byrne, Leonardo DiCaprio, John Malkovich, Gérard Depardieu, and Jeremy Irons in The Man in the Iron Mask (Randall Wallace, 1998).

Leonardo DiCaprio and Anne Parillaud in The Man in the Iron Mask (1998)
Vintage postcard. Photo: United Artists. Leonardo DiCaprio and Anne Parillaud in The Man in the Iron Mask (Randall Wallace, 1998).

Scorsese - Nolan - Tarantino - Luhrmann


In the next decade, Leonardo DiCaprio continued to play challenging and even iconic roles. He collaborated for a fourth time with Martin Scorsese in the psychological thriller Shutter Island (Martin Scorsese, 2010), based on the novel of the same name by Dennis Lehane. The film was another commercial success, grossing $294 million worldwide. DiCaprio then starred as Dom Cobb in the complex Science-Fiction thriller Inception (Christopher Nolan, 2010). Cobb enters the dreams of others to obtain information that is otherwise inaccessible. For his role, DiCaprio earned $50 million -  his highest payday yet. Perry Seibert at AllMovie: "Half the reason a director casts a powerful figure like DiCaprio is to help the viewer through all the information. Sure, DiCaprio has the chops to play a haunted man with magnetic vulnerability -- much as he did in Shutter Island -- and Inception is another chance to appreciate why he's on the short list of genuine movie stars. But his engaging presence also helps sell the movie's insanely intricate plot developments; since Cobb always seems like he knows exactly what's going on, we trust that it all makes sense."

He was an executive producer for George Clooney's political drama The Ides of March (George Clooney, 2011) with Ryan Gosling. This was an adaptation of Beau Willimon's play 'Farragut North'. In 2012, DiCaprio starred as a plantation owner, Calvin Candie, in Quentin Tarantino's Spaghetti Western, Django Unchained (2012). DiCaprio's next role was as the millionaire Jay Gatsby in Baz Luhrmann's The Great Gatsby (2013), an adaptation of F. Scott Fitzgerald's 1925 novel of the same name. That year he also starred in the biopic The Wolf of Wall Street (Martin Scorsese, 2013), based on the life of stockbroker Jordan Belfort, who was arrested in the late 1990s for securities fraud and money laundering. Perry Seibert at AllMovie: "When Jordan, after taking too many powerful quaaludes, has a physical breakdown and must drive back home while suffering seizures. DiCaprio, as he does throughout the movie, throws himself into this scene with the commitment of a silent-era comic. It's hard to think of another A-list leading man so willing to make himself look ridiculous, and working with someone he trusts as much as Scorsese only inspires him to push even further. It's an outrageously funny sequence, one that few actor/director combinations would have the talent to execute this well."

The film earned him a Golden Globe and Oscar nominations for Best Actor and Best Picture. Next, DiCaprio was an executive producer on Virunga (Orlando von Einsiedel, 2014), a British documentary film about four people fighting to protect the world's last mountain gorillas from war and poaching. The film was nominated for an Academy Award for Best Documentary Feature. In 2015, DiCaprio produced and played frontiersman and fur trapper Hugh Glass in Alejandro G. Iñárritu's survival drama The Revenant, situated in the 1820s. Daniel Gelb at AllMovie: "He's never been more committed to a role -- we see him bearded and bloodied, reserved and delirious -- and he delivers a stunning performance. Glass is pushed to the brink of physical and mental anguish, and DiCaprio makes us feel every shred of his pain."

Built on a budget of $135 million, the well-received film grossed $533 million worldwide. Di Caprio nabbed his sixth Oscar nomination for the film and finally landed his first win, for Best Actor. The film also earned him numerous other awards, including a Golden Globe, a BAFTA, a SAG and a Critic's Choice Award for Best Actor. For the next three years, DiCaprio narrated documentaries and served as a producer for films. DiCaprio returned to acting following a break of four years in Quentin Tarantino's comedy-drama Once Upon a Time in Hollywood (2019), as a fading Hollywood actor opposite Brad Pitt as his stuntman. Taking place in 1969, the saga gives a great behind-the-scenes look at the end of Hollywood's Golden Age. For his leading role, DiCaprio received nominations for an Oscar, a Golden Globe, and a BAFTA Award for Best Actor. The film earned a total of $374 million against its $90-million budget.

Leonardo DiCaprio's personal life is the subject of widespread media attention. He rarely gives interviews and is reluctant to discuss his private life. Among his former girlfriends are Brazilian model Gisele Bündchen, Israeli model Bar Refaeli, and German model Toni Garrn. His current girlfriend is Argentine-born model Camila Morrone. Their age difference is 22 years. In 2020, DiCaprio served as an executive producer for The Right Stuff, a television series adaption of the 1973 namesake book. In 2021, DiCaprio appeared in Adam McKay's satirical comedy Don't Look Up starring alongside Jennifer Lawrence as two astronomers attempting to warn humanity about an extinction-level comet. While reviews for the film were mixed, most critics praised DiCaprio's and Lawrence's performances. DiCaprio next starred in Scorsese's crime drama Killers of the Flower Moon (Martin Scorsese, 2023) based on the book of the same name by David Grann, for which he was paid $30 million. Initially signed for the heroic part of FBI agent Thomas Bruce White Sr., DiCaprio insisted on playing the morally complex role of Ernest Burkhart, a nephew of murderer William King Hale, leading to extensive script rewrites. IndieWire's David Ehrlich: "That sepia-toned saga of slow-poisoned self-denial is sustained by the best performance of Leonardo DiCaprio’s entire career. The former matinee idol has never been shy about playing low-lifes and scum-bums, but his nuanced and uncompromising turn as the cretinous Ernest Burkhart mines new wonders from the actor’s long-standing lack of vanity."

Martin Scorsese, Leonardo DiCaprio and Cameron Diaz at the Cannes Film Festival 2002
French postcard by Forum Cartes et Collections, Nouaillé, no. 35. Cannes (06), 2003. Photo: Anne-Christine Poujoulat-STF. Caption: The director Martin Scorsese (middle), the actor Leonardo DiCaprio (left) and the actress Cameron Diaz pose for the photographers before a screening of Gangs of New York on 20 May 2002 during the 55th Cannes Film Festival.

Leonardo DiCaprio
British postcard by Heroes Publishing Ltd., London, no SFC 3025.

Leonardo DiCaprio
Vintage card.

Leonardo DiCaprio
Vintage postcard by Too much!

Leonardo DiCaprio in Romeo + Juliet (1996)
Vintage postcard. Photo: 20th Century Fox. Jamie Kennedy, Zak Orth, Leonardo DiCaprio, Dash Mihok, and Harold Perrineau in Romeo + Juliet (Baz Luhrmann, 1996). Caption: Montague. Quarrel I Will Back Thee.

Sources: Roger Ebert, Perry Seibert (AllMovie), Biography.com, David Ehrlich (IndieWire), Wikipedia and IMDb.

This post was last updated on 4 January 2024.

14 July 2020

The Man in the Iron Mask (1998)

Leonardo DiCaprio played a double role as the title character and the villain in The Man in the Iron Mask (Randall Wallace, 1998). The picture uses characters from Alexandre Dumas's Musketeers novels with Jeremy Irons as Aramis, John Malkovich as Athos, Gerard Depardieu as Porthos, and Gabriel Byrne as D'Artagnan. The film story is very loosely adapted from some plot elements of the novel 'The Vicomte de Bragelonne', the epilogue of the Musketeers novels. Gérard Depardieu was nominated for the European Film Academy Achievement in World Cinema Award for his role as Porthos. DiCaprio won a Golden Raspberry Award for Worst Screen Couple for his interactions as twins in the film.

Gérard Depardieu and Jeremy Iron in The Man in the Iron Mask (1998)
French postcard by Sonis, no. C. 853. Photo: United Artists. Gérard Depardieu and Jeremy Irons in The Man in the Iron Mask (Randall Wallace, 1998).

Gabriel Byrne, Leonardo DiCaprio, John Malkovich, Gérard Depardieu and Jeremy Irons in The Man in the Iron Mask (1998)
French postcard by Sonis, no. C. 854. Photo: United Artists. Gabriel Byrne, Leonardo DiCaprio, John Malkovich, Gérard Depardieu, and Jeremy Irons in The Man in the Iron Mask (Randall Wallace, 1998).

Leonardo DiCaprio in The Man in the Iron Mask (1998)
French postcard by Sonis, no. C 856. Photo: United Artists. Leonardo DiCaprio, Gérard Depardieu, Jeremy Irons, and John Malkovich in The Man in the Iron Mask (Randall Wallace, 1998).

Will D'Artagnan stand against his long time friends?


The Man in the Iron Mask (Randall Wallace, 1998) centers on the aging four musketeers, Athos, Porthos, Aramis, and D'Artagnan, during the reign of King Louis XIV and attempts to explain the mystery of the Man in the Iron Mask.

This man is a secret twin brother to the cruel King Louis XIV of France. While Paris is starving, the King is more interested in money and bedding women. When a young soldier dies for the sake of a shag, Aramis, Athos, and Porthos band together with a plan to replace the king by his twin who was hidden at birth, then imprisoned for years behind an iron mask.

All that remains now is D'Artagnan, will he stand against his long time friends, or do what is best for his country?

This plot is less related to the original Dumas book than to the flamboyant film version starring Douglas Fairbanks, The Iron Mask (Alan Dwan, 1929), and the version directed by James Whale, The Man in the Iron Mask (James Whale, 1939) with Louis Hayward. Like the 1998 version, these two adaptations were also released through United Artists.

Gérard Depardieu, Jeremy Irons, John Malkovich, Gabriel Byrne and Leonardo DiCaprio in The Man in the Iron Mask (1998)
British postcard by London Postcard Company, no. MG 2001. Photo: United Artists. Gérard Depardieu, Jeremy Irons, John Malkovich, Gabriel Byrne, and Leonardo DiCaprio in The Man in the Iron Mask (Randall Wallace, 1998).

Leonardo DiCaprio in The Man in the Iron Mask (1998)
British postcard by the London Postcard Company, no. MG 2004 (Series 1 of 9), Portrait #2. Photo: United Artists. Leonardo DiCaprio in The Man in the Iron Mask (Randall Wallace, 1998).

Leonardo DiCaprio in The Man in the Iron Mask (1998)
British postcard by the London Postcard Company, no. MG 2004 (Series 1 of 9), Portrait #3. Photo: United Artists. Leonardo DiCaprio as King Louis in The Man in the Iron Mask (Randall Wallace, 1998).

Leonardo DiCaprio in The Man in the Iron Mask (1998)
British postcard by the London Postcard Company, no. MG 2004 (Series 1 of 9), Portrait #6. Photo: United Artists. Leonardo DiCaprio as Phillippe in The Man in the Iron Mask (Randall Wallace, 1998).

Many persons and events are heavily fictionalised


The novel and the filmed versions of the tale have some differences in how they portray the royal twins and the plot to switch them. In the 1929 silent version, The Iron Mask starring Douglas Fairbanks as D'Artagnan, the King is depicted favourably and the twin brother as a pawn in an evil plot whose thwarting by D'Artagnan and his companions seems more appropriate.

In the 1998 film, the King is depicted negatively while his twin brother is sympathetically portrayed. D'Artagnan's loyalties are torn between his King and his three Musketeer friends. He is also revealed as the father of the twins, as well as being dedicated to the interests of France.

Many historical persons and events depicted in the film are heavily fictionalised, as declared in an opening narration. Louis XV was the great-grandson and successor of Louis XIV. He was born in 1710, and the events of the film take place about half a century before his birth.

D'Artagnan's death in the film is also inconsistent with biographic fact. The character is based on Charles de Batz-Castelmore d'Artagnan, a captain of the Musketeers of the Guard, who was killed in battle during the Siege of Maastricht (1673) - an event that concludes the Dumas novels, in which D'Artagnan is killed while reading the long-awaited notice of his promotion to the supreme command.

Louis XIV had a real-life brother, Philippe I, Duke of Orléans, who is not depicted in the film and was not the King's twin. Set in 1662, the film portrays the king as unmarried. The historical Louis XIV married his first wife Maria Theresa of Spain in 1660. They remained married until her death in 1683. Notwithstanding the peace and prosperity alluded to at the film's conclusion, Louis XIV spent most of the remainder of his reign at war.

Jeremy Irons in The Man in the Iron Mask (1998)
British postcard by Boomerang Media. Photo: United Artists. Jeremy Irons in The Man in the Iron Mask (Randall Wallace, 1998).

Leonardo DiCaprio and Anne Parillaud in The Man in the Iron Mask (1998)
Dutch postcard by Film Freak Productions Ltd., Zoetermeer, no. FA 466. Photo: United Artists. Leonardo DiCaprio and Anne Parillaud in The Man in the Iron Mask (Randall Wallace, 1998)

Leonardo DiCaprio in The Man in the Iron Mask (1998)
Dutch postcard by Film Freak Productions Ltd., Zoetermeer, no. FA 467. Photo: United Artists. Leonardo DiCaprio as Phillippe in The Man in the Iron Mask (Randall Wallace, 1998).

Leonardo DiCaprio in The Man in the Iron Mask (1998)
American postcard by Classico San Francisco, no. 105-641. Photo: United Artists. Leonardo DiCaprio and Jeremy Irons in The Man in the Iron Mask (Randall Wallace, 1998).

Sources: Wikipedia and IMDb.

20 February 2019

Titanic (1997)

Against expectations, the romantic epic and disaster film Titanic (1997), directed, written, co-produced and co-edited by James Cameron, became the highest-grossing film in the world and won 11 Oscars, including Best Picture and Best Director. The gigantic success transformed the young lead actors Kate Winslet and Leonardo DiCaprio into super stars. Young girls the world over idolised the two lovers bound for tragedy, and the film became a hype (remember Leo Mania?). From then on, everybody seemed either to love or hate the film. 20 years after the hype, Cameron's 3-hour epic is still a spectacularly emotional and visually stunning film.

Kate Winslet in Titanic (1997)
French postcard by Salut. Photo: Paramount / Fox, 1998. Publicity still for Titanic (James Cameron, 1997) with Kate Winslet.

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
German postcard by Sunburst Merchandising GmbH, Osnabrück / Ana Anakos AG, München. Photo: Paramount / Fox, 1998. Publicity still for Titanic (James Cameron, 1997) with Kate Winslet and Leonardo DiCaprio.

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
British postcard by Twentieth Century Fox / 7up, no. DD 2079A. Photo: Paramount / Fox. Publicity still for Titanic (James Cameron, 1997) with Kate Winslet and Leonardo DiCaprio.

The Heart of the Ocean


Titanic (James Cameron, 1997) tells the tale of the legendary ship Titanic on its first and last voyage, starting on 15 April 1912 at 2:20 in the morning. The film starts with a group searching the wreck of the RMS Titanic for treasures. They especially look for a necklace set with a valuable blue diamond called the Heart of the Ocean. Unsuccessful, they instead discover a drawing of a young woman wearing the Heart of the Ocean, dated the day the Titanic sank.

101-year-old Rose Dawson Calvert (Gloria Stuart) learns of the drawing on television, and contacts Lovett to inform him she is the woman in the drawing. She and her granddaughter Lizzy Calvert are flown to the boat where the search is being led to tell of what she remembers to help the search. When asked if she knew the whereabouts of the necklace, Rose Calvert recalls her memories aboard the Titanic, revealing for the first time that she was Rose DeWitt Bukater.

In 1912, the upper-class 17-year-old Rose (Kate Winslet) boards the Titanic in Southampton, Great Britain. She enters 'the most elegant ship in the world' together with her controlling fiance, Caledon Hockley (Billy Zane) and her desperate for money mother, Ruth DeWitt Bukater (Francis Fisher).

Distraught and frustrated by her engagement, Rose attempts suicide by jumping from the stern. Before she leaps, a drifter and artist named Jack Dawson (Leonardo DiCaprio) intervenes who convinces her not to jump. Dawson and his best friend Fabrizio De Rossi have won third-class tickets to the ship in a poker game.

Jack and Rose strike up a tentative friendship as she thanks him for saving her life, and he shares stories of his adventures travelling and sketching. Their bond deepens when they leave a first-class formal dinner of the wealthy for a much livelier gathering of dancing, music and beer in third-class. After revealing their love for each other and wish to leave together when the ship docks, they then witness the ship's fatal collision with an iceberg and now must escape together.

Captain Smith was urged by the White Star Line Director to increase the speed of the ship so they would make the newspaper headlines and receive extra publicity by arriving in New York on Thursday night and not on Friday morning as planned. The Titanic had reports that the waters in the Atlantic they were sailing in were full of icebergs, but the captain ignored these warnings and proceeded at full speed. On 15 April 1912 at 11:39, an iceberg was sighted. The ship crew attempted to shut off the engines and turn the ship out of the path of the iceberg but there was not enough time and the ship hit the iceberg on the starboard side as depicted in the film.

Kate Winslet and Billy Zane in Titanic (1997)
Australian postcard by FX Entertainment Products, Sydney Photo: Paramount / Fox, 1998. Publicity still for Titanic (James Cameron, 1997) with Kate Winslet and Billy Zane. Caption: "They call it 'Le Coeur de la Mer'."

Kate Winslet and Frances Fisher in Titanic (1997)
Thai postcard by Starpics / Suwan Studio. Photo: Paramount / Fox. Publicity still for Titanic (James Cameron, 1997) with Kate Winslet and Frances Fisher.

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
Vintage postcard. Photo: publicity still for Titanic (James Cameron, 1997) with Kate Winslet and Leonardo DiCaprio.

Why is Titanic a modern classic?


During the production of Titanic, perfectionist James Cameron went massively over time and budget, but this payed of well when it was clear he had managed what many had believed was impossible. Cameron had recreated a completely believable Titanic with accurate historical details. The sinking scenes are still amazing and horrific, as realistic as if you were there. Cameron respectfully shows what terror the victims went through that night. Titanic is both hunting and involving, filled with a wide range of deep feelings.

Cameron created the fictional love story to make sure that the public would remember those who lost their lives on the tragic voyage of the Titanic. The director weaved the historical details seamlessly around the fictional story of Jack and Rose. The audience sees the sinking of the Titanic primarily through their eyes. Cameron shows the various reactions to the crisis. Everyone reacts differently and Cameron gets his audience to contemplate of how they might have reacted in that situation, on the Titanic on that fateful night.

Kate Winslet and Leonardo DiCaprio are excellent. Both show great charisma and their chemistry as a romantic couple works. DeCaprio and Winslet flying at the ship's front rail remains a gorgeous magic moment. Winslet is the centre of the film and holds the story together beautifully. Frances Fisher is perfect as her mother, the snobby aristocrat, who forces her daughter to become engaged to marry a rich, arrogant racist. One can feel the fear and loathing she feels every time she looks at Jack.

Also very good is Kathy Bates as 'the unsinkable' Molly Brown, a historical 'nouveau riche' from Denver, who is a lot less uptight than the other folk in the upperclass department. Brown was saved and later had medals made up for the crew of the Carpethia that picked the survivors of Titanic up from the water. Her ticket on the Titanic had cost over four-thousand dollars, but by the end of her life she ended up broke.

Titanic won Academy Awards for Best Art Direction, Best Cinematography, Best Visual Effects, Best Film Editing, Best Costume Design, Best Sound, Best Sound Effects Editing, Best Original Dramatic Score, Best Original Song. Deservedly. The wonderful outfits and costuming were an excellent re-creation of the Post-Victorian era of 1912. All of the interiors of the ship were masterfully replicated down to the last pieces of china and silverware. The gymnasium, which is hardly seen in the film was recreated perfectly with all of the machines reproduced to match those seen in old photographs. James Horner's haunting score is also a key ingredient in the film's success. His music intensifies the emotions of the audience. Horner's love theme is still as beautiful as it is tragic.

Yes, Titanic (1997) is a modern classic, if you like it or not. Titanic became the first film to gross $1 billion, and stayed on the top of the box office charts for 12 years. Then it was kicked off the top by another James Cameron film, Avatar (2010). Over the years, it became somewhat fashionable to slag Titanic off, but just see it for yourself.

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
German postcard by Sunburst Merchandising GmbH, Osnabrück / Ana Anakos AG, München. Photo: Paramount / Fox, 1998. Publicity still for Titanic (James Cameron, 1997) with Kate Winslet and Leonardo DiCaprio.

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
German postcard by Sunburst Merchandising GmbH, Osnabrück / Ana Anakos AG, München. Photo: Paramount / Fox, 1998. Publicity still for Titanic (James Cameron, 1997).

Kate Winslet and Leonardo DiCaprio in Titanic (1997)
German postcard by Sunburst Merchandising GmbH, Osnabrück / Ana Anakos AG, München. Photo: Paramount / Fox, 1998. Publicity still for Titanic (James Cameron, 1997).

Sources: Wikipedia and IMDb.