Showing posts with label Johannes Heesters. Show all posts
Showing posts with label Johannes Heesters. Show all posts

01 June 2024

Johannes Heesters

Dutch-born actor, singer, and entertainer Johannes Heesters (1903-2011) was active both on stage, television and in film. The Dutch tenor specialised in the Viennese operetta. His 91-year career began in Amsterdam in 1920 and in 1935 Heesters moved to Germany. There he enjoyed many successes and reportedly became 'Adolf Hitler’s favourite actor', which would colour his career.

Johannes Heesters (1903 - 2011)
German postcard by Film-Foto-Verlag, no. G 143, 1941-1944. Photo: Berlin-Film / Wesel.

Johannes Heesters
Czech postcard, no. 2071-B. Photo: Ufa.

Johannes Heesters
German postcard by Verlag und Druckerei Erwin Preuss, Dresden-Freital. Photo: Charlott Serda.

Johannes Heesters
German collectors card by Lux.

Johannes Heesters
Vintage promotion card.

From Amsterdam to Vienna


Johan Marius Nicolaas Heesters was born in 1903 in Amersfoort, Netherlands. 'Jopie' made his stage debut in 1921 as a 17-year-old.

In 1923 he had his first singing role in a Dutch stage production of August Strindbergs 'Ett Drőmspel' (A Dream Play). Many roles in operettas like 'Walzertraum', 'Dreimäderlhaus' and 'König der Vagabunden' followed.

A year later, he made his film debut in the Dutch silent film Cirque hollandais/Dutch Circus (Theo Frenkel, 1924) starring the legendary stage actor Louis Bouwmeester.

When sound film was introduced, Johan Heesters played and sang in the Dutch film comedies Bleeke Bet (Alex Benno, Richard Oswald, 1934) and De vier Mullers/The Four Mullers (Rudolf Meinert, 1935). The latter was filmed in Vienna and was also shot there in a German-spoken version as Alles für die Firma/Everything for the Firm (Rudolf Meinert, 1935).

In 1934 Heesters made his Viennese stage debut at the Volksoper in Karl Millöcker's 'Der Bettelstudent' (The Beggar Student) as Johannes Heesters. It was a huge success and many more operettas followed. Over the decades, 'Da geh' ich ins Maxim', Count Danilo Danilovitch's entrance song from Franz Lehár's 'Die Lustige Witwe' (The Merry Widow) would become Heesters's signature tune. He played Danilo with a white silk scarf and top hat for 32 years 1600 times on stage, from 1938 to 1970.

Johannes Heesters, Bleeke Bet
Dutch postcard by M. B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film, Rotterdam / Maarseveen, Den Haag. Publicity still for Bleeke Bet (1934).

Fien de la Mar in Bleeke Bet
Photo: Monopole Film, Rotterdam / Maarseveen, Den Haag. Publicity still for Bleeke Bet (1934). Johan Heesters is the bridegroom at the far right.

Johannes Heesters in De vier Mullers (1935)
Dutch postcard by Habé Film. Sent by mail in 1935. Photo: publicity still for De Vier Mullers/The Four Mullers (Rudolf Meinert, 1935).

Johan Kaart en Johan Heesters in De Vier Mullers
Dutch postcard by Habé Film. Photo: publicity still for De Vier Mullers/The Four Mullers (Rudolf Meinert, 1935) with Johan Kaart.

Johannes Heesters
German postcard by Ross Verlag, no. A 3352/1, 1941-1944. Photo: Liselotte Strelow.

Happy 107, Johannes Heesters
German postcard by Film-Foto-Verlag, no. A 3479/2, 1941-1944. Photo: Baumann / Ufa.

Dream couple


From 1936 on, Johannes Heesters played in various Ufa films. Many of his stage successes were also made into musical films, such as the Der Bettelstudent/The Beggar Student (Georg Jacoby, 1936) with Carola Höhn. In Gasparone (Georg Jacoby, 1937) and the musical Hallo Janine!/Hello, Janine! (Carl Boese, 1939), he starred with Marika Rökk. They were called the Dream Couple of the German Musical film.

Other popular films with Heesters were Das Hofkonzert/The Court Concert (Detlev Sierck aka Douglas Sirk, 1936) with Márta Eggerth; and Illusion (Viktor Tourjansky, 1941) with Brigitte Horney. In the Spring of 1939, he performed in the operetta 'Gräfin Mariza' (Countess Maritza) in Amsterdam and The Hague with an ensemble of emigrated Jewish performers. The Nazis later criticised him for this cooperation, but till almost the end of WW II Heesters worked extensively for the Nazi-controlled Ufa.

His last wartime film was Die Fledermaus/The Bat (Géza von Bolváry, 1946, produced in 1945) with Marte Harell. After the war, he was never accused of being a Nazi propagandist, and the Allies allowed him to continue performing in post-war Germany and Austria.

He played both on stage and in films. Die Czardasfürstin/The Csardas Princess (Georg Jacoby, 1951) reunited him with Marika Rökk. Memorable was his lead in the film Bel Ami (Louis Daquin, 1955). Little known is his part in the German version of Otto Preminger's The Moon is Blue, entitled Die Jungfrau auf dem Dach/The Girl on the Roof(Otto Preminger, 1953).

After the Schlagerfilm Junge Leute brauchen Liebe/Young People Need Love (Géza von Cziffra, 1961) with Conny Froboess and Peter Weck, he stopped making films and concentrated on stage and television appearances and on producing records.

Johannes Heesters and Dora Komar
Romanian postcard. Photo: Tobis Film GmbH. Johannes Heesters and Dora Komar in the Operetta film Immer nur Du/You Only You (Karl Anton, 1941).

Johannes Heesters
German postcard by Film-Foto-Verlag, no. A 3713/2, 1941-1944. Photo: Berlin-Film / Wesel.

Johannes Heesters
German postcard by Film-Foto-Verlag, no. A 3713/1, 1941-1944. Photo: Manninger / Berlin-Film.

Happy 107, Johannes Heesters
German postcard by Film-Foto-Verlag, no. A 3713/3, 1941-1944. Photo: Binz / UFA.

Johannes Heesters
German postcard by Film-Foto-Verlag, no. G 109, ca. 1941-1944. Photo: Binz / Bavaria Filmkunst.

Johannes Heesters
German postcard by Film-Foto-Verlag, no. A 3570/1, 1941-1944. Photo: Binz / Bavaria Filmkunst.

Booed off the stage


Johannes Heesters moved to Germany in 1935. There he performed for Adolf Hitler (according to IMDb, he was the Führer’s favourite actor) and he visited the Dachau concentration camp. After the war, many Dutch people could not forgive him for this visit. In the early 1960s, he was booed off the stage in Amsterdam when he tried to make a comeback in the Netherlands with 'The Sound of Music'.

Since then he performed notably in Germany and Austria. Heesters had two daughters by his first wife, the Belgian actress Louise ‘Wiesje’ Ghijs, whom he married in 1930 and who was his co-star in De vier Mullers (Rudolf Meinert, 1935). After she died in 1985, Heesters remarried in 1991 with German actress Simone Rethel. His younger daughter Nicole Heesters and his granddaughter Saskia Fischer are well-known actresses in German-speaking countries.

In 2008 he apologised for his cooperation with the Nazi regime. In February of that year, Johannes Heesters performed in his birthplace Amersfoort. This was the first stage appearance in four decades in his home country. Despite protests against his Nazi associations, the performance became a triumph for the old star.

In 2008 he also played a scene in another film, 1 1/2 Ritter - Auf der Suche nach der hinreißenden Herzelinde/1½ Knights - In Search of the Ravishing Princess Herzelinde (Til Schweiger, 2008). His final film was the short Ten (Stefan Hering, 2011) in which he played St. Peter. At the gates of heaven, a man (Christof Arnold) has only one chance to come back to his little ill daughter: to win a bet against St. Peter. He has to break all ten commandments within 30 minutes in Munich's most notorious bar!

Johannes Heesters could not attend the premiere. On 29 November 2011, he was admitted to a hospital because of a fever. He thus also missed the Bambi Award show, where he was offered his 10th Bambi statue. And on 25 December 2011, the 108-year-old 'Jopie' passed away for good in a hospital in Starnberg.

Happy 107, Johannes Heesters
Vintage postcard.

Marika Rökk and Johannes Heesters in Die geschiedene Frau (1953)
German collectors card. Photo: Cine-Allianz / Gloria / Film Ewald. Publicity still for Die geschiedene Frau/The Divorcée (George Jacoby, 1953) with Marika Rökk.

Johannes Heesters
German postcard. Photo: ÖFA-Schönbrunn Film / Herzog Film / Czerwonski. Johannes Heesters as composer Franz von Suppé in the Austrian Operetta film and biopic Hab' ich nur deine Liebe/If I Only Have Your Love (Eduard von Borsody, 1953).

Johannes Heesters
German postcard by Ufa/Film-Foto. Photo: Arthur Grimm / CCC / Allianz. This could refer to the Allianz film Stern von Rio/Star from Rio (Kurt Neumann, 1955).

Johannes Heesters and Johanna von Koczian in Viktor und Viktoria (1957)
German postcard by Ufa, Berlin-Tempelhof, no. CK-60. Photo: Arthur Grimm / Central Europa Film / Prisma. Publicity still for Viktor und Viktoria/Viktor and Viktoria (Karl Anton, 1957) with Johanna von Koczian.

Johannes Heesters
German postcard by Rüdel-Verlag, Hamburg-Bergedorf, no. 125. Photo: Junge Film Union / Foto Wesel.


Johan (Johannes) Heesters sings 'De ode aan de Westertoren in Bleeke Bet' (1934). The tower (the Westertoren in Amsterdam) is the same one Anne Frank describes in her diary. The lovely girl in the clip is Bleeke Bet herself, played by Jopie Koopman. Source: brassens66 (YouTube).


Johannes Heesters and Edith Schollwer sing 'Ich werde jede nacht von Ihnen traumen' in a clip from Gasparone (1937). Source: Ein Lied Geht Um Die Welt (YouTube).


Johannes Heesters in Amersfoort in 2008. He sings 'Nou tabé dan'. Source: Mokum tv (YouTube).

Sources: Wikipedia, Eric Kelsey (Reuters), johannes-heesters.de (German - now Simone Rethel.de), Filmportal.de and IMDb.

This post was last updated on 31 August 2024.

23 May 2024

Bleeke Bet (1934)

The tragi-comedy Bleeke Bet/Pale Betty (Richard Oswald, Alex Benno, 1934) was one of the first Dutch sound films. The distributor Monopole Film ordered a series of postcards with pictures by photographer Dick van Maarseveen to promote the film. The film was a success in the Dutch cinemas.

Aaf Bouber, Bleeke Bet
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Monopole Film. Aaf Bouber in Bleeke Bet (Alex Benno, Richard Oswald, 1934). Collection: Geoffrey Donaldson Institute.

Jopie Koopman, Bleeke Bet
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Jopie Koopman in Bleeke Bet (Alex Benno, Richard Oswald, 1934). Collection: Geoffrey Donaldson Institute.

Fien de la Mar & Jopie Koopman in Bleeke Bet
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Fien de la Mar and Jopie Koopman in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Fien de la Mar
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film / Dick van Maarseveen, Den Haag. Fien(tje) de la Mar in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Sylvain Poons and Johan Heesters in Bleeke Bet (1934)
Dutch postcard by Monopole Film, Amsterdam. Photo: Dick van Maarseveen, Den Haag. Sylvain Poons and Johan Heesters in Bleeke Bet (Richard Oswald, Alex Benno, 1934). Collection: Geoffrey Donaldson Institute.

A greengrocer in the Jordaan


The directors of Bleeke Bet/Pale Betty (1934) were Alex Benno, who had already directed several silent Dutch films and the Austrian director, producer, and screenwriter Richard Oswald.

From 1914 on, Oswald made dozens of films in Weimar Germany, including the comedy Der Hauptmann von Köpenick/The Captain from Köpenick (1931) and the horror-comedy Unheimliche Geschichten/Uncanny Stories (1932) starring Paul Wegener. Being Jewish, Oswald was forced to flee Nazi Germany, first for occupied France and later emigrating to the United States.

Alex Benno had also written the screenplay for Bleeke Bet. It was based on a popular stage melodrama, written by Herman Bouber in 1917. Benno and Bouber made a silent version of Bleeke Bet in 1923 with Alida van Gijtenbeek as Bet. After the amazing box office success of the sound film De Jantjes/The Tars (Jaap Speyer, 1933), also based on a play by Bouber, Benno got the green light for a sound version of Bleeke Bet.

In the new sound version, Bouber's wife, Aaf Bouber, played the title role of Bleeke Bet, a greengrocer in the Jordaan, the old neighbourhood in the heart of Amsterdam. Bet wants her daughter Jans (Jopie Koopman) to marry the son of a dodgy businessman, but Jans loves sailor Ko (the young Johannes Heesters).

Bet's attempts to drive them apart come to nothing but when Ko is reported lost at sea, a desperate Jans gives in to her mother's wishes. On the wedding day, Ko turns out to be alive and just in time to take his rightful place at the altar next to Jans. The still on the last postcard of this post shows the happy ending with Fien de la Mar as Ka in the centre.

Fien de la Mar, Bleeke Bet
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Monopole Film. Fien(tje) de la Mar in Bleeke Bet (1934, Alex Benno, Richard Oswald). Collection: Geoffrey Donaldson Institute.

Johannes Heesters, Bleeke Bet
Dutch postcard by M. B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film, Rotterdam / Maarseveen, Den Haag. Johan(nes) Heesters in Bleeke Bet (1934).

Corry Vonk
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film / Dick van Maarseveen, Den Haag. Corrie Vonk in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Johan Elsensohn
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Monopole Film. Johan Elsensohn in Bleeke Bet (1934). Collection: Geoffrey Donaldson Institute.

Fien de la Mar
Dutch Postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag. Fien de la Mar in Bleeke Bet (1934).

Sylvain Poons in Bleeke Bet (1934)
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag. Sylvain Poons in Bleeke Bet (1934).

Nazi censors


Bleeke Bet was a commercial success and would be re-issued in 1941 and 1961. In 1941 Jewish actors like Sylvain Poons were cut out of the picture by the Nazi censors.

Poons as the ice cream salesman Sally sings an evergreen in the film, 'IJslied' (Ice cream Song). The music was composed by emigrant Hans May and the lyrics were written by the later collaborator, Jacques van Tol.

The film has more wonderful songs, including Fien de la Mar's torch song 'Ik wil gelukkig zijn' (I want to be happy).

Fien de la Mar, Sylvain Poons and Johan Elsensohn as Bet's husband got positive reviews in the Dutch newspapers for their performances. The voice of Johannes Heesters was also complimented.

However, the film's reviews were mixed, but it did not matter to the producer: the public loved it.

Bleeke Bet
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Still of a set built for Bleeke Bet (Alex Benno, Richard Oswald, 1934), a street in the old neighbourhood De Jordaan in Amsterdam. Set designer was Hans Ledersteger. The set would be used again for several other films.

Fien de la Mar & Jopie Koopman in Bleeke Bet
Dutch postcard by Monopole Film. Photo: Maarseveen, Den Haag. Fien(tje) de la Mar and Jopie Koopman in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Bleeke Bet (1934)
Dutch postcard by Monopole Film, Amsterdam. Photo: Maarseveen, Den Haag. Johan Elsensohn, Jopie Koopman, Clara Vischer-Blaaser, Corry Vonk, Fien de la Mar and Jan van Ees in Bleeke Bet (Richard Oswald, Alex Benno, 1934).

Aaf Bouber, Sylvain Poons, Corrie Vonk, Fien de la Mar, Jopie Koopman, Mevr. Fischer in Bleeke Bet
Dutch postcard by Monopole Film, Amsterdam. Photo: Maarseveen, Den Haag. Clara Vischer-Blaaser, Aaf Bouber, Sylvain Poons, Corry Vonk, Fien de la Mar and Jopie Koopman in Bleeke Bet (Richard Oswald, Alex Benno, 1934).

Fien de la Mar in Bleeke Bet
Dutch Postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag (The Hague). Publicity still for Bleeke Bet (1934) with the main cast for the happy ending.

Johan Heesters in Bleeke Bet (1934)
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag. Johan(nes) Heesters in Bleeke Bet (Richard Oswald, Alex Benno, 1934).

Sources: Wikipedia (Dutch and English) and IMDb.