Showing posts with label Fien de la Mar. Show all posts
Showing posts with label Fien de la Mar. Show all posts

03 February 2025

Fien de la Mar

Tonight at the International Film Festival Rotterdam is the world premiere of Ik wil gelukkig zijn/One Life is not enough (2016). Annette Apon directed this documentary about one of the few real film stars of the Netherlands, Fien de la Mar (1898-1965). This Dutch Diva starred in several films during the 1930s when a Dutch Hollywood was created by German emigrants like Richard Oswald, Ludwig Berger and Max Ophüls. Fien sang a song about this curious phenomenon in the short film Hollandsch Hollywood/Dutch Hollywood (Ernst Winar, 1933).

Fien de la Mar
Dutch postcard by JosPe. Sent by mail in 1935. Photo: Godfried de Groot.

Fien de la Mar
Dutch Postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Publicity still for Bleeke Bet (1934).

Fien de la Mar, Bleeke Bet
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Monopole Film. Fien(tje) de la Mar in Bleeke Bet (Alex Benno, Richard Oswald, 1934). Collection: Geoffrey Donaldson Institute.

Capricious


Before WW II, the actress and cabaret artist was known as Fientje de la Mar. She was born in 1898 and named after Josephine de Beauharnais, the first wife of Napoleon Bonaparte. Her grandfather, Charles de la Mar, was an admirer of the French emperor and had called his son Napoleon (Nap).

Both her grandfather and father were famous Dutch actors and Fien started her stage career in 1917 when she was still a school girl. Immediately Fientje showed talent but also a huge temper. She would become a glamorous and capricious stage star, who loved liquor and would have many lovers.

Her feature film debut was the extremely successful musical De Jantjes/The Tars (Jaap Speyer, 1934), one of the first Dutch sound films. The three title characters were played by Willy Costello, Johan Kaart and Fien's lover Jan van Ees.

Fien's second feature was Bleeke Bet/Pale Betty (Richard Oswald, Alex Benno, 1934). In this film, she sings her torch song 'Ik wil gelukkig zijn' (I want to be happy). Bleeke Bet (1934) was based on a popular stage melodrama by Herman Bouber, who also wrote the screenplay. His wife, Aaf Bouber, played the title role, a greengrocer of the Jordaan, the old neighbourhood in Amsterdam. Bet wants her daughter Jans (Jopie Koopman) to marry a rich man, but Jans loves sailor Ko (the young Johannes Heesters - right on the photo).

The film was a success and was reissued in 1941 and 1961. In 1941, the Jewish actors like Sylvain Poons (also on the photo) were cut out of the picture by the Nazi censors. Poons as the ice-cream salesman Sally sings an evergreen in the film, 'IJslied' (Ice-cream Song). The music was composed by emigrant Hans May and the lyrics were written by the later collaborator, Jacques van Tol.

Aaf Bouber, Sylvain Poons, Corrie Vonk, Fien de la Mar, Jopie Koopman, Mevr. Fischer in Bleeke Bet
Dutch postcard by Monopole Film, Amsterdam. Photo: Maarseveen, Den Haag. Clara Vischer-Blaaser, Aaf Bouber, Sylvain Poons, Corry Vonk, Fien de la Mar and Jopie Koopman in the Dutch tragicomedy Bleeke Bet (Richard Oswald, Alex Benno, 1936).

Fien de la Mar
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film / Dick van Maarseveen, Den Haag. Fien(tje) de la Mar in Bleeke Bet (1934).

Fien de la Mar in Bleeke Bet
Dutch Postcard. Photo: Dick van Maarseveen. Publicity still for Bleeke Bet (1934).

Fien de la Mar & Jopie Koopman in Bleeke Bet
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Publicity still for Bleeke Bet (1934) with Jopie Koopman.

Bleeke Bet (1934)
Dutch postcard by Monopole Film, Amsterdam. Photo: Maarseveen, Den Haag. Johan Elsensohn, Jopie Koopman, Clara Vischer-Blaaser, Corry Vonk, Fien de la Mar and Jan van Ees in Bleeke Bet (Richard Oswald, Alex Benno, 1934).

Fien de la Mar & Jopie Koopman in Bleeke Bet
Dutch postcard by Monopole Film. Photo: Maarseveen, Den Haag. Fien(tje) de la Mar and Jopie Koopman in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Tragic end


Bleeke Bet proved to be another hit, and the following year, Fien de la Mar would star in three more films. In the musical Op stap/On the Road (Ernst Winar, 1935), she sang a song, spectacularly accompanied by a dozen pianos.

Her co-star in this film was Frits van Dongen who later would have a Hollywood career as Philip Dorn. They also appeared together in the comedy De Big van het regiment/The Regiment's Mascot (Max Nosseck, 1935).

Her later films include Klokslag twaalf/12 'O Clock (Léo Joannon, 1936) - an alternate language version of Quand minuit sonnera (Léo Joannon, 1936) starring Marie Bell, De spooktrein/The Ghost Train (Carl Lamac, 1939) with Jan Musch, and Ergens in Nederland/Somewhere in the Netherlands (Ludwig Berger, 1940) with Lily Bouwmeester and actor-author Jan de Hartog.

A few weeks after the premiere of the latter film the Second World War started and the film was forbidden by the Nazis. In 1943 Fien refused to work for the Nazi regime and her career halted. After the war, she made a glorious stage comeback, and she even had her own theatre for a while. She worked for television, but would not make any more films.

Her life ended tragically in 1965. Fien de la Mar jumped out of the window of her Amsterdam apartment and died a few days later in a hospital. Her legend is kept in an excellent biography by Jenny Pisuisse (1982), a CD and in the stage and television musical Fien (Jan Keja, 1985) with Jasperina de Jong as Fien. And now there is this new documentary by Annette Apon.

Fien de la Mar in Op stap
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Nationaal Film. Fien(tje) de la Mar in Op stap/On the Road (Ernst Winar, 1935).

Fien de la Mar, Frits van Dongen in Op stap
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Nationaal Film. Publicity still for Op stap/On the Road (Ernst Winar, 1935) with Frits van Dongen.

Fien de la Mar and Hansje And(e)riesen in De big van het regiment
Dutch postcard by NV Monopole Film. Photo: Maarseveen. Fien(tje) de la Mar and Hansje Anderiesen (aka Jansje Andriessen and Hansje Andriesen) in De Big van het regiment (Max Nosseck, 1935).


Clip from Bleeke Bet (1934) with Fien singing 'Ik wil gelukkig zijn'. Source: Brassens66 (YouTube).


Final scene from Op stap/On the Road (1935). Source: CaptainvonTrapp (YouTube).


Trailer for Ik wil gelukkig zijn/One Life is not enough (2016). Source: SNG Film (YouTube).

Sources: Wikipedia, Wim Ibo (Huygens ING) and IMDb.

This post was last updated on 30 April 2025.

23 May 2024

Bleeke Bet (1934)

The tragi-comedy Bleeke Bet/Pale Betty (Richard Oswald, Alex Benno, 1934) was one of the first Dutch sound films. The distributor Monopole Film ordered a series of postcards with pictures by photographer Dick van Maarseveen to promote the film. The film was a success in the Dutch cinemas.

Aaf Bouber, Bleeke Bet
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Monopole Film. Aaf Bouber in Bleeke Bet (Alex Benno, Richard Oswald, 1934). Collection: Geoffrey Donaldson Institute.

Jopie Koopman, Bleeke Bet
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Jopie Koopman in Bleeke Bet (Alex Benno, Richard Oswald, 1934). Collection: Geoffrey Donaldson Institute.

Fien de la Mar & Jopie Koopman in Bleeke Bet
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Fien de la Mar and Jopie Koopman in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Fien de la Mar
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film / Dick van Maarseveen, Den Haag. Fien(tje) de la Mar in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Sylvain Poons and Johan Heesters in Bleeke Bet (1934)
Dutch postcard by Monopole Film, Amsterdam. Photo: Dick van Maarseveen, Den Haag. Sylvain Poons and Johan Heesters in Bleeke Bet (Richard Oswald, Alex Benno, 1934). Collection: Geoffrey Donaldson Institute.

A greengrocer in the Jordaan


The directors of Bleeke Bet/Pale Betty (1934) were Alex Benno, who had already directed several silent Dutch films and the Austrian director, producer, and screenwriter Richard Oswald.

From 1914 on, Oswald made dozens of films in Weimar Germany, including the comedy Der Hauptmann von Köpenick/The Captain from Köpenick (1931) and the horror-comedy Unheimliche Geschichten/Uncanny Stories (1932) starring Paul Wegener. Being Jewish, Oswald was forced to flee Nazi Germany, first for occupied France and later emigrating to the United States.

Alex Benno had also written the screenplay for Bleeke Bet. It was based on a popular stage melodrama, written by Herman Bouber in 1917. Benno and Bouber made a silent version of Bleeke Bet in 1923 with Alida van Gijtenbeek as Bet. After the amazing box office success of the sound film De Jantjes/The Tars (Jaap Speyer, 1933), also based on a play by Bouber, Benno got the green light for a sound version of Bleeke Bet.

In the new sound version, Bouber's wife, Aaf Bouber, played the title role of Bleeke Bet, a greengrocer in the Jordaan, the old neighbourhood in the heart of Amsterdam. Bet wants her daughter Jans (Jopie Koopman) to marry the son of a dodgy businessman, but Jans loves sailor Ko (the young Johannes Heesters).

Bet's attempts to drive them apart come to nothing but when Ko is reported lost at sea, a desperate Jans gives in to her mother's wishes. On the wedding day, Ko turns out to be alive and just in time to take his rightful place at the altar next to Jans. The still on the last postcard of this post shows the happy ending with Fien de la Mar as Ka in the centre.

Fien de la Mar, Bleeke Bet
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Monopole Film. Fien(tje) de la Mar in Bleeke Bet (1934, Alex Benno, Richard Oswald). Collection: Geoffrey Donaldson Institute.

Johannes Heesters, Bleeke Bet
Dutch postcard by M. B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film, Rotterdam / Maarseveen, Den Haag. Johan(nes) Heesters in Bleeke Bet (1934).

Corry Vonk
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Monopole Film / Dick van Maarseveen, Den Haag. Corrie Vonk in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Johan Elsensohn
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Monopole Film. Johan Elsensohn in Bleeke Bet (1934). Collection: Geoffrey Donaldson Institute.

Fien de la Mar
Dutch Postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag. Fien de la Mar in Bleeke Bet (1934).

Sylvain Poons in Bleeke Bet (1934)
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag. Sylvain Poons in Bleeke Bet (1934).

Nazi censors


Bleeke Bet was a commercial success and would be re-issued in 1941 and 1961. In 1941 Jewish actors like Sylvain Poons were cut out of the picture by the Nazi censors.

Poons as the ice cream salesman Sally sings an evergreen in the film, 'IJslied' (Ice cream Song). The music was composed by emigrant Hans May and the lyrics were written by the later collaborator, Jacques van Tol.

The film has more wonderful songs, including Fien de la Mar's torch song 'Ik wil gelukkig zijn' (I want to be happy).

Fien de la Mar, Sylvain Poons and Johan Elsensohn as Bet's husband got positive reviews in the Dutch newspapers for their performances. The voice of Johannes Heesters was also complimented.

However, the film's reviews were mixed, but it did not matter to the producer: the public loved it.

Bleeke Bet
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen. Still of a set built for Bleeke Bet (Alex Benno, Richard Oswald, 1934), a street in the old neighbourhood De Jordaan in Amsterdam. Set designer was Hans Ledersteger. The set would be used again for several other films.

Fien de la Mar & Jopie Koopman in Bleeke Bet
Dutch postcard by Monopole Film. Photo: Maarseveen, Den Haag. Fien(tje) de la Mar and Jopie Koopman in Bleeke Bet (Alex Benno, Richard Oswald, 1934).

Bleeke Bet (1934)
Dutch postcard by Monopole Film, Amsterdam. Photo: Maarseveen, Den Haag. Johan Elsensohn, Jopie Koopman, Clara Vischer-Blaaser, Corry Vonk, Fien de la Mar and Jan van Ees in Bleeke Bet (Richard Oswald, Alex Benno, 1934).

Aaf Bouber, Sylvain Poons, Corrie Vonk, Fien de la Mar, Jopie Koopman, Mevr. Fischer in Bleeke Bet
Dutch postcard by Monopole Film, Amsterdam. Photo: Maarseveen, Den Haag. Clara Vischer-Blaaser, Aaf Bouber, Sylvain Poons, Corry Vonk, Fien de la Mar and Jopie Koopman in Bleeke Bet (Richard Oswald, Alex Benno, 1934).

Fien de la Mar in Bleeke Bet
Dutch Postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag (The Hague). Publicity still for Bleeke Bet (1934) with the main cast for the happy ending.

Johan Heesters in Bleeke Bet (1934)
Dutch postcard by Monopole Film, Rotterdam. Photo: Dick van Maarseveen, Den Haag. Johan(nes) Heesters in Bleeke Bet (Richard Oswald, Alex Benno, 1934).

Sources: Wikipedia (Dutch and English) and IMDb.

04 October 2018

Op stap (1935)

During The Netherlands Film Festival, we join with our little The Netherlands Film Star Postcard Festival. The 38th edition of NFF takes place from 27 September till 5 October 2018, and celebrates the achievements of Dutch filmmakers. We salute Op Stap/On the Road (1935), a Dutch musical comedy film directed by Ernst Winar. Star of the film is Fien de la Mar, the only diva of the Dutch cinema of the 1930s.

Fien de la Mar in Op stap
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Nationaal Film. Publicity still of Fien(tje) de la Mar in Op stap/On the Move (Ernst Winar, 1935).

Henriëtte Davids and Jopie Koopman in Op stap (1935)
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Nationaal Film. Publicity still for Op stap/On the Move (Ernst Winar, 1935) with Henriëtte Davids and Jopie Koopman.

Surprises and misunderstandings


In Op stap/On the Road (1935), Louis Davids plays Janus Fortuin, a goodhearted piano tuner and song writer who sees life with mild mockery. He lives poor but satisfied with wife (Henriëtte Davids) and daughter Polly (Jopie Koopman) in the south of Amsterdam. Janus has accepted that he will never amount to anything more. But he still hopes his daughter's fiancé George (Frits van Dongen) will be more successful as a songwriter.

When rich uncle Barend (Adolphe Engers) from Batavia makes a surprise visit. The family does not rrecognise him and he immediately realises that Janus' wife is a greedy landlady. Barend pretends to be a lodger called 'Van Santen' and moves into the Fortuin home.

Barend brings the family in contact with the singer and film star Bella Ramona (Fien de la Mar), which leads to the necessary misunderstandings. Moreover, there is confusion around false checks.

At the end everything is fine: Barend leaves Schiphol for Batavia and George has a hit with his song 'Op stap'. And Janus Fortuin? He is as poor as ever and sings full-length: "Als je voor een dubbeltje geboren bent, bereik je nooit een kwartje" (If you are born for a dime, you never reach a quarter).

Director of the film was the little known Dutch actor Ernst Winar, who appeared in 34 films between 1916 and 1955, in The Netherlands and as well in Germany. From 1921 on, Winar was also active as a director and he made 14 films between 1922 and 1955. In the 1960s he was the editor of the first, short films of Paul Verhoeven.

Both Jewish cabaretier Louis Davids and his sister Henriette Davids were popular revue artists in the Netherlands. Frits van Dongen would become an international film stars who continued his career first in Germany and later n Hollywood as Philip DornFien de la Mar is the glamorous star of this film, and one of the highlights of the films is her song Een Schlager gaat op stap, in which she is accompanied by twelve pianists.

The story of the film was based on an idea of songwriter Jacques van Tol, who also wrote several of the songs. Van Tol was the main lyricist for Louis Davids. Before the Second World War, Van Tol already sympathised with the Dutch Nazi Party, the NSB. Louis Davids died in 1939, Henriette survived the holocaust in hiding, van Tol became during the war, using the alias 'Paulus de Ruiter' the principal writer for the infamous nazi-oriented 'Paulus de Ruiter-cabaret' on Dutch radio. He even rewrote his song De klein man (The little man), originally sung by Louis Davids, with new fully antisemitic lyrics.

After the war Jacques van Tol was arrested and sentenced to prison for a few years, because of his cooperation with the Nazis. After his release he started writing songs again, never using his own name. Van Tol even wrote the farewell song for Henriëtte Davids. Though he had been writing songs for more than 50 years, Van Tol never became famous. When he was writing for Op stap about 'being born for a dime', he must have realised he was describing his own life.

Louis Davids, Rik and Adolphe Engers in Op stap (1935)
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Nationaal Film. Publicity still for Op stap/On the Move (Ernst Winar, 1935) with Louis Davids, the dog Rik and Adolphe Engers.

Fien de la Mar, Frits van Dongen in Op stap
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Nationaal Film. Publicity still for Op stap/On the Move (Ernst Winar, 1935) with Fien de la Mar and Frits van Dongen.

Henriëtte Davids, Adolphe Engers and Jopie Koopman in Op stap (1935)
Dutch postcard by M.B. & Z. (M. Bonnist & Zonen, Amsterdam). Photo: Dick van Maarseveen, Den Haag / Nationaal Film. Publicity still for Op stap/On the Move (Ernst Winar, 1935) with Henriëtte Davids, Adolphe Engers and Jopie Koopman.

Sources: Sybrand Bakker (IMDb), Eye (Dutch), Wikipedia (Dutch and English) and IMDb.