The Coast to Coast Blues Band
Bellestar Lounge
Colden, NY
April 4, 1979
Soundboard @320
**************************************
NOTE: This Is Gonna Be My Last Post HERE!
I'd like to Thank Everyone Associated with These Blogs. I've been shown Nothin' but Kindness and Acceptance Here, and I Appreciate it very much!
Ain't Life Kinda Funny?
I made one Comment Here a few months ago (After Many Years of Blog Silence!) and one thing leads to another - next thing I know I'm Bloggin & Sharin' Music, Again! And, I've had a Blast!
But, Lately, somethin' in the back of my mind has been tryin' to tell me somethin' - and I finally figured out what it was: It's Time for Me to Go Back Home - Back to The BARN!
So, IF You have Time and/or the Desire to Visit Another Blog... I'll Be Over HERE:
Keep Rockin' and Playin' It LOUD!
NEW LINK: 2/1/21
* REBOOTED FROM THE OLD FBS ARCHIVES
* ORGINALLY POSTED BY V-CHILE
DISC 1
1. STONE FREE
2. DRUM SOLO
3. ARE YOU EXPERIENCED
4. STONE FREE
5. SUNSHINE OF YOUR LOVE
6. FIRE
7. HEAR MY TRAIN A COMIN'
8. RED HOUSE
9. FOXY LADY
10. LIKE A ROLLING STONE
11. VOODOO CHILD
12. PURPLE HAZE
13. OUTRO
* DISC 2 is an audience recording of the first 7 songs from above then from cut 8 on are other cuts which are
8. PURPLE HAZE
9. PAPER AIRPLANES
10. RED HOUSE
11. WE GOTTA LIVE TOGETHER
12. FEELING SO GOOD
13. GYPSY EYES
14. THE THINGS I USED TO DO
DISC 3
1. POWER OF SOUL JAM
2. FEEL SO GOOD JAM (WITH ERIC BURDON)
Today it’s hard to understand how the lightly psychedelic pop-rock of
the Soft Boys was ever considered anything close to punk. Frontman Robyn
Hitchcock is basically just Elvis Costello without the need to appear
at every all-star jam. Underwater Moonlight sounds like the best
bar band in the world playing hits from a world that’s better than our
own. “I Wanna Destroy You” and “Queen of Eyes,” especially, should be
radio staples.—Garrett Martin
I Still Miss Warren Zevon! What with his witty and intelligent songwriting and sense of humor - he was truly one of a kind!
This Live Bootleg is from 1978 - and for some reason or another You don't see this one circulatin' around the net like The Record Plant show from the same year...
I personally like This one from Park West in Chicago 'cause of the Energy! I mean it's the same songs but there's somethin' more here... It says Soundboard on the Back Cover, But it's Clearly an FM Recording!
NOTE: You also get to hear the First Commercially Available Electronic Drum: the Syndrum made by Pollard. Like in Good Times Roll by The Cars and Feel Like Makin' Love by Bad Company, just to name a couple familiar examples. The Syndrum was capable of Many Sounds BUT mostly Only One was Used!
Warren and his band: Waddy Wachtel - lead guitar, Stanley Sheldon - bass, and Rick Marotta - drums, Rock and Roll through some now Classic Songs...
Sleep Well Warren...
NEW LINK: 2/4/21
The Vandals
Studio Z
San Francisco CA
1983-03-05
FM Broadcast @320
01. Pirate's Life
02. Copacabana (at the Copa)
03. Anarchy Burger (Hold the Government)
04. Hocus Pocus
05. Wanna Be Manor
06. Riders in the Sky
07. I'm a Fly
08. H.B. Hotel
09. Urban Struggle
10. Viking Suit
11. The Legend of Pat Brown
Steven Ronald Jensen ("Stevo") - Vocals
Jan Nils Ackermann - Guitar
Steve "Human" Pfauter - Bass
Joe Escalante - Drums
greetings from The Her(m)etic Garage
From the Original FBS archives...
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
(Not My)
Reviews:
"Live At Paleur is a soundboard recording taken from Dylan's 1984 tour of Europe. It captures a highly enjoyable performance from Dylan and his Mick Taylor-fronted band. This recording sets Dylan's vocals way out in front but I personally enjoy that mix. The band are a little buried on some of thew songs and there are occasional echoes on the vocals but if you don't mind these things then this is a great recording. It'd give and 8 or an 8.5 out of 10. Dylan sings most of the songs in the confident, swaggering style that characterised many of live performances in the 1980's. While this style is certainly not my favourite of Bob's "vocal characters", it works to good effect on many of the songs here. One thing that cannot be disputed is that 'Live At Palaeur' is a much better document of this tour than the patchy official release 'Real Live'. Ballad Of A Thin Man on 'Real Live' is a horrible, rushed parody of the song that appeared on 'Highway 61 Revisited'. Here Ballad... is one of the highlights of the set. The versions of Maggies Farm, Masters Of War and Tombstone Blues on this release also put their Real Live incarnations to shame. Other high points include the brilliant, rewritten Tangled Up In Blue, an interesting post-Gospel rewrite of When You Gonna Wake Up? ("When you gonna wake up? maybe you never will"), a passionate I & I and a beautiful performance of Every Grain Of Sand, which was still a relatively new song at that time. It's clear that Bob's having fun when he lets the audience sing on the chorus of Times They Are A-Changin' and Blowin' In The Wind. All in all, this is a highly entertaining show and I don't hesitate in giving it my stamp of approval (for whatever that's worth...) "
Disc 1:
01 - Disc one
02 - Highway 61 Revisited
03 - Jokerman
04 - All Along The Watchtower
05 - Just Like A Woman
06 - Maggie's Farm
07 - I And I
08 - License To Kill
09 - Hard Rain (acoustic)
10 - Tangled Up In Blue (acoustic)
11 - It's Alright Ma (I'm Only Bleeding) (acoustic)
12 - Simple Twist Of Fate
Disc 2:
01 - Masters Of War
02 - Ballad Of A Thin Man
03 - When You Gonna Wake Up
04 - Every Grain Of Sand
05 - Like A Rolling Stone (band introduction)
Encore:
06 - Mr Tambourine Man (acoustic)
07 - It Ain't Me Babe (acoustic)
08 - The Times
09 - I Shall Be Released
10 - Tombstone Blues
11 - Blowin' In The Wind
Band:
Mick Taylor - guitar
Ian MacLagan - keyboards
Greg Sutton - bass
Colin Allen - drums
Guest: Carlos Santana - guitar, last 4 tracks
pass - fbsvw
This band was the opening act: TALAS!
The pride of Buffalo, NY - they were/are (they still get together for reunions every now and again) a three piece band. And, they were the perfect opener for VH...
My friend (Hey, Eric!) and I were anticipating Eddie rippin' up the fretboard, but unbeknownst to us Talas featured a guy that also could also cut loose on the neck - of a BASS GUITAR!
His name is Billy Sheehan! (You may remember him from DLR, Mr. Big, The Winery Dogs, Etc., Etc.) His Bass Playing and Tone were Awesome and unlike anything I'd ever heard back then! They put on a great, rockin' show - Billy all over the bass and the stage! And, Dave and Paul were no slouches either!
This is their 2nd record, which is long Out Of Print!
IF You've never heard it - I highly recommend You do so Now!
NEW LINK: 2/3/21
*THANKS TO THE ORIGINAL POSTER
They may be from the South, But they're NOT Southern Rock (Although, several of their members have been a part of Southern Rock Bands like Molly Hatchet & The Outlaws during their off times)!
Putting just one Label or Category on them is tough...And, that probably led to a lack of success they deserve!
See, Mother's Finest IS Funk and Soul and R&B And ROCK! And they can't be nicely tied up (with a bow) in just one of those labels...So, the Record Companies and Radio Stations didn't really know what to do with them...But the audiences that saw them sure did! They've had several Albums go Gold, despite charting any singles!
Their biggest success (surprise) came in 1978 in Germany at Rockpalast... Where they made quite the impression on that part of the world, and are still beloved there in that part of Europe, like The Netherlands (where this concert comes from).
Mickey's Monkey a Holland/Dozier/Holland (Remember seeing those names on tons of records?) Composition, first recorded by Smokey and The Miracles, is probably their most famous tune, but it's not their best.
Excellent FM Recording during their Iron Age Tour back in '81...
(NEW LINK: 3/2/21)
TOMMY BOLIN
Teaser
Outtakes, demos and rehearsals
1975
Tech Info:
source: studio outtakes and demos
length: 55.39
quality: varying from A to B (and one C), most of it sounds pretty darn good
Size 538 BM
Tommy Bolin - Teaser & Private Eyes Out-takes and Demos
Remastered Tommy BOlin Demos and Out-takes. Took me a couple weeks to do this so i would not lose my sight of my goal and suffer listening fatigue!Thanks to Tolvis for sharing these and providing the source files. Many many thanks
---------------------------------
1. Crazed fandango
* outtake (corrected DC offsets, denoised, amplified (not crushed!), trimmed)
2. The grind
* full demo with vocals (trimmed, amplified)
3. The grind
* instrumental version of #2 with more prominent piano (trimmed, amplified)
4. Wild dogs
* demo (corrected DC offsets, denoised, amplified (not crushed!), trimmed)
5. Teaser
* instrumental rehearsal with count-in (corrected DC offsets, denoised, amplified (not crushed!), trimmed)
8. Homeward strut
* outtake (corrected DC offsets, denoised, amplified (not crushed!), trimmed)
9. Dreamer
* instrumental outtake (corrected DC offsets, denoised, amplified (not crushed!), trimmed)
10. Marching powder
* outtake (corrected DC offsets, denoised, amplified (not crushed!), trimmed)
11. Marching powder
* outtake, different version (corrected DC offsets, denoised, amplified (not crushed!), trimmed)
12. Lotus
* demo, poorest quality of the bunch (denoise)
13. dreamer (version 2)
* outtake, totally different recording (amplified, trimmed
14. You told me that you love me
* Instrumental, totally different guitarparts.
*denoised in iZotope, intro noise removed, faded out last 2 seconds
*amplified by 5db, headroom not crushed
15. Shake the devil
* Outtake, diff. mix, longer ending
-denoised in iZotope.
-sloping parametric bass boost
-hard limit by 2db, not crushed
16. Sweet burgundy
* Outtake, no guitar, different vocals
* noise reduction in Adobe Audition
*hard limit, 5db, not crushed.
*removed subsonic rumble at outtro, faded out.
17. Hello, again
* Outtake, guitar and vocals only, no strings overdubbed
* denoised in iZotope
* hard limit by 3db, not crushed
18. Gypsy soul
* Outtake, almost 40 seconds longer outro
-Denoised in iZotope
-faded in, faded out
-EQ'ed to bring up vocal slightly.
-hard limit by 2db, not crushed
19. Gypsy soul
* demo, acoustic guitar + vocals
-denoised in iZotope
-hard limit, 2db, not crushed
20. Gypsy soul
* rehearsal/demo, two guitars + bass
-denoised in iZotope
-amplified 20%, hard limited 2db - not crushed.
21. Bustin´ out for Rosey
* demo, different vocals
-denoised in iZotope (just the outtro)
-boosted bass (1db) and sloped vox (1.2db)
-trimmed dead space at beginning and end
22. Someday will bring our love home
* instrumental demo
-hard limit, 2.5db, not crushed
-dead space removed
23. Someday will bring our love home
* acoustic instrumental, two guitars
-denoised in iZotope
-amplified 20%
-hard limit 2.5db
24. Post toastee
* acoustic demo, guitar + vocals
--denoised in iZotope
--sloping high frequency boost
--channels amplied, not hard limited, separately
-beginning and ending trimmed noise
25. Untitled instrumental
* outtake
-denoised in Izotope
-trimmed
-amplied left and right independently, hard limit, 2db
26. Guitar snippet
* 53 seconds, Tommy counts in and plays a riff.
ENJOY or Not!
Link: http://www.mediafire.com/file/39r68i69euriomv/TB1975.zip/file
This is possibly the best unreleased recording of a complete show from the 'Moonmadness' tour....
Boarding House, San Francisco, California
26th June 1976
Radio broadcast, A-, 71min
Tech Info:
Format: Flac
Size: 304 MB
Quality: 10/10
Notes: Thanks to th original poster
This recording is one of the best documents of the band's 'Moonmadness' tour. Date is usually credited as 26th June, but 23rd is also mentioned. After their UK tour in support of the new album, Camel made a brief visit to the US, and this concert was recorded for FM radio broadcast. The set is similar to what they were playing at the time, with 'Another Night' instead of 'Lady Fantasy' being played as encore. Note that Mel Collins is not present on this recording, as he joined the band a little later in the year for live shows.
This recording has been widely traded since its first broadcast on KSAN FM, so there are many tape versions of varying quality floating around (some shorter ones missing 'Song Within a Song'). They all seem to originate from off-air masters, and the program seems to have been aired at least twice, judging by slight variations in station ID announcements.
A more contemporary version comes via the PRRP team, but their remaster 'Another Night' runs a little fast, and has noticeable denoising, muffling and artefacts. This version comes to me from a 3rd-generation tape in the custodianship of David D, radio broadcast researcher and collector extraordinare. It is possibly the best source for this show that has come to light so far.
My thanks to David for offering me a fine tape transcription, which I have remastered; balancing the volumes throughout the program (they were all over the place), reduced to mono to stabilize the stereo image (as it is a mono recording), and applying a very gentle equalisation curve (a little more punch in the bass, and drop the brightness in the upper mids), and editing the set together. The recording sounds quite bright in places, and a little dull in others. I've concluded that is not the eq, so much as an erratic live mix, and the prominence of Latimer's guitar, which seemed to have a particularly edgy tone on this occasion.
So here it is, an upgrade for all of you, I hope. Enjoy!
Set list:
1. Aristillus (tape)
2. Song Within a Song
3. The Great Marsh >
4. Rhayader >
5. Rhayader Goes to Town
6. Air Born
7. Chord Change
8. Procession > The White Rider
9. Lunar Sea
10. Preparation >
11. Dunkirk
12. Another Night
The Band:
Andy Latimer; guitars, flute
Pete Bardens; keyboards
Doug Ferguson; bass
Andy Ward; drums
Enjoy or Not!
Link: http://www.mediafire.com/file/j9oc428huh7g9ma/Camels1976.rar/file
From the Original FBS archives...
Thanks to the original source!
pass- fbsvw