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quarta-feira, 10 de dezembro de 2025

Luís Tinoco - KOKYUU [2025]


DESCARGA (320 Kbps) 2 x 💿 CD

O compositor português Luís Tinoco lançou o álbum duplo "KOKYUU" em novembro de 2025. O título, que em japonês significa "respiração", foi escolhido pelo compositor para refletir o tema das obras. 
O álbum, editado pela Artway, é uma compilação de cinco obras concertantes para orquestra e solista, escritas por Tinoco entre 2019 e 2024: 
CD 1:
"Kokyuu – Concerto for Alto Saxophone and Orchestra", com o saxofonista Ricardo Toscano.
"Work Songs" (Canções de Trabalho), para voz e orquestra, com a cantora Lívia Nestrovski.
"Cello Concerto No. 2", com o violoncelista Filipe Quaresma.
A Orquestra Metropolitana de Lisboa, dirigida por Pedro Neves, acompanha nestas três peças.
CD 2:
"Accordion Concerto", com o acordeonista João Barradas.
"Entre Silêncios", concerto para clarinete e orquestra, com o clarinetista Horácio Ferreira.
A Orquestra Sinfónica do Porto Casa da Música, dirigida por Joana Carneiro e Bastien Stil, acompanha nestas obras, que foram gravadas ao vivo. 
O álbum "KOKYUU" está disponível em formato CD e nas principais plataformas de streaming e download digital, como a Qobuz.

quarta-feira, 30 de outubro de 2024

Luís Figueiredo - Anima [2024]


DESCARGA (320 Kbps)

DISCO 💿 DE QUALIDADE

"Anima" is a suite for string orchestra and soloists, written in 2022-2023. It’s a journey through human condition in its multiple states of mind and emotions, a sort of “treatise on the passions of heart”, borrowing from author António Lobo Antunes. It is structured in seven movements. Two of those movements were composed for string orchestra alone, whereas the remaining five also feature soloists playing a combination of written and improvised material. At first I tried to dedicate each movement to a specific state of mind or emotion or human experience, but then I felt trapped by this idea as the music would have to be rather literal, narrative, programmatic. And so I decided to try and look at the work as a whole, and evoke several experiences in each movement. That is why the movements are simply called Parts. Some of them have a sort of song-like feel, others are less motivic and therefore promote a less narrative experience - closer to a film soundtrack, I would say. Nevertheless, I’m sure the attentive listener will find recurring ideas that support the whole piece as the Parts and the various moods unfold.

The entire work is traversed by a latent yet very much central idea, which is what I would call a praise of humanity: its potential, its struggles, its excesses, its shortcomings. All is expressed by the myriad of humankind’s emotional spectrum. Music is a messenger of that spectrum, a herald of the humanity that lives within all of us and is so often restrained by contemporary life and by social and personal constraint. There is also, therefore, a message of freedom in this music: the freedom to be, to feel, to create and to be dazzled by Art and Beauty.

This work took most of my time for about two years, but I remained passionate about it throughout the whole time, because I could foresee its intensity, the sonic dimension it would assume, and the important role it would play within my own path as a musician. All I can hope now is that somehow it will resonate in the listeners’ hearts in a way that is meaningful for them as well.

I was assisted by many people in the making of this work, without whom it would never see the daylight. To all of them, my most heartfelt appreciation. Pedro Neves and everyone at Orquestra Metropolitana de Lisboa (so many friends!) for being so respectful of the work and always putting the music first. Diogo, Eivind, Julian and Martín, for immediately jumping on board and then making the music sound so beautifully - it is truly a privilege. João Ganho, for starting out as a thorough and caring professional, and then becoming as passionate for this work as I was. Cláudia Pereira da Silva, for the constant support and friendship. Vanessa Pires and Catarina Ribeiro at Artway, for kickstarting the production process. Filipe Carvalho and everyone at Convento de São Francisco (Coimbra) for making the piano recording possible. Paulo Pimentel, for the excellence and care he always puts in his work. Miguel Lima and Festival das Artes Quebra Jazz for providing the most wonderful venue for the premiere of this piece. All my love goes to my family, who endures all my adventures with a smile, no matter the costs.

This work would not be possible without the invaluable financial support of SPA - Sociedade Portuguesa de Autores. 

lançado em 5 de julho de 2024

Musicians/Soloists:
Diogo Duque: trumpet
Eivind Aarset: guitars and electronics
Julian Argüelles: soprano sax
Luís Figueiredo: piano
Martín Sued: bandoneón

Orquestra Metropolitana de Lisboa
Conductor: Pedro Neves
Violin I: Ana Pereira, José Pereira, Diana Tzonkova, Joana Dias, Alexei Tolpygo, Ana Filipa Serrão, Inês Marques, Miguel Ferreira, João Martins, Leonor Palha
Violin II: Ágnes Sárosi, José Teixeira, Daniela Radu, Nonna Manicheva, Anzhela Akopyan, Ana Oliveira, Raquel Cravino, Bernardo Aguiar
Viola: Joana Cipriano, Santiago Medina, Diogo Lopes, Andrei Ratnikov, Sérgio Sousa, Joana Tavares, Juliana Lopes
Cello: Nuno Abreu, Ana Cláudia Serrão, Jian Hong, Tiago Mirra, Pedro Serra e Silva
Double Bass: Ercole de Conca, Vladimir Kouznetsov, Margarida Ferreira

Music composed and arranged by Luís Figueiredo
Recording, editing, mixing and mastering: João Ganho. Recording assistant: Cláudia Pereira da Silva. Audio equipment: João Ganho Sound Services and Til Artists. Recorded at Valentim de Carvalho Studios and Convento de São Francisco, Coimbra (Portugal), between October 2023 and February 2024. Guitars on track 7 recorded and mixed by Eivind Aarset in Fjellstrand (Norway) in December 2023. Piano technician: Paulo Pimentel (Ébano e Marfim). Produced by Luís Figueiredo.

Design & artwork by Travassos
Photos by Martim Torres, except Luís Figueiredo (at the piano) by David Ferro, and Diogo Duque and Eivind Aarset by Luís Figueiredo

jazz composition improvised music jazz and improvised music orchestral string orchestra Lisbon

domingo, 7 de abril de 2019

Pedro Neves - Murmuration (FLAC) [2019]


YANDEX (FLAC)

european jazz, jazz, contemporary jazz, piano, trio, Portugal

terça-feira, 27 de dezembro de 2016

Pedro Neves - 05:21 [2016]


PARTILHAR (320 Kbps)

sábado, 7 de novembro de 2015

Bruno Macedo Quartet - 8MM [2015]


DESCARGA (320 Kbps)

BELÍSSIMO DISCO DE BRUNO MACEDO. PARECE QUE É O ÚNICO TRABALHO QUE ELE PUBLICOU ATÉ AGORA. INFELIZMENTE SÓ CHEGOU AQUI AO BLOG PASSADOS QUASE 10 ANOS.
MAS CHEGOU 😄😄
(PEÇO-VOS QUE NÃO ME PERGUNTEM COMO É QUE EU DESCUBRO ESTAS PRECIOSIDADES 🤣🤣🤣)

8mm is the debut album of guitarist´s Bruno Macedo as a leader and composer, after numerous participations with several artists from the Portuguese music scene.

A jazz album with a modern and uncompromised sound, made of soundscapes and a strong thematic link with the seventh art, such as the theme that gives the name to the album.

For that it has the complicity and mastery of Pedro Neves in Piano, Miguel Ângelo in DoubleBass and Leandro Leonet in Drums.

Bruno Macedo also invited keyboardist Miguel Ferreira to join the quartet in the last Theme (Tempestade).

lançado em 29 de janeiro de 2015

Bruno Macedo: Guitar
Pedro Neves: Piano
Miguel Ângelo: Double bass
Leandro Leonet: Drums
Special appearance Miguel Ferreira on keyboards, in the track Tempestade

All compositions by Bruno Macedo

Recorded, Mixed and Mastered at Boom Studios By João Bessa, on 16 and 17 of June 2014
Produced By Bruno Macedo

jazz film music jazz jazz and improvised music modern jazz Porto

terça-feira, 26 de março de 2013

Pedro Neves - Ausente [2013]


PARTILHAR (320 Kbps)

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