Saturday, April 5, 2025

Natural Blues - Extraordinary Times (The Duo Sessions)

Size: 209 MB
Time: 29:54
File: Flac
Released: 2020
Styles: Blues
Art: Front

1. Muddy Waters (2:59)
2. I Hear My Phone Ringing (4:45)
3. Fishing Blues (3:23)
4. Sweet Goddess Blues (3:26)
5. Rockin’ Goddess Blues (3:20)
6. Weepin’ n’ Moanin’ (3:46)
7. Three O’clock in the Mornin’ (5:16)
8. I Can’t Breathe (2:55)

Extraordinary Times (The Duo Sessions) 2020 will go down in history because of the wide-ranging impact of the COVID-19 pandemic on mankind. Natural Blues also suffered greatly from this situation. And not only because concerts did not take place due to the lockdown, the current production of this German-Austrian band was also affected by a border closure lasting several weeks. However, with patience and perseverance it was possible to record and produce this EP.

The Natural Blues Duo Norbert Egger (Vocals & Guitars) & Alex Meik (Double Bass, E-Bass & Vocals) - along with their guests - addresses these “EXTRAORDINARY TIMES” in their music. The dramatic global effects of the Corona pandemic, the existential threat for artists, increasing racism culminating in multiple racist murders, the fateful elections, and the shameful behaviour of the outvoted Donald J. Trump were a motivation and provided themes for these songs.

The duo’s music on this “disc” ranges widely, from classical “unplugged” Country and Delta Blues to the street band style of Chicago’s Maxwell Street to modern Blues Rock. And as if this rich variety were not enough for one EP, it is enriched even more by the contributions of the two guest musicians, Hubert Hofherr (Blues Harp) and Michael Alf (Piano)! The lyrics are diverse - the song texts cover political issues, classical Blues lyrics, and love songs.

Whether live or via studio production: you shouldn’t miss out on hearing the Natural Blues Duo Norbert Egger & Alex Meik. Natural Blues is the Blues formation created in Hamburg by Norbert Egger (guitar and vocals) in 1982. Initially intended as a “side project”, with its incredibly diverse power Blues and extravagant show, the band evolved to become a main act.

After the death of the founding member and outstanding Blues harp player Heiko Petcke in 2017, Norbert Egger re-formed and expanded the band. At the new formation, Alex Meik (double bass), Hubert Hofherr (Blues harp), and Stefan Schubert (guitar and vocals) joined the band. Blues from all eras of its history is presented, from the earliest country blues on acoustic instruments to the Blues of the 1920s, Mississippi Delta Blues, Chicago Blues and current Blues Rock. As live act, Natural Blues offers an extraordinary stage performance: it is captivating and entertaining, when band leader Norbert Egger throws his jacket across the stage, letting his slide guitar scream while sliding on his knees or lying on the floor, Hubert Hofherr is doing his magic with the Blues harp, Stefan Schubert conjures up his brilliant solos on the parquet, or the whole band involves the audience as a huge background choir.

Natural Blues is elemental primal power, music and a show really worth listening to, captivating any audience!

Extraordinary Times (The Duo Sessions) FLAC

Friday, April 4, 2025

Various Artists - Drop Down Mama

Album: Drop Down Mama
Size: 95,3 MB
Time: 41:11
File: MP3 @ 320K/s
Released: 1970
Styles: Blues
Art: LP front & back

1. Johnny Shines - So Glad I Found You (2:26)
2. Robert Nighthawk - Sweet Black Angel (3:03)
3. Robert Nighthawk - Anna Lee (3:14)
4. Big Boy Spires - One Of These Days (3:38)
5. Honey Boy Edwards - Drop Down Mama (2:36)
6. Floyd Jones - Playhouse (2:43)
7. Big Boy Spires - Murmur Low (2:41)
8. Floyd Jones - You Can't Live Long (2:51)
9. Johnny Shines - Joliet Blues (2:39)
10. Robert Nighthawk - Jackson Town Gal (2:51)
11. Robert Nighthawk - Return Mail Blues (3:15)
12. Blue Smitty - Crying (2:45)
13. Blue Smitty - Sad Story (3:04)
14. Floyd Jones - Dark Road (3:19)

Some of the earliest blues ever recorded by the legendary Chess Records – material by a variety of artists caught at the very start of the 50s. The names here aren't as big as those of the stars who would firmly put Chess on the map later in the decade, but the work is a great indication that the Chess brothers were on the right track even in these early days picking some of the finest talents of the underground and setting their work to wax.

Titles include a few previously unreleased numbers, plus other tracks from older 78s, and titles include "Joliet Blues" and "So Glad I Found You" by Johnny Shines, "Sweet Black Angel" and "Anna Lee" by Robert Nighthawk, "Dark Road" and "You Can't Live Long" by Floyd Jones, "Crying" and "Sad Story" by Blue Smitty, "One Of These Days" by Big Boy Spires, and "Drop Down Mama" by Honey Boy Edwards.

(For personnel details, see artwork included.)

Drop Down Mama mc
Drop Down Mama gofile

Downchild Blues Band - Dancing

Album: Dancing
Size: 91,1 MB
Time: 39:05
File: MP3 @ 320K/s
Released: 1974
Styles: Blues
Art: Front, back

1. Going Dancing (3:00)
2. Tell Your Mother (2:29)
3. When I Go To Work (3:30)
4. Please Forgive (2:58)
5. Set A Date (3:34)
6. Tell Me Baby (4:57)
7. Must Have Been The Devil (3:44)
8. Let's Go Strollin' (3:28)
9. Something On Your Mind (4:00)
10. The Argument (4:23)
11. Madison Blues (2:56)

The Downchild Blues Band is a Canadian blues band, described by one reviewer as "the premier blues band in Canada". The band is still commonly known as the Downchild Blues Band, though the actual band name was shortened to "Downchild" in the early 1980s. The Blues Brothers band was heavily influenced by Downchild Blues Band. The Downchild Blues Band was formed in Toronto in 1969 and continues to perform today. It was co-founded by two brothers, Donnie "Mr. Downchild" Walsh and Richard "Hock" Walsh.

Their international fame is partially due to three of its songs, the originals "I've Got Everything I Need (Almost)" and "Shot Gun Blues", and its adaptation of "Flip, Flop and Fly", all from its 1973 album, Straight Up, being featured on the first Blues Brothers album, Briefcase Full of Blues (1978). "Flip, Flop and Fly" has been Downchild's only hit single, and became the signature song of Hock Walsh. The band's musical style is described as being "a spirited, if fundamental, brand of jump-band and Chicago-style blues".

(For personnel details, see artwork included.)

Dancing mc
Dancing gofile

Jimmy Rushing - Every Day I Have The Blues

Album: Every Day I Have The Blues
Size: 159,0 MB
Time: 68:53
File: MP3 @ 320K/s
Released: 1999
Styles: Blues, jazzy blues
Art: Full

1. Berkeley Campus Blues (3:06)
2. Keep The Faith, Baby (2:48)
3. You Can't Run Around (Blues) (4:04)
4. Blues In The Dark (3:44)
5. Baby, Don't Tell On Me (2:44)
6. Every Day I Have The Blues (2:52)
7. I Left My Baby (4:28)
8. Undecided Blues (5:17)
9. Evil Blues (2:58)
10. Sent For You Yesterday (Here You Come Today) (4:13)
11. Bad Loser (4:20)
12. Sonny Boy Blues (4:46)
13. We Remember Prez (4:56)
14. Cryin' Blues (4:40)
15. Take Me Back, Baby (6:13)
16. Tell Me I'm Not Too Late (7:37)

It may have been relatively late in Jimmy Rushing's career when he recorded two albums for ABC/BluesWay (Every Day I Have The Blues & Livin' The Blues, both of which are reissued in full on this single CD), but he was still in prime singing voice. Joined by such friends as trombonist Dickie Wells, trumpeter Clark Terry, and tenor saxophonist Buddy Tate, Rushing shows that he was still relevant on such blues-based songs as "Berkeley Campus Blues," "Blues in the Dark," "I Left My Baby," "Sent for You Yesterday," and "We Remember Prez." Even with Oliver Nelson's arrangements on the first half and an electric rhythm section on the second, both Rushing and the musicians play off each other well, resulting in a swinging set. /Scott Yanow, AllMusic

(For personnel details, see artwork included.)

Every Day I Have The Blues mc
Every Day I Have The Blues gofile

Dr. Jules' Cool Blues - The Iconoclast

Album: The Iconoclast
Size: 87,4 MB
Time: 37:58
File: MP3 @ 320K/s
Released: 2025
Styles: Blues
Art: Front

1. I Wish The Blues Had Used A Condom (3:05)
2. ADD (3:38)
3. Don't Drink The Kool Aid (4:49)
4. The Barflies At The Bar (3:22)
5. Bein' A Hound (4:36)
6. It's My Car (But I Don't Have To Like It) (4:05)
7. Diet (4:00)
8. Sheep (3:42)
9. Let's Have A Demonstration (2:51)
10. Think For Yourself (3:45)

Dr. Jules’ Cool Blues is a trio consisting of Dr. Jules Gliesche (guitar, vocals), Little David Thornton (harmonica) and featuring Marie Williams (piano, vocals). Along with providing original interpretations of established blues standards and striving to keep that sound alive, the trio also incorporates elements of jazz & big band swing. This gives them an original sound that remains firmly rooted in the rhythms and traditions of the blues, and keeps feet tapping. If you listen to the lyrics, you’ll discover that they’re often downright amusing. Their motto remains “We’ll play the Blues for you.”

The Iconoclast mc
The Iconoclast gofile

Thursday, April 3, 2025

VA - Blues Avalanche: Recorded Live At The Montreux Jazz Festival, Switzerland

Source: Vinyl
Size: 165.0 MB
Time: 70:35
File: MP3 @ 320K/s
Released: 1972
Styles: Chicago Blues
Art: Full

A1. Bo Diddley - Hear You Knoockin' (3:53)
A2. Bo Diddley - You Can't Judge A Book By The Cover (3:09)
A3. Bo Diddley - Diddley Daddy (2:18)
A4. The Aces & Lafayette Leake - Early In The Morning (5:07)
B1. The Aces & Lafayette Leake - Baby What You Want Me To Do (2:46)
B2. Koko Taylor With Muddy Waters - Wang Dang Doodle (7:10)
B3. Koko Taylor With Muddy Waters - I Got What It Takes (6:19)
C1. Lafayette Leake - Wrinkles (9:12)
C2. Lafayette Leake - Swiss Boogie (6:10)
C3. Muddy Waters - County Jail (6:06)
D1. Muddy Waters With T-Bone Walker - Trouble No More (2:32)
D2. Muddy Waters With T-Bone Walker - Got My Mojo Working (4:39)
D3. Muddy Waters With T-Bone Walker - (They Call It) Stormy Monday (6:45)
D4. Muddy Waters With T-Bone Walker - She Says She Loves Me (4:22)

Recorded live at the Montreux Jazz Festival, Montreux, Switzerland, June 16 & 17, 1972.

Blues Avalanche: Recorded Live At The Montreux Jazz Festival, Switzerland [Vinyl] MP3
Blues Avalanche: Recorded Live At The Montreux Jazz Festival, Switzerland [Vinyl] FLAC 24bit

Hans Theessink - 75 Birthday Bash (Live)

Size: 314 MB
Time: 2:12:15
File: MP3 @ 320K/s
Released: 2025
Styles: Acoustic/Electric Blues
Art: Front

CD 1:
01. Bridges (Live) (3:26)
02. What Will The Children Play (Live) (6:14)
03. Seven Spanish Angels (Live) (4:17)
04. Soul On Fire (Live) (4:45)
05. Leaving At Daybreak (Live) (5:39)
06. Send Us Brighter Days (Feat. Eric Bibb) (Live) (4:13)
07. Bring Me Little Water Sylvie (Feat. Eric Bibb) (Live) (2:31)
08. Beautiful (Live) (4:53)
09. Somlandela (Feat. Eric Insingizi) (Live) (1:38)
10. Vintage Red Wine (Live) (7:01)
11. Schwoazzmarie (Feat. Eric Ernst Molden) (Live) (4:35)
12. Da Schurl Und Da Lingge (Feat. Eric Ernst Molden) (Live) (4:08)
13. Hard Times Come Again No More (Live) (5:06)
14. May The Road (Live) (4:23)

CD 2:
01. My Girl (Live) (5:47)
02. Slidin' Delta (Live) (3:41)
03. Needed Time (Feat. Eric Bibb) (Live) (3:55)
04. Going Down Slow (Feat. Guy Davis) (Live) (6:01)
05. Goin' Down The Road Feeling Bad (Feat. Eric Bibb) (Live) (4:09)
06. Blue Blood (Feat. Dana Gillespie) (Live) (2:58)
07. Fck Blues (Feat. Dana Gillespie) (Live) (4:06)
08. Sympathy For The Devil (Live) (8:17)
09. One Kind Favour (Live) (5:14)
10. Hard Time Killing Floor (Live) (6:04)
11. Sittin' On Top Of The World (Live) (6:58)
12. Love You Baby (Live) (5:12)
13. People Get Ready/One Love (Feat. Eric Bibb) [Live] (6:49)

We recorded Hans Theessink’s legendary Birthday Bash concerts at the Metropol in Vienna 2023 and 2024. Fans and musical lovers came from all over Europe and North America to celebrate Hans’ birthday (5 April). The atmosphere was splendid – Hans and his musical colleagues took us on a marvelous musical journey – handmade music at its best.

Cast:
Hans Theessink * Eric Bibb * Ulrika Bibb * Eleanor Shanley *
Guy Davis * Dana Gillespie * Ernst Molden * Christian Dozzler *
Insingizi * Roland Guggenbichler * Douglas Linton & The Plan Bs *
Chris Fillmore * Angus Thomas * Alee Thelfa * Vlado Kreslin

I’ve been on the road for over 50 years and feel blessed that I’ve been able to make this incredible musical journey, often accompanied by a wonderful extended family of music makers. I’ve been fortunate enough that many of my favorite muso friends have joined me for my annual Birthday Bash concerts over the years. The 75 Birthday Bash was no exception – we had some incredible nights full of musical celebration.
Making music together is a wonderful thing – good for the body and soul.
We would like to share that special spirit with you.
Enjoy the 75 Birthday Bash, Hans Theessink

75 Birthday Bash (Live) MP3
75 Birthday Bash (Live) FLAC

The Love Dogs - Get Off My Lawn

Size: 100.7 MB
Time: 42:23
File: MP3 @ 320K/s
Released: 2025
Styles: Jump Blues, Rockin' Blues
Art: Front

01. Fly Away (3:07)
02. Hard To Be Mad At You (3:09)
03. Better Things To Do (3:22)
04. Took The Wrong Road (4:06)
05. Keep On Lyin’ (3:32)
06. How Can You Be So Mean? (3:10)
07. Circular Reasoning (3:07)
08. Who Do You Think You're Foolin'? (4:55)
09. Burn, Baby, Burn (3:17)
10. Here Come The Blues (3:21)
11. Gravy Train (3:43)
12. Get Off My Lawn (3:31)

Boston's 7 piece R&B juggernaut THE LOVE DOGS are back with their brand new release, GET OFF MY LAWN! The Dogs have long been renowned for their dynamic horns, pumping piano, killer rhythm section and one of the biggest Blues voices around. They combine elements of Jump Blues, New Orleans R&B and early Rock 'n' Roll into their own powerhouse sound, and all are on full display in this 12 song set.

From the Big Joe Turner homage "Fly Away", the Crescent City flavored "Hard To Be Mad", the big band inspired "Took The Wrong Road" and "Here Come The Blues" the Latin tinged "Who Do You Think You're Foolin'" to the down home rockin' Blues of "Keep On Lyin'" lead vocalist and chief songwriter Eddie Scheer leads the band through some terrific grooves, keeping the energy high and the good humor flowing.

Blues Review says "If there were a Superbowl for crowd pleasing rhythm & blues, a photo of The Love Dogs would be on every Wheaties box in America." Scheer sums it up by saying "If this band doesn't put a smile on your face, check your pulse because you just might be dead."

Get Off My Lawn MP3
Get Off My Lawn FLAC

The Downshifters - Blues / Roots / Wellness

Size: 100.7 MB
Time: 42:23
File: MP3 @ 320K/s
Released: 2025
Styles: Delta Blues, Blues Rock
Art: Front

01. Fly Away (3:07)
02. Hard To Be Mad At You (3:09)
03. Better Things To Do (3:22)
04. Took The Wrong Road (4:06)
05. Keep On Lyin’ (3:32)
06. How Can You Be So Mean? (3:10)
07. Circular Reasoning (3:07)
08. Who Do You Think You're Foolin'? (4:55)
09. Burn, Baby, Burn (3:17)
10. Here Come The Blues (3:21)
11. Gravy Train (3:43)
12. Get Off My Lawn (3:31)

The DownShifters are a danish two-man trio playing blues and roots music. Using guitar, banjo, harmonica, bass and foot drums The DownShifters perform classic and original songs inspired by good old american music traditions – from acoustic/electric delta blues to banjo based old-time.

Get Off My Lawn MP3
Get Off My Lawn FLAC

Wednesday, April 2, 2025

Blues Cargo - Delayed Delivery

Album: Delayed Delivery
Size: 152,7 MB
Time: 66:01
File: MP3 @ 320K/s
Released: 2009
Styles: Blues
Art: Full

1. Straight Tequila (2:57)
2. Don't Want To Be Crazy (5:30)
3. Everyday I Have The Blues (3:40)
4. 95 Percent (5:01)
5. Ain't That I Don't Love You (4:35)
6. Boogie 69 (4:38)
7. I Got The Blues (6:17)
8. Handy Man (5:51)
9. Go Away (4:44)
10. Emptiness (5:58)
11. Garbage Bin (4:03)
12. Two Wheel Mama (4:11)
13. Six Hundred Miles (4:57)
14. I Don't Care (3:35)

Blues Cargo is an electric blues band that was formed back in 1987 in Athens by Dimitris Ioannou (bass guitar, vocals), Stelios Zafiriou (guitar), Stelios Gavrilides (drums) and Stelios Zouzoulas (guitar). The band has been playing regularly for more than 24 consecutive years all over Greece and has gained the respect and the admiration of all the Greek and European blues fans.

Their shows continue to massively attract blues audiences regardless of age and gender who consider them as one of the best blues bands in Europe. Besides being an extremely tight band that delivers scorching blues guitar solos and a very wide spectrum of blues arrangements, the trade mark of the band is the unprecedented voice of the singer and bass player of Blues Cargo, Mr. Dimitris Ioannou and the fine and emotional guitar paying of Stelios Zafeiriou.

Many famous American artists have been backed up by the Blues Cargo during their appearances in Greece. Some of them are Louisiana Red, Lurrie Bell, Big Time Sarah, Eddie C. Campbell, Guitar Shorty, Lefty Dizz, Byther Smith and Angela Brown among many others. The band has also opened the shows of John Mayall, John Hammond, Nick Gravenites, Big Town Playboys, and Fernest Arcenaux in Greece.

By the end of 1992, they had recorded a number of original tunes which were finally released on a vinyl LP in 1993, released by Pegasus Records. The album was entitled “First Delivery” and received very good reviews. On March, 2009, the band released their second album after 15 years. That is the reason why this album is called “Delayed Delivery”. The album received excellent reviews from, apart from most blues media, the world's most recognized blues magazine Blues Review.

(For personnel details, see artwork included.)

Delayed Delivery mc
Delayed Delivery gofile

Fran Drew & The Lucky Strikes - Trial By Fire

Album: Trial By Fire
Size: 108,7 MB
Time: 47:11
File: MP3 @ 320K/s
Released: 2024
Styles: Blues
Art: Front

1. Neighbor Neighbor (4:47)
2. Breaking Up Somebody's Home (3:49)
3. Flamin' Mamie (3:53)
4. Roll With Me Henry (3:31)
5. Something You Got (2:51)
6. Fujiyama Mama (2:14)
7. I Look Good In Bad (4:46)
8. Pretty Good Love (2:50)
9. The Hunter (5:59)
10. Rock Me Baby (3:59)
11. You Can Have My Husband (3:26)
12. Chauffeur Blues (5:02)

Fran Drew and the Lucky Strikes: think Peg Bundy meets Lou Ann Barton. Sass collides with raw, Texas style blues power - a perfect mix of attitude and grit. The Lucky Strikes blend rock, blues, and funk with infectious grooves that’ll have you shimmying whether you're in a dive bar, a smoky juke joint, or cruising down a dusty backroad. It’s a sound that’s equal parts raw power and musical mastery, with enough swagger to keep your feet tapping long after the show is over.

Frontwoman Fran Drew leads the charge with powerhouse vocals that hit hard, demanding attention. Whether she’s wailing through a scorching blues number or taking it down to a slow burn, Fran’s voice cuts deep, rich with soul and all the grit you’d expect from someone who’s seen it all. She’s got the kind of voice that makes you feel every note, like she’s been around the block a few times - and let’s be real, she probably has.

Backing up Fran are seasoned musicians who know exactly how to lay down a groove. Gene Donaldson slings a guitar with sharp, gritty precision, adding just the right amount of edge to the band’s sound. Dennis Cotton, holding it down on drums, is the kind of player who knows when to keep it tight and when to let loose, laying down beats that will make you move whether you’re ready or not. Then there’s Max Samson on bass, keeping the low end deep and steady, adding that perfect thumping pulse that fills out the band’s already rich sound.

But the magic doesn’t stop there. Periodical special guests on saxophone and harmonica bring even more fire to the mix, layering in extra flavor and texture that makes every show feel fresh. The Lucky Strikes are at their best when complimented by Rich Badowski on harmonica and Sax Gordon and Matt Parker on horns. For a good time - look no further than Fran Drew and the Lucky Strikes.

Trial By Fire mc
Trial By Fire gofile

Big Boy Bloater - Dirty Disco Blues

Album: Dirty Disco Blues
Size: 86,7 MB
Time: 37:31
File: MP3 @ 320K/s
Released: 2025
Styles: Blues/Rock mix
Art: Front

1. Dirty Disco Blues (3:24)
2. Kensington Gore (3:23)
3. I Don't Miss You As Much As You Thought I Would (4:11)
4. The Devil Went Down To Rehab (4:43)
5. Nasty Little Rash (3:04)
6. Bomb Factory (4:26)
7. Banging My Head Against The Wall (3:33)
8. I'm A Lucky Old So & So (3:34)
9. Shut Up!!! (3:26)
10. Escape From The Planet Of The Humans (3:44)

Big Boy Bloater is a cornerstone of modern blues and roots music, celebrated for his deep, gravelly voice, impeccable guitar work, and captivating storytelling. A prolific performer and songwriter, Bloater has built a loyal following with his unique fusion of rhythm and blues, rock ‘n’ roll, and contemporary grit. Hailing from Farnham, Surrey, but now residing in South West France, Bloater has been a prominent figure in the blues scene for decades, earning praise for his high-energy live shows and charismatic stage presence. He has toured extensively, gracing venues and festivals across the UK, Europe, and beyond. Known for his ability to connect with audiences of all sizes, Bloater’s live performances are a masterclass in raw energy and musicianship.

Bloater’s music has enjoyed widespread acclaim, with albums such as Luxury Hobo and Pills receiving rave reviews for their mix of darkly humorous lyrics, infectious grooves, and modern takes on classic blues traditions. His songwriting showcases a storyteller’s eye, with tracks like “I Love You (But I Can’t Stand Your Friends)” and “The Saturday Night Desperation Shuffle” offering both wit and soul. A frequent presence on Radio, Bloater has garnered support from the likes of Jools Holland, Craig Charles, and Paul Jones. His music has been featured on prominent shows, and he’s been invited for live sessions and interviews that highlight his unique sound and personality.

In addition to his musical achievements, Big Boy Bloater has become an advocate for mental health awareness, openly discussing his personal struggles and resilience. His candidness has resonated with fans and further cemented his status as a relatable and inspiring figure in the music world. Whether playing intimate venues or headlining renowned blues festivals, Big Boy Bloater continues to electrify audiences with his unmistakable sound and authentic artistry. With his boundless talent and genuine charm, he remains a vital force in modern blues and roots music. /Harry, Bluestown Music

Dirty Disco Blues mc
Dirty Disco Blues gofile

VA - Blues Singles Collection Vol. 94

Size: 226,3 MB
Time: 96:59
File: MP3 @ 320K/s
Released: 2025
Styles: Blues/Rock
Art: Front

1. Afton Wolfe - Last King Of The Blues (5:30)
2. Anthony Gomes - Praise The Loud (3:32)
3. Mick Clarke - Just To Be With You (5:53)
4. Ally Venable - Money & Power (3:25)
5. The Weekend Blues Band - Guilty Of Love (3:48)
6. Wellbad - Murderers (3:46)
7. Steve Marriner - I Can't Dance (3:59)
8. Chris Kramer - Dead Cat On The Line (2:47)
9. Dustin Douglas & The Electric Gentlemen - Damage (2:49)
10. Ellis Bailey - Who Needs The Weather (3:06)
11. Bad Temper Joe - Poor Black Mattie (3:06)
12. Mitch Laddie - 50 Shades Of Blue (2:53)
13. Gina Sicilia - Twisting The Night Away (3:52)
14. GA-20 - Stranger Blues (3:34)
15. Carolyn Wonderland - Sooner Or Later (4:13)
16. Ben Levin - New Low (Feat. Lil' Ed) (5:53)
17. Christopher Wyze & The TellersHow Long, How Long Blues (Live) (4:11)
18. Seth Walker - Why The Worry (3:42)
19. Emanuel Casablanca - Roulette (3:46)
20. Joe Bonamassa - Still Walking With Me (3:40)
21. David Starr - Lonesome Train (3:57)
22. Tom Buenger - Get With Me (With Chris Eger & Richard Williams) (3:53)
23. Hollow Souls - Borderline (3:20)
24. Jacob Friant - Little Wing (4:15)
25. Mick Clarke - In The Dark (3:57)

And the next one folks

Blues Singles Collection 94 MP3

Nathaniel Rateliff- And It's Still Alright

Size: 281 MB
Time: 42:19
File: Flac
Released: 2020
Styles: Rockin Blues R&B
Art: Front

1. What A Drag (3:34)
2. And It's Still Alright (3:55)
3. All Or Nothing (5:01)
4. Expecting To Lose (3:54)
5. Tonight #2 (5:04)
6. Mavis (4:12)
7. You Need Me (3:30)
8. Time Stands (3:52)
9. Kissing Our Friends (3:03)
10. Rush On (6:08)

Nathaniel David Rateliff (born October 7, 1978) is an American singer and songwriter based in Denver, Colorado, whose influences are described as folk, Americana and vintage rhythm & blues. Rateliff has performed with a backing band called the Night Sweats for an R&B side project he formed in 2013. He has released three solo albums, two solo EPs, and one album as Nathaniel Rateliff & the Wheel

And It's Still Alright FLAC

Sunday, March 30, 2025

Downchild - Bootleg

Album: Bootleg
Size: 87,0 MB
Time: 37:21
File: MP3 @ 320K/s
Released: 1971/2007
Styles: Blues
Art: Full

1. Rock It (3:58)
2. Just A Little Bit (3:06)
3. Down In Virginia (3:36)
4. That's All Right (4:55)
5. Messin' With The Kid (3:23)
6. Don't You Bother My Baby (4:07)
7. Change My Way Of Livin' (5:09)
8. You Don't Have To Go (3:08)
9. Next Time You See Me (2:52)
10. I'm Sinkin' (3:02)

The Downchild Blues Band is a Canadian blues band, described by one reviewer as "the premier blues band in Canada". The band is still commonly known as the Downchild Blues Band, though the actual band name was shortened to "Downchild" in the early 1980s. The Blues Brothers band was heavily influenced by Downchild Blues Band. The Downchild Blues Band was formed in Toronto in 1969 and continues to perform today. It was co-founded by two brothers, Donnie "Mr. Downchild" Walsh and Richard "Hock" Walsh.

Their international fame is partially due to three of its songs, the originals "I've Got Everything I Need (Almost)" and "Shot Gun Blues", and its adaptation of "Flip, Flop and Fly", all from its 1973 album, Straight Up, being featured on the first Blues Brothers album, Briefcase Full of Blues (1978). "Flip, Flop and Fly" has been Downchild's only hit single, and became the signature song of Hock Walsh. The band's musical style is described as being "a spirited, if fundamental, brand of jump-band and Chicago-style blues".

The band's first album, Bootleg, is regarded as one of the first independent albums ever produced in Canada. It was recorded over two nights in 1971, in a makeshift studio at Toronto's Rochdale College. Donnie Walsh and others distributed the album by hand. It was welcomed by major Toronto music retailer Sam Sniderman, of Sam The Record Man renown, who was very much disposed to promoting Canadian music. The record was soon acquired by RCA Records Canada for more general distribution and was reissued on CD on September 11, 2007, without any extra tracks.

(For personnel details, see artwork included.)

Bootleg mc
Bootleg gofile

Jad Tariq - Jad Tariq Sings

Album: Jad Tariq Sings
Size: 55,5 MB
Time: 23:48
File: MP3 @ 320K/s
Released: 2025
Styles: R&B
Art: Front

1. Flapjack (2:42)
2. You Think You're Too Good For Me (2:48)
3. Had You Told It Like It Was (3:23)
4. Fortune's Fool (3:10)
5. Shame, Shame, Shame (2:50)
6. Bloodshot Eyes (3:10)
7. No Sleepin'est Woman (3:16)
8. So Much Water (2:26)

Jad Tariq may not sound exactly like the name of someone deeply into American roots music, R&B and jump blues. But he is. And he’s very good at it. And you can thank world-class bluesman, harp player and fellow Memphis resident John Németh for bringing him to our attention. As a senior at Rhodes College in Memphis, Tariq began turning up at Németh’s gigs, and John eventually let him sit in with the band. Németh says Tariq’s blues and R&B work is impressive, but “I really love when he incorporates his Palestinian heritage and those sounds into his music. It’s super unique.” Tariq would later go on the road with Németh and appeared on his 2023 album, “Live From The Fallout Shelter.”

Tariq found his blues calling when: “My guitar teacher played me some Stevie Ray Vaughan, and my parents bought me that record of Albert King and Stevie together. It was so clear that Stevie got his influence from Albert. Albert was such a monster. He completely changed how I saw guitar. He got me into the more traditional blues.” “In the end,” Tariq says, “I guess I classify what I do as rhythm and blues, but there’s a lot of different kinds of music in there too,” he added. “It’s all the stuff I love and listen to. I’m just trying to put my own spin on it.”

This debut album includes five originals and three classic covers, all smoothly executed by Tariq and his Memphis bandmates - Art Edmaiston on saxophone, Carl Caspersen on upright bass, Gerald Stevens and Wyly Bigger on piano and organ, and Earl Lowe on drums. Tariq handles guitar and vocals with a passion and polish that belie his 28 years. The album kicks off with the original “Flapjack,” splashed with liquid guitar notes firing a swinging rhythm with a big band feel behind Tariq’s deceptively relaxed vocals. “You Think You’re Too Good For Me” follows, another original, with sizzling horns biting into another swinging session. “Had You Told It Like It Was” covers a recording by Albert King with a hint of a Latin rhythm behind big fat guitar notes.

“Fortune’s Fool” shifts back to an original, and shifts the mood to a dreamy ballad effortlessly crooned by Tariq - you’d swear you were sipping an icy martini in a classy ’50s cocktail lounge. “Shame, Shame, Shame” strips down the backers to guitar, upright bass, drums and piano for an original that adds a sensuous R&B feel to its doowop flavor. Tariq reinvigorates the jump blues classic “Bloodshot Eyes” from R&B legend Wynonie Harris, swinging it appropriately hard and fast, then adds a lyrical guitar and tasty piano to the equally legendary T-Bone Walker’s “No Sleepin’est Woman.” Tariq closes with his own easy-rocking “So Much Water,” brightly lit by a sharp horn intro, carried along by stinging guitar riffs, and more slow-rolling vocals that complete this outstanding musical package.

“Jad Tariq Sings” is an impressive debut from this multi-talented guitarist, singer, songwriter and bandleader. Tariq dips deftly into the deep well of classic blues, jazz and R&B and comes out swinging as he filters these classic sounds though his own musical sensibilities. It’s great listening, and you can dance to it! /Jim White, Blues Roadhouse

Jad Tariq Sings mc
Jad Tariq Sings gofile

Popa Chubby & Friends - I Love Freddie King

Album: I Love Freddie King
Size: 103,4 MB
Time: 44:30
File: MP3 @ 320K/s
Released: 2025
Styles: Blues
Art: Front

1. I'm Going Down (Feat. Joe Bonamassa) (5:30)
2. Love Her With A Feeling (Feat. Albert Castiglia) (5:27)
3. My Credit Didn't Go Through (Feat. Eric Gales) (4:01)
4. Big Legged Woman (Feat. Christone 'Kingfish' Ingram) (4:08)
5. She's A Burglar (Feat. Mike Zito) (2:42)
6. Hideaway (Feat. Arthur Nielson) (4:03)
7. The Stumble (Feat. Albert Castiglia) (4:02)
8. San Ho Zay (Feat. Arthur Nielson) (3:22)
9. Pack It Up (3:58)
10. Heads Up (Feat. Arthur Nielson) (3:07)
11. Same Old Blues (Feat. V.D. King) (4:06)

After a health-induced hiatus, Popa Chubby, the legendary blues-rock guitarist, roars back with "I Love Freddie King," a heartfelt tribute album to the late great Texas Cannonball himself. Produced by Popa Chubby and Gulf Coast Records' executive producer Mike Zito, this 11-track masterpiece was recorded at G.B.'s Juke Joint and features contributions from an all-star roster of modern guitar heroes: Joe Bonamassa, Mike Zito, Christone "Kingfish" Ingram, Eric Gales, Albert Castiglia, Arthur Neilson, and V.D. King.

Reflecting on the album, Popa Chubby calls Freddie King his lifelong muse, whose music "changed my soul forever." The album brings King's legacy roaring back to life, spanning his early instrumental hits, Shelter Records era, and more. With a core band of Mike Merritt (bass), Andrei Koribanics III (drums), and Mike DiMeo (keyboards), this record captures the sweat, soul, and unrelenting energy of Freddie King.

Tracks like "I'm Going Down" (ft. Joe Bonamassa) and "Big Legged Woman" (ft. Christone 'Kingfish' Ingram) explode with fiery guitar work and passionate vocals. Other standouts include "She's A Burglar" (ft. Mike Zito) and "Hideaway" (ft. Arthur Neilson). Each collaboration brings something special to the table, making this album a must-listen for blues fans and guitar lovers alike.

Despite battling a rare spinal disorder during production, Popa Chubby pressed on to create what he calls "a journey of love and homage." His raw determination, combined with the extraordinary talent of his guest musicians, resulted in a fitting tribute to Freddie King - the bridge between blues and rock, who forever altered the genre's course.

Popa Chubby & The Beast Band : Popa Chubby (guitar, vocals); Mike Merritt (bass); Andrei Koribanics III (drums); Mike DiMeo (keyboards); Harold Horowitz (trumpet); Curtis Hotgrefe (saxophone); Eliza Neals (backing vocals).

I Love Freddie King mc
I Love Freddie King gofile

Janiva Magness - Back For Me

Album: Back For Me
Size: 95,2 MB
Time: 41:08
File: MP3 @ 320K/s
Released: 2025
Styles: Blues/Rock/Americana mix
Art: Front, back

1. Masterpiece (Feat. Joe Bonamassa) (3:36)
2. Back For Me (5:09)
3. The Same Love That Made Me Laugh (3:55)
4. November (5:40)
5. Holes (Feat. Sue Foley) (3:54)
6. I Was Good To You Baby (4:21)
7. You Can Bring Me Flowers (3:25)
8. Down So Low (4:34)
9. Do I Need You (3:37)
10. Hittin' On Nothin' (Feat. Jesse Dayton) (2:52)

Janiva Magness has returned with her 17th album, Back for Me, produced by her longtime friend, producer, and collaborator Dave Darling. The album is a powerfully engaging, emotionally rich collection from a dynamic artist who continues to renew and redefine her widely celebrated relationship with the blues. Janiva’s far-ranging search for songs has unearthed a treasure chest of lesser-known gems by well-known artists (Bill Withers, Ray LaMontagne, Allen Toussaint, Doyle Bramhall II, Tracy Nelson, Irma Thomas) and deep-dive discoveries that connect with the rich feelings embodied in her voice and music, cherished by her fans. “I have always been into the B-sides,” she says. “There’s a freshness to doing a B-side rather than a well-known hit. I absolutely love the idea of shining a light on material that people are not familiar with.”

Back for Me is the 17th album for Magness, who has been honored with seven Blues Music Awards (including being named B.B. King Artist of the Year in 2009) and a Grammy Nomination for her 2016 album, Love Wins Again. In 2019, she published her memoir, Weeds Like Us, a vividly portrayed account of both the traumas of her youth (her parents’ suicides and her often-nightmarish experiences in the foster care system) and the hard-earned triumphs that have fueled her growth as an artist and in life. Darling anchors the album’s core band, also featuring drummer W.F. Quinn Smith and bassist Ian Walker, with keyboardists Sasha Smith and Phil Parlapiano, guitarists John Schroeder and Robert “Chalo” Ortiz, Nick Maybury, and blues harp player TJ Norton also appearing on various songs. Ace guitarists Joe Bonamassa, Sue Foley, and Jesse Dayton put their stamps on their respective special guest appearances.

It’s a powerhouse set moving from the Chicago-via-Texas churn of “Masterpiece” (written by Darling and featuring searing guitar from Bonamassa) to the aching gospel-soul-funk of Bill Withers’ “The Same Love That Made Me Laugh,” to the haunting resignation of Bramhall’s “November” and Nelson’s torch ballad “Down So Low,” to the sly release “Hittin’ on Nothin’” – written by Allen Toussaint and originally sung by Irma Thomas, and blasting guitar, courtesy of Jesse Dayton. She credits the band for bringing layers of dimensions to the songs. Aside from Darling, Parlapiano, and Schroeder, the main musicians were new to Magness, but as soon as the sessions began, she felt the fresh energy they brought.

“We tracked together live,” she says. “That’s one of the reasons that it sounds as solid as it does. And the other reason is because these guys have worked together on other albums with Dave and other projects, so they have a history. That brings an automatic intimacy to the backbone of the songs. And because they’re basically all a bunch of badasses.” It’s that vulnerability that Magness sought in songs as she put Back for Me together, a search that took her deep into the mines of the blues and R&B for material she could internalize and personalize. /Blues Magazine

Back For Me mc
Back For Me gofile

Saturday, March 29, 2025

Nathan James - This Road Is Mine

Size: 288 MB
Time: 44:55
File: Flac
Released: 2003
Styles: Blues Acoustic
Art: Front

1. Don'tcha Feel So Good (3:25)
2. Sugar Mama Blues (3:55)
3. Sweet Lovin' Kind (3:02)
4. Hip Shakin' Mama (2:07)
5. Please Slow Down (4:21)
6. Promenade Breakdown (4:01)
7. Woke Up With The Blues In My Fingers (3:09)
8. This Road Is Mine (4:25)
9. Good Thing Blues (3:55)
10. Ain't This A Comeback (5:16)
11. Took My Saviors Hand (2:52)
12. If I Let You Get Away With It Once (4:22)

Nathan James is a true original American roots music artist who makes a lot of sound pickin' and scratchin' on his handmade invention of washboard guitar; stomping out time on a box made of old fence boards; all while singing and blowing harmonica to his own original music. But aside from all of these tools of the trade, his main focus is well crafted songwriting and his artistry is far from just a live show gimmick.

Drawing from a deep well of influences from many early roots artists and styles, James was quickly attracted to the individuality of self made music and artistic expression from an early age. Growing up in the small agricultural town of Fallbrook California has been influential in choosing his life path because he could relate to music originating from a rural environment. "There wasn't a lot to do here, so you either got in trouble or found something productive to do with what you had around you!" Having supportive parents that didn't force him into college after high school allowed Nathan to go straight into the real world of a ‘working musician’. At age 19 Nathan got the call from internationally known blues veteran James Harman to join his band and tour the country. With Harman is where he gained the experience that has shaped most of his own career.

In 2007 Nathan entered the International Blues Challenge in Memphis TN with Ben Hernandez and took 1st place. During his career Nathan has worked with other many well known artists including: Kim Wilson, Pinetop Perkins, Billy Boy Arnold, Lazy Lester, Johnny Dyer, Rick Holmstrom, and Mark Hummel. Nathan has brought his music to concerts and festivals in Argentina, Russia, Spain, Italy, France, Belgium, Netherlands, Germany, Denmark, Norway, Sweden, Finland, Faroe Islands, Taiwan, Canada and Mexico, as well as all over the United States.

This Road Is Mine FLAC

Heinz Sauer, Bob Degen, Carey Bell - Blues After Sunrise

Size: 188 MB
Time: 34:41
File: Flac
Released: 2009
Styles: jazzy blues
Art: Front

1. I Want You To Love Me (4:59)
2. Degen Blues (5:45)
3. Tonky Blues (5:34)
4. Hollerin' The Blues (6:31)
5. A Classical Preacher (2:35)
6. One Day I Get Lucky (3:02)
7. Blues After Sunrise (6:12)

Heinz Sauer – saxophone legend and cornerstone of German jazz – was born in 1932 in Merseburg. Since 1960 he has been saxophonist and composer for the Jazz Ensemble of Hessicher Rundfunk in Frankfurt. From 1960 to 1978 he was a member of the Albert Mangelsdorff Quartet and Quintet, and in 1968 was a member of the German All Stars. In 1974 he formed his first own line-up, Voices. The obvious individuality and artistic intensity of his saxophone playing and his compositions have allowed Sauer to go his own individual way. For this he was recognized by the award of the Jazz Prize of the region of Hessen and in 1999 by the Albert Mangelssdorf Prize.

Blues After Sunrise FLAC

When Rivers Meet - We Fly Free

Size: 287 MB
Time: 45:24
File: Flac
Released: 2020
Styles: Rock, blues-rock
Art: Front

1. Did I Break The Law (4:06)
2. Bound For Nowhere (3:59)
3. Walking On The Wire (3:29)
4. I'd Have Fallen (3:33)
5. Battleground (3:53)
6. Kissing The Sky (3:42)
7. Breaker Of Chains (4:02)
8. I Will Fight (3:48)
9. Bury My Body (5:25)
10. Take Me To The River (3:14)
11. Friend Of Mine (3:29)
12. We Fly Free (2:39)

British husband and wife blues rock duo When Rivers Meetannounce their debut album ‘We Fly Free’ will be released on Friday 20 November 2020. The first single “Battleground” will be released on 9 October and is now available to pre-save from www.smarturl.it/whenriversmeet Grace and Aaron Bond release their self-penned album ‘We Fly Free’ following their critically acclaimed EP’s ‘The Uprising’ and ‘Innocence of Youth’. Their passion for blues rock shows through with an underpinning of traditional blues and classic rock. The duo have made a concerted effort to keep to a genuine, gritty sound using authentic techniques, including tube tape echo and reverb chambers, which have created a live sound that keeps a truly vintage vibe that not only has energy but is also a true representation of the ever evolving sound this duo produces. WRM show great delight that a Hammond organ has been introduced into some of the tracks on this album. This classic blues rock feel will transport you back in time while also inducing a contemporary When Rivers Meet twist. Grace sings lead vocal on most of the album, and showcases her impressive range, whilst adding distinctive slide resonator mandolin and fiddle. As well as guitar, Aaron adds rich vocals that root the songs in harmony (taking lead on ‘Breaker Of Chains’ and ‘Take Me To The River’). Recorded with Adam Bowers at The Boathouse Studio in the Suffolk countryside, it’s the perfect place to concentrate on recording with no interruptions, although you may hear the odd bird song captured in the open-plan recording space. Adam also plays drums and shares base and keys duty with Robin Breeze on some of the tracks, giving a rich depth and creating wall of sound.

We Fly Free FLAC

Mainline - The Last Show @ the ELMO

Size: 239 MB
Time: 38:20
File: Flac
Released: 2001
Styles: Rockin'Blues
Art: Front, tray

1. Blind Girl (3:51)
2. Beltmaker (2:59)
3. Mainline (6:35)
4. Wine, Women and Whiskey (3:46)
5. Get Down To (3:47)
6. T.B. Blues (2:25)
7. Drive You (3:07)
8. Brain Damage (4:32)
9. I Am Normal (2:57)
10. Going to Toronto (4:18)

When legendary night club The El Mocambo came to an end for the 2nd time in the early 2000s, Mainline and Bullseye Records seized the opportunity to record a live show on its final night. Within 20 minutes of the band's encore construction crews came in to begin tearing out the walls. credits released October 12, 2015 Mike McKenna, electric and slide guitar Tony Nolasco, drums / lead vocals Ted Purdy, acoustic guitar / vocals Mike Harrison, bass Bob Adams, harmonica Recorded live at The El Mocambo in Toronto, November 4, 2001. Engineered by Glenn Belcher for Prisma Sound; assistant engineers Jef Leeson and Jaimie Vernon. Producers: Jaimie Vernon and Tony Nolasco Executive Producers: Jaimie Vernon/Jim Hoeck Mixed by Glenn Belcher and Tony Nolasco

The Last Show @ the ELMO FLAC

Friday, March 28, 2025

Larry Birdsong - Every Night In The Week

Size: 164.9 MB
Time: 69:05
File: MP3 @ 320K/s
Released: 2003
Styles: R&B, Blues, Soul
Art: Full

01. Tell Me The Truth (2:59)
02. Live Thew Live I Sing About (2:56)
03. Three Times Seven (3:05)
04. Now That We're Together (2:59)
05. We'll Never Part (2:55)
06. Every Night In The Week (2:34)
07. Scooter Poofin' (2:12)
08. Do You Love Me (2:16)
09. Somebody Somewhere (2:35)
10. Since You Left Me Behind (1:56)
11. Somebody Help Me (Find The One That I Love) (2:33)
12. Try Me One More Time (2:35)
13. Wish I Didn't Love You So (2:16)
14. You're My Baby (2:27)
15. Young And Fancy Free (2:19)
16. I'm So Glad You're Home (2:18)
17. If I Could Only Hold Back My Tears (3:07)
18. Tell Me The Truth (2) (3:02)
19. Young And Fancy Free (2) (2:23)
20. Sugar (3:04)
21. I'd Like To Try It One More Time (3:21)
22. Every Night In The Week (2) (2:42)
23. Digging Your Potatoes (3:03)
24. The Sea Sand (2:22)
25. Fairly Well (2:15)
26. I'll Pich My Own Chicken (2:37)

Born Lawrence E. Birdsong, 15 June 1934, Pulaski, Tennessee
Died 7 August 1990, Nashville, Tennessee

Larry Birdsong was an African American singer with an appropriate name. He really could sing like a bird. Many record company people believed that he was destined for stardom. He enjoyed one label deal after another. It wasn't for lack of trying that the big breakthrough crossover hit bringing fame and fortune never happened for Birdsong.

Born in 1934, Larry came from an extremely musical family in Pulaski, TN. Though there never was an organized family band, every one of the eleven Birdsong children sang. The story goes that Larry was discovered in the early 1950s by Nashville R&B promoter Ted Jarrett (1925-2009). Larry was still a teenager and had been in trouble. He was just out of reform school and, in order to sign him to a contract, Jarrett had to go to court to plead for his release from probation so that he might tour and record. But Larry's brother Jimmy Birdsong (a singer and recording artist in his own right) believes otherwise. "Ted Jarrett says he brought Larry out of Pikeville Reformatory School. I think some sheriff in Pulaski brought Larry to Nashville and put him up with Ernie Young [owner of Excello Records]."

Birdsong's first two singles were recorded in 1955 in Nashville with Louis Brooks and his Hi-Toppers. "It Won't Be This Way Always"/"You Won't Be Needin' Me No More" (Excello 2064) was followed by "Pleadin' For Love"/ "You'll Never Know" (Excello 2076). "Pleadin' For Love" peaked at # 11 on Billboard's R&B charts in July 1956 ; it would be his first and last chart entry. At this time it is not available on YouTube, but those who have access to Spotify can listen to it there. In 1956-57 Larry recorded for two labels owned by Ted Jarrett, Calvert and Champion, backed by Jimmy Beck and his orchestra. In between there was a solitary release on a major label (Decca 30186), "Oo Wee Honey"/"Let's Try It Again". Decca probably purchased these masters from Jarrett, whose band provides the backing.

In 1957, Vee-Jay Records in Chicago showed interest in Larry. Ted Jarrett insisted that the label could only sign Birdsong if they took on Gene Allison (another Jarrett protégé) as well. Both singers had their first session for Vee-Jay in July 1957. Allison hit the jackpot right away with "You Can Make It If You Try" (# 3 R&B, # 36 pop) and stayed with Vee-Jay for four years, but Birdsong was not so lucky and had only two sessions for the label. From a rock 'n' roll point of view, "I'm Pleading Just For You" (Vee-Jay 254) is probably his best single ; you can judge this for yourself on YouTube (link below). I first heard three of Larry's Vee-Jay recordings (including "I'm Pleading Just For You") on an Upsetters CD. However, the backing sounded to me as typical of Cosimo Matassa's studio band, not the Upsetters, and when I checked this in the Blues Bible by Leadbitter and Slaven, it was confirmed that the July 1957 session was held in New Orleans, with Lee Allen, Red Tyler, Edward Frank, Earl King, Frank Fields and Charles Williams.

There was another New Orleans session in 1960, a one-off single for Ace, but "I'm So Glad You're Home" (Ace 589) lacks the typical Ace N.O. sound and is best classified as an early example of soul music. Between Larry's tenures at Vee-Jay and Ace, Ted Jarrett issued some more Birdsong titles that he had in the can from his Champion days. These 1958-59 releases include "Scooter Poofin'" (Champion 1009), another successful attempt at rock n roll, with good piano accompaniment. "Do You Love Me" and "Somebody Somewhere" aren't bad either. After Ace, his next stop (1961-62) was at the Home of the Blues label in Memphis, where he recorded four singles under the supervision of Willie Mitchell. The best of these (in my humble opinion) are "Aunt Mattie" and "Little School Girl". There was a four-year hiatus before Larry recorded again. In 1966 he signed with Red Wortham's Sur-Speed label, for which he recorded two soul singles. More soul music was cut at Ted Jarrett's Ref-O-Ree label between 1968 and 1973. Sur-Speed and Ref-O-Ree were local Nashville labels with limited distribution. Apart from some gospel recordings released in 1982, Birdsong did not record after 1973.

Larry Birdsong passed away at home in 1990. They found him several days later. He had been living in an apartment off 8th Avenue in south Nashville. Not much is known about the circumstances of his death. It probably was due to heart trouble.

Birdsong was a very versatile singer, who recorded blues, doowop, jazz, gospel, rock n roll, smooth crooning and soul. Some people consider him to be one of the greatest black singers in Nashville.

Every Night In The Week MP3
Every Night In The Week FLAC

Clifton Chenier & His Red Hot Louisiana Band - Live At Tipitina's (June 7, 1980)

Size: 91.2 MB
Time: 39:14
File: MP3 @ 320K/s
Released: 2025
Styles: Blues Zydeco
Art: Front

01. Calinda (Live) (4:23)
02. Louisiana Two Step (Live) (4:25)
03. Everybody Calls Me Crazy (Live) (5:48)
04. What'd I Say (Live) (5:23)
05. I'm A Hog For You Baby (Live) (3:58)
06. Party Down (At The Blue Angel Club) (Live) (4:49)
07. Three O'Clock Blues (Live) (6:10)
08. Feelin' Happy (Live) (4:15)

The most recent release from the fantastic Tipitina's Record Club is this unique capturing of the legendary Clifton Chenier who played zydeco, R&B, and Cajun music in a distinct fashion; keeping dance floors throughout the south good and sweaty. This vinyl release is from a warm night in 1980 as his Red Hot Louisiana Band display their dynamic range.

One of the interesting things about this capturing is the band Chenier plays with. His core partners of his son CJ on alto sax and Cleveland his older brother on Frottoir, had been playing with Clifton for years. They are here with longtime collaborators Robert St Julien on drums and Jumpin' Joe Morris on bass but this show also has featured the killer Sonny Landreth on guitar along with Jerry Conrad on B3.

This impressive collection of musicians dive right in with the upbeat Cajun blues of the strolling "Calinda". Clifton sings in French as he commands the stage, vamping and moving with ease while the sax work and organ pair beautifully; a reoccurring theme throughout this show. The accordion great gets his full on zydeco pumping for "Louisiana Two Step" before the blues pour out on the cooking "Everybody Calls Me Crazy" which finds emotive singing from Clifton.

The bands first true cover pops up next with their take on Ray Charles' classic "What I'd Say" and they do not disappoint. The revved up take uses energetic singing, a smoking tempo, and hip shaking goodness all around as the full band hit their stride.

Side two starts with Clifton's take on the Coasters "I'm A Hog For You Baby" as the Cajun blues gets some zydeco touches before "Party Down (At The Blue Angel Club)" once again goes full bore with zydeco letting Clifton, CJ, and Cleveland dominate the stage. While Landreth had impressive moments, he steals the spotlight on the hardcore "Three O'Clock Blues" as his lead slide runs and dynamite guitar playing shines bright, while Conrad's B3 work is also majestic.

The album wraps up with Clifton's version of "Feelin' Happy" which pays tribute lyrically to Blind Lemon Jefferson and Big Joe Turner, pulling the blues into the swamps as the group gets down in 50's R&B style to close the night.

Almost as impressive as the music is the detailed linear notes from Todd Mouton, author of the book Way Down in Louisiana: Clifton Chenier, Cajun, Zydeco, And Swamp Pop Music. The notes give historic context to the performance, as well as dive into this musical world with vigor.

Another excellent release from Tipitina's Record Club, Clifton Chenier and his Red Hot Louisiana Band's Live at Tipitina's is recommended to those who are longtime fans of the artist and those who are brand new to his zydeco sounds as well.

Live At Tipitina's (June 7, 1980) MP3
Live At Tipitina's (June 7, 1980) FLAC

Davis Coen - Live At Proud Larry's

Size: 110.8 MB
Time: 47:47
File: MP3 @ 320K/s
Released: 2025
Styles: Country Blues, Delta Blues
Art: Front & Back

01. You Gonna Miss Me (Live) (3:59)
02. Basement With The Blue Light (Live) (4:40)
03. Stay All Night (Live) (5:28)
04. Yes We Can Can (Live) (5:15)
05. Anna Ann (Live) (4:15)
06. Don't Let The Deal Go Down (Live) (4:35)
07. Stranger In My Home (Live) (3:12)
08. Mile After Mile (Live) (4:47)
09. Long Black Veil (Live) (4:12)
10. Jack Of Diamonds (Live) (7:18)

Oxford, Mississippi, musician Davis Coen celebrates the release of his live album Live at Proud Larry’s right where it was recorded, at Proud Larry’s in downtown Oxford.

The roots & blues singer-guitarist is the first to have a live record released from the renowned music venue, despite decades of great bands who have had shows recorded.

Live at Proud Larry’s features a mix of original songs and vintage American music, with covers of Muddy Waters, Blind Lemon Jefferson, Charlie Poole, and Lefty Frizell—whose country hit “Long Black Veil” gets a lively treatment.

Among Coen’s originals are the sinister murder ballad “Mile After Mile,” the steady rolling “Stranger in My Home,” and the slow groove “Basement With the Blue Light”—which warns that “Just one taste gon’ change your mind.”

Davis will be accompanied by musicians from the album, including funky Memphis blues band Just Groovin’ Experience. Also, a seasoned Hill Country Blues rhythm section including Kinney Kimbrough and Justin Showah, to start the show.

Live At Proud Larry's MP3
Live At Proud Larry's FLAC