Showing posts with label Alabama Slim. Show all posts
Showing posts with label Alabama Slim. Show all posts

Thursday, January 28, 2021

Alabama Slim - The Parlor

Size: 69.5 MB
Time: 29:51
File: MP3 @ 320K/s
Released: 2021
Styles: Delta Blues
Art: Front

01. Hot Foot (1:46)
02. Freddie's Voodoo Boogie (2:52)
03. Rob Me Without A Gun (4:22)
04. Rock With Me Momma (3:00)
05. All Night Long (3:32)
06. Forty Jive (2:00)
07. Midnight Rider (2:18)
08. Rock Me Baby (3:04)
09. Someday Baby (3:08)
10. Down In The Bottom (3:44)

Milton Frazier a.k.a. Alabama Slim was born in Vance, Alabama in March of 1939. His father worked at the Pullman Plant, the manufacturer of railroad cars, and his mother a housekeeper. His parents listened to 78’s on an old Victoria turntable, and as a youngster he fell in love with the music of Lightnin’ Hopkins and Big Bill Broonzy.

Slim moved to New Orleans in 1965 where he still resides. “I came to New Orleans after hurricane Betsy. Got me a job with a moving company and then one making cooking oil. My cousin Freddie King was drinking hard in those days, and I was too. We jammed every once in a while. By the time the 80’s rolled around I was not doing much but Freddie always checked on me. By the 90’s I got myself together and we have been the best of friends ever since, tighter than brothers really; there is not a day goes by when we do not speak or see each other.”

Hurricane Katrina made landfall in New Orleans on August 29th, 2005; and both Slim and Little Freddie lost all their worldly possessions. Together they settled in a Dallas apartment complex where they spent their days working up old and new songs. Drummer/producer Ardie Dean recorded one of their sessions. When Music Maker Relief Foundation founder Tim Duffy heard the session he asked them to come to North Carolina to record. In 2007 Slim, Little Freddie, and Ardie cut their first album “The Mighty Flood”. Three years later Slim, with the assistance of Freddie and Ardie, recorded a follow-up album “Blue & Lonesome”. In 2013, Slim recorded with Ironing Board Sam and Robert Lee Coleman; and also appears on Music Makers 2019 compilation “Blue Muse”.

On June 7th, 2019 Slim, Little Freddie and Ardie entered the New Orleans recording studio “The Parlor”. During post production Matt Patton of the Drive-By Truckers was added on bass, and Jimbo Mathus of the Squirrel Nut Zippers added on piano and organ. “Slim and King’s guitars interweave with Dean’s masterful drumming to create a driving boogie, with Slim’s soothing vocals sprawled out on top, reminiscent of John Lee Hooker”. The album is produced by Ardie Dean, and Tim & Denise Duffy.

The ten tracks include new masterpieces from Slim including the opener “Hot Foot”; “Rob Me Without A Gun”, “Rock With Me Momma” and “Midnight Rider” featuring outstanding vocals; retooled classics “Rock Me Baby” and “Someday Baby”, special guest Little Freddie King’s lead on “Freddie’s VooDoo Boogie” and Slim’s timely politically charged “Forty Jive”.

The final product is a lesson in perseverance, fifty years in the making, Slim holds dear to the blues he learned growing up in Alabama. An instant classic. ~Richard Ludmerer

The Parlor MP3
The Parlor FLAC

Monday, February 11, 2019

VA - Blue Muse

Size: 168,1 MB
Time: 71:40
File: MP3 @ 320K/s
Released: 2019
Styles: Acoustic/Electric Blues, Blues Folk
Art: Front

01 The Grotto Sessions - La Collegiale (3:27)
02 Taj Mahal - Spike Driver Blues (4:24)
03 Captain Luke - Old Black Buck (3:29)
04 Eddie Tigner - Route 66 (4:45)
05 Alabama Slim - I Got The Blues (4:39)
06 Robert Finley - Age Don't Mean A Thing (4:27)
07 Dom Flemons - Polly Put The Kettle On (2:14)
08 John Dee Holeman - Hambone (2:18)
09 Algia Mae Hinton - Snap Your Fingers (3:40)
10 Willie Farmer - I Am The Lightnin' (3:20)
11 Dave McGrew - D.O.C. Man (3:43)
12 Martha Spencer & Kelley Breiding - Sweet Valentine (2:24)
13 Dom Flemons - I Wanna Boogie (1:43)
14 Eric & Tim - Mississippi Blues (3:46)
15 Guitar Gabriel - Landlord Blues (2:54)
16 Drink Small - Widow Woman (4:15)
17 Sam Frazier Jr. - Cabbage Man (2:27)
18 Cary Morin - Sing It Louder (2:59)
19 Ironing Board Sam - Loose Diamonds (4:12)
20 The Branchettes - I Know I've Been Changed (3:35)
21 Theotis Taylor - Something Within Me (2:49)

Blue Muse

Thursday, January 25, 2018

Various - The Music Maker Revue - Live! In Europe

Year : 2011
Bitrate : 320K/s
Total Time : 70:52
Total Size : 163,5 MB
Styles: Southern Blues
Scans: Full covers

1. Intro (0:22)
2. Pura Fe’ - Borders (5:11)
3. Pura Fe’ - Summertime (5:52)
4. Dr Burt - What can an old man do, but sing the Blues ? (4:29)
5. Eddie Tigner - Let the good times roll (4:03)
6. Eddie Tigner - (Get your kicks on) Route 66 (5:13)
7. Eddie Tigner - Going down slow (6:22)
8. Alabama Slim - Old folks boogie (3:30)
9. Alabama Slim - Blue & lonesome (4:27)
10. Alabama Slim - Trouble no more (5:13)
11. Albert White - Stranded (4:34)
12. Pat Cohen - You can have my husband but please don’t mess with my man (4:41)
13. Pat Cohen - At last (3:28)
14. Pat Cohen - Wang, Dang, Doodle (7:23)
15. Pat Cohen - Applauses (0:30)
16. Everybody + Howlin’ Bill - The Blues is alright (5:25)

A spectacular selection of blues veterans at their exhilarating best at various venues across the 'Old Continent'. Dr. Burt, Eddie Tigner, Alabama Slim, Pat "Mother Blues" Cohen and Albert White, joined by Pura Fe' for the occasion, perform their own brand of Southern blues, getting warm responses from rapt audiences everywhere. These "Lost and Last Blues Survivors" show no sign of wanting to retire!

What Can An Old Man Do But Sing The Blues sings Dr. Burt, with a fragile voice.
How old do you have to be to deep blues? Sure, I have seen enough young bands and musicians who played with so much passion, fire and life as if they were already on the road are at least 40 years ´ ´. But still: in one way or another, I find it a wonderful sight to see where the blues musicians life has signed off on their face in deep grooves. On Music Maker Revue Live! In Europe, these ' old ' masters of the blues brought together.

There is something for nearly everyone here. It starts off with probably the youngest artist on the MM label (the exception being the Carolina Chocolate Drops, who started on MM and are now on Nonesuch) - Pura Fe. This Native American (who is a founding member of the group Utali) sings the Blues as well as self-composed songs from the Native American perspective. On this CD she matches one of her own compositions with Gershwin's "Summertime". The older generation is represented by Dr. Burt, Albert White and Alabama Slim (who sings "Old Folks Boogie" along with Muddy Water' "Trouble No More". And then there is (Ms.) Pat Cohen who almost out-Kokos Koko Taylor with three hot female blues numbers. Everyone comes together for a lively "The Blues is Alright" to close out the hour-plus of great music.

Live! In Europe

Friday, December 22, 2017

Alabama Slim - Blue & Lonesome

Bitrate: MP3@320K/s
Time: 54:13
Size: 124.1 MB
Styles: New Orleans blues
Year: 2010
Art: Front

[4:17] 1. Fannie Mae
[3:13] 2. Someday Baby
[3:24] 3. Old Folks Boogie
[6:52] 4. Weather Done Got Cloudy
[3:06] 5. Ain't I Been Good To You
[2:50] 6. Someday You Gonna Be Cryin'
[4:45] 7. West Texas Blues
[3:42] 8. 2 O'clock In The Morning
[5:49] 9. You Got This Ball Rollin'
[5:51] 10. Has Anybody Seen My Baby
[4:39] 11. I Love My Guitar
[5:39] 12. I'm Blue And Lonesome

Alabama Slim was born Milton Frazier in Vance, Alabama on March 29, 1939. His father worked building trains at the Pullman plant and his mother did domestic work. In their home, they had a Victrola and a boxful of 78s – this is where Slim fell in love with the Blues of Bill Broonzy and Lightnin’ Hopkins.

“I grew up listening to the old blues since I was a child. I spent summers with my grandparents who had a farm. Them old folks would get to moanin’ while they worked, and I just started moanin’ with them. That’s where I learned to sing. When I got grown I formed a band and we played little juke joints in the 50s and 60s. In ‘65, I came to New Orleans after hurricane Betsy. Got me a job with a moving company and then one making cooking oil. My cousin Freddie King was drinking hard in those days, and I was too. We jammed every once in awhile. By the time the 80s rolled around I was not doing much but Freddie always checked on me. By the 90s I got myself together and we have been the best of friends ever since, tighter than brothers really; there is not a day that goes by when we do not speak or see each other.” ~ Alabama Slim

Blue & Lonesome mc
Blue & Lonesome zippy

Friday, March 10, 2017

Alabama Slim, Little Freddie King - The Mighty Flood

Bitrate: MP3@320K/s
Time: 47:19
Size: 108.3 MB
Styles: Delta blues
Year: 2007
Art: Front

[3:43] 1. The Mighty Flood
[3:06] 2. Please Leave My Money Alone
[3:54] 3. Crack Alley
[4:15] 4. Way Down In The Bottom
[4:41] 5. I Got The Blues
[2:38] 6. Going Upstairs
[4:26] 7. Mr. Charlie
[3:42] 8. Coming Home
[5:02] 9. Waiting On You
[3:31] 10. Lord I'm Good For Something
[5:37] 11. I Don't Know What To Do
[2:39] 12. Flood (Reprise)

When Hurricane Katrina struck, Milton “Alabama Slim” Frazier and his cousin Little Freddie King made it out of New Orleans with their lives but not much else. The story of their encounter with the storm is related in the two versions of the Mighty Flood that bookend this disc’s dozen selections and give it its name. Slim, who takes the vocals on all but two tracks, comes by his nickname honestly- he was born and raised in Huntsville, Alabama and stands almost seven feet tall. As harrowing as his account of Katrina is, it gains power from its understated delivery (like John Lee Hooker’s Tupelo, on which it was modeled). Slim also employs the device of updating an old blues theme by transforming "Tin Pan Alley" into "Crack Alley."

The other tracks include a version of Mr. Charlie by the way of Lightnin’ Hopkins, a Going Upstairs that¹s loosely based on Howlin’ Wolf’s "No Place to Go", and "I Got The Blues", which bears a faint resemblance to Buddy Guy’s "Dam Right I’ve Got The Blues." These, and all of Slim’s other performances, owe their primary stylistic debt to Hooker and Hopkins, with King supplying most of the guitar work and Slim adding simple rhythm patterns on some cuts. The occasional assist from varying combinations of harmonica, bass, and drums is unnecessary but unobtrusive, though it helps add drive to King’s gospel piece "Lord, I’m Good For Something." His other lead, on "I Don’t Know What To Do", is a moody number cut from much the same cloth as his cousin’s efforts. This is one of those rare albums where the listener enjoys the sensation of sitting in on a private gathering of friends playing and singing with and for one another. ~Jim Dekoster, Living Blues

The Mighty Flood mc
The Mighty Flood zippy