Azzul's Collective: March 2025

Sunday, March 30, 2025

Downchild - Bootleg

Album: Bootleg
Size: 87,0 MB
Time: 37:21
File: MP3 @ 320K/s
Released: 1971/2007
Styles: Blues
Art: Full

1. Rock It (3:58)
2. Just A Little Bit (3:06)
3. Down In Virginia (3:36)
4. That's All Right (4:55)
5. Messin' With The Kid (3:23)
6. Don't You Bother My Baby (4:07)
7. Change My Way Of Livin' (5:09)
8. You Don't Have To Go (3:08)
9. Next Time You See Me (2:52)
10. I'm Sinkin' (3:02)

The Downchild Blues Band is a Canadian blues band, described by one reviewer as "the premier blues band in Canada". The band is still commonly known as the Downchild Blues Band, though the actual band name was shortened to "Downchild" in the early 1980s. The Blues Brothers band was heavily influenced by Downchild Blues Band. The Downchild Blues Band was formed in Toronto in 1969 and continues to perform today. It was co-founded by two brothers, Donnie "Mr. Downchild" Walsh and Richard "Hock" Walsh.

Their international fame is partially due to three of its songs, the originals "I've Got Everything I Need (Almost)" and "Shot Gun Blues", and its adaptation of "Flip, Flop and Fly", all from its 1973 album, Straight Up, being featured on the first Blues Brothers album, Briefcase Full of Blues (1978). "Flip, Flop and Fly" has been Downchild's only hit single, and became the signature song of Hock Walsh. The band's musical style is described as being "a spirited, if fundamental, brand of jump-band and Chicago-style blues".

The band's first album, Bootleg, is regarded as one of the first independent albums ever produced in Canada. It was recorded over two nights in 1971, in a makeshift studio at Toronto's Rochdale College. Donnie Walsh and others distributed the album by hand. It was welcomed by major Toronto music retailer Sam Sniderman, of Sam The Record Man renown, who was very much disposed to promoting Canadian music. The record was soon acquired by RCA Records Canada for more general distribution and was reissued on CD on September 11, 2007, without any extra tracks.

(For personnel details, see artwork included.)

Bootleg mc
Bootleg gofile

Jad Tariq - Jad Tariq Sings

Album: Jad Tariq Sings
Size: 55,5 MB
Time: 23:48
File: MP3 @ 320K/s
Released: 2025
Styles: R&B
Art: Front

1. Flapjack (2:42)
2. You Think You're Too Good For Me (2:48)
3. Had You Told It Like It Was (3:23)
4. Fortune's Fool (3:10)
5. Shame, Shame, Shame (2:50)
6. Bloodshot Eyes (3:10)
7. No Sleepin'est Woman (3:16)
8. So Much Water (2:26)

Jad Tariq may not sound exactly like the name of someone deeply into American roots music, R&B and jump blues. But he is. And he’s very good at it. And you can thank world-class bluesman, harp player and fellow Memphis resident John Németh for bringing him to our attention. As a senior at Rhodes College in Memphis, Tariq began turning up at Németh’s gigs, and John eventually let him sit in with the band. Németh says Tariq’s blues and R&B work is impressive, but “I really love when he incorporates his Palestinian heritage and those sounds into his music. It’s super unique.” Tariq would later go on the road with Németh and appeared on his 2023 album, “Live From The Fallout Shelter.”

Tariq found his blues calling when: “My guitar teacher played me some Stevie Ray Vaughan, and my parents bought me that record of Albert King and Stevie together. It was so clear that Stevie got his influence from Albert. Albert was such a monster. He completely changed how I saw guitar. He got me into the more traditional blues.” “In the end,” Tariq says, “I guess I classify what I do as rhythm and blues, but there’s a lot of different kinds of music in there too,” he added. “It’s all the stuff I love and listen to. I’m just trying to put my own spin on it.”

This debut album includes five originals and three classic covers, all smoothly executed by Tariq and his Memphis bandmates - Art Edmaiston on saxophone, Carl Caspersen on upright bass, Gerald Stevens and Wyly Bigger on piano and organ, and Earl Lowe on drums. Tariq handles guitar and vocals with a passion and polish that belie his 28 years. The album kicks off with the original “Flapjack,” splashed with liquid guitar notes firing a swinging rhythm with a big band feel behind Tariq’s deceptively relaxed vocals. “You Think You’re Too Good For Me” follows, another original, with sizzling horns biting into another swinging session. “Had You Told It Like It Was” covers a recording by Albert King with a hint of a Latin rhythm behind big fat guitar notes.

“Fortune’s Fool” shifts back to an original, and shifts the mood to a dreamy ballad effortlessly crooned by Tariq - you’d swear you were sipping an icy martini in a classy ’50s cocktail lounge. “Shame, Shame, Shame” strips down the backers to guitar, upright bass, drums and piano for an original that adds a sensuous R&B feel to its doowop flavor. Tariq reinvigorates the jump blues classic “Bloodshot Eyes” from R&B legend Wynonie Harris, swinging it appropriately hard and fast, then adds a lyrical guitar and tasty piano to the equally legendary T-Bone Walker’s “No Sleepin’est Woman.” Tariq closes with his own easy-rocking “So Much Water,” brightly lit by a sharp horn intro, carried along by stinging guitar riffs, and more slow-rolling vocals that complete this outstanding musical package.

“Jad Tariq Sings” is an impressive debut from this multi-talented guitarist, singer, songwriter and bandleader. Tariq dips deftly into the deep well of classic blues, jazz and R&B and comes out swinging as he filters these classic sounds though his own musical sensibilities. It’s great listening, and you can dance to it! /Jim White, Blues Roadhouse

Jad Tariq Sings mc
Jad Tariq Sings gofile

Popa Chubby & Friends - I Love Freddie King

Album: I Love Freddie King
Size: 103,4 MB
Time: 44:30
File: MP3 @ 320K/s
Released: 2025
Styles: Blues
Art: Front

1. I'm Going Down (Feat. Joe Bonamassa) (5:30)
2. Love Her With A Feeling (Feat. Albert Castiglia) (5:27)
3. My Credit Didn't Go Through (Feat. Eric Gales) (4:01)
4. Big Legged Woman (Feat. Christone 'Kingfish' Ingram) (4:08)
5. She's A Burglar (Feat. Mike Zito) (2:42)
6. Hideaway (Feat. Arthur Nielson) (4:03)
7. The Stumble (Feat. Albert Castiglia) (4:02)
8. San Ho Zay (Feat. Arthur Nielson) (3:22)
9. Pack It Up (3:58)
10. Heads Up (Feat. Arthur Nielson) (3:07)
11. Same Old Blues (Feat. V.D. King) (4:06)

After a health-induced hiatus, Popa Chubby, the legendary blues-rock guitarist, roars back with "I Love Freddie King," a heartfelt tribute album to the late great Texas Cannonball himself. Produced by Popa Chubby and Gulf Coast Records' executive producer Mike Zito, this 11-track masterpiece was recorded at G.B.'s Juke Joint and features contributions from an all-star roster of modern guitar heroes: Joe Bonamassa, Mike Zito, Christone "Kingfish" Ingram, Eric Gales, Albert Castiglia, Arthur Neilson, and V.D. King.

Reflecting on the album, Popa Chubby calls Freddie King his lifelong muse, whose music "changed my soul forever." The album brings King's legacy roaring back to life, spanning his early instrumental hits, Shelter Records era, and more. With a core band of Mike Merritt (bass), Andrei Koribanics III (drums), and Mike DiMeo (keyboards), this record captures the sweat, soul, and unrelenting energy of Freddie King.

Tracks like "I'm Going Down" (ft. Joe Bonamassa) and "Big Legged Woman" (ft. Christone 'Kingfish' Ingram) explode with fiery guitar work and passionate vocals. Other standouts include "She's A Burglar" (ft. Mike Zito) and "Hideaway" (ft. Arthur Neilson). Each collaboration brings something special to the table, making this album a must-listen for blues fans and guitar lovers alike.

Despite battling a rare spinal disorder during production, Popa Chubby pressed on to create what he calls "a journey of love and homage." His raw determination, combined with the extraordinary talent of his guest musicians, resulted in a fitting tribute to Freddie King - the bridge between blues and rock, who forever altered the genre's course.

Popa Chubby & The Beast Band : Popa Chubby (guitar, vocals); Mike Merritt (bass); Andrei Koribanics III (drums); Mike DiMeo (keyboards); Harold Horowitz (trumpet); Curtis Hotgrefe (saxophone); Eliza Neals (backing vocals).

I Love Freddie King mc
I Love Freddie King gofile

Janiva Magness - Back For Me

Album: Back For Me
Size: 95,2 MB
Time: 41:08
File: MP3 @ 320K/s
Released: 2025
Styles: Blues/Rock/Americana mix
Art: Front, back

1. Masterpiece (Feat. Joe Bonamassa) (3:36)
2. Back For Me (5:09)
3. The Same Love That Made Me Laugh (3:55)
4. November (5:40)
5. Holes (Feat. Sue Foley) (3:54)
6. I Was Good To You Baby (4:21)
7. You Can Bring Me Flowers (3:25)
8. Down So Low (4:34)
9. Do I Need You (3:37)
10. Hittin' On Nothin' (Feat. Jesse Dayton) (2:52)

Janiva Magness has returned with her 17th album, Back for Me, produced by her longtime friend, producer, and collaborator Dave Darling. The album is a powerfully engaging, emotionally rich collection from a dynamic artist who continues to renew and redefine her widely celebrated relationship with the blues. Janiva’s far-ranging search for songs has unearthed a treasure chest of lesser-known gems by well-known artists (Bill Withers, Ray LaMontagne, Allen Toussaint, Doyle Bramhall II, Tracy Nelson, Irma Thomas) and deep-dive discoveries that connect with the rich feelings embodied in her voice and music, cherished by her fans. “I have always been into the B-sides,” she says. “There’s a freshness to doing a B-side rather than a well-known hit. I absolutely love the idea of shining a light on material that people are not familiar with.”

Back for Me is the 17th album for Magness, who has been honored with seven Blues Music Awards (including being named B.B. King Artist of the Year in 2009) and a Grammy Nomination for her 2016 album, Love Wins Again. In 2019, she published her memoir, Weeds Like Us, a vividly portrayed account of both the traumas of her youth (her parents’ suicides and her often-nightmarish experiences in the foster care system) and the hard-earned triumphs that have fueled her growth as an artist and in life. Darling anchors the album’s core band, also featuring drummer W.F. Quinn Smith and bassist Ian Walker, with keyboardists Sasha Smith and Phil Parlapiano, guitarists John Schroeder and Robert “Chalo” Ortiz, Nick Maybury, and blues harp player TJ Norton also appearing on various songs. Ace guitarists Joe Bonamassa, Sue Foley, and Jesse Dayton put their stamps on their respective special guest appearances.

It’s a powerhouse set moving from the Chicago-via-Texas churn of “Masterpiece” (written by Darling and featuring searing guitar from Bonamassa) to the aching gospel-soul-funk of Bill Withers’ “The Same Love That Made Me Laugh,” to the haunting resignation of Bramhall’s “November” and Nelson’s torch ballad “Down So Low,” to the sly release “Hittin’ on Nothin’” – written by Allen Toussaint and originally sung by Irma Thomas, and blasting guitar, courtesy of Jesse Dayton. She credits the band for bringing layers of dimensions to the songs. Aside from Darling, Parlapiano, and Schroeder, the main musicians were new to Magness, but as soon as the sessions began, she felt the fresh energy they brought.

“We tracked together live,” she says. “That’s one of the reasons that it sounds as solid as it does. And the other reason is because these guys have worked together on other albums with Dave and other projects, so they have a history. That brings an automatic intimacy to the backbone of the songs. And because they’re basically all a bunch of badasses.” It’s that vulnerability that Magness sought in songs as she put Back for Me together, a search that took her deep into the mines of the blues and R&B for material she could internalize and personalize. /Blues Magazine

Back For Me mc
Back For Me gofile

Saturday, March 29, 2025

Nathan James - This Road Is Mine

Size: 288 MB
Time: 44:55
File: Flac
Released: 2003
Styles: Blues Acoustic
Art: Front

1. Don'tcha Feel So Good (3:25)
2. Sugar Mama Blues (3:55)
3. Sweet Lovin' Kind (3:02)
4. Hip Shakin' Mama (2:07)
5. Please Slow Down (4:21)
6. Promenade Breakdown (4:01)
7. Woke Up With The Blues In My Fingers (3:09)
8. This Road Is Mine (4:25)
9. Good Thing Blues (3:55)
10. Ain't This A Comeback (5:16)
11. Took My Saviors Hand (2:52)
12. If I Let You Get Away With It Once (4:22)

Nathan James is a true original American roots music artist who makes a lot of sound pickin' and scratchin' on his handmade invention of washboard guitar; stomping out time on a box made of old fence boards; all while singing and blowing harmonica to his own original music. But aside from all of these tools of the trade, his main focus is well crafted songwriting and his artistry is far from just a live show gimmick.

Drawing from a deep well of influences from many early roots artists and styles, James was quickly attracted to the individuality of self made music and artistic expression from an early age. Growing up in the small agricultural town of Fallbrook California has been influential in choosing his life path because he could relate to music originating from a rural environment. "There wasn't a lot to do here, so you either got in trouble or found something productive to do with what you had around you!" Having supportive parents that didn't force him into college after high school allowed Nathan to go straight into the real world of a ‘working musician’. At age 19 Nathan got the call from internationally known blues veteran James Harman to join his band and tour the country. With Harman is where he gained the experience that has shaped most of his own career.

In 2007 Nathan entered the International Blues Challenge in Memphis TN with Ben Hernandez and took 1st place. During his career Nathan has worked with other many well known artists including: Kim Wilson, Pinetop Perkins, Billy Boy Arnold, Lazy Lester, Johnny Dyer, Rick Holmstrom, and Mark Hummel. Nathan has brought his music to concerts and festivals in Argentina, Russia, Spain, Italy, France, Belgium, Netherlands, Germany, Denmark, Norway, Sweden, Finland, Faroe Islands, Taiwan, Canada and Mexico, as well as all over the United States.

This Road Is Mine FLAC

Heinz Sauer, Bob Degen, Carey Bell - Blues After Sunrise

Size: 188 MB
Time: 34:41
File: Flac
Released: 2009
Styles: jazzy blues
Art: Front

1. I Want You To Love Me (4:59)
2. Degen Blues (5:45)
3. Tonky Blues (5:34)
4. Hollerin' The Blues (6:31)
5. A Classical Preacher (2:35)
6. One Day I Get Lucky (3:02)
7. Blues After Sunrise (6:12)

Heinz Sauer – saxophone legend and cornerstone of German jazz – was born in 1932 in Merseburg. Since 1960 he has been saxophonist and composer for the Jazz Ensemble of Hessicher Rundfunk in Frankfurt. From 1960 to 1978 he was a member of the Albert Mangelsdorff Quartet and Quintet, and in 1968 was a member of the German All Stars. In 1974 he formed his first own line-up, Voices. The obvious individuality and artistic intensity of his saxophone playing and his compositions have allowed Sauer to go his own individual way. For this he was recognized by the award of the Jazz Prize of the region of Hessen and in 1999 by the Albert Mangelssdorf Prize.

Blues After Sunrise FLAC

When Rivers Meet - We Fly Free

Size: 287 MB
Time: 45:24
File: Flac
Released: 2020
Styles: Rock, blues-rock
Art: Front

1. Did I Break The Law (4:06)
2. Bound For Nowhere (3:59)
3. Walking On The Wire (3:29)
4. I'd Have Fallen (3:33)
5. Battleground (3:53)
6. Kissing The Sky (3:42)
7. Breaker Of Chains (4:02)
8. I Will Fight (3:48)
9. Bury My Body (5:25)
10. Take Me To The River (3:14)
11. Friend Of Mine (3:29)
12. We Fly Free (2:39)

British husband and wife blues rock duo When Rivers Meetannounce their debut album ‘We Fly Free’ will be released on Friday 20 November 2020. The first single “Battleground” will be released on 9 October and is now available to pre-save from www.smarturl.it/whenriversmeet Grace and Aaron Bond release their self-penned album ‘We Fly Free’ following their critically acclaimed EP’s ‘The Uprising’ and ‘Innocence of Youth’. Their passion for blues rock shows through with an underpinning of traditional blues and classic rock. The duo have made a concerted effort to keep to a genuine, gritty sound using authentic techniques, including tube tape echo and reverb chambers, which have created a live sound that keeps a truly vintage vibe that not only has energy but is also a true representation of the ever evolving sound this duo produces. WRM show great delight that a Hammond organ has been introduced into some of the tracks on this album. This classic blues rock feel will transport you back in time while also inducing a contemporary When Rivers Meet twist. Grace sings lead vocal on most of the album, and showcases her impressive range, whilst adding distinctive slide resonator mandolin and fiddle. As well as guitar, Aaron adds rich vocals that root the songs in harmony (taking lead on ‘Breaker Of Chains’ and ‘Take Me To The River’). Recorded with Adam Bowers at The Boathouse Studio in the Suffolk countryside, it’s the perfect place to concentrate on recording with no interruptions, although you may hear the odd bird song captured in the open-plan recording space. Adam also plays drums and shares base and keys duty with Robin Breeze on some of the tracks, giving a rich depth and creating wall of sound.

We Fly Free FLAC

Mainline - The Last Show @ the ELMO

Size: 239 MB
Time: 38:20
File: Flac
Released: 2001
Styles: Rockin'Blues
Art: Front, tray

1. Blind Girl (3:51)
2. Beltmaker (2:59)
3. Mainline (6:35)
4. Wine, Women and Whiskey (3:46)
5. Get Down To (3:47)
6. T.B. Blues (2:25)
7. Drive You (3:07)
8. Brain Damage (4:32)
9. I Am Normal (2:57)
10. Going to Toronto (4:18)

When legendary night club The El Mocambo came to an end for the 2nd time in the early 2000s, Mainline and Bullseye Records seized the opportunity to record a live show on its final night. Within 20 minutes of the band's encore construction crews came in to begin tearing out the walls. credits released October 12, 2015 Mike McKenna, electric and slide guitar Tony Nolasco, drums / lead vocals Ted Purdy, acoustic guitar / vocals Mike Harrison, bass Bob Adams, harmonica Recorded live at The El Mocambo in Toronto, November 4, 2001. Engineered by Glenn Belcher for Prisma Sound; assistant engineers Jef Leeson and Jaimie Vernon. Producers: Jaimie Vernon and Tony Nolasco Executive Producers: Jaimie Vernon/Jim Hoeck Mixed by Glenn Belcher and Tony Nolasco

The Last Show @ the ELMO FLAC

Friday, March 28, 2025

Larry Birdsong - Every Night In The Week

Size: 164.9 MB
Time: 69:05
File: MP3 @ 320K/s
Released: 2003
Styles: R&B, Blues, Soul
Art: Full

01. Tell Me The Truth (2:59)
02. Live Thew Live I Sing About (2:56)
03. Three Times Seven (3:05)
04. Now That We're Together (2:59)
05. We'll Never Part (2:55)
06. Every Night In The Week (2:34)
07. Scooter Poofin' (2:12)
08. Do You Love Me (2:16)
09. Somebody Somewhere (2:35)
10. Since You Left Me Behind (1:56)
11. Somebody Help Me (Find The One That I Love) (2:33)
12. Try Me One More Time (2:35)
13. Wish I Didn't Love You So (2:16)
14. You're My Baby (2:27)
15. Young And Fancy Free (2:19)
16. I'm So Glad You're Home (2:18)
17. If I Could Only Hold Back My Tears (3:07)
18. Tell Me The Truth (2) (3:02)
19. Young And Fancy Free (2) (2:23)
20. Sugar (3:04)
21. I'd Like To Try It One More Time (3:21)
22. Every Night In The Week (2) (2:42)
23. Digging Your Potatoes (3:03)
24. The Sea Sand (2:22)
25. Fairly Well (2:15)
26. I'll Pich My Own Chicken (2:37)

Born Lawrence E. Birdsong, 15 June 1934, Pulaski, Tennessee
Died 7 August 1990, Nashville, Tennessee

Larry Birdsong was an African American singer with an appropriate name. He really could sing like a bird. Many record company people believed that he was destined for stardom. He enjoyed one label deal after another. It wasn't for lack of trying that the big breakthrough crossover hit bringing fame and fortune never happened for Birdsong.

Born in 1934, Larry came from an extremely musical family in Pulaski, TN. Though there never was an organized family band, every one of the eleven Birdsong children sang. The story goes that Larry was discovered in the early 1950s by Nashville R&B promoter Ted Jarrett (1925-2009). Larry was still a teenager and had been in trouble. He was just out of reform school and, in order to sign him to a contract, Jarrett had to go to court to plead for his release from probation so that he might tour and record. But Larry's brother Jimmy Birdsong (a singer and recording artist in his own right) believes otherwise. "Ted Jarrett says he brought Larry out of Pikeville Reformatory School. I think some sheriff in Pulaski brought Larry to Nashville and put him up with Ernie Young [owner of Excello Records]."

Birdsong's first two singles were recorded in 1955 in Nashville with Louis Brooks and his Hi-Toppers. "It Won't Be This Way Always"/"You Won't Be Needin' Me No More" (Excello 2064) was followed by "Pleadin' For Love"/ "You'll Never Know" (Excello 2076). "Pleadin' For Love" peaked at # 11 on Billboard's R&B charts in July 1956 ; it would be his first and last chart entry. At this time it is not available on YouTube, but those who have access to Spotify can listen to it there. In 1956-57 Larry recorded for two labels owned by Ted Jarrett, Calvert and Champion, backed by Jimmy Beck and his orchestra. In between there was a solitary release on a major label (Decca 30186), "Oo Wee Honey"/"Let's Try It Again". Decca probably purchased these masters from Jarrett, whose band provides the backing.

In 1957, Vee-Jay Records in Chicago showed interest in Larry. Ted Jarrett insisted that the label could only sign Birdsong if they took on Gene Allison (another Jarrett protégé) as well. Both singers had their first session for Vee-Jay in July 1957. Allison hit the jackpot right away with "You Can Make It If You Try" (# 3 R&B, # 36 pop) and stayed with Vee-Jay for four years, but Birdsong was not so lucky and had only two sessions for the label. From a rock 'n' roll point of view, "I'm Pleading Just For You" (Vee-Jay 254) is probably his best single ; you can judge this for yourself on YouTube (link below). I first heard three of Larry's Vee-Jay recordings (including "I'm Pleading Just For You") on an Upsetters CD. However, the backing sounded to me as typical of Cosimo Matassa's studio band, not the Upsetters, and when I checked this in the Blues Bible by Leadbitter and Slaven, it was confirmed that the July 1957 session was held in New Orleans, with Lee Allen, Red Tyler, Edward Frank, Earl King, Frank Fields and Charles Williams.

There was another New Orleans session in 1960, a one-off single for Ace, but "I'm So Glad You're Home" (Ace 589) lacks the typical Ace N.O. sound and is best classified as an early example of soul music. Between Larry's tenures at Vee-Jay and Ace, Ted Jarrett issued some more Birdsong titles that he had in the can from his Champion days. These 1958-59 releases include "Scooter Poofin'" (Champion 1009), another successful attempt at rock n roll, with good piano accompaniment. "Do You Love Me" and "Somebody Somewhere" aren't bad either. After Ace, his next stop (1961-62) was at the Home of the Blues label in Memphis, where he recorded four singles under the supervision of Willie Mitchell. The best of these (in my humble opinion) are "Aunt Mattie" and "Little School Girl". There was a four-year hiatus before Larry recorded again. In 1966 he signed with Red Wortham's Sur-Speed label, for which he recorded two soul singles. More soul music was cut at Ted Jarrett's Ref-O-Ree label between 1968 and 1973. Sur-Speed and Ref-O-Ree were local Nashville labels with limited distribution. Apart from some gospel recordings released in 1982, Birdsong did not record after 1973.

Larry Birdsong passed away at home in 1990. They found him several days later. He had been living in an apartment off 8th Avenue in south Nashville. Not much is known about the circumstances of his death. It probably was due to heart trouble.

Birdsong was a very versatile singer, who recorded blues, doowop, jazz, gospel, rock n roll, smooth crooning and soul. Some people consider him to be one of the greatest black singers in Nashville.

Every Night In The Week MP3
Every Night In The Week FLAC

Clifton Chenier & His Red Hot Louisiana Band - Live At Tipitina's (June 7, 1980)

Size: 91.2 MB
Time: 39:14
File: MP3 @ 320K/s
Released: 2025
Styles: Blues Zydeco
Art: Front

01. Calinda (Live) (4:23)
02. Louisiana Two Step (Live) (4:25)
03. Everybody Calls Me Crazy (Live) (5:48)
04. What'd I Say (Live) (5:23)
05. I'm A Hog For You Baby (Live) (3:58)
06. Party Down (At The Blue Angel Club) (Live) (4:49)
07. Three O'Clock Blues (Live) (6:10)
08. Feelin' Happy (Live) (4:15)

The most recent release from the fantastic Tipitina's Record Club is this unique capturing of the legendary Clifton Chenier who played zydeco, R&B, and Cajun music in a distinct fashion; keeping dance floors throughout the south good and sweaty. This vinyl release is from a warm night in 1980 as his Red Hot Louisiana Band display their dynamic range.

One of the interesting things about this capturing is the band Chenier plays with. His core partners of his son CJ on alto sax and Cleveland his older brother on Frottoir, had been playing with Clifton for years. They are here with longtime collaborators Robert St Julien on drums and Jumpin' Joe Morris on bass but this show also has featured the killer Sonny Landreth on guitar along with Jerry Conrad on B3.

This impressive collection of musicians dive right in with the upbeat Cajun blues of the strolling "Calinda". Clifton sings in French as he commands the stage, vamping and moving with ease while the sax work and organ pair beautifully; a reoccurring theme throughout this show. The accordion great gets his full on zydeco pumping for "Louisiana Two Step" before the blues pour out on the cooking "Everybody Calls Me Crazy" which finds emotive singing from Clifton.

The bands first true cover pops up next with their take on Ray Charles' classic "What I'd Say" and they do not disappoint. The revved up take uses energetic singing, a smoking tempo, and hip shaking goodness all around as the full band hit their stride.

Side two starts with Clifton's take on the Coasters "I'm A Hog For You Baby" as the Cajun blues gets some zydeco touches before "Party Down (At The Blue Angel Club)" once again goes full bore with zydeco letting Clifton, CJ, and Cleveland dominate the stage. While Landreth had impressive moments, he steals the spotlight on the hardcore "Three O'Clock Blues" as his lead slide runs and dynamite guitar playing shines bright, while Conrad's B3 work is also majestic.

The album wraps up with Clifton's version of "Feelin' Happy" which pays tribute lyrically to Blind Lemon Jefferson and Big Joe Turner, pulling the blues into the swamps as the group gets down in 50's R&B style to close the night.

Almost as impressive as the music is the detailed linear notes from Todd Mouton, author of the book Way Down in Louisiana: Clifton Chenier, Cajun, Zydeco, And Swamp Pop Music. The notes give historic context to the performance, as well as dive into this musical world with vigor.

Another excellent release from Tipitina's Record Club, Clifton Chenier and his Red Hot Louisiana Band's Live at Tipitina's is recommended to those who are longtime fans of the artist and those who are brand new to his zydeco sounds as well.

Live At Tipitina's (June 7, 1980) MP3
Live At Tipitina's (June 7, 1980) FLAC

Davis Coen - Live At Proud Larry's

Size: 110.8 MB
Time: 47:47
File: MP3 @ 320K/s
Released: 2025
Styles: Country Blues, Delta Blues
Art: Front & Back

01. You Gonna Miss Me (Live) (3:59)
02. Basement With The Blue Light (Live) (4:40)
03. Stay All Night (Live) (5:28)
04. Yes We Can Can (Live) (5:15)
05. Anna Ann (Live) (4:15)
06. Don't Let The Deal Go Down (Live) (4:35)
07. Stranger In My Home (Live) (3:12)
08. Mile After Mile (Live) (4:47)
09. Long Black Veil (Live) (4:12)
10. Jack Of Diamonds (Live) (7:18)

Oxford, Mississippi, musician Davis Coen celebrates the release of his live album Live at Proud Larry’s right where it was recorded, at Proud Larry’s in downtown Oxford.

The roots & blues singer-guitarist is the first to have a live record released from the renowned music venue, despite decades of great bands who have had shows recorded.

Live at Proud Larry’s features a mix of original songs and vintage American music, with covers of Muddy Waters, Blind Lemon Jefferson, Charlie Poole, and Lefty Frizell—whose country hit “Long Black Veil” gets a lively treatment.

Among Coen’s originals are the sinister murder ballad “Mile After Mile,” the steady rolling “Stranger in My Home,” and the slow groove “Basement With the Blue Light”—which warns that “Just one taste gon’ change your mind.”

Davis will be accompanied by musicians from the album, including funky Memphis blues band Just Groovin’ Experience. Also, a seasoned Hill Country Blues rhythm section including Kinney Kimbrough and Justin Showah, to start the show.

Live At Proud Larry's MP3
Live At Proud Larry's FLAC

Andrew Duncanson - California Trap (Feat. Michael Peloquin)

Size: 119.4 MB
Time: 51:04
File: MP3 @ 320K/s
Released: 2025
Styles: Electric Blues, Blues Soul
Art: Front & Back

01. Relearning To Climb (Feat. Michael Peloquin) (3:00)
02. Naw Naw Naw (Feat. Michael Peloquin) (4:29)
03. Hold Me Back (Feat. Michael Peloquin) (3:01)
04. California Trap (Feat. Michael Peloquin) (3:20)
05. Town Saint (Feat. Michael Peloquin) (5:28)
06. Outer Space (Feat. Michael Peloquin) (3:59)
07. What Kind Of Man (Feat. Michael Peloquin) (4:58)
08. This Land Is Your Land (Feat. Michael Peloquin) (4:08)
09. Feelin' Better Now (Feat. Michael Peloquin) (4:17)
10. Next Life (Feat. Michael Peloquin) (3:54)
11. More Lows Than Highs (Feat. Michael Peloquin) (3:10)
12. It's A Pleasure (Feat. Michael Peloquin) (3:08)
13. Better Off Now (Feat. Michael Peloquin) (4:05)

Chances are, that as an ardent blues fan, you’ve heard Andrew Duncanson before, even though California Trap is his first solo release. The Chicago-based Duncanson was the guitarist and deeply soulful voice of the Kilborn Alley Blues Band and the traditional blues trio Dig3. Like so many aspiring blues artists do, Duncanson made the pilgrimage to co-producer Kid Andersen’s Greaseland Studios in San Jose, CA. There he also convened with his friend, and co-producer Michael Peloquin, who plays saxophones and harmonicas, contributes to songwriting, and creates the horn charts throughout the record. The resulting product, recorded in two separate sessions, checks all the boxes for an outstanding blues album – soulful, memorable vocals, raging guitars, wailing harmonicas, sharp horn parts, infusion of soul and R&B, and solid songwriting. Duncanson wrote ten of this baker’s dozen with Peloquin also contributing an original. They also cover Woody Guthrie’s longstanding chestnut “This Land Is Your Land” and Mike Schermer’s “It’s a Pleasure.” Duncanson and Andersen share the guitar leads, with the latter also playing multiple instruments. Peloquin plays tenor sax on ten tracks, baritone sax on one, as well as harmonica. He leads the four-piece horn section while core members of the Greaseland house band are aboard as well as three background vocalists and The Sons of the Soul Revivers on Schermer’s song. As Tommy Castro says on the back cover, “…They could have gotten by with a lot less, but they went the extra mile…” The album kicks off rather low key with the horn infused “Relearning to Climb” which takes on a more infectious flavor with the chorus “I’m trying a new state of mind, re-learning how to climb.” Duncanson drips with emotion in the swaying lament “Naw, Naw, Naw,” bolstered by the background vocalists. “Hold Me Back” features Peloquin’s blues harp as the band embraces a sturdy shuffle. It’s Kid Andersen’s stinging guitar that brings us into the title track, a slow, simmering blues with Duncanson belting out the vocal in the fashion of the great blues shouters and Baxter Robertson going barrelhouse on the piano. Robertson then cooks up a funky bassline on his clavinet with the staccato horns on top for the soulful strut of standout “Town Saint” with Duncanson ripping off a succinct guitar solo along with Doug Rowan on baritone, Mike Rinta on trombone, and Peloquin on tenor filling the bottom. Meanwhile the constant refrain of the background vocalists “Town saint, town sinner- drinks beer says grace at the family dinner” wafts throughout the song. “Outer Space” plays to a full tilt shuffle with Jim Pugh’s piano and Peloquin’s blues harp backing Duncanson’s earthy vocal while Andersen rather whimsically takes up an array of waterphone, theremin, and mini-moog; and Peloquin pitches in with deep space mouthpiece squawks. Castro’s quote seems to apply here. They were in a different zone. Peloquin’s “What Kind of Man” is a steady tempo soulful plea with a terrific horn arrangement and Guthrie’s anthem works surprising well in this context, as the arrangement is tailored on the interpretation of Sharon Jones and the Dap-Kings. Schermer’s tune is an ode to friendship with Peloquin’s graceful chromatic harp solo and the gospel refrains from The Sons of the Soul Revivers. Duncanson’s “Next Life” has one his most potent vocals, stinging guitar from Andersen, and another sharp horn chart. The R&B-tinged closer “Better Off Now” sends us off in an uplifting mood as Duncanson sings about so much joy over the full complement of horns and Peloquin’s brief solo. Duncanson’s vocals are the draw but there’s so much more. Blues and soul don’t get any better than on this stellar outing. ~Jim Hynes

California Trap (Feat. Michael Peloquin) MP3
California Trap (Feat. Michael Peloquin) FLAC

Fred & The Healers - No Escape

Size: 106.1 MB
Time: 45:32
File: MP3 @ 320K/s
Released: 2025
Styles: Electric Blues, Blues Rock
Art: Front

01. The Pulse (2:49)
02. Wise Man (3:40)
03. Big Bang (2:36)
04. Another Fall (5:29)
05. The Escape (3:07)
06. Love Jungle (2:58)
07. Lonesome Light (4:37)
08. Blood And Guts (3:37)
09. A Fool's Journey (3:45)
10. Back To Basics (4:11)
11. The Deputy Manager (4:34)
12. No Love For Old Men (4:03)

Fred & The Healers are a blues band from Belgium active on the European scene since 1994.

The band originally comes from the french speaking country side of Belgium, from a small village named Maredret.

The original name of the band was 'The Healers' but was soon changed as it was already taken by a contemporary band from Antwerp (with Tee & Wuff).

We play our own electric blues songs - we are no cover band although we regularly pay tribute to our idols by covering some of our favorite blues and blues-rock songs. We are influenced by the main Chicago artists who have electrified the blues in the 50's and 60's, by the British blues of the 60's, by some blues rock and rock artists of the 70's and by some other more contemporary bands.

The band won the Belgian blues prize in 1997 and the Belgian Blues Challenge in 2014.

No Escape MP3
No Escape FLAC

VA - The Unissued 1963 Blues Festival

Size: 224 MB
Time: 40:37
File: Flac
Released: 1963
Styles: Blues
Art: Front

01 - Memphis Slim – Wish Me Well
02 - Memphis Slim – I Wrote This Song
03 - Memphis Slim – All By Myself
04 - Sonny Boy Williamson II – 99
05 - Sonny Boy Williamson II – Bye Bye Bird
06 - Memphis Slim – In The Evening
07 - Matt 'Guitar' Murphy – Groovin' On Bounce
08 - Matt 'Guitar' Murphy – Taking Off
09 - Sonny Boy Williamson II – All My Love In Vain
10 - Sonny Boy Williamson II – Your Funeral And My Trial
11 - Sonny Boy Williamson II – Don't Start Me To Talkin'

Now the music on this album is being played by what can only be described as an “all-star lineup band”. Sonny Boy Williamson [II] – Harmonica & vocals Matt “guitar” Murphy – Guitar Memphis Slim – Piano & vocals Willie Dixon – Bass Billy Stepney – Drums So just how did all this come together? The 1963 American Folk Blues Festival toured across Europe and the music from this tour was released originally on the Fontana label. However the concert played at Oberhausen, located in what was then West Germany, remained largely unheard, except for bootleg tracks played on a small French radio station in 1985. cream of the crate: album review # 174 - various artists: the unissued 1963 blues festival Willie Nixon, Memphis Slim, Matt Murphy & Billie Stepney: European Tour – [CLICK to enlarge] I’m uncertain as to why it took some 23 years for this album to be released, but that performance at Oberhausen is captured on this album. The one distracting thing is the “hum” on various tracks. According to the liner notes this hum was recorded along with the music and was due to a faulty microphone lead. I ran the tracks through some cleaning software and it has removed some of it, but anymore and it would have seriously compromised the recording, so we grin and cope with it because the music is worthwhile.

The Unissued 1963 Blues Festival FLAC

Thursday, March 27, 2025

Downchild - Live At The Palais Royale

Album: Live At The Palais Royale
Size: 130,4 MB
Time: 56:26
File: MP3 @ 320K/s
Released: 2007
Styles: Blues, jump blues
Art: Full

1. It's Been So Long (5:13)
2. Going Out Dancing (4:14)
3. Wednesday Night Blues (8:41)
4. (I've Got Everything I Need) Almost (5:10)
5. I've Been A Fool (4:54)
6. It's A Matter Of Time (5:59)
7. When I Say Jump (4:47)
8. Mr. Confused (4:30)
9. What You Gonna Do (3:27)
10. Dew Drop Inn (3:56)
11. Soaring (Instrumental) (5:30)

Closing in on the end of their fourth decade as a Toronto jump-blues institution, and consisting entirely of men who are at or beyond retirement age, Downchild continue to make music that crackles with energy and joy. Founding member and guitarist Donnie Walsh wrote most of the songs on this powerful 11-track live set, which includes such fan favorites as "(I Got Everything I Need) Almost" (which features a particularly impressive guitar solo from Walsh and a great, swinging horn chart) and the rollicking "It's Been So Long," along with the slightly less compelling spoken word excursion "I've Been a Fool" and a fine slide guitar showcase titled "It's a Matter of Time."

The album closes with a brilliant instrumental, a Walsh original titled "Soaring," on which Walsh and Chuck Jackson duel on harmonica and which also features pianist and organist Michael Fonfara. When it's running at full tilt, it becomes clear what makes Downchild such an impressive band: it's the lack of any weak spot in the lineup. Jackson has a rich, chesty voice and a jubilant delivery that belies his careful attention to pitch and phrasing; the horn section is sharp and punchy (and often joined on its melodic passages by Walsh's guitar); and the rhythm section drives everything from below with solidity and power. None of this would matter if the songs weren't worth hearing, but they're remarkably consistent in quality. Very highly recommended. /Rick Anderson, AllMusic

(For personnel details, see artwork included.)

Live At The Palais Royale mc
Live At The Palais Royale gofile

Dov Hammer - Exile - The Chicago Blues Sessions

Album: Exile - The Chicago Blues Sessions
Size: 111,0 MB
Time: 48:02
File: MP3 @ 320K/s
Released: 2025
Styles: Chicago blues, harmonica blues
Art: Front

1. Genuine (4:20)
2. I'm Just Your Fool (Feat. Deitra Farr) (2:46)
3. The Same Thing (6:14)
4. I'm Your Man (4:08)
5. Exile (4:22)
6. Fair Weather Friends (5:15)
7. Back To The Wall (4:24)
8. Last Night (5:09)
9. I'm Getting Tired Of Hanging Around (2:59)
10. Take A Message (4:06)
11. Keep On Searching (Feat. Guy King) (4:15)

Dov Hammer has been at the forefront of the blues scene in Israel for 30 years. Formerly the frontman for "The Blues Rebels", "The Daily Blues" and "CG & The Hammer", he has returned to performing under his own name playing acoustic and electric Chicago-style blues. His original music has appeared on 9 albums, most recently on “BlueSoul” released in the summer of 2019. Over the years he has played with many great blues artists including Joe Louis Walker, Lucky Peterson, Bernard Allison, Zora Young, Deitra Farr, Billy Branch, "King" Ernest Baker, Paul deLay, Hans Theesink, Jimmy Johnson and others.

Originally from the USA, now living in Tel Aviv, Hammer played bass in several rock bands as a high school student. He switched to the harmonica while serving in the Israeli army, finding it much more practical to carry around than the bass guitar, and immediately fell in love with the pocket-sized soulful instrument which he found perfect for blues expression. After a year of busking on the streets in the USA and Ireland, Dov Hammer joined the band of Canadian blues artist Ted Cooper for four years of non-stop blues.

He has played at the prestigious Rochester (NY) Jazz Festival in 2005 and toured eastern Europe, playing at the “Blues Nights” festival in Lithuania in 2007. In 2013 and 2017 he performed in Germany with CG & The Hammer and The Blues Rebels respectively. Dov Hammer has also played onstage and on the recordings of many top Israeli pop artists, such as Yahli Sobol, Shai Gavso, Miki Gavrielov, and Arkadi Duchin with whom he recorded a TV special. His harmonica playing is also featured on many TV commercials and film soundtracks.

Exile - The Chicago Blues Sessions mc
Exile - The Chicago Blues Sessions gofile

Cynthia Perkins - Blue Winter

Album: Blue Winter
Size: 103,5 MB
Time: 44:30
File: MP3 @ 320K/s
Released: 2025
Styles: Blues, jazzy blues
Art: Front

1. Backwards Going Forwards (3:03)
2. I'm Getting 'Long Alright (4:34)
3. Blue Winter (4:00)
4. Whinnie Widow Brown (4:23)
5. Weather (3:58)
6. Go Climb A Tree (2:30)
7. Stormy Night Blues (3:19)
8. Don't Mess With My Man (3:08)
9. Life Goes On (4:56)
10. Hip Shakin Mama (4:12)
11. Ain't Gonna (2:45)
12. Million Miles From Nowhere (3:36)

When I started my new album "Blue Winter", I picked a handful of somewhat obscure songs that I just like to sing along with. Then I started working on writing a few. I have had some real good unexpected luck on this project and the pleasure of backing and production work by the great Chris Stovall Brown who has played with such amazing artists as John Lee Hooker, James Cotton, Bo Diddley, Howard Tate and Watermelon Slim. I’m excited to have Sax Gordon, Rich Cessarini and Johnny Blue Horn on backing and of course, as always, I am so happy to be working with Joe Clapp again, bass man and sound engineer extraordinaire at Ultrasound Productions in Hanover, Massachusetts. /Cynthia Perkins

Blue Winter mc
Blue Winter gofile

Joe Louis Walker - Cold Is The Night Reimagined

Album: Cold Is The Night Reimagined
Size: 93,6 MB
Time: 40:21
File: MP3 @ 320K/s
Released: 2025
Styles: Blues, soul-blues
Art: Front

1. One Woman: Reimagined (Feat. Eliza Neals) (3:39)
2. Brother, Go Ahead And Take Her: Reimagined (5:07)
3. Cold Is The Night: Reimagined (4:15)
4. Ten More Shows To Play: Reimagined (3:25)
5. Moanin' News: Reimagined (3:57)
6. I Need Someone: Reimagined (3:48)
7. Fuss And Fight: Reimagined (4:01)
8. Gettin' Even: Reimagined (3:19)
9. Ridin' High: Reimagined (3:59)
10. Don't Play Games: Reimagined (4:46)

It took bluesman Joe Louis Walker 20 years to establish himself, but once he released his debut Cold Is the Night in 1986, he quickly became a staple in contemporary blues. Walker drew upon blues, soul, and gospel in equal measure, a combination that sounded electrifying upon his national debut, but this hybrid also allowed him to play in a variety of settings, both on-stage and on record. Later recordings, such as 1996's The Gift, 2004's New Direction, and 2009's Between a Rock and the Blues offered acclaimed examples of his versatility, leading to a 2013 induction into the Blues Hall of Fame.

Now blues legend Joe Louis Walker is back with "Cold is the Night Reimagined" - a fresh take on his classic album, bringing new life, soul, and fire to every note. Get ready for electrifying guitar work, raw emotion, and the deep blues spirit that only Joe can deliver.

Cold Is The Night Reimagined mc
Cold Is The Night Reimagined gofile

Tuesday, March 25, 2025

Nathan Graham - Saint of Second Chances

Size: 236 MB
Time: 39:17
File: Flac
Released: 2023
Styles: South Side Blues
Art: Front

1. Pride (3:16)
2. Fake Friends (3:43)
3. Somebody Else (3:07)
4. I Can't Change It (4:23)
5. Right One (3:09)
6. Worrying My Life (3:52)
7. Good Honest Man (5:41)
8. Already Won (3:35)
9. Why (3:54)
10. I'll Get It Right (4:31)

Born and raised in Chicago, Graham meshes South Side Blues with Nashville Americana, beginning his career backing blues singers at famous haunts like Buddy Guy’s Legends and Kingston Mines. He spent a decade as a guitar-for-hire before picking up a mic to tell his own stories on the stage.

Soulful and steady, Graham’s music offers a raw introspective of the human condition that’s both painful and comforting. His guitar conveys heartbreak, lyrics tell stories of regret, but his rich vocal delivery offers the remedy.

Having brought his songs on international tours with both major label and indie acts, Graham is challenging the notion of what it means to be a singer-songwriter. He's driving inclusivity within the genre, and he hopes to evoke a sense of understanding in the process.

“I’m writing about universal experiences,” he says. “I’m writing music to connect my story to yours, show you all that we have in common, and maybe help both of us feel less alone.”

Saint of Second Chances FLAC

Monday, March 24, 2025

The Yardbirds - Live! Blueswailing July '64

Album: Live! Blueswailing July '64
Size: 72,5 MB
Time: 31:22
File: MP3 @ 320K/s
Released: 2003
Styles: R&B/Rock
Art: Full

1. Someone To Love Me (2:17)
2. Too Much Monkey Business (3:07)
3. I Got Love If You Want It (4:15)
4. Smokestack Lightning (5:52)
5. Good Morning Little Schoolgirl (3:36)
6. She Is So Respectable/Humpty Dumpty (5:31)
7. The Sky Is Crying (6:41)

This recently discovered seven-song set is an awe-inspiring live recording of the Yardbirds before their official debut, Five Live Yardbirds. As a document, it adds considerable weight to the band's early rep that has been passed into legend. It also rewrites history: this short set blows Five Live away both in terms of performance and sound quality. This is the second incarnation of the band, with Chris Dreja, Jim McCarty, Keith Relf, Paul Samwell-Smith, and new guitarist Eric Clapton (who had replaced Andrew "Top" Topham). The music here roars, screams, howls, growls, and bleeds white-boy British blues; it is blistering in its raw intensity, with covers of Chuck Berry's "Too Much Monkey Business" and the standard "Smokestack Lightning."

The band's trademark "rave-up" antics are abundant here (check out "She's So Respectable"), and in the closer - one of the most startling rock versions of "The Sky Is Crying" on record - the listener gets the clearest picture yet of Clapton as an early and worthy guitar hero. His playing is so inspired and full of razor-sharp turnarounds and knotty arpeggios, one has to wonder what was left for him to accomplish even then. The energy here is crackling, dangerous, and woolly. Anyone interested in vintage garage or modern garage rock should check this out, as it rivals most of what comes out of today's "raw and raucous" scene as well. Indeed, history has been rewritten. /Thom Jurek, AllMusic

Live! Blueswailing July '64 mc
Live! Blueswailing July '64 gofile

Greg 'Fingers' Taylor - New Fingerprints

Album: New Fingerprints
Size: 115,1 MB
Time: 49:35
File: MP3 @ 320K/s
Released: 1992
Styles: Blues, harmonica blues
Art: Full

1. Extra Mile (4:55)
2. Shim Sham Shimmy (3:25)
3. Cave Man Rock (3:07)
4. I'm Tired (3:58)
5. New Fingerprints (5:20)
6. Real Good Time (4:18)
7. Two Headed Woman (4:08)
8. Standing At The Crossroads Again (3:28)
9. Old Habits (4:02)
10. Waiting On Ice (3:56)
11. Little Girl (4:07)
12. Pork Juice (4:46)

Greg “Fingers” Taylor (June 3, 1952 – November 23, 2023) was an American harmonica player best known for his work with Jimmy Buffett. Taylor and Buffett met in 1970 when Taylor was a student at the University of Southern Mississippi. Soon after the two met, Taylor joined Larry Raspberry and The Highsteppers. In 1974, Buffett called Taylor to ask him to join the first official Coral Reefer Band. Taylor continued to play in the band until 2000.

Taylor has released five studio albums: Harpoon Man (1984), Chest Pains (1989), New Fingerprints (1992), Old Rock ‘n’ Roller (1996) and Hi Fi Baby (2003). He has also released two compilations: Greatest Hits (1998) and Back to the Blues (2000). Over the years, Buffett has recorded a couple of Taylor’s songs. “Big Rig” was included on Buffett’s 1976 album Havana Daydreamin’ and Taylor and Buffett co-wrote “Miss You So Badly” included on Buffett’s 1977 album Changes in Latitudes, Changes in Attitudes. Buffett and Taylor also teamed up on “Some White People (Can Dance),” a staple of Taylor’s repertoire. The song was included on Taylor’s 1989 album Chest Pains.

As of 2006, Fingers Taylor was regularly touring with singer/songwriter K.D. Moore. Taylor is featured on Moore’s 2004 live album Live At The Tin Goose Saloon and Moore’s 2006 studio album Kickin’ It Island Style. /Sightseer's Delight

(For personnel details, see artwork included.)

New Fingerprints mc
New Fingerprints gofile

The Hitman Blues Band - Calling Long Distance

Album: Calling Long Distance
Size: 112,8 MB
Time: 48:23
File: MP3 @ 320K/s
Released: 2025
Styles: Blues
Art: Front

1. Calling Long Distance (4:53)
2. Edge Of The Bed (3:47)
3. Blood Alley (3:32)
4. Folsom Prison Blues (5:38)
5. Side Pocket For A Toad (2:31)
6. Foolish Pride (3:49)
7. We're Gonna Party Tonight (4:01)
8. I Know You Rider (4:37)
9. Back To The Blues (3:20)
10. Watch That Thing (4:15)
11. Sunday Morning Coming Down (4:42)
12. Wide Old River (3:14)

From the upbeat, ear catching opening title track to the moody closer, this is an album you’ll listen to over and over – and still find new things in each song. Featuring 8 originals and four covers, done in the unique Hitman style, you’re sure to find lots of songs you’ll want to share with friends. Everyone who has ever shared a bed with a “bed hog” will relate to “Edge Of The Bed”, and in these times of strong opinions we need to recognize our “Foolish Pride”. The risqué “Watch That Thing!” and blues surf instrumental “Blood Alley” will keep the excitement flowing, as “We’re Gonna Party Tonight” is a testament to making good times no matter what.

The original approaches to “Folsom Prison Blues”, as a genuine blues tune, and the funky blues arrangement of the classics “I Know You Rider” and “Sunday Morning Comin’ Down” will surprise you (in a very good way!) “Calling Long Distance” is a fun boogie with a mystical twist, and “Side Pocket For A Toad” honors one of Hitman’s favorite beers, from the UK Tring brewery. The thoughtful “Back To The Blues” sets you up for the album closer, “Wide Old River” – a modern take on the format of field hollers and work songs.

Personnel: Russell “Hitman” Alexander (guitar, vocals); Mike Porter (bass, backup vocals); Bob Stander (bass tracks 1,2); Guy LaFountaine (drums); Mike Katzman (keyboards); John Kelly, Tom Mineo (saxophone); Eric Altarac (trumpet); Al Alpert (trombone); Joanna Alexander, Nancy Hampton (backup vocals).

Calling Long Distance mc
Calling Long Distance gofile

Dave Mason - A Shade Of Blues

Album: A Shade Of Blues
Size: 99,1 MB
Time: 43:02
File: MP3 @ 320K/s
Released: 2025
Styles: Blues
Art: Front

1. Use It, Or Lose It (Feat. Joe Bonamassa) (4:08)
2. Come Home In My Kitchen (3:00)
3. It's Just You And Me (Feat. Michael McDonald) (3:12)
4. Cocaine Blues (2:24)
5. The Low Spark Of High Heeled Boys (Feat. Joe Bonamassa) (7:21)
6. Born Under A Bad Sign (Feat. Mike Finnigan) (2:59)
7. Dust My Blues (Feat. Mike Finnigan) (4:39)
8. Dear Mr. Fantasy (Feat. Joe Bonamassa) (4:34)
9. Just Another Fool In Love (3:05)
10. El Toro (Feat. Mike Finnigan) (3:36)
11. Good 2U (Feat. Mike Finnigan) (4:00)

Blues has been a part of Dave Mason’s music and guitar-playing from the very beginning of his Rock and Roll Hall of Fame career as an 18-year-old founding member of Traffic alongside Steve Winwood, Jim Capaldi and Chris Wood. Now, some six decades later, Mason is taking his own advice, playing some of the best guitar of his life on his latest album A Shade of Blues.

The 11 songs range from the primal Robert Johnson 12-string acoustic blues of “Come Home in My Kitchen” to the JJ Cale-style folk blues of the Mason-arranged “Cocaine Blues,” the reggae feel of Mason’s “Just Another Fool in Love,” and the Spanish flamenco/Gipsy Kings guitars of his “El Toro,” adding saxophone player Warren Hill to the final mix. There are also bluesy re-imaginings of Traffic standards “The Low Spark of High Heeled Boys” and “Dear Mr. Fantasy", with world-class guitarist Joe Bonamassa adding his distinctive riffs to both tracks. Michael McDonald adds vocal harmony, piano and organ to Mason’s self-penned “It’s Just You and Me,” recorded several years ago in Dave’s current Hawaii home studio.

A Shade of Blues is living proof of the longevity of the blues as well as the artist, with Dave Mason burnishing his Hall of Fame legacy, proving that by continuing to use it, you won’t lose it. He continues to tour as Dave Mason’s Traffic Jam, playing many of the hits he helped create. In 2024 Mason released his memoir, ‘Only You Know & I Know’.

A Shade Of Blues mc
A Shade Of Blues gofile

Albert White - The Definitive Albert White

Album: The Definitive Albert White
Size: 84,2 MB
Time: 36:12
File: MP3 @ 320K/s
Released: 2025
Styles: Blues, soul-blues
Art: Front

1. Let's Go (2:45)
2. Untie Me (2:55)
3. Little Mixed Up (3:36)
4. Gypsy Woman (2:48)
5. Tore Down (2:52)
6. What Am I Living For (2:58)
7. Drivin' Wheel (3:17)
8. River's Invitation (4:05)
9. Let's Stay Together (4:12)
10. Time's Getting Tougher (2:38)
11. Feel Like Breaking (4:00)

The “Definitive Albert White” marks the culmination of the artist’s seventy-year career as well as the 30th anniversary of White becoming a Music Maker partner artist. It was produced by Jimbo Mathus and recorded at the non-profit’s recording studio in Fountain, North Carolina. The nephew of Atlanta R&B legend Willie Lee “Piano Red” Perryman, White began as a teenager, playing guitar in his uncle’s band. He went on to develop his unique style on the college circuit in the 1960’s and ’70s, performing alongside Ray Charles, Ben E. King, Joe Tex, and countless others. White was introduced to Music Maker in 1995 through fellow blues guitarist Beverly “Guitar” Watkins and soon became part of the Music Maker Revue, playing hundreds of shows across the world.

Producer Mathis states White “had all these arrangements in his head, and we just did them.”. White opens with “Let’s Go,” a 1960 hit for Hank Ballard and The Midnighters. An expressive vocalist and guitarist, White, sings, “There’s a thrill on the hill; let’s go, let’s go, let’s go.”. “Untie Me” follows, a 1962 hit for The Tams written by Joe South: “If you find a new love, I won’t put the blame on you… untie me, untie me, untie me… you don’t know where I go, what I do, untie me.”. “Little Mixed Up” was written by Betty James and Clarence Edward Johnson and a hit for James in 1961, as White chimes “I’m a little mixed up, and I don’t know what to do. I’m a little mixed up, mixed up, mixed up fool. I’m a little mixed up, and I don’t know what to do.”.

“Gypsy Woman” was written and recorded by Curtis Mayfield in 1971: “She was a gypsy woman; dance all around to a gypsy melody; she was a gypsy woman; all through the carousel’s, I love a gypsy woman.”. “Tore Down” was a 1961 single written and recorded by Freddie King “I’m tore down; I’m almost level with the ground; I feel this way when my baby can’t be found.”. “What Am I Living For” was written by Fred Jay and Arthur Harris and sung by Solomon Burke in 1969: “What am I living for if not for you…darling, nobody else, nobody else will do.”. “Drivin’ Wheel” was written by Roosevelt Sykes and a 1963 hit for Little Junior Parker: “My baby, don’t have to work; she doesn’t have to rob and steel; I give everything to you; she is my drivin’ wheel.”. “River’s Invitation” was a 1963 single, written and recorded by Percy Mayfield, and another fabulous vocal for White as he sings, “You know which way I’m headed when my baby can’t be found.”

“Let’s Stay Together” was written by Al Green, Albert Jackson Jr., and Willie Mitchell and a hit for Green in 1963: “I’m so in love with you; whatever you want to do…loving me for ever is all I need…through the good and bad, happy and sad, let’s stay together,” with a great guitar solo from White. “Times Getting Tough” was first written and recorded by Jimmy Witherspoon: “I used to have a girl, but I didn’t know how to keep her; time was getting tougher than tough; I made a little money, but I didn’t know how to keep that stuff.”. On the closer “Feel Like Breaking,” Albert uses the wah-wah pedal as he sings “got nowhere to turn to, I feel so alone, feel like breaking’ up somebodies home,” written by Albert Jackson Jr. and sung by Ann Peebles.

This is a fine album of covers with arrangements by vocalist and guitarist Albert White. He sings with clarity and announciation, making this an album to be cherished. Thank you, Albert White. /Richard Ludmerer, Making A Scene

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Saturday, March 22, 2025

Nathan Cavaleri Band - Nathan

Size: 301 MB
Time: 43:49
File: Flac
Released: 1994
Styles: Blues
Art: Front

1. Lou's Blues (3:14)
2. Workin' On It (4:12)
3. Summertime Blues (3:25)
4. Coda (4:21)
5. Back To The Blues (5:39)
6. If Loving You Is Wrong (I don't Want To Be Right) (5:14)
7. Southern Nights (4:38)
8. Steal Away (3:32)
9. Bluzchanan (5:57)
10. Noodling (3:32)

Nathan Cavaleri was born on 18 June 1982 and grew up in Ruse, New South Wales. His father, Frank Cavaleri, was a bricklayer and part-time guitarist; his mother is Joanne, and the couple also have a younger son. Cavaleri began playing guitar at the age of five; he began by using a full-sized guitar with a shaved neck, which was done to accommodate his smaller hands.

Cavaleri was diagnosed with leukaemia at age six; he continued playing guitar to take his mind off the disease. He received chemotherapy treatment and, by May 1993, he was in remission. He asked the Australian branch of Starlight Children's Foundation, a charity organisation, to fulfil his wish – at the age of nine he played with Mark Knopfler; he described Cavaleri's playing as "unbelievable". Knopfler also donated a gold plaque awarded to his group, Dire Straits, for their album Brothers in Arms (1985).

Regarded as a child prodigy, Cavaleri was later trained by, and at age thirteen, eventually toured with, B.B. King. King described Cavaleri as "the future of the blues". In May 1992 Cavaleri released his debut single, "Little Egypt", which was a cover version of Elvis Presley's track from 1964, and peaked at No. 63 in Australia. Its B-side, "Nat's Blues", was co-written by Cavaleri with his father, Frank.

Nathan FLAC

Friday, March 21, 2025

Greg 'Fingers' Taylor - Old Rock 'N' Roller

Album: Old Rock 'N' Roller
Size: 162,9 MB
Time: 70:31
File: MP3 @ 320K/s
Released: 1996
Styles: Blues, harmonica blues
Art: Full

1. Old Rock 'N' Roller (5:15)
2. Drop Down Mama (3:44)
3. Mississippi Steamboat (3:33)
4. Subway Swing (5:04)
5. I Can See Clearly Now (4:34)
6. St. Louis Blues/Sentimental Journey (3:20)
7. Scratch My Back/Tip On In (3:59)
8. It Is What It Is (3:32)
9. The Hammer (2:54)
10. Big Top Hat (4:06)
11. Crosstown Boogie (3:17)
12. Doo Wop Shang-A-Lang Shimmy Shimmy (5:31)
13. Geronimo Rock (3:36)
14. Rock 'N' Roll Peg (4:51)
15. Crackhead Baby (8:39)
16. 'Til Honky Gets Tonky Again (4:28)

Jimmy Buffett's ace harmonica man blows and sings with major authority on this 16-track outing. Musically, Taylor casts a very wide net for a harp blower, with tastes that careen all over the road from Mickey Jupp's "Old Rock & Roller" in the title track to hardcore blues on "Drop Down Mama" and "Crackhead Baby" to the jump of his own "Subway Swing" and beyond. Taylor's command of his instrument is a wonder to behold, never overplaying while his choice of notes is impeccable.

Other notable moments on tap are Taylor's duet with Miranda Louise on a clever back and forth medley of two Slim Harpo tunes, an over the top rendition of Jerry McCain's "Geronimo Rock" and a totally in-the-pocket take on two old chestnuts, "St. Louis Blues" and "Sentimental Journey." Great harmonica with roots that go deep. /Cub Koda, AllMusic

(For personnel details, see artwork included.)

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Chico Banks - Stray Kitty Kat

Album: Stray Kitty Kat
Size: 133,8 MB
Time: 57:57
File: MP3 @ 320K/s
Released: 2008
Styles: Blues/Funk/Soul mix
Art: Front, inside, tray

1. Sacrifice (3:48)
2. Five Long Years (5:33)
3. Travlin' Man (4:05)
4. Why Are You So Mean To Me (6:25)
5. I'm Leaving Home (3:42)
6. Stray Kitty Kat (5:16)
7. Bad Luck (4:10)
8. Mercy, Mercy, Mercy (6:12)
9. My Babe (4:38)
10. Revelation (5:30)
11. Big Leg Woman With A Short Short Miniskirt (4:26)
12. Martel (4:08)

Along with Bernard Allison, Melvin Taylor and a handful of others, guitarist, singer and songwriter Chico Banks is part of the new generation of Chicago blues players who are expanding the boundaries of this often maligned, misunderstood music. Like Allison and Taylor, and even older Southern musicians like Larry Garner and Sherman Robertson, Banks focuses on good-time, upbeat blues.

Banks' music may not impress blues purists - he freely mixes in elements of soul, funk and rock - but when a musical form remains too static, as the late Luther Allison would say, it loses its vibrancy. He credits influences from a mixed bag of artists from the 1960s and '70s: "Magic Sam" Maghett, Buddy Guy, Albert King, Jimi Hendrix, Otis Clay, George Benson and Tyrone Davis. But his playing also reflects the contribution of jazz pianist Ahmad Jamal, and the funk of Prince, the Isley Brothers, the Ohio Players and Parliament/Funkadelic. Also not to be overlooked is his father, Jesse Banks, who played with the gospel group the Mighty Clouds of Joy.

Since joining his first band, a Top 40 cover group, at 14, Banks has performed with Johnny Christian, Evidence labelmate Melvin Taylor, Buddy Guy, Otis Clay, James Cotton, Artie "Blues Boy" White, Little Milton, Magic Slim, Big Time Sarah, Chick Rogers and most recently, Mavis Staples. Banks' sessionography includes albums by Willie Kent, Freddie Roulette and Pops Staples.

On his 1997 debut, Candy Lickin' Man, Banks is joined by the great gospel singer Mavis Staples, who also contributes liner notes. Although only in his 20s, Banks is already a veteran song interpreter; he covers classics like "Groove Me," "Got to Be Some Changes Made" and "The Sky Is Crying," putting his own individual stamp on each tune. /Biography by Richard Skelly, AllMusic

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Bobby Rush & Kenny Wayne Shepherd - Young Fashioned Ways

Album: Young Fashioned Ways
Size: 111,4 MB
Time: 48:13
File: MP3 @ 320K/s
Released: 2025
Styles: Blues, harmonica blues
Art: Front

1. Who Was That (4:13)
2. 40 Acres (How Long) (5:41)
3. Hey Baby (What Are We Gonna Do) (3:58)
4. Uncle Esau (4:43)
5. Make Love to You (4:20)
6. Long Way From Home (3:13)
7. G String (5:31)
8. You So Fine (3:45)
9. Young Ways (6:43)
10. What She Said (6:01)

Bobby Rush and Kenny Wayne Shepherd were born about 44 years and miles apart. Several decades later after the two forged their own path in music and the blues, it seemed like an idea that had been waiting to happen. For over 100 years, blues music has inspired, comforted and spoken to the truth. Young Fashioned Ways has managed to accomplish all of that and more. Shepherd notes, “Once Bobby and I got together, it felt like going home,” with Rush adding, “I’ve been waiting a long time for something like this to come knocking.” Kenny Wayne Shepherd is a multi-platinum recording artist with five Grammy nominations, several Blues Music awards, among many other awards and accolades. Bobby Rush is a 3x Grammy winner and Blues Hall of Famer with his most recent Grammy win for his last album All My Love For You.”

Personnel: Bobby Rush (vocals, harmonica); Kenny Wayne Shepherd (guitar); Steve Potts (drums); Charles Hodges (keyboards, Hammond B-3); Darryl "DJ" Pruitt” (bass); Doug Wolverton (trumpet); Charlie Di Puma (saxophone).

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Young Fashioned Ways gofile

Wednesday, March 19, 2025

Greg 'Fingers' Taylor - Harpoon Man

Album: Harpoon Man
Size: 94,9 MB
Time: 40:49
File: MP3 @ 320K/s
Released: 1984/1995
Styles: Blues, harmonica blues
Art: Full

1. Harpoon Man (3:41)
2. Let It Rock (2:50)
3. Messin' With The Kid (4:24)
4. Too Late (4:12)
5. Dixie Diner (3:18)
6. Can't Get No Grindin' (3:57)
7. Bad Boy (3:30)
8. Soul Survivor (3:22)
9. Cut That Out (3:24)
10. Judgement Day (4:22)
11. Last Night (3:46)

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Chico Chism - Chico Chism's West Side Chicago Blues Party

Album: Chico Chism's West Side Chicago Blues Party
Size: 111,2 MB
Time: 47:45
File: MP3 @ 320K/s
Released: 2006
Styles: Blues, Chicago blues
Art: Full

1. Eddie Shaw & The Wolf Gang - I Don't Trust Nobody (2:51)
2. Highway Man - I Walked From Dallas (2:55)
3. Chico Chism - Coo Fannie Coo (3:25)
4. Eddie Shaw & The Wolf Gang - I Got To Tell Somebody (2:24)
5. Eddie Shaw & The Wolf Gang - Bluesman Of Yesterday (2:55)
6. Eddie Burks - Operator (3:46)
7. Highway Man - Don't Laugh At Me (3:21)
8. Eddie Shaw & The Wolf Gang - This Little Voice (2:57)
9. Eddie Shaw & The Wolf Gang - Big Leg Woman (3:57)
10. Willie Davis - Why'd You Leave Me Baby (2:49)
11. Eddie Shaw & The Wolf Gang - I Can't Stop Loving You (2:47)
12. Highway Man - Louise (3:39)
13. Highway Man - Killing Floor (3:47)
14. Eddie Burks - Evelina (3:04)
15. Eddie Shaw & The Wolf Gang - I Got To Tell Somebody (Alternate Version) (3:02)

Blues as a macrocosm of music has an over-reaching arch that has influenced every American musical art form in some shape or another since its birth from the South. After spending time in the hands of the Delta Blues masters, it migrated north like many of its masters did after WWII in search of better pay and better work. Most of these masters came to Chicago. Chicago is the home of the blues. Blues as a microcosm on the South and West Sides has existed as a way of life since those early post war days. With many musicians coming and going either in or not written in the pages of history, the late 70s era was a very vibrant time for blues and blues musicians. Maxwell Street was still very alive and well, along with its many characters.

One of its many characters was Chico Chism. Chism is widely known as Howlin’ Wolf’s last drummer. However, there was much more to him than that. Shortly after Wolf’s death, Chism along with his fellow band mates sax man Eddie Shaw, guitar legend Hubert Sumlin, blues legend Detroit Junior, and Shorty Gilbert became the first incarnation of Eddie & the Wolf Gang. Probably recorded about a few months after Howlin’ Wolf’s death in 1976, the Gang recorded on Eddie Shaw’s Simmons label Have Blues Will Travel. It would be the only original recording the group would make. Forty years later, the album would make it out of the dusty alleys of the now vacant Maxwell Street and from the back corners to CD for the first time here.

To call this a piece of recorded blues history is an understatement. Hearing a young Eddie Shaw blasting away on vocals and sax, with the unmatched guitar prowess of Sumlin strumming away in the background, as Junior holds the underbelly rhythm with his piano is simply majestic. The remaining eight tracks also have been unearthed too. Many of the 45s and LPs of the remaining recordings were sold of Chico Chism’s briefcase and from bandstands at local gigs on the South & West Sides of Chicago; some of these tracks have probably never been heard out of that area.

Chism started his own label shortly after the disbanding of the original Wolf Gang and called it Cher-Kee after his mother’s Native American heritage. A virtual go-to guy for many of the unheralded musicians on Chicago’s blues scene, Chism recorded the remaining slices and time capsules of what the blues clubs were playing in the late 70s. Guys like Highway Man, Johnny Christian (who’s not included here), Eddie Burks, Willie Davis, and even Chism himself were what we would today consider regional musicians. Due to their location and their music, this recording is without a doubt essential for understanding blues at that time. Chism, like those who captured the godfathers of the Delta, is due some rightful respect for his efforts to record musicians we would otherwise not have heard.

Traditional blues specialist Bob Corritore, who supervised the production of this album, does a fine job in preserving the ambience of the recordings themselves. This CD is a great time capsule and a diamond in the rough of some of the late 70s blues CDs out there. For those new to the blues, these are artists you will probably have never heard of before. That’s okay. Make yourself familiar. Some of the guys playing on here are some names you’ll get to know. In other words, welcome back in time to Chicago. Listen and follow along. These under recorded players are going to give you a lesson on what it was like. Trust me, you’ll enjoy this history lesson. /Ben the Harpman, Juke Joint Soul

(For personnel details, see artwork included.)

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Chico Chism's West Side Chicago Blues Party gofile