Time: 68:01
File: MP3 @ 320K/s
Released: 1990
Styles: Electric/Acoustic Blues
Art: Full
01. Cut You Loose (4:20)
02. Pay Check (4:06)
03. Good Lovings (7:38)
04. Young Girl (4:11)
05. Hail To The King (8:12)
06. Smell Something Funny (5:14)
07. Extra Extra (7:57)
08. Tail Draggin' (6:08)
09. There Was A Day (9:20)
10. Something Wrong With Me (6:17)
11. Pay Check (Live Version) (4:32)
Personnel:
Bass – Henry Thomas (tracks: 1 - 9), Mark Clements (tracks: 10, 11)
Drums – John Webster (tracks: 1 - 9), Luce Langridge (tracks: 10, 11)
Guitar – Richard Studholme
Guitar, Vocals – Lucky Lopez Evans
Keyboards – Jack Hills (tracks: 10, 11)
Organ [Hammond B3] – Jack Hills (tracks: 1 - 9)
Piano – Jack Hills
b. 1 May 1937, Estabuchie, Mississippi, USA. Also known as Lucky Lopez, Evans was inspired by the singing and playing of his father and began to play the guitar at the age of eight. As a teenager he worked with a band in Milwaukee and then travelled throughout the southern states until 1964 when he settled in Chicago, having joined Howlin’ Wolf’s band. He worked with many of the city’s leading bluesmen in the 60s and made his debut recording in 1967 (only one track was released). He next recorded in 1973, financing the session himself. In 1988, he visited Britain, touring incessantly and slowly establishing a reputation as one of the great, underrated blues singers. He recorded in England for the JSP and Borderline labels.
Bass – Henry Thomas (tracks: 1 - 9), Mark Clements (tracks: 10, 11)
Drums – John Webster (tracks: 1 - 9), Luce Langridge (tracks: 10, 11)
Guitar – Richard Studholme
Guitar, Vocals – Lucky Lopez Evans
Keyboards – Jack Hills (tracks: 10, 11)
Organ [Hammond B3] – Jack Hills (tracks: 1 - 9)
Piano – Jack Hills
b. 1 May 1937, Estabuchie, Mississippi, USA. Also known as Lucky Lopez, Evans was inspired by the singing and playing of his father and began to play the guitar at the age of eight. As a teenager he worked with a band in Milwaukee and then travelled throughout the southern states until 1964 when he settled in Chicago, having joined Howlin’ Wolf’s band. He worked with many of the city’s leading bluesmen in the 60s and made his debut recording in 1967 (only one track was released). He next recorded in 1973, financing the session himself. In 1988, he visited Britain, touring incessantly and slowly establishing a reputation as one of the great, underrated blues singers. He recorded in England for the JSP and Borderline labels.
Southside Saturday Night