Showing posts with label Eric Hughes. Show all posts
Showing posts with label Eric Hughes. Show all posts

Monday, January 17, 2022

Eric Hughes - Echo Hills

Size: 117.1 MB
Time: 49:31
File: MP3 @ 320K/s
Released: 2019
Styles: Acoustic Blues, Delta Blues
Art: Full

01. Who's Loving You Tonight? (3:13)
02. Volkswagen Blues (3:55)
03. Icebox Blues (3:09)
04. Meet Me In Memphis (4:24)
05. Mr.Crump's Blues (2:41)
06. Blues Falling Down Like Rain (3:13)
07. Make Me A Pallet On The Floor (2:59)
08. Roll A Fatty For Your Daddy (3:04)
09. When The Levee Breaks (2:19)
10. 32-20 Blues (2:31)
11. Furry's Gravesite Blues (2:53)
12. Take Me To The River (3:25)
13. Cocaine Blues (4:56)
14. Did You Have To Take The Dog, Too? (3:04)
15. Your Buiscuits Are Big Enough For Me (1:36)
16. Get On The Boat (2:03)

In July 2018 Eric Hughes was on his first trip to Germany. Whoever attends one of his concerts experiences a true bundle of energy, exuberant with joie de vivre. Exactly this is what will be heard on his solo album (his first solo acoustic album), which will be released on November 1st.

During the 2018 tour, Eric recorded the material at Hörwerk Tonstudio in Bookholzberg over two studio days. For the album 16 songs of these recordings were selected. Seven of them were written by the musician himself. Eric plays guitar, resonator and percussion (bass drum and hihat, as well as at his concerts).

The whole album radiates the atmosphere of Mississippi, Memphis and Beale Street. They are synonyms for Eric's life as a musician.

Echo Hills MP3
Echo Hills FLAC

Saturday, May 9, 2020

Eric Hughes Band - Postcard From Beale Street

Size: 69,6 MB
Time: 29:24
File: MP3 @ 320K/s
Released: 2020
Styles: New Orleans Blues, Blues Rock
Art: Front

01. Ain't Whipped Yet (2:36)
02. Oh, Booze! (2:38)
03. He's Just An Alley Cat (3:06)
04. Follow Your Stupid Little Dreams (2:51)
05. Homesick Angel (3:39)
06. Fair Weather Friends (3:15)
07. Blackberry Patch (2:27)
08. Come See About Me (3:37)
09. Waiting For That Day (3:07)
10. It's 4:20 Somewhere (2:04)

Eric Hughes exemplifies Beale Street today: steeped in blues but representing so much more; he has played over 4,000 shows on that famed avenue. Hughes sees his role of Beale Street mainstay as a profound honor and sacred responsibility. Eric is a musician, storyteller, historian, tour guide and a rock-solid songwriter. Through Postcard From Beale Street he lets you hear what Memphis sounds like today, and what it sounded like yesterday.

Eric’s songs here range in style from soul, indie, jug-band, ballad, rock, and – of course – blues. Eric and his band of skilled musicians (who toured and recorded with music legends such as Albert and BB King, Little Milton, Bobby “Blue” Bland, Jeff Beck, Buddy Miles and many more) are augmented by solid Memphis session players (with musical resumes that rival anyone). Postcard From Beale Street represents the diverse influences that make Memphis music more than a thing of the past. Like Memphis, Eric’s music can’t be “pigeon-holed”; he’s not merely a blues artist. This is a songwriting album: ear candy from some fine musicians. Each of these songs tell a story through lyrical imagery and crafty songwriting. All of these songs are ABOUT something, not just words to accompany music.

The album begins with “Ain’t Whipped Yet”, which is Eric’s life story and motto – and gives a hint about how his nickname “Scrappie” came about. Eric’s lament, “Oh, Booze!” captures the essence of the Beale Street of the past – and present, with horns and arrangements that would have brought a smile to W.C. Handy himself and lyrics that tell a timeless story.

With “He’s Just An Alley Cat” Eric shows that he and his band can rock out and get funky at the same time. The song “Follow Your Stupid Little Dreams” urges people (especially fellow musicians) to do just what the title says- again in a musical style harking to the Beale Street of 100 years ago.

“Homesick Angel” is Eric’s homage to his fighter-pilot grandfather, and “Fair Weather Friends” tells a timeless story in a very Memphis style. Anyone whose grandparents lived in a rural area can relate to “Blackberry Patch”, and those who long to see a loved one will identify with “Come See About Me”. Waiting For That Day” is the universal song of every working stiff and “It’s 4:20 Somewhere” tells of one way to cope with the frustrations of life.

Postcard From Beale Street is a homegrown production from start to finish, every song was written, played, and recorded in Memphis by Memphis musicians – produced, mixed, mastered and manufactured in Memphis.

Postcard From Beale Street

Thursday, February 1, 2018

Mick Kolassa & Friends - Double Standards

Size: 125,1 MB
Time: 53:47
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues, Rockin' Blues
Art: Front

01. 600 Pounds Of Heavenly Joy (Feat. Sugaray Rayford) (3:48)
02. I Just Want To Make Love To You (Feat. Heather Crosse) (3:49)
03. It's Tight Like That (Feat. Victor Wainwright) (3:40)
04. Fever (Feat. Annika Chambers) (4:13)
05. Nobody Knows You When You’re Down And Out (Feat. Tas Cru) (4:11)
06. Rock Me Baby (Feat. Tullie Brae) (4:23)
07. Key To The Highway (Feat. Eric Hughes) (2:50)
08. Spoonful (Feat. Erica Brown) (4:53)
09. It Hurts Me Too (Feat. Patti Parks) (4:01)
10. Early In The Morning (Feat. David Dunavent) (2:48)
11. Don't You Lie To Me (Feat. Gracie Curran) (3:43)
12. Outside Woman Blues (Feat. Jeff Jensen) (3:54)
13. Ain't Nobody's Business (Feat. Annika Chambers, Victor Wainwright, Gracie Curran, Sugaray Rayford, Erica Brown & Jeff Jensen) (7:29)

I’ve always enjoyed albums in which one artist explores music with several other artists in order to see what direction that collaboration takes. In my collection are albums of duets featuring Ray Charles, Frank Sinatra, Tony Bennet, among others, and now I’m delighted to add the latest from Mick Kolassa who has teamed up with different friends on a new album of duets, Double Standards.

You might remember that on Kolassa’s previous album, You Can’t Do That, featured a team up with Mark Telesca, turning Beatles classics into acoustic blues numbers. He’s shown that he has no problem taking chances with his music and he’s gathered some very talented musicians and singers to make this a very enjoyable album.

Double Standards is produced by longtime collaborator and all-around guitar wizard Jeff Jensen, who also plays guitar and even adds vocals to one song. Vocalists include Sugaray Rayford, Heather Crosse, Victor Wainwright, Annika Chambers, Tas Cru, Tullie Brae, Eric Hughes, Erica Brown, Patti Parks, David Dunavent, and Gracie Curran.

Aside from Kolassa and Jensen on guitar, musicians include Bill Ruffino on bass; James Cunningham on drums; Chris Stephenson on organ; Eric Hughes adds his harmonica to three songs; Jeremy Powell plays piano on two tracks, Alice Hasan on violin; and Colin John and David Dunavent play guitar on one track each.

The album starts off with a fun Willie Dixon number, 600 Pounds Of Heavenly Joy, which features Sugaray Rayford with Kolassa. The two have great gruff voices and this is a lot of fun to listen to and a great invitation to what must surely be an interesting journey. Jensen’s guitar adds a sweet element to the song.

A second Willie Dixon classic, I Just Want To Make Love To You gives Kolassa a chance to team up with Heather Crosse. Crosse is a strong vocalist, and the way her voice has an edgy low growl makes this song one that catches you right away and won’t let go. Definitely going to be receiving airplay on Time For The Blues, and I suspect many other shows! I don’t have any of Crosse’s other recordings, but you better believe I’m ordering the others right now. Meow…

Victor Wainwright joins Kolassa for a great version of It’s Tight Like That. Originally written and performed by Hudson Whittaker, better known as Tampa Red, this is one of those great songs that features Red’s fun wordplay. This is a great example of Hokum Blues, and I, for one, hope that we will hear more of this style. Wainwright, who has just announced he’s joining the Ruf Records family, is one of the best keyboardists alive, and his vocals rock. Eric Hughes blows a great harp on the number.

One of the most alluring and sensual songs ever recorded, Fever, showcases Annika Chambers’ great voice. This jazzy number is deeply rooted in the blues, and Stephenson’s organ adds a deeper dimension to the song. This is a great late night song to unwind to after a long day, or to hold that certain someone a little closer for an even longer night…

Tas Cru steps up to the microphone for the next song, the powerful Nobody Knows You When You’re Down And Out. Hasan’s violin gives the song a sweet melancholy introduction before Kolassa’s vocals come in. This version of the song pulls out all the stops and Kolassa and Cru wring every drop of emotion out of the lyrics.

BB King’s Rock Me Baby features a great collaboration between Kolassa and Tullie Brae. Stephenson’s keyboards set up the song and while Kolassa’s vocals are good, Brae takes things higher. This is another song that will be appearing on a number of shows. It’s just plain fun and while it doesn’t try to capture King’s signature guitar sound, it takes on its own soul and remains very true to the spirit of the original.

The iconic Key To The Highway has been covered by just about every blues artist over the years. Now we can add Kolassa and Eric Hughes to that list. Hughes has already added his sweet harp to a couple of previous numbers, and here he brings both his harp and vocals to the song. It’s a good interpretation of a classic tune.

One more Willie Dixon number, Spoonful, features Kolassa and Erica Brown. They turn the song jazzy with Stephenson’s keys taking the lead. Kolassa has chosen his songs wisely, mixing some of the better known works by Dixon and Tampa Red with others that are great, but perhaps not as well known. Listen for Jensen’s guitar break and they way he trades off with Stephenson. Very nice interpretation.

Patti Parks joins Kolassa on a great cover of Hudson Whittaker’s It Hurts Me Too. This is one of Tampa Red’s most covered songs and one that resonates deeply with most audiences. It’s one of those songs where the singer just bares his or her heart and pours out the emotion. A truly wonderful gem of a song, and a great interpretation.

Early In The Morning features David Dunavent on guitar and vocals. This is a rocking blues number that will be showing up on my show, and I suspect many others as well. For those who like their blues with a bit of an edge, this is the one for you!

Another number from Hudson Whittaker, aka Tampa Red, Don’t You Lie To Me (Evil), brings Gracie Curran and Kolassa together. More great keys work from Stephenson overlaid with some funky guitar and Curran’s vocals are sweet and soulful at the same time.

Jensen teams up with his old friend on their version of Outside Woman Blues. Whenever they team up there are bound to be a few surprises, in this case a more rocking number than most of the previous tracks. Jensen is one of those guitar slingers who always turns in a great performance, and once you hear him, you’re always looking for his next release.

All of the previous vocalists join Kolassa on a fun, seven-minute version of Ain’t Nobody’s Business to close out the album. Everyone seems to be having a great time and it sounds like the recording of the album was a great party and a wonderful excuse for friends to get together. Wish I could have been a fly on the wall for this one!

Mick Kolassa may not be a household name, but within the blues world he is a well respected musician. He keeps that old school sound alive and isn’t shy about sharing the spotlight with his friends and colleagues. Since discovering his talents a few albums back, I have become a big fan of his work, and Double Standards will have a welcome place in my collection. ~Professor John

Double Standards

Friday, October 20, 2017

Eric Hughes Band - Meet Me In Memphis

Size: 99,3 MB
Time: 32:56
File: MP3 @ 320K/s
Released: 2017
Styles: Electric Blues, Blues Rock
Art: Front

01. Freight Tain Of Pain (3:52)
02. Meet Me In Memphis (4:08)
03. Roll A Fatty For Your Daddy (2:49)
04. The Day They Hanged The Kid (4:15)
05. Here Comes The Boogie Man (5:10)
06. Left My Heart At Your Place (2:36)
07. Midtown Blues (3:58)
08. I'm Knocking On Your Door (2:59)
09. I Believe I'm Going Fishing (3:05)

Eric Hughes is Memphis born and raised; he grew up loving the authentic sounds of the River City and the fertile region that surrounds it. After attending Mississippi College he joined the Marine Corps and found himself stationed far from home. Eric brought a guitar, hoping that learning some Memphis music would ease his homesickness. Those six strings not only delivered comfort but also set him on a pilgrimage. A decade of learning followed, traveling and studying the styles of various bluesmen.
In 2001 Eric took up residency on the world-famous boulevard of the blues, Beale Street. Those first gigs have developed into 16 years of performances as a solo act, as part of a duo, and as front man for the Eric Hughes Band. On Beale, Hughes found that he could spread his musical message to visitors from around the globe. The experience has earned Hughes a fan base consisting of listeners world-wide. Over the years, Eric has released four records- earning a Muddy Mojo Award, two “Best Self-Produced CD” awards, as well as “Coolest Blues Song of the Year” by Big City Blues Magazine.
Eric’s highly anticipated new release Meet Me in Memphis pays homage to the city that shaped him as an artist and as a person. Its title track draws on many of the things he loves about his hometown; he calls upon the blues and gospel foundations that are essential to the Memphis Sound. Rather than relegating the blues to the stuff of museum lore, this record keeps the blues relevant and continues its evolution into rock, country and soul.
“I feel like this record is the culmination of a music career as an independent artist having many diverse influences, aside from merely blues. The songs tell who I am and where I’ve come from. I call upon everything I have learned in order to tell a story… that of a hard-working Memphis guy dedicated to his music” Eric explained. “The record itself was a community effort because I received the very first “Slim’s Front Loan”, a new Memphis Slim House program offering low interest loans to artists to produce and market their records. I also have students from the University of Memphis’ Music Business programs as part of my team. My fans have helped finance the album’s production. Meet Me in Memphis feels like my true introduction to the world”
To bring these songs to life, Hughes called upon some of Memphis’ finest musical ambassadors. The band’s mainstays are Eric’s brother Walter Hughes on guitars, backing vocals, and mandolin, as well as Leo Goff (bass guitar), Brian Aylor (drums) and Chris Stephenson (keyboards). He enlisted saxophonist Art Edmaiston (Gregg Allman, JJ Grey and Mofro) and trumpeter Marc Franklin (Gregg Allman, John Nemeth) alongside vocalists Reba Russell (The Reba Russell Band) and Susan Marshall (Don Bryant, The Afghan Whigs).
Join Eric Hughes as he continues his journey, adding to the legacy of great Memphis music. Check out this latest release, and take him up on his offer to Meet Me in Memphis.

Meet Me In Memphis

Friday, August 30, 2013

Eric Hughes Band - Eric Hughes Band Live At Rum Boogie Cafe

Size: 94,8 MB
Time: 40:48
File: MP3 @ 320K/s
Released: 2012
Styles: Blues Rock
Art: Front

01. I Know (3:42)
02. Late Night Wonder (4:50)
03. Don't Know You (Feat. Jacob Petersen) (2:53)
04. Play My Part (5:07)
05. Feel What I Feel (Feat. Ephraim Owens & John Bush) (6:18)
06. How Was I To Know (3:38)
07. Up N' Gone (Feat. Jacob Petersen) (3:15)
08. No One Ever Said (Feat. Jacob Petersen) (4:02)
09. Some Kinda Situation (3:12)
10. Baby Blue (3:47)

Loaded with an arsenal of harmonicas, guitars, amps and hats for all occasions, Eric "Scrappy" Hughes also knows how to load the stage with lots of other local talent like: "The Freight Train of Pain" Leo Goff, Robert "Nighthawk" Tooms, Dennis Falanga "The Drum Skin Banga", Walter "The Alter" Hughes and special guest Bill Marshall. If you don't know these guys, you should.
This recording of the Eric Hughes Band is assembled from three performances. The first being from the Memphis Showcase at the International Blues Challenge 2012, and the other 2 are from recordings made during the Summer 2012..

Eric Hughes Band Live At Rum Boogie Cafe