Showing posts with label Floyd Jones. Show all posts
Showing posts with label Floyd Jones. Show all posts

Wednesday, March 30, 2022

Sunnyland Slim & Friends - Sunnyland Special: The Cobra & J.O.B. Recordings 1949-56

Album: Sunnyland Special
Size: 182,9 MB
Time: 79:25
File: MP3 @ 320K/s
Released: 2001
Styles: Blues, piano blues
Art: Full

1. Sunnyland Slim - When I Was Young (2:40)
2. Sunnyland Slim - Bassology (2:52)
3. Sunnyland Slim - Worried About My Baby (2:42)
4. Sunnyland Slim - Down Home Child (2:52)
5. Sunnyland Slim - Sunnyland Special (2:36)
6. Sunnyland Trio - Mary Lee (3:01)
7. Sunnyland Trio - Leaving Your Town (3:02)
8. Sunnyland Slim & His Boys - Shake It Baby (2:38)
9. Sunnyland Slim & His Boys - Woman Trouble A.K.A. Overnite (2:55)
10. Sunnyland Slim - City Of New Orleans (2:57)
11. Sunnyland Slim & His Playboys - That Woman (2:48)
12. Sunnyland Slim & His Playboys - Four Day Bounce (2:24)
13. Sunnyland Slim - Highway 61 (Master) (3:01)
14. Sunnyland Slim - It's You Baby (2:21)
15. Sunnyland Slim - Highway 61 (Alternate Take 1) (3:03)
16. Sunnyland Slim - Highway 61 (Alternate Take 2) (3:14)
17. Sunnyland Slim - Highway 61 (Alternate Take 3) (3:09)
18. Sunnyland Slim & Jimmy Rogers - Blues (0:36)
19. Floyd Jones - Big World (2:56)
20. Floyd Jones - Dark Road (3:13)
21. Floyd Jones & His Trio - I Lost A Good Woman (2:49)
22. Floyd Jones & His Trio - Skinny Mama (2:12)
23. Floyd Jones & His Trio - Rising Wind (2:50)
24. Floyd Jones & His Trio - On The Road Again (3:11)
25. Robert Jr. Lockwood - Aw Aw Baby (2:37)
26. Robert Jr. Lockwood - Sweet Woman From Maine (3:01)
27. Robert Jr. Lockwood - Dust My Broom (2:27)
28. Robert Jr. Lockwood - Pearly B (2:24)
29. Robert Jr. Lockwood - Dust My Broom (Alternate Take) (2:41)

Exhibiting truly amazing longevity that was commensurate with his powerful, imposing physical build, Sunnyland Slim's status as a beloved Chicago piano patriarch endured long after most of his peers had perished. For more than 50 years, the towering Slim had rumbled the ivories around the Windy City, playing with virtually every local luminary imaginable and backing the great majority in the studio at one time or another.

He was born Albert Luandrew in Mississippi and received his early training on a pump organ. After entertaining at juke joints and movie houses in the Delta, Luandrew made Memphis his home base during the late '20s, playing along Beale Street and hanging out with the likes of Little Brother Montgomery and Ma Rainey. He adopted his colorful stage name from the title of one of his best-known songs, the mournful "Sunnyland Train." (The downbeat piece immortalized the speed and deadly power of a St. Louis-to-Memphis locomotive that mowed down numerous people unfortunate enough to cross its tracks at the wrong instant.) Slim moved to Chicago in 1939 and set up shop as an in-demand piano man, playing for a spell with John Lee "Sonny Boy" Williamson before waxing eight sides for RCA Victor in 1947 under the somewhat misleading handle of "Doctor Clayton's Buddy." If it hadn't been for the helpful Slim, Muddy Waters may not have found his way onto Chess; it was at the pianist's 1947 session for Aristocrat that the Chess brothers made Waters' acquaintance.

Aristocrat (which issued his harrowing "Johnson Machine Gun") was but one of a myriad of labels that Slim recorded for between 1948 and 1956: Hytone, Opera, Chance, Tempo-Tone, Mercury, Apollo, JOB, Regal, Vee-Jay (unissued), Blue Lake, Club 51, and Cobra all cut dates on Slim, whose vocals thundered with the same resonant authority as his 88s. In addition, his distinctive playing enlivened hundreds of sessions by other artists during the same time frame. In 1960, Slim traveled to Englewood Cliffs, New Jersey, to cut his debut LP for Prestige's Bluesville subsidiary with King Curtis supplying diamond-hard tenor sax breaks on many cuts. The album, Slim's Shout, ranks as one of his finest, with definitive renditions of the pianist's "The Devil Is a Busy Man," "Shake It," "Brownskin Woman," and "It's You Baby."

Like a deep-rooted tree, Sunnyland Slim persevered despite the passing decades. For a time, he helmed his own label, Airway Records. As late as 1985, he made a fine set for the Red Beans logo, Chicago Jump, backed by the same crack combo that shared the stage with him every Sunday evening at a popular North side club called B.L.U.E.S. for some 12 years. There were times when the pianist fell seriously ill, but he always defied the odds and returned to action, warbling his trademark Woody Woodpecker chortle and kicking off one more exultant slow blues as he had done for the previous half century. Finally, after a calamitous fall on the ice coming home from a gig led to numerous complications, Sunnyland Slim died of kidney failure in 1995. He's sorely missed. /Biography by Bill Dahl, AllMusic

(Note: The track/artist listing on the back cover isn't completely accurate. However, the one stated in the booklet will give you the correct track/artist listing.)

Sunnyland Special: The Cobra & J.O.B. Recordings 1949-56 mc
Sunnyland Special: The Cobra & J.O.B. Recordings 1949-56 zippy

Tuesday, August 18, 2020

Floyd Jones - Blues & Rhythm Series 5130: The Chronological Floyd Jones 1948-1953

Size: 212 MB
Time: 52:11
File: FLAC
Released: 2005
Styles: Blues
Art: Full

01. Stockyard Blues (2:52)
02. Keep What You Got (2:20)
03. Big World (2:57)
04. Dark Road (3:15)
05. Dark Road (3:21)
06. Big World (2:51)
07. Overseas (2:14)
08. Playhouse (2:45)
09. You Can't Live Long (2:51)
10. Early Morning (2:56)
11. I Lost A Good Woman (2:51)
12. Skinny Mama (2:15)
13. Rising Wind (2:52)
14. On The Road Again (3:15)
15. Schooldays On My Mind (3:16)
16. Ain't Times Hard (3:07)
17. Floyd's Blues (3:07)
18. Any Old Lonesome Day (2:58)

Born in Marianna, AR, Floyd Jones grew up in the company of Walter Horton and Chester Burnett, later known as Howlin' Wolf. The three young men traveled together during the 1930s and came into contact with Robert Johnson, Charley Patton, Eddie Taylor, and Johnny Shines. While Howlin' Wolf and Walter Horton are well known in the annals of blues and rock & roll, Floyd Jones has never received anything like the attention and respect that his life and music deserve. Listening through these 18 precious recordings, one might sense other blues spirits quietly hovering in the vicinity: Muddy Waters is in here for real, along with John Lee Hooker, Tommy Johnson, Bukka White, and One String Sam, that remarkable individual whose plaintive "I Need a Hundred Dollars" grew directly out of Floyd Jones' "Stockyard Blues" of 1948. This tune was originally issued on the Marvel label backed with the pragmatic "Keep What You Got." Floyd Jones and Howlin' Wolf have in common a riveting intensity that immediately takes over and suspends all superficialities. This is most evident on the slow and deeply distilled "Dark Road," where Jones even howls like the Wolf. The movingly potent J.O.B. and Chess recordings of 1951 are presented here in a sort of primal Rorschach pattern, with two different treatments of "Dark Road" sandwiched between two versions of "Big World." Floyd Jones sang about life as he knew it and felt it, reflecting with gut level honesty on the grueling challenges he encountered while scuffling to make it through each night and day. This compilation closes with eight sides cut in early 1953 for the J.O.B. and Vee-Jay labels. Floyd Jones' bands were invariably made up of tough and seasoned players. In addition to guitarist Eddie Taylor, listeners hear Floyd's cousin Moody Jones on both guitar and string bass, harmonica men Snooky Pryor and Little Walter, and master pianist Sunnyland Slim. This bracing music is essential listening for both experienced devotees and those who have only begun to explore the blues. Everyone ought to make time to experience the awe-inspiring recorded legacy of Chicago bluesman Floyd Jones. ~arwulf arwulf

The Chronological Floyd Jones 1948-1953

Sunday, May 5, 2019

Old Friends - Sunnyland Slim, Honeyboy Edwards, Kansas City Red, Big Walter Horton, Floyd Jones

Source: CD
Size: 162,3 MB
Time: 68:49
File: MP3 @ 320K/s
Released: 1981/1993
Styles: Chicago Blues
Art: Full

01. Apron Strings (Feat. Honeyboy Edwards) (3:04)
02. Gamblin' Man (Feat. Honeyboy Edwards) (2:49)
03. 43rd Street Jump (Feat. Honeyboy Edwards) (2:55)
04. The War Is Over (Feat. Honeyboy Edwards) (3:18)
05. When I Came In (Feat. Honeyboy Edwards) (2:52)
06. Banty Rooster (Feat. Floyd Jones) (3:44)
07. Mr. Freddy Blues (Feat. Floyd Jones) (3:36)
08. Over The Seas Blues (Feat. Floyd Jones) (4:13)
09. I'm A Prisoner (Feat. Kansas City Red) (5:18)
10. Freedom Train (Feat. Kansas City Red) (4:55)
11. Lightnin' Struck The Poor House (Feat. Kansas City Red) (4:37)
12. Linda Lu (Feat. Kansas City Red) (5:58)
13. Lula Mae (Feat. Kansas City Red) (4:49)
14. That's All Right, I'll Be Around (Feat. Kansas City Red) (3:54)
15. Heartache (Feat. Sunnyland Slim) (4:40)
16. Sometimes I Worry (Feat. Sunnyland Slim) (4:14)
17. I'm Going Back Home (Feat. Big Walter Horton) (3:45)

Personnel:
David 'Honeyboy' Edwards: Guitar, Harmonica (on track 5)
Floyd Jones: Bass
Sunnyland Slim: Piano
Kansas City Red: Drums
Big Walter Horton: Harmonica

Old Friends…together for the first time…nearly fifty years after their paths first crossed, a legendary group of old blues friends from Memphis and the Mississippi Delta finally gathered in a Chicago studio to record together for the first time. Sunnyland Slim, Big Walter Horton, Floyd Jones and Honeyboy Edwards knew each other since the early 1930s: Kansas City Red, the youngster of the bunch at 54, met the others one by one during the 1940s, and over the years, in Chicago and down South, the bluesmen worked with one another off and on in various combinations. Not until 1979, at a prestigious Carnegie Hall concert in New York, did all five play together on the same stage, and it was 1980 before the quintet recorded as a unit.

“The music has the unforced feel of (Chicago’s) blues of the late 30s and 40s without once sounding anachronistic. The five musicians (playing as a quintet) share the vocal duties, providing striking contrasts....All the material is original in the true sense, not just old blues with reshuffled lyrics and new titles, and the quintet interprets it with real conviction.”

Thanks to MarcFr.
Old Friends

Monday, August 22, 2016

Various - Chicago Piano (1951-58 from Cobra & Job)

Bitrate: MP3@320K/s
Time: 52:59
Size: 121.3 MB
Styles: Piano blues, Chicago blues
Year: 1991/2006
Art: Front

[3:05] 1. Sunnyland Slim - Highway 61
[2:19] 2. Sunnyland Slim - It's You Baby
[2:53] 3. Sunnyland Slim - Overnight
[2:46] 4. Sunnyland Slim - That Woman
[2:21] 5. Sunnyland Slim - 'fore Day Bounce
[2:54] 6. Floyd Jones - Big World
[2:59] 7. Sunnyland Slim - Mary Lee
[2:38] 8. Eddie Boyd - Five Long Years
[3:32] 9. Eddie Boyd - Hard Headed Woman
[3:12] 10. Eddie Boyd - It's Miserable To Be Alone
[2:26] 11. Charles Clark - Row Your Boat
[2:00] 12. Memphis Slim - I Wonder What's The Matter
[1:58] 13. Memphis Slim - I Can't Live Without You
[2:14] 14. Memphis Slim - Best Gal I Ever Had
[2:05] 15. Memphis Slim - So Tired
[2:31] 16. Walter 'Shakey' Horton - Need My Baby
[3:00] 17. Little Brother Montgomery - Keep Drinkin'
[3:02] 18. Little Brother Montgomery - Boogie
[2:47] 19. Moody Jones - Please Somebody
[2:08] 20. J.T. Brown - Short Dresses

The blues piano genre is arguably the root of much of modern American music. After blues, ragtime evolved, followed by jazz, and on down to boogie woogie and eventually rock 'n roll. Although the genre has seen many trends come and go, in contemporary times blues piano is no different that it was 100 years ago.

Since the piano man was usually unaccompanied, the genre developed into the sound of a one-man show. The player was responsible for creating all parts of the music: bass, rhythm, and melody. This type of playing became labeled as “boogie woogie” or “barrelhouse piano.” Blues became a larger part of the greater consciousness upon the release of brass player W.C. Handy's “The Memphis Blues” and “St. Louis Blues” in the early 1900s. The genre quickly made its way into the night spots of big cities, and boogie woogie became the genre of choice for parties in New York and Chicago, among others.

The genre continued to get more popular throughout the roaring twenties, but a decade later big bands were all the rage. However, boogie woogie was resurrected in the late 30's, thanks in part to a legendary performance by Albert Ammons, Meade Lux Lewis, and blues pianist Pete Johnson and Carnegie Hall.

In the thirties, blues piano music was often played by swing bands such as Count Basie's. By the time the forties rolled around, smaller outfits centered around the piano developed a new twist on the blues. Known as “jump blues,” this genre was the among the most popular dance music after the World Wars, and historians recognize it as a precursor to the tidal wave of rock 'n roll.

Chicago Piano mc
Chicago Piano zippy

Monday, July 18, 2016

Eddie Taylor - Eddie Taylor In Session: Diary Of A Chicago Bluesman 1953-1957

Size: 186,4 MB
Time: 78:39
File: MP3 @ 320K/s
Released: 2016
Styles: Chicago Blues
Art: Front

01. Ice Cream Man (Elmore James) (2:44)
02. Lifetime Baby (John Brim) (3:05)
03. You Don't Have To Go (Jimmy Reed) (3:02)
04. Going Back To Memphis (Sunnyland Slim) (2:54)
05. Devil Is A Busy Man (Sunnyland Slim) (2:49)
06. Shake It Baby (Sunnyland Slim) (2:58)
07. Bassology (Sunnyland Slim) (2:54)
08. School Days (Floyd Jones) (3:11)
09. Ain't Times Hard (Floyd Jones) (3:04)
10. Any Old Lonesome Day (Floyd Jones) (2:55)
11. Tough Times (Elmore James) (3:07)
12. Gary Stomp (John Brim) (2:48)
13. Falling Rain Blues (Little Willie Foster) (2:33)
14. Four Day Jump (Little Willie Foster) (2:09)
15. Bad Boy (2:58)
16. E.T. Blues (2:42)
17. Wheel And Deal (John Lee Hooker) (2:32)
18. Ain't That Lovin' You Baby (Jimmy Reed) (2:12)
19. Ride 'em On Down (2:52)
20. Big Town Playboy (2:56)
21. Dimples (John Lee Hooker) (2:08)
22. You'll Always Have A Home (2:32)
23. Don't Knock At My Door (2:44)
24. You Got Me Dizzy (Jimmy Reed) (2:48)
25. Crawlin' Black Spider (John Lee Hooker) (2:41)
26. I'm Gonna Love You (1:56)
27. Lookin' For Trouble (2:25)
28. Find My Baby (2:16)
29. Stroll Out West (2:29)

Eddie Taylor was considered one of the greatest of all guitarists active during the heyday of Chicago blues scene. However despite featuring on numerous hit records he never had a hit under his own name, he was to be forever in the shadow of the artists he performed with during the period covered by this CD collection. Tracks such as "Ice Cream Man", "Lifetime Blues", "Bad Boy", "Big Town Playboy", "Dimples" exude a real quality and despite them not initially achieving hit status have now quite rightfully gone on to be Chicago blues classics. Eddie Taylor never really achieved the stardom he so richly deserved, he was though a very important element in the sub-genre of Chicago blues and without his presence on so many hit records would have been notably poorer. This great CD set from Jasmine showcases his early contributions and what a great guitarist and musician he was.

MC
Ziddu

Floyd Jones, Eddie Taylor - Masters Of Modern Blues

Bitrate: MP3@320K/s
Time: 50:31
Size: 115.7 MB
Styles: Chicago blues
Year: 1994/2014
Art: Front

[2:49] 1. Train Fare Home
[2:31] 2. Big Town Playboy
[2:39] 3. Peach Tree Blues
[2:58] 4. Bad Boy
[3:34] 5. Feel So Bad
[2:37] 6. After Hours
[3:06] 7. Take Your Hand Down
[1:59] 8. Bad Boy
[3:20] 9. Rising Wind
[3:37] 10. Dark Road
[3:57] 11. Stockyard Blues
[3:29] 12. Sweet Talkin' Woman
[3:54] 13. Hard Times
[2:53] 14. M & O Blues
[3:33] 15. Playhouse Blues
[3:29] 16. Dark Road

Tracks 1-8 - Eddie Taylor; Tracks 9-16 - Floyd Jones.

Eight priceless 1966 tracks by tragically underrecorded guitarist Floyd Jones are paired for this CD with eight more by sessionmate Eddie Taylor. Produced in both cases by Testament boss Pete Welding with Big Walter Horton on harp, pianist Otis Spann, and drummer Fred Below lending their collective hands, Jones re-creates his dour, uncompromising "Dark Road," "Hard Times," and "Stockyard Blues" with an early-'50s sense of purpose. ~Bill Dahl

Masters Of Modern Blues

Tuesday, June 21, 2016

Snooky Pryor & Friends - Pitch a Boogie Woogie If It Takes Me All Night Long

File: MP3 @ 320K/s
Source: LL (from CD)
Released: 2000
Styles: Blues
Time: 78:54
Size: 182,3 MB
Art: Full (12 page booklet)

(2:20) 1. Snooky Pryor & Moody Jones - Snooky and Moody's Boogie
(2:46) 2. Snooky Pryor & Moody Jones - Telephone Blues
(2:27) 3. Snooky Pryor - Boogy Fool
(2:43) 4. Snooky Pryor - Raisin' Sand
(3:08) 5. Snooky Pryor - Fine Boogie
(2:36) 6. Snooky Pryor - I'm Getting Tired
(2:48) 7. Snooky Pryor - Going Back on the Road
(3:00) 8. Snooky Pryor - Hold Me in Your Arms
(2:35) 9. Snooky Pryor - (Real) Fine Boogie
(2:38) 10. Snooky Pryor - Harp Instrumental
(2:54) 11. Snooky Pryor and His Trio - Cryin' Shame
(2:39) 12. Snooky Pryor and His Trio - Eighty Nine Ten
(2:36) 13. Snooky Pryor - Stop the Train Conductor
(2:34) 14. Snooky Pryor - Walking Boogie
(3:38) 15. Snooky Pryor - Stop the Train Conductor
(3:19) 16. Snooky Pryor - Uncle Sam Don't Take My Man
(2:59) 17. Snooky Pryor - Big Guns (Uncle Same Don't Take My Man)
(3:25) 18. Snooky Pryor - I Can't Feel Good No More
(2:56) 19. Snooky Pryor - I Can't Feel Good No More (alt)
(2:48) 20. Snooky Pryor - Boogie Twist
(2:38) 21. Snooky Pryor - Can't We Get This Straight
(2:44) 22. Moody Jones - Rough Treatment
(2:51) 23. Moody Jones - Why Should I Worry
(2:49) 24. Moody Jones - Rough Treatment (alt)
(2:52) 25. Floyd Jones with Snooky & Moody - Stockyard Blues
(2:20) 26. Floyd Jones with Snooky & Moody - Keep What You Got
(2:57) 27. Johnny Young - My Baby Walked Out
(2:41) 28. Johnny Young - Let Me Ride Your Mule

Snooky Pryor's career spanns five decades and he was always the leader of every band with which he ever worked. He was probably the first in Chicago to amplify his harmonica and 'Telephone Blues', his debut record with Moddy Jones, was perhaps the first independent postwar blues release. Pryor was one of the few harmonica players in Chicago in those postwar years who wasn't completely in thrall to John Lee Williamson. None of Snooky's immediate family were musicians, he had no teaching from anybody and he never asked nobody any questions about the harmonica. He learned it all himself. Snooky remembers listening and watching Rice Miller playing the streets of Vance. He learned a lot from guitar player James Scott. He (Scott) instructed me a lot into my music, how to play behind guitars. Snooky left home for Memphis when he was sixteen, and from there to Arkansas and Missouri, playing the streets and houseparties. In the early 1940's he was conscripted into the Army and after his discharge in 1945 he moved to Chicago, playing his amplified harp on Maxwell street. Some time later Snooky teamed up with Floyd Jones and his cousin Moody. One day, Snooky was playing on Sedgwick Street when he was approached by Chester Scales, who ran his own record shop nearby. Scales arranged a recording session and Snooky and Moody recorded 'Telephone Blues' and 'Snooky and Moody's Boogie', released on the Planet label. Scales also recorded Johnny Williams and Johnny Young and Floyd Jones. Snooky & Moody's single was played on the radio and Pryor made a name and now he could sit in with Lonnie Johnson, Big Bill and Memphis Minnie. Snooky joined the musicians union and played club gigs with John Brim, Eddie Taylor, Homesick James and others. Entrepreneur Joe Brown started J.O.B. Records and he talked Snooky into recording. Joined by Leroy Foster on guitar and Moody Jones on bass, he recorded 'Boogy Fool' and 'Raisin' Sand'. Snooky continued to record for Joe Brown throughout the 1950s, apart from singles for Parrot and a Vee-Jay session in 1956. There must have been other chances to record but the blues was changing and other music challenged its hold on public taste, so Snooky's music remained too traditional for recording companies. In the early 1960s Snooky got himself a day-job as a carpenter to support his wife and kids. An article in 1971 in Living Blues renewed interest in Snooky's music. Homesick James took care of his return to music and in 1973 they toured Europe with the American Blues Legends. Snooky recorded an album in the UK for Big Bear but it wasn't until 1987 he made a succesfulll comeback with a recording contract.

Pitch a Boogie Woogie If It Takes Me All Night Long
Pitch a Boogie Woogie If It Takes Me All Night Long artwork

Monday, February 9, 2015

Various - Blues Is Killin' Me

Bitrate: MP3@320K/s
Time: 57:57
Size: 132.7 MB
Styles: Chicago blues
Year: 1991/2006
Art: Front

[2:59] 1. Baby Face Leroy - Pet Rabbit
[3:01] 2. Baby Face Leroy - Louella
[3:11] 3. Baby Face Leroy - Late Hours At Midnight
[3:05] 4. Baby Face Leroy - Blues Is Killin' Me
[3:15] 5. Floyd Jones - Dark Road
[2:50] 6. Floyd Jones - I Lost A Good Woman
[2:15] 7. Floyd Jones - Skinny Mama
[2:51] 8. Floyd Jones - Rising Wind
[3:13] 9. Floyd Jones - On The Road Again
[2:47] 10. Unknown - Where Have You Been So Long
[2:45] 11. Little Hudson - Rough Treatment
[2:36] 12. Little Hudson - I'm Looking For A Woman
[2:33] 13. Little Hudson - Things Going So Tough With Me
[2:53] 14. Little Hudson - Don't Hang Around
[2:31] 15. Memphis Minnie - Kissing In The Dark
[3:06] 16. Memphis Minnie - World Of Trouble
[2:33] 17. Memphis Minnie - In Love Again
[3:00] 18. Memphis Minnie - What A Night
[3:09] 19. Little Son Joe - Ethel Bea
[3:13] 20. Little Son Joe - A Little Too Late

20 track, rock solid collection of classic Blues sides from Chicago's JOB label, primarily focusing on both sides of original issue 78s by Floyd Jones, Memphis Minnie, Baby Face Leroy and Little Hudson's Red Devil Trio with a few unissued surprises rounding out the already excellent package. ~Cub Koda

Blues Is Killin' Me

Monday, January 26, 2015

Sunnyland Slim, David 'Honeyboy' Edwards, Kansas City Red, Big Walter Horton, Floyd Jones - Old Friends

Bitrate: MP3@320K/s
Time: 68:31
Size: 156.8 MB
Styles: Chicago blues
Year: 2005
Art: Front

[3:02] 1. Apron Strings
[2:47] 2. Gamblin' Man
[2:53] 3. 43rd Street Jump
[3:18] 4. The War Is Over
[2:51] 5. When I Came In
[3:44] 6. Banty Rooster
[3:36] 7. Mr. Freddy Blues
[4:11] 8. Over The Seas Blues
[5:18] 9. I'm A Prisoner
[4:53] 10. Freedom Train
[4:37] 11. Lightnin' Struck The Poor House
[5:55] 12. Linda Lu
[4:48] 13. Lula Mae
[3:51] 14. That's All Right, I'll Be Around
[4:40] 15. Heartache
[4:14] 16. Sometimes I Worry
[3:44] 17. I'm Going Back Home

"The music has the unforced feel of (Chicago's) blues of the late 30s and 40s without once sounding anachronistic. The five musicians (playing as a quintet) share the vocal duties, providing striking contrasts...All the material is original in the true sense, not just old blues with reshuffled lyrics and new titles, and the quintet interprets it with real conviction. Horton is featured on seven of the seventeen numbers." ~ Manchester, England Evening News

Old Friends mc
Old Friends zippy

Tuesday, November 4, 2014

Various - Lost & Found: Job Records Vols 1&2

Album: Lost & Found: Job Records Vol 1
Bitrate: 320K/s
Time: 59:13
Size: 135.6 MB
Styles: Asssorted blues
Year: 2014
Art: Front

[2:56] 1. Baby Face & Sunnyland Trio - Louella
[2:59] 2. Baby Face & Sunnyland Trio - Pet Rabbit
[2:38] 3. Eddie Boyd - Five Long Years
[3:06] 4. Ernest Cotton - Uh'm Beautiful
[2:40] 5. Fat Man With Sunnyland Slim Trio - You've Got To Stop This Mess
[3:11] 6. Floyd Jones - Dark World
[2:09] 7. Floyd Jones & His Trio - Skinny Mama
[3:04] 8. Grace Brim - Man Around My Door
[2:47] 9. J B Lenoir & His Combo - I Wanna Play A Little While
[2:52] 10. J B Lenoir & His Combo - The Mojo
[2:56] 11. John Brim Trio - Humming Blues
[2:45] 12. John Lee - Knocking On Lula Mae's Door
[2:51] 13. Johnny Shines - Brutal Hearted Woman
[2:28] 14. Johnny Shines - Evening Sun
[2:31] 15. Little Hudson & His Red Devil Trio - I'm Looking For A Woman
[3:11] 16. Little Son Joe - A Little Too Late
[3:02] 17. Memphis Minnie & Her Combo - World Of Trouble
[2:58] 18. Robert Jr. Lockwood - Sweet Woman From Maine
[2:40] 19. Snooky Prior - Raisin' Sand
[2:24] 20. Snooky Pryor - Boogy Fool
[2:55] 21. Sunnyland Slim & His Boys - Woman Trouble

Lost & Found: Job Records Vol 1 mc
Lost & Found: Job Records Vol 1 zippy

Album: Lost & Found: Job Records Vol 2
Bitrate: 320K/s
Time: 60:14
Size: 137.9 MB
Styles: Assorted blues
Year: 2014
Art: Front

[3:00] 1. Sunnyland Trio - Leaving Your Town
[3:07] 2. Baby Face Leroy - Late Hours At Midnight
[2:29] 3. Eddie Boyd - Blue Coat Man
[2:25] 4. Ernest Cotton - Goin' Back To Memphis
[2:17] 5. Fat Man With Sunnyland Slim Trio - Glad I Don't Worry No More
[2:54] 6. Floyd Jones - Big World
[3:09] 7. Floyd Jones & His Trio - Drinking Woman
[2:24] 8. Grace Brim - Hospitality Blues
[2:54] 9. J B Lenoir & His Combo - How Much More
[2:53] 10. J B Lenoir & His Combo - People Are Meddling In Our Affairs
[3:09] 11. John Brim Trio - Drinking Woman
[2:46] 12. John Brim Trio - Trouble In The Morning
[2:36] 13. John Lee - Rhythm Rockin' Boogie
[2:52] 14. Johnny Shines - Cool Driver
[2:29] 15. Johnny Shines - Ramblin'
[2:40] 16. Little Hudson & His Red Devil Trio - Rough Treatment
[2:26] 17. Memphis Minnie & Her Combo - Kissing In The Dark
[2:35] 18. Robert Jr. Lockwood - Aw Aw Baby
[2:35] 19. Snooky Prior - Eighty Nine Ten
[2:45] 20. Snooky Pryor - Boogie Twist
[2:51] 21. Snooky Pryor - Cryin' Shame
[2:49] 22. Sunnyland Slim And His Trio - Down Home Child

Lost & Found: Job Records Vol 2 mc
Lost & Found: Job Records Vol 2 zippy

Thursday, October 30, 2014

Various - And This Is Free: The Life And Times Of Chicago's Legendary Maxwell Street

Bitrate: 320K/s
Time: 50:16
Size: 115.1 MB
Styles: Chicago blues
Year: 2008
Art: Front

[2:26] 1. J.B. Hutto - Pet Cream Man
[3:11] 2. Floyd Jones - Dark Road
[2:44] 3. Baby Face Leroy Trio - Rollin' & Tumblin' Part 1
[2:50] 4. Snooky Pryor - Cryin' Shame
[3:01] 5. Robert Nighthawk - Prowling Nighthawk
[3:42] 6. Arvella Gray - John Henry
[2:32] 7. Johnny Young - Money Taking Woman
[4:13] 8. Big John Wrencher - Maxwell Street Alley Blues
[2:49] 9. Daddy Stovepipe - The Spasm
[2:35] 10. Johnny Williams - Worried Man Blues
[2:51] 11. John Lee Granderson - Hard Luck John
[2:43] 12. John Henry Barbee - Against My Will
[3:06] 13. Boll Weevil - Christmas Time Blues
[2:56] 14. Baby Face Leroy Trio - Rollin' & Tumblin' Part 2
[2:50] 15. Papa Charlie Jackson - Maxwell Street Blues
[2:33] 16. Jimmy Rogers - Little Store Blues
[3:06] 17. Blind Percy - Fourteenth St. Blues

Probably every major American city has a seedy, shady yet colorful neighborhood that isn't missed until it's gone. For Boston, that neighborhood was the lively, raunchy Scollay Square; only after the area was razed in the name of urban renewal in the 1970s were its honky-tonk dives and burlesque joints celebrated. In New York City in the 1970s, politicians vowed to clean up Times Square, but now, the influx of chain stores and upscale mini-malls around 42nd Street has people reminiscing about the good, bad old days.

Chicago's legendary Maxwell Street on the city's Near West Side was one of those places that people love to remember – an open-air marketplace for bargain hunters and hustlers, for street musicians and sidewalk preachers, for someone shopping for shoes, for another seeking to save souls. In the early 1900s, the area near Halsted Street became the place for immigrants to begin their search for the American dream by running large open-air stores and flea markets as well as restaurants, delicatessens and other businesses. Then it was dubbed Jew Town -- in those politically incorrect days, a label considered no more insulting than Chinatown is today. Later, African-Americans moving north found Maxwell Street a haven for commercial activities, entertainment and music, as blues and gospel singers filled the street with song and salvation. By the early 1960s, the seven-block area was a bustling carnival of all kinds of commerce, legal, illicit and somewhere in between. By the 1990s, the market was moved to accommodate expansion of the University of Illinois and an era seemed to be over, much mourned by long-time Chicagoans.

That era is revived in And This is Free, a new "MultiPac" published by Shanachie Entertainment, which features a DVD, CD and booklet chronicling Maxwell's colorful history. The DVD contains several documentaries, starting with Mike Shea's 1964 film, "And This is Free," an exquisitely shot, black-and-white tribute to the market's unique flavor. Kicking the DVD off with Shea's 50-minute feature is a bit of a gamble. This documentary contains no narrative; Shea just takes you to the street and lets the story unfold, something with the potential to bewilder the non-Chicagoan watcher. ~Stephanie Schorow

And This Is Free: The Life And Times Of Chicago's Legendary Maxwell Street mc
And This Is Free: The Life And Times Of Chicago's Legendary Maxwell Street zippy