Showing posts with label Mindi Abair. Show all posts
Showing posts with label Mindi Abair. Show all posts

Thursday, June 27, 2019

Mindi Abair & The Boneshakers - No Good Deed

Size: 107.8 MB
Time: 46:44
File: MP3 @ 320K/s
Released: 2019
Styles: Blues, Rock, Jazz
Art: Front & Back

01. Seven Day Fool (4:00)
02. No Good Deed Goes Unpunished (5:18)
03. You Better Run (2:53)
04. Sweetest Lies (5:23)
05. Good Day For The Blues (6:14)
06. Mess I’m In (4:10)
07. Bad News (4:45)
08. Movin’ On (4:06)
09. Who’s Gonna Save My Soul? (5:56)
10. Baby Get It On (3:54)

Rock, jazz and blues influences stand up and roar on this gritty, electrifying and soulfully seductive collection of commanding original material and sublimely retooled covers.

Mindi Abair and the Boneshakers live, eat and breathe music as a collective — it’s their oxygen. Add to that a balanced mix of diverse musical backgrounds, big personalities and the bond of mutual respect coupled with friendship, and what transpires in the recording studio is sonic magic. It’s that kind of chemistry that the Los Angeles-based band has righteously captured and parlayed into their third studio album, No Good Deed.

Featuring an enthralling array of original material along with some cleverly reworked covers of songs from the Rascals, Etta James and others, No Good Deed is the band’s most multidimensional album to date and reflects the longtime camaraderie between the Boneshakers’ Randy Jacobs (guitar and vocals), Rodney Lee (keys), Ben White (bass, vocals) and Third Richardson (drums, vocals) and lead vocalist and award-winning saxophonist Mindi Abair. Not only does the album showcase the band members’ diverse talents and knack for creating music that is undeniably evocative and irrepressibly energetic; this time they’ve peeled back the layers to reveal more of their respective influences, unleashing unbridled infusions of rock, jazz and blues.

No Good Deed

Friday, October 26, 2018

Mindi Abair & The Boneshakers - All I Got For Christmas Is The Blues

Size: 79,8 MB
Time: 33:35
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues, Blues Rock, Xmas
Art: Front & Back

01. All I Got For Christmas Is The Blues (4:18)
02. I Can't Wait For Christmas (5:28)
03. Merry Christmas Baby (4:05)
04. Christmas (Baby Please Come Home) (3:41)
05. The Best Part Of Christmas (4:07)
06. Rockin' Around The Christmas Tree (2:48)
07. The Christmas Song (Chestnuts Roasting On An Open Fire) (3:34)
08. Run Run Rudolph (2:44)
09. Christmas Fool (2:45)

Mindi Abair and The Boneshakers return with a powerhouse blues rock holiday album. Four original songs feature the hard driving, down and dirty "All I Got For Christmas Is The Blues". And five holiday classics including "Merry Christmas Baby" and "The Christmas Song" are reimagined with a gritty, raucous spirit. Mindi Abair is a two-time Grammy Award nominated saxophonist, vocalist, and author. Her solo career has produced ten #1 radio singles, two #1 Billboard Jazz CDs, and four more solo CDs that have landed #5 and above on the Billboard Contemporary Jazz Charts. She was the featured saxophonist for the 2011 and 2012 seasons of American Idol.

All I Got For Christmas Is The Blues MP3
All I Got For Christmas Is The Blues FLAC

Tuesday, September 19, 2017

Mindi Abair & The Boneshakers - The EastWest Sessions

Bitrate: MP3@320K/s
Time: 47:40
Size: 109.1 MB
Styles: Blues/Funk/R&B
Year: 2017
Art: Front

[3:05] 1. Vinyl
[3:28] 2. Not That Kind of Girl
[4:04] 3. Play to Win
[7:04] 4. Pretty Good for a Girl
[4:29] 5. Let Me Hear It from You
[3:26] 6. Live My Life
[4:52] 7. Freedom
[4:29] 8. Had to Learn the Hard Way
[3:52] 9. She Don't Cry No More
[5:56] 10. Done Me Wrong
[2:51] 11. I Love to Play the Saxophone

Detroit raised, Motown trained guitarist Randy Jacobs formed The Boneshakers in 1994 to “project his vision of funk, blues, R&B, rock and soul into the universe.” Current members of his band include gritty soul singer Sweet Pea Atkinson, bassist Derek Frank, keyboardist Rodney Lee, and drummer Third Richardson. Two years ago, The Boneshakers teamed up with saxophonist, singer-songwriter Mindi Abair on the album Live in Seattle, and the collaboration was so successful they have been touring together ever since. Their second joint release, The EastWest Sessions, reflects the name of the Hollywood studio where the project was recorded under the guidance of noted blues-rock producer Kevin Shirley. The EastWest Sessions is by far the best collaboration to date between Mindi Abair and The Boneshakers, with its rotating blend of jazz, blues, rock, soul and smooth groove.

The EastWest Sessions

Wednesday, August 30, 2017

Mindi Abair - 2 albums: Live In Seattle / Wild Heart

Album: Mindi Abair & The Boneshakers - Live In Seattle
Bitrate: MP3@320K/s
Time: 73:45
Size: 168.8 MB
Styles: R&B/Soul/Blues
Year: 2015
Art: Front

[1:08] 1. Here She Comes
[4:37] 2. Wild Heart
[7:51] 3. Haute Sauce
[4:12] 4. I Can’t Lose
[1:20] 5. Bring Him On
[4:35] 6. Ball And Chain
[7:06] 7. Be Beautiful
[3:33] 8. Gone
[6:14] 9. Make It Happen
[5:01] 10. Bloom
[5:13] 11. I’ll Be Your Home
[7:35] 12. Summertime
[7:02] 13. Flirt
[8:14] 14. Cold Sweat

Mindi Abair's 2014 Grammy-nominated studio album Wild Heart was star-studded and chock-full of imaginative charts, but they were so fixed, precious little room remained for players to stretch out. Abair remedies that on Live in Seattle, backed by the Boneshakers -- guitarist Randy Jacobs and vocalist Sweet Pea Atkinson -- and members of her own band. She is a celebrated contemporary jazz artist, but she's done many other things as well. On Live in Seattle, she channels her rock, funk, and blueswoman personas with her jazz chops at the fore. With Jacobs and Atkinson bringing blues-rock and hard soul edges from Detroit, what else could she do? "Wild Heart" commences with Jacobs' roiling, back-to-the-roots guitar vamping at the fore. Abair answers by matching the intensity with a funk vamp as the rhythm section lays down an elastic pocket. "I Can't Lose" reveals that her thin, grainy voice does have power (something lacking on Wild Heart); it climbs out on the ledge to express emotion on top of the band's swampy magic. Instrumentally, her alto solo careens into Jacobs' Hendrix-ian wah-wah guitar and the wallop of the rhythm section. She's a terrific accompanist, too, as evidenced by Jacobs' swaggering, Stevie Ray Vaughan-esque electric blues in "Ball and Chain," as Atkinson lends soulful depth in the backing vocal. "Make It Happen," a breakbeat-drenched souled-out funk stepper, is a previously unreleased jam Abair wrote with Booker T. Jones. Her raw, squawking alto and Jacobs' fat, rhythmic comping are a killer combination. For contemporary jazz fans, there's an uptempo version of the lyrical "Bloom" (from 2006's Life Less Ordinary). Her soloing here offers reveals the depth of her experience, both musical and emotional. Likewise, her vocal duet with Atkinson on the lovely "I'll Be Your Home" weds both Motown and Stax traditions seamlessly. An over the top, rockist instrumental version of George Gershwin's "Summertime" follows; it's rangy and wild. The exchanges between Abair's wailing, Jacobs' massive riffing, Third Richardson's breakbeat drums, Derek Frank's whomping basslines, and Rodney Lee's fluid, spiky keyboards offer abundant lyricism and kinetic force. Abair is no stranger to James Brown's tunes -- she brings Atkinson out to close with "Cold Sweat." The band's attack is more blues than funk, but Atkinson's alternately silky and grainy soul delivery turns this nugget inside-out. Live in Seattle was a gutsy move following the commercial success of Wild Heart, but it was the right one. On earlier records and in her session work, Abair's musical wild side could only be heard in brief flashes. But with the perfect balance of players, and freed from the constraints of a studio, she is at her unfettered best. ~Thom Jurek

Live In Seattle

Album: Wild Heart
Bitrate: MP3@320K/s
Time: 49:12
Size: 112.6 MB
Styles: Soul/Jazz/Blues
Year: 2014
Art: Front

[4:20] 1. Amazing Game
[3:35] 2. I Can't Lose
[4:06] 3. Wild Heart
[3:17] 4. Haute Sauce
[3:27] 5. Train
[5:34] 6. Kick Ass
[4:17] 7. I'll Be Your Home
[3:48] 8. The Shakedown
[4:27] 9. Kiddo's Revenge
[6:45] 10. Addicted To You
[5:30] 11. Just Say When

Though saxophonist/vocalist Mindi Abair's last album was 2010's In Hi-Fi Stereo, she's been exceptionally busy as a touring and session musician. Wild Heart picks up where that record left off, albeit in a much rowdier, grimier fashion. It is a self-penned collection of (mostly) ramped-up, funky soul, R&B, and rock tunes, with hints of contemporary jazz thrown in. Its sound is crunchy, fat, and greasy. Electric guitars and bass are mixed right up front with her alto, tenor, and baritone saxes. Abair also enlisted a slew of all-star guests from across the pop spectrum. The slamming, funky, brass- and reed-drenched "Amazing Game" is a tribute to NOLA R&B and jazz and actively engages its other soloist, Trombone Shorty. The chart is tight and meaty and the horn breaks and dueling solos soar. The title track is a grainy modern take on soul-jazz with wah-wah guitars, B-3, and her alto, tenor, and baritone horns framed by Todd Simon's trumpet and Elizabeth Lea's trombone. The single "Haute Sauce" features grimy, old-school (as in Junior Walker) R&B and contains both a stellar alto break and a killer piano solo from Dave Yaden. Aerosmith's Joe Perry lends very basic (a good thing) yet roaring guitar chops to "Kick Ass." It's all riffing and screaming alto dueling with frenetic, in-the-red drumming by Jake Najor. "The Shakedown," with Max Weinberg and Waddy Wachtel, recalls mid-'60s rave-up discotheques and TV themes from teen dance shows. "Addicted to You" is a bluesy, slow-grooving quartet affair with Booker T. Jones on B-3. A couple of tunes don't work; predictably, they are vocal numbers such as "I Can't Lose" and "Train," where Abair's thin voice -- even multitracked -- is no match for the massive sonic attack she assembles. That said, the one place it does succeed is on the closer, "Just Say When," a vocal duet with Gregg Allman. Sans horns, the skeletal tune is framed by a basic rock band playing an effortless meld of Southern Americana and soul. Allman is in excellent voice and Abair's emotive, reedy contralto is the perfect counterpart. It's a hell of a way to end a record. As a whole, Wild Heart builds considerably on the strengths of In Hi-Fi Stereo, and is a much stronger effort overall. Though it pays unapologetic tribute to retro inspirations, it does so with 21st century sophistication, a gritty, raucous spirit, and exceptional creative imagination. ~Thom Jurek

Wild Heart