Showing posts with label Deborah Coleman. Show all posts
Showing posts with label Deborah Coleman. Show all posts

Friday, September 22, 2017

Deborah Coleman, Candye Kane, Dani Wilde - Blues Caravan: Guitars & Feathers

Year: 2008
Bitrate: MP3@320K/s
Time: 73:03
Size: 168,9 MB
Styles: Electric blues
Scans: Full

1. Won't Leave (3:05)
2. Bring Your Loving Home (3:46)
3. Heal My Blues (2:45)
4. Come Undone (3:25)
5. I Love You More Than I Hate Myself (5:43)
6. You Need A Great Big Woman (4:13)
7. My Country Man (2:48)
8. I'm Lucky (3:26)
9. Crazy Little Thing (2:50)
10. Toughest Girl Alive (2:40)
11. Bad Boy (4:02)
12. I Got To Know (4:18)
13. Fight (4:44)
14. Jesus Just Left Chicago (4:40)
15. Somethings Got A Hold On Me (4:46)
16. Whole Lotta Love (10:58)
17. Rocking On The Blues Caravan (4:45)

Europe's Ruf label has a history of packaging blues artists, especially women, together for tours, and this one, recorded live in Bonn, Germany in January, 2008, works especially well. Newcomer Dani Wilde joins veterans Candye Kane and Deborah Coleman (the latter had been part of the previous Ruf blues package) for a rousing performance of blues and soul that condenses and displays the finest attributes of each artist.

The tour borrows its name from Kane's 2007 Guitar'd and Feathered album, but it's the U.K.'s Wilde who makes the strongest impression, perhaps because she's somewhat of an unknown entity (her debut was not available in America as of this album's appearance, yet had been released in Europe). As in the past, the performers open and close the concert together, then concentrate on individual sets with a terrific road band backing up each one. The proceedings kick off in strong form with the trio's cover of Ray Charles' defiant "Won't Leave," trading off lead vocals. That drives the raw, party groove for the remainder of the show.

Wilde's opening four original songs feature her guitar, but it's her growling, insistent vocals, somewhat similar to those of Janis Joplin, that are such a revelation. She hisses, yowls, croons and snarls her way through a set that ends too soon with the nearly six-minute slow blues of "I Love You More Than I Hate Myself" an unanticipated highlight of the night.

Following that would be a challenged for anyone, yet Kane tries her hardest, strutting her way through typically sassy, double entendre jump blues-influenced music that reprises three songs from her recent disc and closes with the appropriately titled "Toughest Girl Alive." Fun and frisky.

Coleman appears next, churning out sharp guitar to Luther Allison's "Fight" and ZZ Top's "Jesus Just Left Chicago," some inspired, even unusual covers that she stamps with her unique voice and rugged solos. The trio returns for raucous versions of "Something's Got a Hold of Me" and a rollicking ten-minute "Whole Lotta Love" that starts as a shuffle then shifts to Led Zeppelin's well-known arrangement to help close this high energy gig on an appropriately rowdy note. /Hal Horowitz, AllMusic

Blues Caravan: Guitars & Feathers mc
Blues Caravan: Guitars & Feathers zippy

Friday, January 15, 2016

VA - Blind Pig Presents: Ladies Sing The Blues

Size: 158,9 MB
Time: 68:06
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Rock
Art: Front

01. Sena Ehrhardt - Last Chance (6:23)
02. Robin Rogers - Color-Blind Angel (5:13)
03. Deanna Bogart - In The Rain (4:07)
04. ReneƩ Austin - Bury The Hatchet (4:16)
05. Deborah Coleman - I'm A Woman (4:49)
06. Joanna Connor - Big Girl Blues (3:44)
07. E.C. Scott - Funkafied Blues (4:22)
08. Sarah Brown - Devil's Best Disguise (4:17)
09. E.C. Scott - Sledgehammer (4:17)
10. Joanna Connor - Nothin' But The Blues (3:59)
11. Debbie Davies - Picture This (3:57)
12. Deborah Coleman - My Heart Bleeds Blue (4:25)
13. Sena Ehrhardt - Cry To Me (3:11)
14. Deanna Bogart - Blue By Night (7:39)
15. Robin Rogers - Second Time Around (3:20)

Blind Pig Presents: Ladies Sing The Blues

Friday, January 8, 2016

VA - Blind Pig Presents: Live Blues 2

Size: 167,7 MB
Time: 72:26
File: MP3 @ 320K/s
Released: 2016
Styles: Modern Electric Blues, Blues Rock
Art: Front

01. Magic Slim & The Teardrops - The Man You Need (Live) ( 4:06)
02. Albert Cummings - Party Right Here (Live) ( 3:36)
03. Deborah Coleman - You're With Me (Live) ( 3:33)
04. Webb Wilder & The Beatnecks - You Might Be Lonely For A Reason (Live) ( 3:04)
05. Magic Slim - Get Your Business Straight (Live) ( 4:48)
06. Elvin Bishop - Booty Bumpin' (Live) ( 2:57)
07. Smokin' Joe Kubek - That's Alright (Live) ( 6:56)
08. Popa Chubby - Back Door Man (Live) ( 6:49)
09. Otis Rush - Keep On Lovin' Me Baby (Live) ( 2:54)
10. Deborah Coleman - I'm A Woman (Live) (10:36)
11. Albert Cummings - Hoochie Coochie Man - Dixie Chicken (Live) ( 8:38)
12. Webb Wilder & The Beatnecks - Big Time (Live) ( 4:26)
13. Smokin' Joe Kubek - Boogie On Down (Live) ( 2:52)
14. Elvin Bishop - I Feel Alright Again (Live) ( 7:05)

Blind Pig Presents: Live Blues 2

Friday, December 4, 2015

VA - Blind Pig Presents: Live Blues

Size: 221,3 MB
Time: 95:09
File: MP3 @ 320K/s
Released: 2015
Styles: Modern Electric Blues, Blues Rock
Art: Front

01. Magic Slim - I'm A Bluesman (Live) ( 3:59)
02. Otis Rush - Gambler's Blues (Live) ( 9:02)
03. Deborah Coleman - I Believe (Live) ( 3:37)
04. Albert Cummings - Barrelhouse Blues (Live) ( 7:18)
05. Smokin' Joe Kubek & Bnois King - My Heart's In Texas (Live) ( 2:40)
06. Popa Chubby - Ace Of Spades (Live) ( 2:55)
07. Webb Wilder - Tough It Out (Live) ( 3:48)
08. Elvin Bishop - Keep A Dollar In Your Pocket (Live) ( 4:40)
09. Smokin' Joe Kubek & Bnois King - Burnin' To The Ground (Live) ( 4:16)
10. Tommy Castro - Nobody Loves Me Like My Baby (Live) ( 3:45)
11. Magic Slim - Full Load Boogie (Live) ( 2:38)
12. Otis Rush - I Wonder Why (Live) ( 7:58)
13. Deborah Coleman - Goodbye Misery (Live) (12:09)
14. Popa Chubby - Shake Down (Live) ( 5:31)
15. Smokin' Joe Kubek & Bnois King - Better Be Getting It On (Live) ( 3:32)
16. Webb Wilder & The Beatnecks - Baby Please Don't Go (Live) ( 5:35)
17. Albert Cummings - Rock Me Baby (Live) ( 6:23)
18. Elvin Bishop - I'm Gone (Live) ( 5:17)

Blind Pig Presents: Live Blues

Friday, September 4, 2015

Deborah Coleman - The Essential Deborah Coleman

Size: 128,7 MB
Time: 55:39
File: MP3 @ 320K/s
Released: 2015
Styles: Modern Electric Blues, Blues Rock
Art: Front

01. I'm A Woman (4:49)
02. Roll With Me (4:11)
03. My Heart Bleeds Blue (4:25)
04. Don't Lie To Me (3:38)
05. Look What You Do To Me (3:37)
06. I Can't Lose (4:35)
07. Travelin' South (4:01)
08. Goodbye Misery (3:16)
09. Livin' On Love (3:48)
10. Crazy (3:52)
11. Deserted Highway (4:22)
12. I Believe (Live) (3:37)
13. You're With Me (Live) (3:33)
14. Nobody To Blame (3:49)

Blues guitarist and singer/songwriter Deborah Coleman -- like Ruth Brown and Gary U.S. Bonds, who also hail from the same part of coastal Virginia -- brings a certain old-school sense of dignity to all of her live shows. No matter where she is, no matter the size of the audience, she presents the blues with her varying backup bands in a thoroughly dignified, proud way. And well she should, as she's just following in the footsteps, in many ways, of her late great town-mate Ruth Brown, who always exuded confidence and a sense of respect for the stage and her audiences at live shows. Interestingly, in her youth, Coleman was not inspired to sing or play guitar by such heroines of the blues as Brown, but rather, from seeing the old Monkees television show. She was raised in a musical and music-loving family and lived as a Navy kid, in San Diego, San Francisco, Bremerton, Washington, and the Chicago area as a child. She began playing guitar at age eight, and began performing professionally on bass at 15, with a series of Portsmouth, Virginia-area blues and R&B bands. She switched to guitar a short time later after hearing Jimi Hendrix, but also found inspiration in the recordings of Cream and Led Zeppelin.

Coleman's revelatory moment in terms of embracing the idea of playing blues for a living came when she was 21. She saw a concert with Howlin' Wolf, Muddy Waters, and John Lee Hooker on the same bill. She reveals in a biography accompanying one of her Blind Pig releases: "I will never forget that show. It started me on my path to my roots." At 25, she got married and focused on raising her daughter while working day jobs as a nurse and electrician. In 1985, she began working with an all-woman group Moxxie, but when that group split up in 1988, she decided to form her own blues-rock trio. Coleman cites a wide array of inspirations and influences for her guitar playing and singing. For guitar, she credits Hendrix, Jeff Beck, Buddy Guy, Freddie King, Albert Collins, and Larry Carlton as being inspirational; for singing, she cites Chrissie Hynde (of the Pretenders) and Patti Smith, as well as the recordings of Bessie Smith, Janis Joplin, Memphis Minnie, and Alberta Hunter.

She caught a break in 1993 by entering the National Blues Talent Search of South Carolina's Charleston Blues Festival. Leading her own band, Coleman took first place, and she immediately put together a group entitled the Thrillseekers and continued to tour around the South. She used her contest-winning prize of studio time to secure a deal with New Moon Records of Chapel Hill, North Carolina, and her debut, Takin' a Stand, was released in 1995 on New Moon. She followed it up in 1997 with I Can't Lose, her first release for the Blind Pig label. Her other recordings for Blind Pig include Where Blue Begins and Soft Place to Fall in 1998 and 2000. Her fifth album for Blind Pig, Livin' on Love, was released in 2001, and furthered her reputation as one of the top touring blues women on the scene. Soul Be It, recorded live at the Sierra Nevada Brewery, a venue she chose because of its state-of-the-art performance theater, was released in 2002.

Coleman won an Orville Gibson Award for Best Blues Guitarist in 2001, and by that point in time, her career as a touring act in the U.S., Canada, and Europe was well established, as she also had six W.C. Handy Award nominations, with more to come in the following years. Coleman's more 2000s releases include What About Love? in 2004 for the Cleveland-based Telarc label and Stop the Game in 2007 for JSP Records, a London-based label run by impresario John Stedman. Coleman's skilled guitar stylings and vocals can also be heard on Time Bomb, an album for Ruf Records with Sue Foley and Roxanne Potvin.

The Essential Deborah Coleman

Sunday, February 23, 2014

Deborah Coleman - Soft Place To Fall / Livin' On Love

Album: Soft Place To Fall
Size: 102,8 MB
Time: 43:51
File: MP3 @ 320K/s
Released: 2000
Styles: Modern Electric Blues
Art: Full

01. Look What You Do To Me (3:40)
02. Confused (3:29)
03. Soft Place To Fall (4:23)
04. Don't Lie To Me (3:41)
05. If You Love Me Like You Say (3:38)
06. Another Hoping Fool (4:15)
07. I'm A Woman (4:51)
08. So Damn Easy (4:10)
09. Nothing To Do With Love (3:34)
10. What Goes Around (4:14)
11. The Day It Comes (3:54)

For her third recording, Coleman continues to show the promise that her previous CDs gave a glimpse of. While still not as much of a blues devotee as she could be, she gives all indications of being a solid performer, a steadily improving vocalist, and a decent guitarist. She wrote three of the 11 cuts here, and they're the best of the lot. "What Goes Around" is a good 12-bar tune about cheatin' and messin' around; "Another Hoping Fool" is a slinky blues number about waiting by the telephone for that reassuring late-night call; and the title track sounds much like a Dire Straits tune, especially in the spare guitar playing of Coleman and Jack Holder. Coleman interprets Little Johnny Taylor's "If You Love Me Like You Say" in a cool funk mode, jumps into the direct blues of the adapted classic "I'm a Woman," and rocks the Jerry Williams number "Nothin' to Do With Love," which has all the potential to be a legitimate hit. On the boogie beat of "Don't Lie to Me" and the hard swing of the getting-back-to-love statement "So Damn Easy," Coleman changes up a bit to a more authentic blues style. She rocks on the simple "Look What You Do to Me," rocks even harder for "Confused," and goes into a more Southern-rock area on "The Day It Comes." She also uses pop/R&B-ish background vocals on "Look What You Do," "The Day," and "So Damn Easy." Deborah Coleman is still on the trail of eclipsing Sue Foley, Debbie Davies, and Susan Tedeschi to take her place as the high priestess of contemporary blues. While not there yet, she has all the tools and musical ability to reach that lofty perch. ~Review by Michael G. Nastos

Thanks to DrPeak.
Soft Place To Fall

Album: Livin' On Love
Size: 100,8 MB
Time: 42:58
File: MP3 @ 320K/s
Released: 2001
Styles: Modern Electric Blues
Art: Full

01. Livin' On Love (3:49)
02. You're With Me (3:32)
03. Light Of Day (3:42)
04. Memory Lane (4:08)
05. Crazy (3:54)
06. Bending Like A Willow Tree (3:51)
07. Happy When You're Unhappy (4:32)
08. Don't Talk In My Sleep (4:01)
09. Heaven's Got The Blues (3:32)
10. Torn In Two (3:32)
11. Deserted Highway (4:22)

Deborah Coleman detected a void in the music stratum and successfully filled it: A lead guitarist/vocalist playing the in the male dominated world of blues-rock. Others like Bonnie Raitt and Marie Muldaur have contributed to varying degrees in the contemporary blues scene (and other styles) but Coleman with her string of five consistently strong albums in only seven years demonstrates that she is serious about her craft and knows her calling as a blueswoman. Livin' on Love combines slow-grind blues pieces, R&B and gutsy rockers with a soulful voice and exemplary guitar playing proving that she's here to stay, not merely passing through. ~Review by Dave Sleger

Thanks to DrPeak.
Livin' On Love

Friday, February 7, 2014

Deborah Coleman - Soul Be It / Stop The Game

Album: Soul Be It
Size: 129,1 MB
Time: 55:32
File: MP3 @ 320K/s
Released: 2002
Styles: Chicago Blues
Art: Full

01. Brick ( 4:38)
02. My Heart Bleeds Blue ( 6:26)
03. Don't Lie To Me ( 7:42)
04. I'm A Woman (10:36)
05. You're With Me ( 3:33)
06. I Believe ( 3:37)
07. The Dream ( 6:49)
08. Goodbye Misery (12:09)

A powerful guitarist and an expressive vocalist, Deborah Coleman is a major force in the blues world. On Soul Be It, a well-rounded live set by her quartet, there are many highlights, including the rousing opener ("Brick"), the minor-toned blues "My Heart Bleeds Blue," the bluish romp "Don't Lie to Me," and a jump blues, "I Believe." However the most memorable selection is "Goodbye Misery," which has a marathon solo by Coleman that is full of fire and creative ideas. This highly enjoyable set serves as a perfect introduction to the music of Coleman. ~Review by Scott Yanow

Thanks to DrPeak
Soul Be It

Album: Stop The Game
Size: 113,5 MB
Time: 48:39
File: MP3 @ 320K/s
Released: 2007
Styles: Chicago Blues
Art: Full

01. I Got To Know (5:22)
02. Stop The Game (5:44)
03. Motor City II (3:36)
04. Everlastin' Tears (4:32)
05. Greezy (6:34)
06. Changes (6:37)
07. Long Time (3:35)
08. Seven Days (3:40)
09. Zero (3:51)
10. Wagon Wheel (5:06)

Guitarist Deborah Coleman plays blues informed by classic rock, with a deft, melodic hand and a deep, throaty voice that ranges from sobbing sorrow to a tough growl. This 2007 release doesn't stray far from her usual MO, but offers the same high-quality playing and singing. Highlights include album-closer "Wagon Wheel," a frisky number with a Western swing bounce. ~AMG

Thanks to DrPeak
Stop The Game

Monday, February 3, 2014

Deborah Coleman - Where Blue Begins

Size: 96,9 MB
Time: 41:58
File: MP3 @ 320K/s
Released: 1998
Styles: Modern Electric Blues
Art: Full

01. Love Moves Me (3:26)
02. Goodbye Misery (3:20)
03. Hain't It Funny (4:16)
04. Travelin' South (4:05)
05. The Dream (4:02)
06. Walk Your Walk (4:19)
07. They Raided The Joint (3:34)
08. Do You Want My Love (3:45)
09. On The Hunt (3:48)
10. Beside Myself (3:30)
11. Nobody To Blame (3:50)

Deborah Coleman is a double rarity in the male-dominated world of contemporary blues: she's a female lead singer who's not imitating the bellowing "blues mama" persona so familiar to the genre, and she's one hell of a lead guitar player. Featuring Luther Allison's backing band, Where Blue Begins is a smooth blend of Coleman's furious fretwork and pussycat purr of a voice. Coleman's slide shreds up "Goodbye Misery," while her buoyant licks carry the Texas blues of "Travelin' South." Even when her lyrics come close to clichƩ, like on "Beside Myself" and "Hain't It Funny," she saves the songs with some wicked playing and her Joan Armatrading vocal stylings. This album proves Coleman's not a novelty but a rare talent in a genre that desperately needs some new blood. ~Review by Todd Deery

Thanks to DrPeak.
Where Blue Begins

Friday, January 24, 2014

Deborah Coleman - Takin' A Stand

Size: 105,5 MB
Time: 45:05
File: MP3 @ 320K/s
Released: 1995
Styles: Modern Electric Blues
Art: Front

01. Evil Gal's Daughter (3:34)
02. Missin' You (5:03)
03. Don't Talk About Love (Duet With Skeeter Brandon) (4:14)
04. Takin' A Stand (4:59)
05. I Believe (3:13)
06. Moanin' The Blues (4:19)
07. I Cry (3:48)
08. What Should I Do? (4:17)
09. Can't Leave The Blues (4:42)
10. Them Changes (4:08)
11. Changes Revisted (2:46)

Blues guitarist and singer/songwriter Deborah Coleman -- like Ruth Brown and Gary U.S. Bonds, who also hail from the same part of coastal Virginia -- brings a certain old-school sense of dignity to all of her live shows. No matter where she is, no matter the size of the audience, she presents the blues with her varying backup bands in a thoroughly dignified, proud way. And well she should, as she's just following in the footsteps, in many ways, of her late great town-mate Ruth Brown, who always exuded confidence and a sense of respect for the stage and her audiences at live shows. Interestingly, in her youth, Coleman was not inspired to sing or play guitar by such heroines of the blues as Brown, but rather, from seeing the old Monkees television show. She was raised in a musical and music-loving family and lived as a Navy kid, in San Diego, San Francisco, Bremerton, Washington, and the Chicago area as a child. She began playing guitar at age eight, and began performing professionally on bass at 15, with a series of Portsmouth, Virginia-area blues and R&B bands. She switched to guitar a short time later after hearing Jimi Hendrix, but also found inspiration in the recordings of Cream and Led Zeppelin.

Coleman's revelatory moment in terms of embracing the idea of playing blues for a living came when she was 21. She saw a concert with Howlin' Wolf, Muddy Waters, and John Lee Hooker on the same bill. She reveals in a biography accompanying one of her Blind Pig releases: "I will never forget that show. It started me on my path to my roots." At 25, she got married and focused on raising her daughter while working day jobs as a nurse and electrician. In 1985, she began working with an all-woman group Moxxie, but when that group split up in 1988, she decided to form her own blues-rock trio. Coleman cites a wide array of inspirations and influences for her guitar playing and singing. For guitar, she credits Hendrix, Jeff Beck, Buddy Guy, Freddie King, Albert Collins, and Larry Carlton as being inspirational; for singing, she cites Chrissie Hynde (of the Pretenders) and Patti Smith, as well as the recordings of Bessie Smith, Janis Joplin, Memphis Minnie, and Alberta Hunter.

She caught a break in 1993 by entering the National Blues Talent Search of South Carolina's Charleston Blues Festival. Leading her own band, Coleman took first place, and she immediately put together a group entitled the Thrillseekers and continued to tour around the South. She used her contest-winning prize of studio time to secure a deal with New Moon Records of Chapel Hill, North Carolina, and her debut, Takin' a Stand, was released in 1995 on New Moon. She followed it up in 1997 with I Can't Lose, her first release for the Blind Pig label. Her other recordings for Blind Pig include Where Blue Begins and Soft Place to Fall in 1998 and 2000. Her fifth album for Blind Pig, Livin' on Love, was released in 2001, and furthered her reputation as one of the top touring blues women on the scene. Soul Be It, recorded live at the Sierra Nevada Brewery, a venue she chose because of its state-of-the-art performance theater, was released in 2002.

Coleman won an Orville Gibson Award for Best Blues Guitarist in 2001, and by that point in time, her career as a touring act in the U.S., Canada, and Europe was well established, as she also had six W.C. Handy Award nominations, with more to come in the following years. Coleman's more 2000s releases include What About Love? in 2004 for the Cleveland-based Telarc label and Stop the Game in 2007 for JSP Records, a London-based label run by impresario John Stedman. Coleman's skilled guitar stylings and vocals can also be heard on Time Bomb, an album for Ruf Records with Sue Foley and Roxanne Potvin. ~Biography by Richard Skelly

Thanks to DrPeak.
Takin' A Stand