Showing posts with label Leslie West. Show all posts
Showing posts with label Leslie West. Show all posts

Monday, January 4, 2021

Leslie West - Blue Me

Size: 120,7 MB
Time: 51:59
File: MP3 @ 320K/s
Released: 2006
Styles: Electric blues
Art: Full

1. Blues Before Sunrise (4:34)
2. I Woke Up This Morning (4:35)
3. Four Day Creep (3:19)
4. Hit The Road Jack (3:45)
5. Standin' Around Crying (6:38)
6. One Thing On My Mind (3:52)
7. Green River (3:54)
8. Sinner's Prayer (6:31)
9. Woman (4:08)
10. Tore Down (3:30)
11. Summertime (7:09)

Leslie West isn't a particularly innovative guitarist, and his style and approach have barely moved an eyelash since he first broke into the public consciousness with Mountain back in the early '70s, but boy can this guy get tone! West still sings with a gear-shredding roar and his guitar lines sound heavier than plutonium on this set of blues-rockers, and if he doesn't exactly do anything that he hasn't done before, his laser-on-steroids precision as a guitar player is still undeniable and when he gets cranking, it's guaranteed to blow the dust out of the eaves. That said, the most striking tracks here are the ones where he throttles things down just a hair.

The opener, a version of Leroy Carr's classic "Blues Before Sunrise," is huge sounding without letting that overwhelm the song, while West's take on Percy Mayfield's "Hit the Road Jack" (best known in the Ray Charles version) is relatively sleek and elegant. The rendition of the Gershwins' "Summertime" that closes the set is plenty moody, with West's guitar weeping like the proverbial willow tree. He works the distinctive riff of John Fogerty's "Green River" for all it will give, turning this slice of faux swamp rock into a muscular monster ready to eat the whole bayou. These are the high points.

Elsewhere, when the thunder and lightning of West's guitar lines die down, you're left with fairly rote arrangements of songs that seem essentially interchangeable. West's fans will get exactly what they expect with Blue Me, which means that West is doing his job, but there really isn't anything here that wasn't already in the first 20 seconds of "Mississippi Queen" when it hit the airwaves some 30-plus years ago. /Steve Leggett, AllMusic

(For personnel details, see artwork included.)

R.I.P. Leslie West (Oct. 22, 1945 - Dec. 22, 2020)

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Friday, January 1, 2021

Leslie West - Blues To Die For

Size: 128,4 MB
Time: 55:23
File: MP3 @ 320K/s
Released: 2003
Styles: Electric blues
Art: Full

1. Crawlin' Kingsnake (5:08)
2. Boom Boom (4:31)
3. Mean Mistreater (5:47)
4. I'm Ready (4:55)
5. Talk To Your Daughter (3:59)
6. Don't Start Me Talkin' (5:48)
7. Hellhound On My Trail (4:03)
8. Born Under A Bad Sign (3:39)
9. Down By The River (4:16)
10. I Got The Blues (4:35)
11. Why I Sing The Blues (8:36)

Leslie West returns to the Blues Bureau label with "Blues To Die For," a collection of blues standards done in the inimitable West style. Leslie West's rich history in the recording industry includes Mountain's classic rock hit "Mississippi Queen," a plethora of solo and Mountain record releases, Mountain's legendary performance at Woodstock, and recordings with The Who for the "Who's Next" sessions. In addition when Cream broke up vocalist/bassist Jack Bruce joined Leslie and drummer Corky Laing from "Mountain" and formed West, Bruce and Laing with whom he recorded two records.
Leslie's many appearances on Howard Stern's radio shows and his many solo tours and current tours with Mountain have kept Leslie in front of the public eye. "Blues To Die For" contains the kind of guttural vocals and soulful bluesy guitar playing that have established Leslie as one of the greatest talents in the history of rock and roll and delivers the kind of high level performance which West fans have been waiting for.

(For personnel details, see artwork included.)

R.I.P. Leslie West (Oct. 22, 1945 - Dec. 22, 2020)

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Friday, November 29, 2019

VA - Blues Christmas

Size: 107,4 MB
Time: 45:20
File: MP3 @ 320K/s
Released: 2015
Styles: Electric Blues, Blues Rock, Xmas
Art: Front

01 Joe Louis Walker - Christmas Comes But Once A Year (2:44)
02 Larry McCray - Santa Claus Wants Some Lovin' (3:05)
03 Steve Cropper - Let's Make Christmas Merry, Baby (5:08)
04 Popa Chubby - Back Door Santa (2:12)
05 The Paul Nelson Band - Christmas Tears (3:26)
06 Kenny Neal - I'll Be Home For Christmas (3:06)
07 Eric Gales - Little Drummer Boy (2:24)
08 Chris Spedding - Blue Christmas (3:00)
09 Pat Travers - Happy Xmas (War Is Over) (4:03)
10 Leslie West - Silent Night (2:19)
11 Foghat - Run Rudolph Run (2:57)
12 Wolf Mail - I Want To Spend Christmas With You (3:06)
13 Debbie Davies - Boogie Woogie Santa Claus (2:24)
14 James Montgomery Band - Deck The Halls (1:46)
15 Harvey Mandel - Santa Claus Is Coming To Town (3:33)

Blues Christmas

Saturday, October 21, 2017

Various - Shrapnel Records Presents The Best Of Blues Rock

Bitrate: MP3@320K/s
Time: 122:45
Size: 281.0 MB
Styles: Blues rock
Year: 2016
Art: Front

[3:57] 1. Pat Travers - Statesboro Blues
[4:31] 2. Leslie West - Blues Before Sunrise
[3:56] 3. Zakk Wylde - Baby Please Don't Go
[8:29] 4. Indigenous - Don't Know What To Do
[7:55] 5. Schenker & Pattison Summit - Layla
[5:49] 6. Marc Ford - Don't Get Me Killed
[5:35] 7. Leslie West - The Thrill Is Gone
[6:43] 8. Pat Travers - Green Eyed Lady
[7:26] 9. Eric Gales - You Ain't The Boss Of Me
[5:30] 10. Frank Marino - I'll Play The Blues For You
[5:49] 11. Craig Erickson - Out Of Town
[7:33] 12. Eric Gales - Railroaded
[9:49] 13. Stoney Curtis Band - Blues Without You
[6:52] 14. Jon Butcher - Clean-Up Time
[6:20] 15. Craig Erickson - Closing Time
[6:13] 16. Michael Landau - The Darkness
[6:31] 17. Mato Nanji - I Was Wrong To Leave You
[9:19] 18. Chris Duarte Group - Sun Prairie Blues
[4:19] 19. Richie Kotzen - Broken Man Blues

Shrapnel Records Presents The Best Of Blues Rock

Monday, December 26, 2016

Various - Songs From The Better Blues Bureau

Bitrate: MP3@320K/s
Time: 65:51
Size: 150.8 MB
Styles: Rockin blues
Year: 1994
Art: Front

[3:57] 1. Pat Travers - Statesboro Blues
[5:15] 2. Craig Erickson - Overtime
[4:31] 3. Kevin Rissell - Train Conductor
[4:36] 4. Little John Chrisley - Rollin' And Tumblin'
[4:42] 5. Blindside Blues Band - Blues In My Soul
[4:58] 6. Tony Spinner - Angeline
[7:23] 7. Howling Iguanas - Self Control
[5:04] 8. Rick Derringer - Trouble In Paradise
[6:14] 9. Glenn Hughes - What Can I Do For Ya
[5:45] 10. The Outlaws - Macon Blues
[4:05] 11. Leslie West - Crosscut Saw
[4:47] 12. Dave Goodman - Overdrawn On Luck
[4:28] 13. T.J. Parker - Seeds Of Soul

Good overview of the artists that record for the Blues Bureau International label.

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Tuesday, October 4, 2016

Leslie West & Mountain - Live Hits

Size: 132,0 MB
Time: 56:50
File: MP3 @ 320K/s
Released: 2015
Styles: Blues Rock
Art: Front

01. Mississippi Queen (Live) (6:13)
02. Nantucket Sleighride (Live) (5:57)
03. Blood Of The Sun (Live) (3:20)
04. Crossroad (Live) (6:22)
05. You Really Got Me (Live) (7:22)
06. Honky Tonk Woman (Live) (3:12)
07. House Of The Rising Sun (Live) (4:51)
08. We Gotta Get Out Of This Place (Live) (4:38)
09. Theme From An Imaginary Western (Live) (4:39)
10. Stormy Monday (Live) (7:05)
11. Born To Be Wild (Live) (3:05)

Leslie West first gained recognition as the lead guitarist for the Vagrants, a locally popular 1960s Long Island group. One of that group's singles was produced by Felix Pappalardi, a bass player who also produced Cream. After the Vagrants and Cream split up, Pappalardi played bass on and produced West's debut solo album, Mountain (July 1969). Following its release, the two teamed up with drummer Norman Smart (soon replaced by Corky Laing) and keyboard player Steve Knight to form the band Mountain, which cut the albums Climbing! (February 1970; a gold-selling LP featuring the Top 40 single "Mississippi Queen"), Nantucket Sleighride (January 1971; which also went gold), and Flowers of Evil (November 1971). In 1972, Pappalardi left Mountain to return to being a producer. (Posthumous record releases included Mountain Live (The Road Goes on Forever) [April 1972] and The Best of Mountain [February 1973].) West and Laing joined with former Cream bassist Jack Bruce to form West, Bruce & Laing. The trio recorded two studio albums, Why Dontcha (October 1972) and Whatever Turns You On (July 1973). (A live album, Live 'N' Kickin', was released in April 1974.) Bruce quit in the summer of 1973, and West and Laing briefly formed Leslie West's Wild West Show. Then West, Pappalardi, Alan Schwartherg (drums), and Bob Mann (keyboards) re-formed Mountain, recording a double live album, Twin Peaks (February 1974), in Osaka, Japan, in August 1973. This was followed by a Mountain studio album, Avalanche (July 1974), made by West, Pappalardi, Laing, and Knight. Then Mountain split again, and West formed the Leslie West Band, releasing The Great Fatsby (April 1975) (which featured Mick Jagger) and The Leslie West Band (1976) (which featured Mick Jones, later of Foreigner). Bedeviled by substance abuse problems, West retired from music for a time, then cleared up and again re-formed Mountain with Laing and bassist Mark Clarke (Pappalardi had died in 1983) for Go for Your Life (March 1985). The group broke up again, and West made Theme (1988), again teaming with Jack Bruce. West then participated in the Guitar Speaks (1988) and Night of the Guitar (1989) recordings of legendary rock guitarists for IRS Records' Illegal subsidiary. His next solo album was Alligator (August 1989), followed by Dodgin' the Dirt (1994). In 1994, West and Laing teamed with ex-Jimi Hendrix Experience bassist Noel Redding in another edition of Mountain, recording two tracks for the compilation Over the Top (1995). The solo As Phat as It Gets followed in 1999. After an album for Voiceprint, Guitarded, in 2004, West released two blues-inflected albums for Blues Bureau International, 2005's Got Blooze and 2006's Blue Me. West lost a leg due to complications from type 2 diabetes in June of 2011, but it didn't slow him down much. He released Unusual Suspects, which featured guest spots from guitarists Billy Gibbons, Slash, Zakk Wylde, Joe Bonamassa, and Steve Lukather three months later in September. ~by William Ruhlmann

Live Hits

Friday, December 18, 2015

Various - 2 albums: Blues Bureau's Rowdy Roadhouse Blues / Blues Bureau International's Burnin' Blues Shuffles

Blues Bureau International is a guitar oriented, blues, blues guitar and blues rock record label.

Blues Bureau is a member of Mike Varney's Shrapnel Label Group, which also includes Shrapnel Records, another guitar oriented label which features shred guitar, hard rock, metal and progressive metal, and Tone Center Records, a jazz oriented label featuring fusion guitar as well as a number of jazz tributes. The Blues Bureau catalog is a reflection of Mr. Varney's desire to provide a platform for talented young blues guitarists, and to allow established artists to pursue their artistic vision.

Blues Bureau artists include Rick Derringer, Eric Gales, Marc Ford, Chris Duarte, Leslie West and Pat Travers.

Album: Blues Bureau's Rowdy Roadhouse Blues
Bitrate: MP3@320K/s
Time: 49:19
Size: 112.9 MB
Styles: Blues rock
Year: 2010
Art: Front

[4:03] 1. Pat Travers - Party Tonight
[6:00] 2. S.F.Blues Guitar - Roadhouse Stomp
[3:50] 3. Leslie West - Riot In Cell Block #9
[4:02] 4. Jon Butcher - High Heel Shoes
[2:09] 5. Rick Derringer - Red Hot
[5:07] 6. Stoney Curtis Band - That's Right
[3:19] 7. The Chris Duarte Group - Let's Have A Party
[3:15] 8. Pat Travers - Tore Up From The Floor Up
[4:07] 9. Leslie West - Baby Please Don't Go
[4:23] 10. Eric Gales - Someday
[5:51] 11. Rick Derringer - Electra Blues
[3:09] 12. Stoney Curtis Band - World Without You

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Album: Blues Bureau International's Burnin' Blues Shuffles
Bitrate: MP3@320K/s
Time: 55:15
Size: 126.5 MB
Styles: Blues rock
Year: 2009
Art: Front

[3:41] 1. Eric Gales - Wake Up Call
[5:05] 2. Rick Derringer - Trouble In Paradise
[3:58] 3. Pat Travers - Statesboro Blues
[4:31] 4. Leslie West - Blues Before Sunrise
[5:07] 5. Stoney Curtis Band - That's Right
[7:18] 6. The Chris Duarte Group - Hard Mind
[4:05] 7. Eric Gales - I Got Me A Woman
[4:05] 8. Rick Derringer - Let The Good Times Roll
[3:53] 9. Pat Travers - Your Cash Ain't Nothing But Trash
[3:57] 10. Leslie West - Talk To Your Daughter
[5:37] 11. Stoney Curtis Band - Mulholland Shuffle
[3:53] 12. The Chris Duarte Group - Satisfy

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Wednesday, December 16, 2015

Various - Blues Bureau's Slow Jams Vol. 1: Down And Dirty Blues Collection

Bitrate: MP3@320K/s
Time: 69:46
Size: 159.7 MB
Styles: Blues rock
Year: 2009
Art: Front

[6:25] 1. The Chris Duarte Group - Something Wicked
[5:30] 2. Rick Derringer - You've Got To Love Her With A Feeling
[4:16] 3. Leslie West - Third Degree
[7:26] 4. Eric Gales - Freedom From My Demons
[5:47] 5. Pat Travers - Too Much (Is Never Enough)
[9:47] 6. Stoney Curtis Band - Blues Without You
[5:46] 7. Schenker Pattison Summit - Voyager
[4:54] 8. Neal Schon - Blues For Miles
[7:17] 9. Michael Landau - Worried Life Blues
[6:21] 10. Marc Ford - Freedom Fighter
[6:13] 11. Scott Henderson - That Hurts

Not all blues artists use the phrase "low down and dirty" as a badge of honor. There are also the uptown blues artists, who are gritty and soulful but also pride themselves on their jazz-influenced sophistication. Typically, uptown blues artists love jazz (especially soul-jazz); are likely to use a Hammond B-3 organ; and have influences like Jimmy Witherspoon, Joe Williams, Percy Mayfield, and Jimmy Rushing. But in most blues circles, "low down and dirty" remains a big selling point -- and that continues to hold true in everything from acoustic Mississippi country blues to electric Chicago blues to blues-soul. On this compilation, low down and dirty usually means blues-rock. Tough, muscular, ballsy blues-rock dominates Blues Bureau's Low Down and Dirty Blues Collection, Vol. 1: Slow Jams, and there is no shortage of grit on performances by Pat Travers ("Too Much Is Never Enough"), Eric Gales ("Freedom from My Demons"), Stoney Curtis ("Blues Without You"), and Leslie West ("Third Degree"). Any CD with names like Travers, West, and Rick Derringer is bound to have a lot of rock appeal, and this 2009 release maintains a strong rock element even when it detours into more jazz-minded territory on two instrumentals: Neal Schon's "Blues for Miles" (as in Miles Davis) and Scott Henderson's "That Hurts." Henderson and Schon, however, aren't combining blues and jazz in the way that the honkers of the 1940s and 1950s or organ combos of the 1960s combined blues and jazz; "Blues for Miles" and "That Hurts" are straight-up fusion -- and despite being more cerebral than most of the other tracks, they still have plenty of guitar-powered rock bravado and don't detract from the compilation's loud-and-proud aesthetic. Blues Bureau's Low Down and Dirty Blues Collection, Vol. 1: Slow Jams isn't the last word on the label's contributions to blues-rock, but it's still a rewarding and generous sample of what the Blues Bureau catalog has to offer. ~Alex Henderson

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Monday, December 14, 2015

Various - Shrapnel Records Presents The Best Of Modern Blues

Bitrate: MP3@320K/s
Time: 76:00
Size: 174.0 MB
Styles: Blues rock
Year: 2015
Art: Front

[4:52] 1. Chris Duarte & Bluestone Co. - Back In Town
[4:20] 2. Leslie West - Whiskey Train
[5:36] 3. Jay Jesse Johnson - Rollin' And Tumblin'
[5:59] 4. Paul Gilbert - Enemies (In Jail)
[4:35] 5. Blindside Blues Band - Gravy Train
[3:56] 6. Craig Erickson - Back At The Roadhouse
[3:56] 7. Rick Derringer - Pride And Joy
[4:45] 8. Eric Gales - Layin' Down The Blues
[3:09] 9. Stoney Curtis - World Without You
[3:15] 10. Pat Travers - Tore Up From The Floor Up
[7:52] 11. Michael Schenker - Layla
[6:43] 12. Joe Louis Walker - New Direction
[3:32] 13. Neal Schon - Whiskey, Women & Blues
[7:17] 14. Chris Duarte Group - One More Cup Of Coffee
[6:07] 15. Leslie West - Mississippi Queen

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Saturday, December 5, 2015

Leslie West - 2 albums: Collection / Got Blooze

Album: Collection
Bitrate: MP3@320K/s
Time: 56:36
Size: 129.6 MB
Styles: Blues rock
Year: 2007
Art: Front

[4:29] 1. Boom Boom
[5:45] 2. Don't Start Me Talkin'
[4:05] 3. Crosscut Saw
[4:31] 4. Blues Before Sunrise
[3:41] 5. Hit The Road Jack
[3:53] 6. Crossroads
[4:33] 7. House Of The Rising Sun
[4:07] 8. Baby Please Don't Go
[6:28] 9. Sinner's Prayer
[3:30] 10. Look At Little Sister
[4:20] 11. Whiskey Train
[7:08] 12. Summertime

The blues has informed Leslie West's work since the earliest days of Mountain, but Collection, which cherry-picks from his output for the Blues Bureau label (1993-2006), is the most concentrated assemblage yet of the guitarist's covers within the blues idiom. It's easy to imagine West putting plenty of muscle into classics like John Lee Hooker's "Boom Boom," Robert Johnson's "Crossroads," and Muddy Waters' "Baby Please Don't Go," and he does. The latter especially burns, with West unreeling a screaming solo and strangled vocals, ably abetted by drummer Aynsley Dunbar, bassist Tim Bogert, and rhythm guitarist Kevin Curry. But some of the most surprising moments occur where you'd least expect them. The album ends with two songs that couldn't be more opposite in tempo: a rowdy take on Procol Harum's "Whisky Train" and a "Summertime" that puts more soul into the George and Ira Gershwin standard than anyone has since Janis Joplin. And Ray Charles' "Hit the Road Jack," stripped down to a core of West's guitar and Brian Mitchell's piano, and devoid of its familiar jumping rhythm, recasts the song in a mournful mode befitting of its finality. ~Jeff Tamarkin

Collection

Album: Got Blooze
Bitrate: MP3@320K/s
Time: 53:06
Size: 121.6 MB
Styles: Blues rock
Year: 2005
Art: Front

[4:07] 1. Baby Please Don't Go
[4:16] 2. Third Degree
[4:52] 3. Louisiana Blues
[4:48] 4. I Can't Quit You
[3:50] 5. Riot In Cell Block #9
[4:35] 6. House Of The Rising Sun
[3:31] 7. (Look Over) Yonder's Wall
[5:38] 8. The Sky Is Crying
[4:42] 9. Politician
[5:34] 10. The Thrill Is Gone
[3:37] 11. Walk In My Shadow
[3:31] 12. Heartbreak Hotel

Guitar hero Leslie West has issued countless albums over the years, mostly either as a member of Mountain or as a solo artist. But he has never set out to record an album comprised entirely of classic blues rockers. Then 2005's Got Blooze came along. While this sort of thing has been done by countless fellow veteran classic rock acts of late (the best-known of the bunch being Aerosmith's Honkin' on Bobo), it turns out to be custom-made for a player like West. Throughout the 12-track set, West keeps things raw and gritty, as evidenced by such standouts as the extraordinary "Third Degree" and a cover of the oft-overlooked Cream gem, "Politician." West also surrounds himself with a fantastic rhythm section, comprised of Vanilla Fudge's Tim Bogert on bass and session ace Aynsley Dunbar on drums (turns out the pair pulled double duty, as they also backed ex-Ozzy Osbourne guitarist Jake E. Lee on an additional album full of covers, Retraced). While we probably could have done without the umpteenth cover of "Baby Please Don't Go" (AC/DC, Aerosmith, Ted Nugent, and countless others have played it over the years), overall, Got Blooze is a welcome return for West, and easily his strongest, most focused work in quite some time. ~Greg Prato

Got Blooze

Friday, November 20, 2015

Leslie West - Soundcheck

Size: 102,5 MB
Time: 43:44
File: MP3 @ 320K/s
Released: 2015
Styles: Blues Rock
Art: Front

01. Here For The Party (3:56)
02. Left By The Roadside To Die (4:06)
03. Give Me One Reason (4:02)
04. You Are My Sunshine (3:46)
05. Empty Promises/Nothin' Sacred (3:44)
06. A Stern Warning (4:12)
07. People Get Ready (3:04)
08. Going Down (4:13)
09. Stand By Me (2:53)
10. Eleanor Rigby (1:33)
11. Spoonful (8:11)

Soundcheck is the sixteenth solo album by legendary rock guitarist Leslie West. It follows 2011’s critically acclaimed Unusual Suspects, which featured contributions from such accomplished guitarists and close friends as Billy Gibbons, Slash, Zakk Wylde, Steve Lukather and Joe Bonamassa, and 2013’s Still Climbing, which included blistering duets with the late, great Johnny Winter, Jonny Lang and Mark Tremonti.

For this new release, Leslie lays down some of his most inspired musical magic to date with the assistance of true rock royalty: the renown British guitarists Peter Frampton and Brian May, ex-Jeff Beck keyboard virtuoso Max Middleton, vocalist extraordinaire Bonnie Bramlett and the late great Cream bassist and longtime friend of Leslie’s, Jack Bruce. Back in 1972, Leslie made musical history with Jack when they joined forces to form the super group West, Bruce and Laing. Soundcheck is co-produced and engineered by West’s collaborator Mike “Metal” Goldberg, who he shared, “helped me get my sound down on ‘Tape’ as they used to say, and did an amazing job as he always does.”

Leslie West (born Leslie Weinstein, October 22, 1945) first gained worldwide recognition in 1969 as the guitarist and singer in the groundbreaking rock band Mountain. West’s wholly unique sound, distinguished by beautifully melodic phrasing, his slow, wide vibrato, and a crushing guitar tone set the standard in the late sixties and early seventies for blues/rock guitar playing of the highest order. Along with the hugely influential Top Ten hit “Mississippi Queen,” Leslie’s brilliant guitar work serves as the driving force behind the Mountain classics, “Nantucket Sleighride,” “Never In My Life,” “Don’t Look Around,” “Blood of the Sun,” “Dreams of Milk and Honey,” and the incredible Jack Bruce composition, “Theme For an Imaginary Western.”

That one-of-a-kind signature guitar sound propels Soundcheck throughout, evidenced by such powerful tracks as, “Left By The Roadside to Die,” “Here For the Party,” “Empty Promises–Nothing Sacred,” “Going Down,” “Spoonful,” “A Stern Warning” and five other stellar songs. “I wanted to surprise myself with this record,” Leslie discloses. “On that very first track, ‘Left By The Roadside to Die,’ I initially played the synthesizer part on the guitar, but I thought it would be really cool to start the record with a sound other than the guitar. I decided to have my keyboard player David Biglin come in and re-do it with the synth. That synth part provides a great groove, which enables me to first come in with the acoustic guitar and then bring in the heavier electric guitars right at the second verse. Another twist is that I add some acoustic slide guitar on the track, with the guitar in a really unusual open D tuning. All of the strings are tuned to either a D or an A note-no thirds in any of the chords.” For the solo, Leslie lays down a blistering slide guitar solo that burns with the power and precision that has earned him the respect and admiration of multiple generations of guitar players.

Closing out his new album “Soundcheck”, is a treasure for all longtime fans of Leslie West: a live version of Willie Dixon’s, “Spoonful,” recorded with Jack Bruce on bass and vocals and Joe Franco on drums, played in the classic Cream style as captured on 1968’s Wheels of Fire. “Back in 1988, I recorded an album called, Theme, which featured Jack on bass. We recorded at Millbrook in upstate New York, and the owner of The Chance in Poughkeepsie called and asked if we wanted to come over and do a set there, with no advertising, no nothing. Jack was into it, and the engineer at Millbrook, Paul Orofino, came with us and recorded the gig with a small portable stereo machine. “After hearing of Jack’s passing, we edited it down from its original length and decided it would be great to include on the record. As you can hear, I was trying to reincarnate myself into Eric Clapton! The first time I listened to Jack’s voice and the tone of his bass on the recording, I had tears in my eyes. I loved Jack so much.”

Leslie is looking to close out 2015 and kick off 2016 with major touring in the states and in Europe, performing a combination of his time-honored classics plus the material from Soundcheck. “I’m so happy with the sound of this new record,” Leslie affirms. “The guitar sound we captured is fantastic, and my voice is feeling better than ever.”

Soundcheck

Saturday, September 19, 2015

Various - Black On Blues: A Tribute To The Black Keys

Bitrate: MP3@320K/s
Time: 49:48
Size: 114.0 MB
Styles: Album rock, Blues rock
Year: 2012
Art: Front

[3:08] 1. Ginger Baker, Iggy Pop - Lonely Boy
[4:11] 2. Walter Trout - Tighten Up
[3:10] 3. Oli Brown Band - Next Girl
[3:01] 4. Dave Davies, Huw Lloyd-Langton - Money Maker
[3:31] 5. Mike Zito, Cyrille Neville - Girl Is On My Mind
[4:08] 6. Albert Lee - Howlin' For You
[4:16] 7. Devon Allman - Little Black Submarines
[3:31] 8. Pat Travers - Everlasting Light
[3:44] 9. Tab Benoit - Gold On The Ceiling
[3:58] 10. Leslie West - I Got Mine
[3:22] 11. Larry McCray - Chop And Change
[2:26] 12. Doug Kershaw - I'll Be Your Man
[3:45] 13. Jackie Lomax - Dead And Gone
[3:29] 14. Papa Mali - When The Lights Go Out

Over the years, Cleopatra has made it something of a specialty of theirs to release tribute albums to popular artists, but 2012's Black on Blues: A Tribute to the Black Keys feels a little different than its predecessors -- not as rushed, almost bordering on the carefully considered. Of course, that impression may just be a reflection of the presence of the Iggy Pop and Ginger Baker duet on "Lonely Boy," a collaboration that pays back some dividends as the melody is perfectly suited for Iggy and Ginger swings with nonchalant assurance. It is the performance that's least concerned with the blues but it's not the only noteworthy performance, odd pairing, or comeback, either: Dave Davies teams up with Huw Lloyd-Langton for "Money Maker" and Jackie Lomax comes out for "Dead and Gone." Almost everybody involved sticks to songs from Brothers and El Camino, stripping away whatever interesting sonic flourishes the Keys or Danger Mouse laid upon the originals, concentrating on the bluesy core. Naturally, there is a lot more guitar here than on the Black Keys versions -- and the guitar tends not to be the kind of fuzz explosions Dan Auerbach favors; instead, it's a lot of cleanly articulated Stratocaster picking and overdriven tube amps -- and although it paints the Black Keys as a little more traditional than they actually are, it's generally agreeable stuff apart from the occasional gut-busting vocal (see Pat Travers' exaggerated "Everlasting Light"). And that may not be the same thing as necessary or interesting, but Black on Blues is something that most Cleopatra comps of this nature are not: it's enjoyable. ~Stephen Thomas Erlewine

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