Showing posts with label Memphis Gold. Show all posts
Showing posts with label Memphis Gold. Show all posts

Friday, July 3, 2015

Memphis Gold - 2 albums: Gator Gon' Bitechu/Pickin' In High Cotton

Album: Gator Gon' Bitechu
Year: 2009
Bitrate: MP3@320K/s
Time: 53:30
Size: 124,7 MB
Styles: Blues
Scans: Full

1. I Shoulda Known (4:01)
2. Catfish Creeper (4:33)
3. Do You Still Want Me? (5:15)
4. Gator Gon' Bitechu! (4:11)
5. My Two Kcandys (2:41)
6. Can't Get Enough (4:59)
7. In My Next Life (3:43)
8. Louise Fannie Mae Brown (4:47)
9. How I Got Over (4:40)
10. I Was Born In Memphis (3:17)
11. Squeaky Wheel (4:03)
12. Lil' Lucy (7:13)

Memphis Gold returns with another fresh set of originals, blending the traditional influences from his Memphis background (including the Rev. Robert Wilkins and the Fieldstones) with contemporary blues and soul. Joining him are a host of musicians from the Washington, D.C. blues scene, including Jay Summerour on harmonica, Clarence 'Bluesman' Turner on bass, Pete Ragusa on drums, and Robert Lighthouse on slide guitar. Memphis Gold, whose real name is Chester Chandler, was a tree trimmer by day and blues guitarist by night, but suffered severe injuries in a fall from a tree in 2008. He never lost his positive attitude, however, and has not only continued to perform but has generated new publicity and support from Gibson Guitars and Living Blues Magazine, among others. He has graced the cover of European blues journals and appears on the cover of Living Blues (issue #199) in the U.S. /Amazon

Gator Gon' Bitechu mc
Gator Gon' Bitechu zippy

Album: Pickin' In High Cotton
Year: 2011
Bitrate: MP3@320K/s
Time: 48:54
Size: 114,4 MB
Styles: Blues
Scans: Full

1. How You Gonna Play The Blues (5:44)
2. Biscuit Boogie (3:35)
3. Don't Take My Blues Away (4:48)
4. Pickin' In High Cotton (4:25)
5. Back Po'ch Tennessee (4:45)
6. Homeless Blues (5:04)
7. Mississippi Flatlands (2:08)
8. John Brown (4:02)
9. Ice Cream Man (4:03)
10. Plow My Mule (3:58)
11. Standin' By The Highway (6:18)

Memphis Gold honors his African American roots and continues the blues tradition. he has not let recent injuries get in the way of progress, and has shown an undying will to spring back from difficult circumstances. On "Pickin In High Cotton", Memphis reflects back on his early boyhood memory of blues artists playing good ole' fashioned, traditional blues music. He has played with such artists as Big Lucky carter, Jessie Mae Hemphill, Evelyn Young, David Evans, Uncle Ben, Leroy Martin, R.L. Burnside, Junior Kimbrough , Earl "The Pearl" Banks and many other Memphis and Mississippi artists of the time. Chandler's Memphis roots also run deep to Reverend Robert "Tim" Wilkins and his father John R. Chandler and years of playing in the legendary Memphis deep blues bands like the Fieldstones and the J.J. Blues Band. Today Chandler resides in Arlington, Virginia and is recovering nicely.

The blues world continues to discover and love the music of Memphis Gold. Living Blues Magazine, the oldest authoritative Blues Magazine in America placed him on the cover of their February/March 2009 edition, and Gibson Guitars recognized Memphis Gold by awarding him with a custom guitar and endorsement. He was thrilled to perform at the Red, White and Blue Ball, the Official Military Inaugural Ball in January 2009. His music can be found on BB King’s Bluesville on XM Radio, Comcast Music on Demand, and radio stations throughout the world.

Pickin' In High Cotton mc
Pickin' In High Cotton zippy

Sunday, October 27, 2013

Memphis Gold - The Prodigal Son

Size: 140,1 MB
Time: 60:39
File: MP3 @ 320K/s
Released: 2004
Styles: Modern Electric Blues, Funky Blues
Art: Front

01. Come Wit Me (5:32)
02. Don't Let Her Ride (3:13)
03. Crabcakes (4:09)
04. Big Leg Woman (6:22)
05. Prodigal Son (4:18)
06. Chicken It (3:40)
07. 3's Tonic (6:26)
08. Preacher Blues (4:08)
09. Test Drive That Woman (3:59)
10. Serves Me Right (9:40)
11. Melt Down Baby (3:51)
12. Bedroom Mumba (5:16)

It was grafying seeing Memphis Gold at this past summer`s Pocono blues Festival. having seen Chester Chandler perform at long gone venues like Smokehouse blue, as well as his band with Charlie sayles with their regular gigs at J Vs and being regulars when Whitlows on Wilson first opened, one has to admire how he and his band has matured. At the time of the festival he gave me an advance copy of his self-produced cd, The Prodigal Son, which is being released imminently. Comprised mostly of originals it includes his regular band with guest appearance by Phil Wiggins on harp and Pete Ragusa on Drums a track or two, and several tracks of the late Willie Hicks on them. Anyone who has seen Memphis Knows how much soul he brings to his performances and his Memphis influences go beyond the late Reverend Robert Wilkins and other influences of his youth. Certainly, the stax sounds underlies some of his songs like his evocation of Don`t make your move to soon on the opening Come Wit Me, with its funky tempo and groove. Its not surprising to see folks filing to the floor and when he takes his guitar solo on this, It does not slow things up one bit . They avoid hurrying the tempo too much on the shuffle, Don`t Let Her Ride , which I believe was previously recorded by James Peterson, and has a nice piano solo and raw acoustic before Memphis Gold takes the tune out. After the hot racetrak groove on Crabcakes, the tempo slows down for Big Leg Woman with more fluid fretwork. The title track, Prodigal Son , is not the song by his mentor, Rev Robert Wilkins, but has a similar theme about a wondering blues man heading home set against the melody of the classic 44 Blues . Then there is a instrumental Chicken It , with a riff that suggest Howlin Wolf`s Killing Floor ( and some nice harp), Preacher Blues , where he talks about bringing his shotgun to church with a driving solos, and the humorous bit of double entendre on Test Drive That Woman and the longest track, Serves Me Right, is a terrific slow blues as pleads to his lady that he wants to come back home. I had not listen to this in a couple months, but hearing it again I was struck how good this is. I should point out that I am among those who are thanked in the credits (reflecting my long friendship with Mr. Chester Chandler), I am just so gratified to have a friend produce the best local electric blues cd since Bobby Parker`s two disc for Black Top. It is that good . I am sure you will be hearing this WPFW and you should check out. ~Review by Ron Weinstock D.C. Blues Society

Thanks to Marc.
The Prodigal Son