Size: 125,4 MB
Time: 54:18
File: MP3 @ 320K/s
Released: 2024
Styles: Blues, piano blues, jump blues
Art: Front
1. Jukebox Drive (3:49)
2. Long, Lean, And Lanky (3:09)
3. Broke (3:53)
4. Boogie Woogie Bar-B-Que (3:29)
5. Cryin' For My Baby (5:42)
6. Shakin' The Shack (3:58)
7. Amber Lee (4:32)
8. Mr. Boogie's Back In Town (3:09)
9. Jump For Joy (5:30)
10. Hattie Green (4:58)
11. Queen Bee (4:38)
12. Mojo Mambo (3:51)
13. Solid Gold Cadillac (3:33)
Mitch Woods and His Rocket 88s have been the torchbearers of a great American blues musical heritage for three decades. Taking their inspiration from the great jump n' boogie outfits of the late 40s and early 50s, they breathe fresh life into the music that gave birth to rock n' roll. Woods styled his group after the jumpin' n' jivin', shoutin' n' honkin', pumpin' n' poundin' bands of Louis Jordan, Wynonie Harris and more. Adding a healthy dose of New Orleans rhythm and blues, pile drivin' piano, and some of his own playful lyrics, Woods and His Rocket 88s forge their own brand of music they call rock-a-boogie. Born in Brooklyn in 1951, Woods began playing classical piano at eleven, and was putting together bands in Greenwich Village by his mid-teens.
He moved to San Francisco in 1970, and for the next five years performed as Mitch Woods and His Red Hot Mama (with singer Gracie Glassman). His next project, Mitch Woods and His Rocket 88s, started in 1980. Their first album, Steady Date (Blind Pig Records, 1984) got hot reviews and led to some prominent appearances. By 1987, Woods was doing a six-country European tour. In 2006, after spending more than twenty five years soaking up the New Orleans sound and performing with many of the Crescent City's musical elite, Woods realized his dream of recording with the founding fathers of New Orleans R&B. He received his first Blues Music Award nomination for Pinetop Perkins Piano Player of the Year in 2007.
Happy Hour, Woods' fourteenth album, is a collection of his most popular original tunes, recorded at the legendary Greaseland Studios in San Jose, CA. At the helm was musical genius Christoffer "Kid" Andersen, who also joined on guitar, as the music emerged in a new light with fresh arrangements, capturing the joy that live music brings.
Personnel: Mitch Woods (piano, vocals); Kid Andersen (guitar); Larry Vann (drums); Dave Somers (saxophone); Kedar Roy (bass).
He moved to San Francisco in 1970, and for the next five years performed as Mitch Woods and His Red Hot Mama (with singer Gracie Glassman). His next project, Mitch Woods and His Rocket 88s, started in 1980. Their first album, Steady Date (Blind Pig Records, 1984) got hot reviews and led to some prominent appearances. By 1987, Woods was doing a six-country European tour. In 2006, after spending more than twenty five years soaking up the New Orleans sound and performing with many of the Crescent City's musical elite, Woods realized his dream of recording with the founding fathers of New Orleans R&B. He received his first Blues Music Award nomination for Pinetop Perkins Piano Player of the Year in 2007.
Happy Hour, Woods' fourteenth album, is a collection of his most popular original tunes, recorded at the legendary Greaseland Studios in San Jose, CA. At the helm was musical genius Christoffer "Kid" Andersen, who also joined on guitar, as the music emerged in a new light with fresh arrangements, capturing the joy that live music brings.
Personnel: Mitch Woods (piano, vocals); Kid Andersen (guitar); Larry Vann (drums); Dave Somers (saxophone); Kedar Roy (bass).
Happy Hour mc
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