Showing posts with label Baby Tate. Show all posts
Showing posts with label Baby Tate. Show all posts

Wednesday, October 29, 2025

Baby Tate - The Blues of Baby Tate: See What You Done Done

Size: 140 MB
Time: 33:43
File: Flac
Released: 1963
Styles: Blues
Art: Front,tray, inside1, inside2

1. See What You Don Done (3:03)
2. Dupree Blues (4:03)
3. What Have I Done to You (2:41)
4. Baby, I’m Going (3:05)
5. Hey Mama, Hey Pretty Girl (2:16)
6. When Your Woman Don’t Want You Around (2:40)
7. My Baby Don’t Treat Me Kind (2:48)
8. Trucking Them Blues Away (2:07)
9. Baby, You Just Don’t Know (3:17)
10. Lonesome Over There (2:21)
11. Thousand Woman Blues (2:40)
12. I Ain’t Got No Loving Baby Now (2:36)

Charles Henry Tate, known as Baby Tate (January 28, 1916 – August 17, 1972) was an American Piedmont blues guitarist, who in a sporadic career spanning five decades worked with the guitarists Blind Boy Fuller and Pink Anderson and the harmonica player Peg Leg Sam. His playing style was influenced by Blind Blake, Buddy Moss, Blind Boy Fuller, Josh White, Willie Walker, and to some extent Lightnin' Hopkins.

See What You Done Done FLAC

Saturday, September 27, 2014

Various - The Blues: Music From The Documentary Film By Samuel Charters

Bitrate: 320K/s
Time: 35:25
Size: 81.1 MB
Styles: Acoustic blues
Year: 1967
Art: Front

[2:43] 1. Willie Borum - Alone In The Evening Hours
[4:55] 2. J.D. Short - Slidin' Delta
[2:29] 3. Pink Anderson - Old Cotton Fields Of Home
[3:29] 4. Furry Lewis - John Henry
[3:26] 5. Baby Tate - Bad Blues
[2:46] 6. Willie Borum - Sitting Here Thinking
[4:17] 7. Sleepy John Estes - Lonesome Ground
[3:04] 8. Baby Tate - If I Could Holler Like A Mountain Jack
[3:22] 9. Baby Tate - When I First Started Hoboing
[4:50] 10. Pink Anderson - Weeping Willow Blues

While recording in the South in the early 1960s, producer, writer, and music historian Samuel Charters was inspired not only by the sound of Furry Lewis’s guitar, but by the patterns of movement in his hands and fingers as he played. Thus Charters decided to make a film that would document aspects of the blues that couldn’t be put on a phonograph record. In the sweltering summer of 1962, Charters journeyed through St. Louis, Memphis, Louisiana, and South Carolina to shoot the film The Blues and record this soundtrack. Artists featured in addition to Lewis are J.D. Short, Baby Tate, and Sleepy John Estes. Liner notes include details of the making of the film and biographies of the artists.

The Blues: Music From The Documentary Film By Samuel Charters mc
The Blues: Music From The Documentary Film By Samuel Charters zippy