Showing posts with label C.C. Adcock. Show all posts
Showing posts with label C.C. Adcock. Show all posts

Wednesday, January 6, 2016

Various - Young Guitar Slingers: Texas Blues Evolution

Bitrate: MP3@320K/s
Time: 47:12
Size: 108.1 MB
Styles: Texas blues
Year: 2001
Art: Front

[3:59] 1. George Devore - Come On In My Kitchen
[3:08] 2. Teddy Morgan - Secret Weapon
[4:57] 3. Monte Montgomery - Soul Of A Man
[3:36] 4. Guy Forsyth - God Moves On The Water
[3:28] 5. C.C. Adcock - Castin' My Spell
[3:28] 6. Jesse Dayton - Gimme Back Wig
[3:36] 7. Wilson, Jonas - Kind Hearted Woman
[6:02] 8. Tracy Conover - Help Me Through The Day
[5:38] 9. Jud Newcomb - Midnight Hour Blues
[3:42] 10. Carolyn Wonderland - Ain't Nobody's Business
[5:32] 11. Matt Powell - Running Shoes

For a peek at the latest crop of Texas young guns making the rounds with their Stratocasters, Young Guitar Slingers -- Texas Blues Evolution is a fine place to start..." ~Jay Trachtenberg

Young Guitar Slingers: Texas Blues Evolution mc
Young Guitar Slingers: Texas Blues Evolution zippy

Friday, November 28, 2014

The Lil' Band O' Gold - The Promised Land

Bitrate: 320K/s
Time: 52:37
Size: 120.5 MB
Styles: Cajun, Roadhouse blues
Year: 2011
Art: Front

[3:48] 1. Spoonbread
[4:35] 2. I Don't Wanna Know
[2:22] 3. Teardrops
[3:40] 4. Ain't No Child No More
[5:20] 5. Dreamer
[3:29] 6. Sunshine
[3:38] 7. Runaway's Life
[4:36] 8. Faster & Faster
[3:17] 9. Hold On Tight
[3:17] 10. Hard Enough
[3:44] 11. Memories
[3:34] 12. Evangeline Rock
[4:14] 13. The Last Hayride
[2:57] 14. So Long

Lil' Band O' Gold resurrected swamp pop tradition while putting its own stamp on the rock music coming out of Southwest Louisiana. The nine-piece supergroup, consisting of singer/guitarist C.C. Adcock, singer/accordionist Steve Riley, singer/pianist David Egan, saxists Dickie Landry, David Greely, and Pat Breaux, bassist Dave Ronson, pedal-steel guitarist Richard Comeaux, and legendary drummer Warren Storm, rarely performed outside its home base in Lafayette, LA, because of its members' commitments to other bands. However, appearances at Midsummer Nights Swing at Lincoln Center Plaza in New York City in 2000 and concerts at the Crawfish Festival in Stanhope, NJ, and at Swamp Stomp at Wolf Trap in Virginia in 2001 exposed the group to an audience outside its home state of Louisiana.

Adcock co-founded the band with Riley in 1998 during Monday night jams at the Swampwater Saloon in Lafayette, LA. The two friends dreamed up the idea for the group during a late-night meal of pork chop sandwiches at the famous Maison Creole restaurant in Lafayette. Both wanted to revisit the honky tonk sounds of their swamp pop heroes from the '50s, '60s, and '70s. Legendary drummer Warren Storm, who had performed with Slim Harpo, Lazy Lester, and Lightnin' Slim in the '50s, became the centerpiece and drawing card for the rest of the group. Storm was known in the region for his string of solo hits and for his session work with Dale & Grace, Freddy Fender, and John Fogerty. With Storm on board, there was no problem for Adcock and Riley to attract other notable musicians to the group. Before joining Lil' Band O' Gold, Adcock performed as a solo musician and released a self-titled CD on Island Records in addition to producing and performing with Steve Riley and the Mamou Playboys, which included David Greely. Warren Storm continued to play at the Four Seasons Lodge in rural Louisiana. Dickie Landry, who had performed with Talking Heads, Laurie Anderson, and Philip Glass, returned to his parish roots in the group. David Egan, who doubled as one of the group's songwriters, continued to perform in File. Percy Sledge, Joe Cocker, and Irma Thomas have covered his songs. Dave Ranson continued to play with slide guitarists Sonny Landreth and John Hiatt. Pat Breaux, who had recorded with Storm and who continued to perform in Beausoleil, saw the group as a throwback to his years as an R&B player. Pedal-steel guitarist Richard Comeaux, who was also a member of River Road, an Acadian-based country act, brought another spirit to the group.

Lil' Band O' Gold recasted traditional Cajun rockers into roadhouse boogie with the help of a dynamite rhythm section and the St. Martin's Horns on its 2000 self-titled debut CD on Shanachie Records. The band revved up "Parlez Nous a Boire (Let's Talk About Drinkin')," written by Cajun pioneer Dewey Balfa, after revisiting "Shirley," originally done by John Fred & the Playboys. Its version of "7 Letters," which was a hit for Warren Storm in the '50s, showed a slow balladic side of the group. Rockabilly from the '40s and '50s got the call on the band's remake of Moon Mulligan's "7 Nights to Rock." "Allons Rock 'N Roll," a Cajun rocker made famous by Lawrence Walker, who pioneered the cross-pollination of rhythm & blues and swing with Cajun music, epitomized the band's efforts to embrace all kinds of music from its heritage. ~Robert Hicks

The Promised Land mc
The Promised Land zippy

Thursday, November 20, 2014

C.C. Adcock - 2 albums: House Rocker / Lafayette Marquis

Being raised in southwest Louisiana with zydeco bursting out of every juke joint has given C.C. Adcock a different take on standard four-bar blues. The Lafayette-raised Adcock, a guitarist, singer, and songwriter, doesn't play straight-ahead blues; his music is heavily laden with unconventional blues-rock melodies and zydeco rhythms. The many thousands of miles he has logged touring with the likes of Bo Diddley and Stanley Dural (better known as Buckwheat Zydeco) show through in his playing, which is fiery, intense, and most of all, danceable.

Charles Clinton Adcock spent his teen years supporting musicians like Dural, Diddley, and Bobby Charles, touring with them when he could. His demo tapes with British producer Tarka Cordell caught the ears of some executives at Island Records, and he was signed to a deal. Adcock recorded most of his debut album in his native Lafayette and in studios in Los Angeles, featuring local musicians like Tommy McLain and Warren Storm. On his self-titled major-label debut for Island Records, a 1994 album, Adcock fuses a smorgasbord of styles, including Louisiana blues, zydeco, Cajun, and classic R&B into a musical gumbo that is uniquely his own. He puts his own musical stamp on songs by Art Neville ("Fool to Care"), Arthur Alexander ("Sally Sue Brown"), and Gene Terry ("Cindy Lou"). Six years after his first album, Adcock resurfaced with a reissue of his debut, but this time around called it House Rocker. Four years later, he released Lafayette Marquis on Yep Roc. ~bio by Richard Skelly

Album: House Rocker
Bitrate: 320K/s
Time: 34:52
Size: 79.9 MB
Styles: Louisiana blues
Year: 1994
Art: Front

[4:19] 1. Couchemar
[2:15] 2. Beaux's Romance
[4:57] 3. What I Like (Womens)
[2:25] 4. Sally Sue Brown
[2:19] 5. Cindy-Lou
[3:56] 6. Kissin' Kousins
[3:00] 7. Fool To Care
[2:01] 8. Good Lovin'
[3:56] 9. Do Right Lil' Lady
[5:39] 10. Done Most Everything

House Rocker mc
House Rocker zippy

Album: Lafayette Marquis
Bitrate: 320K/s
Time: 45:59
Size: 105.3 MB
Styles: Louisiana blues
Year: 2004
Art: Front

[ 3:44] 1. Y'all'd Think She'd Be Good 2 Me
[ 4:11] 2. Stealin' All Day
[ 4:23] 3. All 4 The Betta
[ 4:53] 4. Blaksnak Bite
[ 2:53] 5. Runaway Life
[ 2:48] 6. Loaded Gun
[ 4:33] 7. Love N' Gold
[ 5:10] 8. Slangshotz N'boom-R-Angz
[ 2:55] 9. I Love You
[10:25] 10. Between The Lies 3

Lafayette Marquis mc
Lafayette Marquis zippy