Showing posts with label Marcus Malone. Show all posts
Showing posts with label Marcus Malone. Show all posts

Wednesday, October 30, 2024

Marcus Malone & The Motor City Hustlers - Interstate 75

Album: Interstate 75
Size: 91,6 MB
Time: 39:33
File: MP3 @ 320K/s
Released: 2023
Styles: Soul/Funk/R&B mix
Art: Front

1. Ain't No Telling (4:23)
2. Can't Make It (3:50)
3. Can't Take The Fight (3:53)
4. Good Lovin' Angel (3:32)
5. Hurt Walks Out The Door (4:20)
6. If You See My Baby (3:16)
7. Interstate 75 (3:33)
8. Never Gonna Leave You (5:04)
9. Other Side Of The River (3:48)
10. Temparature Rising (3:49)

Detroit music legend, Marcus Malone and Dan Smith of The Noisettes reveal their awesome new collaborative long player "Interstate 75", loaded with 60's style rhythm and blues, old school soul and back to the future funk. Across the album there's 10 incredible songs loaded with finger snapping beats, hip swaying grooves, infectious brass and raw, soul-drenched vocals, all written and performed with the highest level of musicianship.

From the empowering opening track, "Ain't No Telling" to the groovilicious album title "Interstate 75", and the irresistibly funky "Other Side Of The River", this stunning set of work joins the musical dots between 60's Stax, Motown and Cadet, along with early 70’s funk of Sly and The Family Stone and Eugene McDaniels, creating an instantaneous authentic classic vibe.

Interstate 75 mc
Interstate 75 gofile

Sunday, April 16, 2017

Marcus Malone - A Better Man

Size: 111,8 MB
Time: 47:57
File: MP3 @ 320K/s
Released: 2017
Styles: Blues Rock
Art: Front

01. House Of Blues (4:17)
02. Better Man (5:05)
03. Too Long Gone (4:06)
04. Just Another Heartache (3:09)
05. Feelin' Bad Blues (3:09)
06. Philomene (3:40)
07. Complications (3:39)
08. The Only One (4:13)
09. Stand Up (Love Of Life) (3:33)
10. In Your Arms (4:40)
11. Cant Go Back (4:04)
12. Shine Your Light (4:17)

Produced by Marcus and engineered by the late and much-missed Roger Cotton, this record is the latest from the Detroit-born blues-rock vocalist, his first since Stand Or Fall. My memory bank recalls that he was one of the many stars who performed at a benefit show where we all turned up and coughed up to help with Walter Trout’s medical costs when he needed a transplant….

House Of Blues hits the listener with a deep bass sound, pattering drums, gritty guitar and cool vocal. Descending Hammond chords and that distinctive Alan Glen harp. Malone has such authority in his voice, riding the musical backdrop. Sean Nolan takes a fluid solo on the guitar ; Better Man, the album title cut has startlingly good lyrics as written on the album cover, blues poetry. The song has a deliberate heavy and grimy vibe. This is as well as I have heard this man sing. William Burke is on guitar here and the number sounds like a Whitesnake ambience. Especially when they all sing along…

Too Long Gone has a tough boogie intro and sharp slide guitar ; Just Another Heartache has a great classic rock-blues intro and a touch of Whitesnake again in the phrasing. Very catchy number ; Feelin’ Bad Blues is an acoustic stomp with Glen’s harp cutting in here and there. It works.

Philomene goes Johnny Kidd on tempo and is a lively tune, headed for the next setlist, I imagine ; Complications features our old pal Robin Bibi on guitar and rolling piano with Alan’s harp blazing away. The chord construction is a tad unusual and the electric slide interjections sound cool ; The Only One has a fabulous intro and Eastern twist in the guitar as Malone sings strongly over the Petty-style composition. No, make that Cheap Trick ! Thick chorus and insistent beat..what a winner!

Stand Up is yet another quality song, well-constructed and propulsive and a terrific vocal performance ; In Your Arms grips the listener from the off, every song is in the perfect key..some thought has gone into this. Can’t Go Back sounds like Blue Oyster Cult as it commences then the throaty voice cuts in. Shine Your Light is a midnight bluesy workout and another high quality composition.

It must be said that the heavy shadow of well-sung blues-rock of Whitesnake over this record but that’s no crime and Malone emerges as an excellent writer and singer keeping first-class musical company. He’s good and this is his best album yet, we salute ya, Marcus! ~by Pete Sargeant

A Better Man

Saturday, June 7, 2014

Marcus Malone - Stand Or Fall

Size: 132,9 MB
Time: 57:34
File: MP3 @ 320K/s
Released: 2014
Styles: Blues Rock
Art: Front

01. Living The Blues (4:50)
02. Stand Or Fall (5:18)
03. Aint No Tellin (4:09)
04. Gonna Take Time (4:08)
05. Detroit City Blues (4:23)
06. Slow Down (3:55)
07. Jealous Kind (5:01)
08. One Woman Man (4:34)
09. Can't Stop (4:25)
10. Under Pressure (6:00)
11. Living The Blues (4:50)
12. Gonna Take Time (Extended) (5:54)

‘Stand Or Fall’ might easily have used the opening cut ‘Living The Blues’ as its title. For while his last album ‘Let The Sunshine In’ was a noticeably more song driven effort, ‘Stand Or Fall’ finds Marcus Malone putting all his eggs into a blues-rock basket, subtly washed over with gospel harmonies.

‘Stand Or Fall’ sounds like the kind of project Paul Rogers might have explored outside of his current passion for Memphis soul, but after a 15 year solo career Marcus deserves to be appraised on his own terms.

Buoyed by several European headline festival appearances, he’s returned to a bluesman persona that naturally houses a lived in voice and guitar talent honed in his native Detroit, crafted on the West Coast and given a meaningful context in Europe.

With his soulful phrasing, a penchant for mixed metaphors and a sharp eye for a well crafted arrangements, Marcus sets out his stall on the harmony drenched ‘Living The Blues’. It’s a punchy opener that is given a sense of urgency by a mid-number tempo change.

He’s surrounded himself with an intuitive set of players including guitarists Stuart Dixon, Bill Burke, Sean Nolan, with Julian Burdock on slide, and Moz Gamble on keys. There’s also some fine gospel bv’s from Eno William-Uffort, Chantelle Duncan-Heath and Dani Wilde, especially on the resonant title track hook, which has echoes of Traffic’s’ Medicated Goo’, but derives its gravitas from the interlocked lead vocal and bv’s.

It’s a song with crossover potential that is effectively a template for an album built on deep soul, smouldering grooves and fierce guitar work, even if Marcus does occasionally revert to some old school macho lyrics on ‘Ain’t No Tellin’ and the superb slow blues ‘Jealous Kind’.

The outstanding ‘It’s Gonna Take Time’ is given two separate arrangements, probably because it’s a sparkling ballad with a sweeping gospel infused, radio friendly chorus. In sharp contrast, Marcus’s rocking intentions are most fully realized on the stop-time, riff driven ‘One Woman Man’ and the infectious ‘Can’t Stop Lovin’ You’, which features a fiery Sean Nolan solo.

The album shifts from relationship and love songs to the autobiographical ‘Detroit City Blues’ which showcases his best lyrics. They say the best songs are always written about what you know and ‘Detroit City Blues’ has all the cultural and personal references to make it a great song, especially on the opening verse: ‘Standing on the corner down on Woodward Avenue, man we used to go to the Fox, where everybody played the blues. But now it’s just a memory burning in my mind. The music done gone and died the day Berry (Gordy Jr.) left this town’. As Stuart Dixon glides from a harmony guitar break to a scorching solo over a funky groove, it simply remains for Marcus to add his trademark vocal, job done!

Marcus leans into the shuffle ‘Slow Down’, while dishing out fatherly advice over the perfect rhythm section of Winston Blissett on bass and Chris Nugent on drums as Will Wilde’s deep blues harp and Roger Cotton’s piano fills add layered feel: ‘Now son, I know you ain’t listening to a word I say, so go on out there and make your own mistakes, you change your women like you change your clothes, you got to slow down’.

‘Under Pressure’ is a example of the way Marcus’s writing shifts from one genre into another. It starts out with a Bad Company style, tough rock arrangement and then slips into a Bo Diddley beat and back to a rock groove again, with Sean Nolan’s uplifting double guitar lines.

The essential quality of the album is re-stated on the closing extended version of ‘Its Gonna Take Time’, which serves to emphasize the point that no matter where his blues-rock takes him, Marcus Malone has a soulful heart. ~Review by Pete Feenstra ****

Stand Or Fall