Album:
Welcome To The Club
Size: 149,0 + 149,4 MB
Time: 63:47 + 63:58
File: MP3 @ 320K/s
Released: 1994
Styles: Blues/R&B/Soul
Art: Full
CD 1:
1. She Put A Spell On Me (1:56)
2. Sneaking Around (2:59)
3. I'm Coming Home (2:24)
4. Lonely No More (2:18)
5. Someone To Love (1:46)
6. I Need Somebody (2:02)
7. My Song (3:04)
8. Never Too Old (2:55)
9. I Wonder Why (2:07)
10. So Mean To Me (2:32)
11. Losing Hand (2:33)
12. Ain't No Big Deal On You (2:18)
13. Meddlin' (Instrumental) (2:14)
14. Blind Man (3:23)
15. Stand By Me (2:51)
16. Sacrifice (2:39)
17. Blues In The Night (3:09)
18. You're Welcome To The Club (2:44)
19. Can't Hold Back The Tears (2:31)
20. Country Style (2:44)
21. We're Gonna Make It (2:40)
22. Who's Cheating Who? (2:56)
23. Without My Sweet Baby (2:49)
24. Feel So Bad (4:03)
CD 2:
1. I'm Mighty Grateful (2:32)
2. Give Me This Chance (3:33)
3. Loving You (3:21)
4. Man Loves Two (Man's Temptation) (Alternate) (2:38)
5. Let Me Down Easy (2:42)
6. My Baby's Something Else (2:38)
7. Things Go Better With Coke #1 (1:02)
8. You Colored My Blues Bright (2:48)
9. Moanin' For You Girl (2:40)
10. You Mean Everything To Me (2:27)
11. Things Go Better With Coke #2 (1:05)
12. Nothing Beats A Failure (3:10)
13. More And More (2:45)
14. Don't Talk Back (2:22)
15. Twenty Three Hours (2:23)
16. Grits Ain't Groceries (2:38)
17. Just A Little Bit (2:22)
18. Steal Away (2:53)
19. If Walls Could Talk (3:07)
20. Spring (3:55)
21. I'm Tired (2:32)
22. Let's Get Together (3:00)
23. I Play Dirty (2:30)
24. Baby I Love You (2:44)
Milton was born James Milton Campbell Jr. on September 7, 1934 in Inverness, Mississippi. He was raised in Greenville, Mississippi by a farmer and local blues musician. By age twelve he was a street musician, chiefly influenced by T-Bone Walker and his blues and rock and roll contemporaries. He joined the Rhythm Aces in the early part of the 1950s, a three piece band who played throughout the Mississippi Delta area. One of the members was Eddie Cusic who taught Milton to play the guitar. In 1951, Milton recorded several sides backing pianist Willie Love for Trumpet Records.
In 1953, while still a teenager playing in local bars, he was discovered by Ike Turner, who was a talent scout for Sam Phillips at Sun Records. Milton signed a contract with the label and recorded a number of singles. None of them broke through onto radio or sold well at record stores, so Milton left the Sun label in 1955. The next two years he released singles on Modern Records' subsidiary, Meteor Records. In 1958, Milton moved to East St. Louis and set up the St. Louis-based Bobbin Records label, which ultimately scored a distribution deal with Leonard Chess' Chess Records. As a record producer, Milton helped bring artists such as Albert King and Fontella Bass to fame, while experiencing his own success for the first time. After a number of small format and regional hits, his 1962 single, "So Mean to Me," broke onto the Billboard R&B chart, eventually peaking at #14.
Following a short break to tour, managing other acts, and spending time recording new material, he returned to music in 1965 with a more polished sound, similar to that of B.B. King. After the ill-received "Blind Man" (R&B: #86), he released back-to-back hit singles. The first, "We're Gonna Make It," a blues-infused soul song, topped the R&B chart and broke through onto Top 40 radio, a format then dominated largely by white artists. He followed the song with #4 R&B hit "Who's Cheating Who?" All three songs were featured on his album, We're Gonna Make It, released that summer.
Milton's song "Let Me Down Easy" was recorded by the Spencer Davis Group on The Second Album (1965), but his authorship was not acknowledged on the record. He released a single of it himself in 1968 on Checker. It was also chosen by Etta James as the final track in her final album The Dreamer in 2011. Throughout the late 1960s Milton released a number of moderately successful singles, but did not issue a further album until 1969, with Grits Ain't Groceries featuring his hit of the same name, as well as "Just a Little Bit" and "Baby, I Love You". With the death of Leonard Chess the same year, Milton's distributor, Checker Records fell into disarray, and Milton joined the Stax label two years later. Adding complex orchestration to his works, Milton scored hits with "That's What Love Will Make You Do" and "What It Is" from his live album, What It Is: Live at Montreux. He appeared in the documentary film, Wattstax, which was released in 1973.
Stax, however, had been losing money since late in the previous decade and was forced into bankruptcy in 1975. After leaving Stax, Milton struggled to maintain a career, moving first to Evidence, then the MCA imprint Mobile Fidelity Records, before finding a home at the independent record label, Malaco Records, where he received his second GRAMMY nomination for "Welcome To Little Milton" in 1999. He remained with the label for much of the remainder of his career. His last hit single, "Age Ain't Nothin' But a Number," was released in 1983 from the album of the same name.
In 1988, Milton was inducted into the Blues Hall of Fame and won a W.C. Handy Award. His final album, Think of Me, was released in May 2005 on the Telarc imprint, and included writing and guitar on three songs by Peter Shoulder of the UK-based blues-rock trio Winterville. Milton died at the age of 70 on August 4, 2005 from complications following a stroke. He was posthumously honored with a marker on the Mississippi Blues Trail in Inverness. /Wikipedia
(For personnel details, see artwork included.)
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