Time: 40:25
File: Flac
Released: 2023
Styles: Blues, blues-rock
Art: Front
1. Rise (2:52)
2. Animal In Me (2:54)
3. Louise (3:39)
4. Hard Way To Go (4:04)
5. Scarlett Street (6:07)
6. Into The Slipstream (4:44)
7. Julienne (4:21)
8. Silver And Gold (3:15)
9. I Want You (6:14)
10. Drown (Jam) (2:11)
The title track was already released last June, providing a first impression of what was to come. A pounding three-minute blues rocker with sturdy power chords, horns and lyrical keyboard work by Jamie Pipe made people eagerly await the new album. With drummer Dave Raeburn, bassist Paul Mallatrat, guitarist Marc Raner and the aforementioned Pipe, a solid backing band has been formed and Bryant dares to deviate from his usual working method more often than we are used to. Louise has also been heard before. A heartbreaking blues ballad in which he is remarkably strong vocally and in which the accompanying guitar solos are of course not missing. Although there is little innovation here, it is striking that Bryant has developed strongly as a writer. You would almost forget that he is barely 43 years old. The compelling Into The Slipstream is a prime example of this. Bryant goes Gospel. Accompanied by extra vocals, we can actually speak of a highlight on Rise in which Bryant actually seems to rise above himself. So we immediately got the album title explained indirectly. Because of the powerful guitar parts, instead of such an abrupt ending, Louise deserved a much longer outro, the same applies to the title track and Animal in Me in which the three-minute limit is not even touched. Those ends appear to be a problem more often on this album. Something that will be irrevocably and undoubtedly adjusted with his upcoming live performances.
While we heard a frustrated, angry and sometimes hyper-energetic Bryant who escaped from his Lockdown like a tiger on the loose, he now seems to be in a hurry and sometimes wants to cut corners very quickly.
On the other hand, it has been decided to pay extensive attention to Bob Dylan's I Want You, a wonderful resting point on Rise.
For no less than six minutes, Bryant lets himself go in an inspired rendition of the ballad that the master wrote in 1966 for the classic Blonde On Blonde. Redundant perhaps? Perhaps so, but we have now heard many lesser performances in which the feeling was lacking and the point was completely missed. So that is not the case here. The acoustic guitar on a light orchestral foundation is truly beautifully played, relaxed and performed with great feeling. Early fans will undoubtedly remember Girl From The North Country as it was often played live with the RedEyeBand. Dylan has always played an important role in Bryant's development as a musician and that appreciation is still expressed in a respectful manner.
Fans of the heavier blues rock have also been taken into account. Hard Way To Go and the slow blues of Silver and Gold sound familiar and the closing track, the instrumental Drown (Jam), also shows the musician as we are used to.
Bryant has built up a loyal fan base here from the very beginning. With his father by his side, the RedEyeBand was quickly able to build on an excellent live reputation. Papa Ken is no longer with us, he died shortly after his retirement age, but very soon Bryant and his band will be back in the country to present the new work live, which will undoubtedly win many new fans.
The conclusion after listening to the ten tracks on the new album is that Danny Bryant is far from done. With Rise he has once again managed to raise the bar slightly without missing the mark anywhere.
Rise FLAC