VA - Sean Carney's Blues For A Cure: Blues Cures Studio Jam Vol. 4

File: MP3 @ 320K/s
Time: 59:47
Size: 138.6 MB
Released: 2012
Styles: Modern electric blues
Art: Front

1. Omar Coleman - Too Late (feat. Jonn Richardson, Sean Carney, Abdell B Bop, Jan Roll & John Popovich) (2:53)
2. Joey Gilmore - That's What Love Will Make You Do (feat. Dave Workman, Manny Manuel, John Popovich & Jan Roll) (5:18)
3. Ray Fuller - So Many Roads (feat. Dave Workman, Franc Robert, Manny Manuel, John Popovich & Jan Roll) (5:38)
4. Long Tall Deb - Every Day I Have the Blues (feat. Dave Workman, Sean Carney, Jonn Richardson, Manny Manuel, John Popovich & Jan Roll) (4:29)
5. Franc Robert - The Sky Is Crying (feat. Ray Fuller, Omar Coleman, Trent Sholl, John Popovich & Jan Roll) (6:24)
6. Joey Gilmore - Bluesman (feat. Dave Workman, Manny Manuel, John Popovich & Jan Roll) (9:50)
7. Long Tall Deb - Blues Don't Care (Married to the Blues) (feat. John Popovich, Marty Romie, Jan Roll, Omar Coleman, Sean Carney & Jonn Richardson) (5:25)
8. Jonn Richardson - You're Gonna Make Me Cry (feat. Dave Workman, John Popovich, Marty Romie & Jan Roll) (5:57)
9. Joey Gilmore - Shake, Rattle and Roll (feat. Sean Carney, Jonn Richardson, Abdell B Bop, John Popovich & Jan Roll) (6:46)
10. Hunter Wolfe - Your Death (is Killing Me) (feat. Abdell B Bop, Joey Gilmore & Omar Coleman) (3:10)
11. Jonn Richardson - Love The World (feat. Marty Romie, Sean Carney & Omar Coleman) (3:51)

Blues Cures Studio Jam Vol. 4 continues the tradition of bringing International Blues Challenge winners and competitors together to give the world a taste of the incredible talent that comes together every year in Memphis. This year’s lineup includes three IBC Champions, Joey Gilmore, Jonn Richardson and Sean Carney. Rounding out the lineup of great Blues artists are Dave Workman, Omar Coleman, Ray Fuller, Long Tall Deb, Franc Robert, Hunter Wolfe, ARE, John Popovich, Marty Romie, Abdell B Bop, Manny Manuel, Trent Sholl and Jan Roll.
Welcome to Blues Cures Studio Jam Volume 4, continuing a legacy of live in the studio Blues and passionate support of incredible, life saving programs such as The Stefanie Spielman Fund For Breast Cancer Research. We also support The Blues Foundation, which not only is responsible for The International Blues Challenge and The Blues Music Awards, but also programs like The HART Fund, created to assist musicians in need of medical care.

Blues Cures Studio Jam Vol. 4

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The Joey Gilmore Band - Respect The Blues

Size: 121,4 MB
Time: 52:45
File: MP3 @ 320K/s
Released: 2016
Styles: Electric Blues, Blues Soul
Art: Front

01. Man Of My Word (5:08)
02. Can't Kill Nothin' (3:27)
03. Brownskin Woman (5:10)
04. Livin' A Lie (4:27)
05. A Little Love (3:46)
06. Breakin' Up Somebody's Home (6:02)
07. This Time I'm Gone For Good (4:34)
08. Chain Of Fools (5:22)
09. Room 244 (4:58)
10. Soul Survivor (4:56)
11. Night Time Is The Right Time (4:51)

Joey Gilmore's love affair with the guitar began in his teens. “In the town that I lived in, there was a barbershop,” Gilmore reminisces. “And the barber that owned the shop was a sanctified preacher. He was a minister, and he had this little flat-bodied guitar. It was electric, no amplifier to it. And he would bring it to the shop with him, and he was trying to learn how to play. So, I would get to the barbershop early whenever I would go to get my hair cut, or even after school, I would hang around at the barbershop, because I wanted to get my hands on that guitar. I would take the guitar and they had these old wooden benches. I would lay the guitar on top of the wooden bench and when you would strum the strings, the wood, the bench, would vibrate, and the floor would, the sound would resonate, and you could hear it without the amplifier. I learned just from watching him.” Young Gilmore tried to keep his obsession with the instrument from his church going aunt, who was raising him, but word of the talented boy who played at the barbershop eventually got back to her.”

Decades later and established as a Florida legend, Joey Gilmore provides a highlight at Blues Festivals and night clubs all over the world as one of the best soul-blues and R&B singers in the business. Joey Gilmore has shared the stage with Such Greats As James Brown, Etta James, Bobby Bland, Little Milton, Johnny Taylor and numerous others. In January 2006 Joey Gilmore won one of the most distinguished and internationally coveted awards in all of blues. The IBC. Joey Gilmore outscored all artist worldwide while showcasing his amazing talent at a blues industry event. Making him the best unsigned Artist on the planet. In 2008 Joey Gilmore was awarded the Blewzzy award for best song, BLUES ALL OVER YOU. In 2015 Joey Gilmore was honored with Latin World Talent Lifetime Achievement Award. He continues to soar in the music industry.

In 2015, Joey released his new CD titled BRANDON'S BLUES on Mosher St. Records.

In 2016 Joey is releasing his next CD titled RESPECT THE BLUES on Mosher St. Records.

Personnel:
Joey Gilmore - Guitar and Vocals
Robert "Hi-Hat" Carter - Bass
Maurice Dukes - Drums
Sonny Boy Williams, Keyboards
Dottie Kelly - Vocals

Respect The Blues

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Joey Gilmore - Bluesman

Size: 123,6 MB
Time: 53:42
File: MP3 @ 320K/s
Released: 2008
Styles: Modern Electric Blues, Blues Soul
Art: Front

01. Intro (0:10)
02. Blues All Over You (5:01)
03. Bit Off More Than I Could Chew (8:00)
04. You Put The Rush On Me (4:01)
05. Things I Used To Do (5:05)
06. White Shoes (6:01)
07. Wishing Well (4:49)
08. Last Two Dollars (5:38)
09. I Got The Blues (4:19)
10. How Blue Can You Get (5:19)
11. Ghosts Of Mississippi (5:15)

In 2006, The Joey Gilmore Band was proclaimed the Best Blues Band in the World , taking 1st Place honors in this most highly coveted award in the world of Blues,

The International Blues Challenge (IBC). The IBC is the world s largest gathering of Blues acts representing an international search by The Blues Foundation and its affiliated organizations to find the Blues Band and Solo or Duo act ready to take the international stage.

Not only was Joey Gilmore ready, the public s awareness of this major Blues talent was long overdue. Joey Gilmore s career has spanned almost 50 years, with performances throughout the United States and Europe. Joey is a true Blues and R&B master who incorporates new and varied styles in his music, performing original compositions mixed with traditional standards in his high energy live show.

His tenor/baritone vocals belt out tunes reminiscent of the great Blues legends of the 40's and 50's.
Joey is undoubtedly the definitive Bluesman.

When you look up the word Bluesman in a dictionary,
you would expect to see a picture of Joey Gilmore!

That's why Joey's latest CD is simply called Joey Gilmore: BLUESMAN ~Bob Bluesbobby Weinberg

Thanks to Marc.
MC
Ziddu

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Joey Gilmore - The Ghosts Of Mississippi Meet The Gods Of Africa

Bitrate: 320K/s
Time: 49:25
Size: 113.2 MB
Styles: Soul blues
Year: 2005
Art: Front

[4:59] 1. Ghosts Of Mississippi
[5:20] 2. All My Love
[3:39] 3. Blues All Over You
[5:18] 4. Love To See You Smile
[5:38] 5. You Put The Rush On Me
[4:54] 6. White Shoes
[4:59] 7. Steal Away
[3:59] 8. The Hawk
[5:43] 9. Time To Get Paid
[4:52] 10. Things Have Not Changed

His love affair with the guitar began in his teens. “In the town that I lived in, there was a barbershop,” Gilmore reminisces. “And the barber that owned the shop was a sanctified preacher. He was a minister, and he had this little flat-bodied guitar. It was electric, no amplifier to it. And he would bring it to the shop with him, and he was trying to learn how to play. So, I would get to the barbershop early whenever I would go to get my hair cut, or even after school, I would hang around at the barbershop, because I wanted to get my hands on that guitar. I would take the guitar and they had these old wooden benches. I would lay the guitar on top of the wooden bench and when you would strum the strings, the wood, the bench, would vibrate, and the floor would, the sound would resonate, and you could hear it without the amplifier. I learned just from watching him.” Young Gilmore tried to keep his obsession with the instrument from his church going aunt, who was raising him, but word of the talented boy who played at the barbershop eventually got back to her.”

Decades later and established as a Florida legend, Gilmore provides a highlight at Blues Festivals and clubs proving he’s one of South Florida’s best soul-blues singers while ringing blue notes out of his guitar. Joey Gilmore’s career has spanned 40 years with performances throughout the United States and Europe. He has called South Florida home for the past twenty years. Joey is a true Blues and R & B master who incorporates new and varied styles in his music performing original compositions mixed with traditional standards in his high energy live show. His tenor/baritone vocals belt out tunes with a loss abandon reminiscent of Blues Legends from the 1940’s and 1950’s. This Blues man’s major influences are apparent without sacrificing his unique style.

The Ghosts Of Mississippi Meet The Gods Of Africa mc
The Ghosts Of Mississippi Meet The Gods Of Africa zippy

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Joey Gilmore - So Good To Be Bad

Size: 78,4 MB
Time: 33:28
File: MP3 @ 320K/s
Released: 1989
Styles: Blues Soul, Modern Electric Blues
Art: Front

01. Sooner Or Later (3:58)
02. So Good To Be Bad (3:50)
03. Tell The World (4:27)
04. I Can't Let Go (4:58)
05. I Got The Blues (3:42)
06. Get It (4:00)
07. What's On Your Mind (4:22)
08. 911-6969 (4:08)

b. Joshua Gilmore, c. 1947, Ocala, Florida, USA. After teaching himself to play guitar at an early age, Gilmore began performing in public with a small band of like-minded youths. At first, he played and sang in church, his repertoire largely religious music, but gradually incorporated secular music and thus widened his audience although he and his band’s club dates were usually in establishments they were too young to legally enter.

In the 60s, Gilmore moved to the southern end of his home state where he became a popular figure on the local blues scene and was often called upon to accompany visiting musicians. He recorded from the mid-70s, releasing some EPs and there was also a late 80s album but it was not until the early 90s that his recordings began to appear regularly. Gilmore has appeared at numerous blues and/or jazz festivals, including Fort Lauderdale, Hollywood, Mississippi Valley, Montreux, Riverwalk, Taiwan, and at the Blues Foundation’s International Blues Challenge in Memphis, Tennessee, where he appeared in 2006 to great acclaim, winning the Best Band division. Among Gilmore’s sidemen in the mid-00s were Regi Oliver (saxophone/keyboard), George Caldwell (bass) and Dave Wooten (drums).

So Good To Be Bad

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