Showing posts with label Spirit. Show all posts
Showing posts with label Spirit. Show all posts

Thursday, August 11, 2022

Spirit - Blues From The Soul (2 CD)

Album: Blues From The Soul
Size: 175,4 + 169,2 MB
Time: 75:26 + 73:07
File: MP3 @ 320K/s
Released: 2003/2009
Styles: Blues/Roots/Folk
Art: Full

CD 1:
1. Gonna Need Somebody On Your Bond (2:56)
2. Wagon Of wood (3:35)
3. Tell Me (2:41)
4. Keys To The Highway (2:24)
5. When You're Smilin' (1:44)
6. Pawnshop Blues (3:34)
7. Ever Since You Left Me (3:57)
8. Kansas City (2:48)
9. Fixing To Die (3:52)
10. Pick A Bale Of Cotton (2:25)
11. Run Sinner Run (1:52)
12. Cosmic Smile (5:54)
13. Charlie James/Miss This Train (8:08)
14. Jimi's Back (2:56)
15. Red House (7:47)
16. Kokomo (3:50)
17. Devine Love (3:24)
18. When The Saints Go Marchin' In (2:32)
19. Like A Dog (2:39)
20. Lord I'll Be With You Always (2:26)
21. I Had A Dream (3:53)

CD 2:
1. The Letter (3:28)
2. Ain't Superstitious (2:52)
3. Ever Since You Left Me (Maui Wowie) (3:25)
4. Poor Boy (6:16)
5. Cold Rainy Night (3:09)
6. California Blues (4:51)
7. Sugar Mama (4:28)
8. Charlie James (2:06)
9. Shattered Dreams (5:16)
10. Kokocass Jam (2:15)
11. Dreamy Eyes (4:10)
12. Miss This Train (4:42)
13. Down And Dirty Blues (24:11)
14. Last Night I Dreamed The Strangest Dream (1:52)

This is the third in a series of posthumous albums of previously unreleased recordings by Randy California and Spirit, drawn from California's archives and assembled by Mick Skidmore. As Skidmore explains in his detailed liner notes, California put together an album called Blues From the Soul around 1995, and even copyrighted its contents; but later opted to use some of the material on the final album he released with Spirit, California Blues, prior to his accidental death by drowning in January 1997. Other tracks from the proposed album were culled for the first posthumous release, Cosmic Smile. Skidmore has included all 13 of the songs California had intended to use on his version of Blues From the Soul, though he has substituted alternate takes or live recordings of tracks already issued.

Of course, the album also has been vastly expanded to include 35 selections for a running time of two-and-a-half hours. But the basic concept remains the same, and that is to present a collection of folk and blues recordings. California's family owned The Ash Grove nightclub when he was a child, and that brought him into contact with the many veteran acoustic blues musicians who toured during the folk revival of the early 1960s. Their influence on him is apparent here, as he resurrects songs by Mance Lipscomb, Sonny Terry and Brownie McGee, Mississippi Fred McDowell, Blind Willie Johnson, Big Bill Broonzy, Leadbelly, and Howlin' Wolf. Many songs are done with an acoustic guitar, but they all feature California's distinctive playing and singing.

The lengthy set allows room for other material, including a 24-minute improvisation, "Down and Dirty Blues." Skidmore is less concerned with strictly adhering to the album's concept than he is to giving listeners more of California's music, and it's hard to argue with that. /William Ruhlmann, AllMusic

(For personnel details, see artwork included.)

Blues From The Soul (2 CD) mc
Blues From The Soul (2 CD) zippy

Wednesday, December 21, 2016

Spirit - California Blues Redux (2 CD)

Spirit's final album, California Blues, was released one month before bandleader Randy California's accidental death. Since then, under the auspices of California's family, Mick Skidmore has compiled posthumous albums from the singer/guitarist's extensive archive of unreleased live and studio recordings. California Blues Redux is not, as one might expect, simply a "deluxe edition," adding bonus tracks, outtakes, and live recordings in a manner that has become familiar in the music business. Rather, Skidmore, who clearly has grown comfortable in his role as California and Spirit's authorized reissue producer, has chosen to re-conceive the original disc - and then add bonus tracks and live recordings.

In his liner notes, he calls California Blues "a compromise and a little uneven", and mentions what he feels are its "many extraneous overdubs". He has removed those overdubs in order to create "a rawer, less produced album". He has also deleted tracks he feels don't fit, notably a live recording of a Spirit cover of Jimi Hendrix's "Red House" (another one is included on the second disc of live tracks) and a "bonus" section of rare material (some of it by the original 1967 configuration of Spirit) that had closed the disc.

All of this is problematic, of course. Producers of posthumous recordings such as Norman Petty (with Buddy Holly) and Alan Douglas (with Hendrix) were criticized for adding overdubs to previously unreleased tracks. Skidmore has in a sense done the opposite - he has removed overdubs from previously released tracks. But the point is the same: in each case, the producer is second-guessing the artist, who isn't around to object. Skidmore is, of course, entitled to his opinion, and California Blues as released in 1996 was "a grab bag of different material from different sources", as it was described at the time. But it also represented Randy California's wishes. Minus the overdubs and the deleted tracks, and with some extra studio material, it is somewhat more consistent stylistically in this "redux" form.

And with a running time of nearly two hours and 40 minutes - right at the edge of the capacity of two CDs - at a list price of only $15 upon release, the package is generous in providing a sense of what Spirit sounded like in the studio and in its nightclub gigs just before its abrupt end. But just as Beatles fans felt a little funny when Paul McCartney stripped the string arrangements off of his Let It Be songs and made deletions, edits, and take substitutions to create Let It Be...Naked, so Spirit fans may be somewhat wary about Skidmore's job in, as he puts it, "un-producing" California Blues. Once the line has been crossed, and the producer is holding out his judgment as superior to the deceased artist's, trouble may lie ahead. (Note that on the live disc, the fifth and sixth tracks, "Song for Clyde" and "Stewball," are heard in that order, not the reverse, as shown incorrectly in the sequence on the album cover.) /William Ruhlmann, AllMusic

Album: California Blues Redux - CD 1
Year: 1996/2009/2013
Bitrate: MP3@320K/s
Time: 79:27
Size: 182,6 MB
Styles: Blues-rock, rock
Scans: Full

1. California Blues (5:47)
2. Look Over Yonder (2:35)
3. The River (5:09)
4. Call On Me (3:14)
5. Crossroads (5:43)
6. Song For Clyde (5:50)
7. Barking Up The Wrong Tree (4:17)
8. Pawnshop Blues (2:44)
9. Sugar Mama (6:21)
10. Stone Lover (6:21)
11. Gimme Some Lovin' (3:19)
12. We Believe (3:42)
13. One World (4:02)
14. Fixin' To Die (Solo Acoustic) (Bonus) (2:26)
15. Indian Girl Blues (Bonus) (5:51)
16. Oriental Gun (Bonus) (2:53)
17. Soup Jam (Bonus) (3:41)
18. David (Bonus) (1:51)
19. Kind And Gentle Life (Bonus) (2:54)
20. Untitled (Bonus) (0:37)

California Blues Redux - CD 1 mc
California Blues Redux - CD 1 gofile

Album: California Blues Redux - CD 2: Live 1993/5/6
Year: 1993/1996/2009/2013
Bitrate: MP3@320K/s
Time: 79:40
Size: 182,7 MB
Styles: Blues-rock, rock
Scans: Full

1. Love From Here (18:27)
2. Pawnshop Blues (8:59)
3. One World (3:41)
4. Red House (7:41)
5. Song For Clyde (17:41)
6. Stewball (3:36)
7. Medley: Fixing To Die/Gopal/Phoenix, Land Of The Rising Sun (16:36)
8. We Believe (2:56)

California Blues Redux - CD 2: Live 1993/5/6 mc
California Blues Redux - CD 2: Live 1993/5/6 gofile