Showing posts with label Roger Hubbard. Show all posts
Showing posts with label Roger Hubbard. Show all posts

Monday, February 4, 2019

Roger Hubbard - The Best Of Roger Hubbard

Size: 147,3 MB
Time: 62:35
File: MP3 @ 320K/s
Released: 2019
Styles: Electric/Acoustic Blues, Blues Rock
Art: Front

01. You're Coming Back To Me (4:23)
02. If I Had A Dollar (3:10)
03. Blues Before Sunrise (5:05)
04. Fifty Million Miles (3:42)
05. You're Coming Back To Me (4:52)
06. Goin' To Brownsville (5:27)
07. Deep Mud Blues (4:31)
08. Somebody Been Working You (4:33)
09. Tomorrow Comes (3:59)
10. Talking To Myself (3:16)
11. Wasn't Meant To Be (4:17)
12. Love Changing Blues (2:54)
13. Detroit Bound Blues (3:24)
14. Make Me A Pallet On Your Floor (4:09)
15. Brighton Belle Blues (4:46)

Born in Brighton U.K. Roger Hubbard is one of the major exponents of early blues and slide guitar. In the 1960s he was playing at folk clubs and continuing an interest in country and delta blues, he started his own blues clubs in Lewes and Brighton. Along with regulars, Sam Mitchell and Dick Wardell, there were guest performances by Jo-Ann Kelly, Dave Kelly, Simon Prager, Steve Rye, Bob Hall, Graham Hine, Andy Fernbach and Tony McPhee.
In December 1970 Roger opened for Muddy Waters in Brighton.

Muddy Waters was quoted in SOUNDS Magazine as saying, “Roger Hubbard is as good as any blues guitarist in the U.K. or the United States”.

His first album "Brighton Belle Blues" was recorded in 1970 by Nick Perls for his U.S. label Blue Goose which also included new albums from the legendary bluesmen : Son House, Sam Chatmon, Yank Rachell and Bill Williams. Larry Johnson, Jo-ann Kelly, Roy Bookbinder, John Miller, Woody Mann and Graham Hine were also on the label.

“..he could be one of the most exciting acoustic guitarists to come along since John Fahey. Whatever he does, he has created in this record a sort of monument to the full flowing of white blues scholarship...” Timothy Ferris (editor) ROLLING STONE February 1972

Nick Perls was a key figure on the American blues trail, rediscovering the likes of Son House and Skip James. Having played his 1935 National Steel Duolian for many years, Roger also plays an electric resonator guitar made and designed by himself known as The Hub. His song “Home Lovin’ Man” was recorded by US blues man Eric Bibb on his 2003 album Natural Light.

The Best Of

Wednesday, March 16, 2016

John Pearson & Roger Hubbard - Busy Bootin'

File: MP3 @ 320K/s
Source: LL (from Cd)
Released: 1993
Styles: Blues
Time: 57:29
Size: 132,3 MB
Art: Full

(4:04) 1. Busy Bootin'
(3:06) 2. As I Went Down the Railroad Track
(4:13) 3. Write Me a Few Lines
(5:41) 4. Fort Worth and Dallas Blues
(3:25) 5. Barrelhouse Woman
(4:40) 6. Streamline Train
(4:06) 7. Jesus on the Mainline
(4:00) 8. Jitterbug Swing
(4:23) 9. East St. Louis Fare Thee Well
(4:29) 10. Cigarette Blues
(6:28) 11. Don't Take Everybody to Be Your Friend
(3:33) 12. Stealin'
(5:15) 13. Walkin' Blues

John Pearson plays in the tradition of the early country blues pickers who are his inspiration. He has worked with American and British exponents of this music including Sonny & Terry McGhee, Louisiana Red, Alexis Korner, Jo Ann Kelly, Woody Mann, and many others. Roger Hubbard, a steel bodied National guitar and mandolin player is known for his authentic and hard edged playing of Delta Blues. Hubbard is the founder of Buick 6, but he also worked with Alexis Korner, Tony McPhee, Dave Kelly, Steve Phillips, Martin Simpson and others.

Busy Bootin' is a compilation of live recordings made of John Pearson and Roger Hubbard during the 1991 International Guitar Festival. John Pearson plays six and twelve string guitars and shares vocals with Roger Hubbard who plays a National resonator steel guitar. The material is borrowed from the likes of Huddie Ledbetter, Leroy Carr, Cripple Clarence Lofton, Fred McDowell and Robert Johnson and played with due regard and respect to these great Blues artistes, while adding their own touch and personality in their arrangements. The songs included range from the well-known "Walkin' Blues', 'Barrelhouse Woman' and 'Write Me a Few Lines' to 'Fort Worth and Dallas Blues' and Jitterbug Swing'. The excellent guitar work from both players is a reflection of the extensive experience they have gained over the years, playing 'on the road' and in recording sessions. The singing is an apt demonstration of less being more, conveying the message and emotion without resorting to larynx damaging excesses or 'Amurrican' vowel twisting.

The album was nominated Blues Album of the Year by British Blues Connection Readers' Poll - "The excellent guitar work from both players is a reflection of the extensive experience they have gained over the years".

Busy Bootin'
Busy Bootin' artwork