Showing posts with label Peter Karp. Show all posts
Showing posts with label Peter Karp. Show all posts

Friday, September 6, 2024

Peter Karp & Sue Foley - Beyond The Crossroads

Album: Beyond The Crossroads
Size: 95,3 MB
Time: 41:06
File: MP3 @ 320K/s
Released: 2012
Styles: Blues/Roots
Art: Full

1. We're Gonna Make It (2:32)
2. Analyze'n Blues (4:36)
3. Beyond The Crossroads (4:24)
4. Fine Love (2:56)
5. At The Same Time (3:35)
6. Take Your Time (3:40)
7. More Than I Bargained For (3:55)
8. Blowin' (4:11)
9. Resistance (3:06)
10. Chance Of Rain (3:32)
11. Plank Spank (1:44)
12. You've Got A Problem (2:49)

There aren't many - there may not be any - contemporary male/female co-billed couples who both sing and contribute original songs, thus making the partnership an equal dynamic. Roots musicians Peter Karp and Sue Foley released their successful He Said, She Said song cycle in 2010, a challenging conceptual piece that examined, sometimes with excruciating intimacy, the beginnings of their professional and personal relationship in songs derived from written correspondence they sent each other over a several-years-long courtship. It was an audacious start to the duo's joint recorded career and one that set the bar pretty high.

Two years and thousands of road miles later, it's encouraging to find that the couple has not only withstood the pressures of romantically linked touring musicians but has thrived creatively. Removed from the formulaic story constraint corner they painted themselves into with the previous disc, this one is both looser and more natural sounding. Karp and Foley play on the original tunes, and sing - sometimes trading verses - on all but one instrumental. The opening upbeat shuffle "We're Gonna Make It" (not the Little Milton hit) adds a four-piece horn section and sounds as joyous as its somewhat clichéd title implies. But it sets the stage for the next 35 minutes of sharply written, energized, soul- and blues-influenced rock performed by two talents that truly complement each other.

Karp's keyboards, slide guitar, and gruff yet friendly vocals power the gospel-styled title track but the twosome work best when they trade leads, singing on selections such as the swampy "Fine Love," the slow New Orleans march-inflected "At the Same Time," and the classic easy grooving R&B of "More Than I Bargained For," the latter a highlight of this terrific effort. Even the downbeat sentiments of "Blowin'" ("Lord I feel so weary/I'm ready to go down") seem downright uplifting when sung over a melody that captures a contagious, toe-tapping vibe. Karp displays his impressive boogie-woogie piano chops on the swinging, humorous, self-deprecating "You've Got a Problem" ("and it's me!" closes the chorus) and they take it down a notch on the acoustic folk-blues of "Chance of Rain."

Foley's nasal yet emotive voice and Karp's raspier edge would seem to be unlikely companions but the contrasts work and even balance each other out. It helps makes this a logical, perhaps less ambitious but ultimately more organic follow-up to their revealing debut and indicates that for these two, in life and music, perhaps the best is yet to come. /Hal Horowitz, AllMusic

(For personnel details, see artwork included.)

Beyond The Crossroads mc
Beyond The Crossroads gofile

Sunday, July 19, 2020

Peter Karp - Magnificent Heart

Year: 2020
Bitrate: MP3@320K/s
Time: 53:42
Size: 123,8 MB
Styles: Electric blues, Americana
Scans: Front

1. Sitting On The Edge Of The World (3:19)
2. The Letter (4:07)
3. She Breaks Her Own Heart (3:37)
4. This World (4:12)
5. The Grave (4:49)
6. Scared (6:02)
7. Chainsaw (3:09)
8. Let It On Out (4:16)
9. Cool Cool Thing (4:17)
10. The Last Heartbeat (3:44)
11. Going Home (2:26)
12. Compassion (5:26)
13. Face The Wind (4:12)

It’s tough for a straight blues player to break through to a wider audience. Even Stevie Ray Vaughan, arguably the most successful at that undertaking, included harder edged rock, soul and funk with his stinging guitar. Other blues loving artists from the Rolling Stones to Eric Clapton, Bob Dylan, Jimi Hendrix, Fleetwood Mac, Bonnie Raitt and many more all expanded out of their blues base to effectively cross over commercially. Most importantly they did it without sacrificing the authentic spirit of the genre, even if some of their music strayed far from its roots. All of this is a roundabout way of saying that Peter Karp is another entry onto that long list.

While he hasn’t cracked the big time yet, multi-instrumentalist Karp has carved out a blues based approach since 2004’s debut. His style can be slotted into the general Americana category, but like Delbert McClinton—whose gritty, grainy, soulful voice is similar to Karp’s—there is a distinct blues thread running through virtually everything Karp records. His new album is a continuation of sorts from 2018’s similarly styled Blue Flame. There are some straight ahead blues selections such as the acoustic, National Steel driven “Going Home,” the folksy picking and gospel harmonies of the humorous “Chainsaw” (“I’m out on a limb/and baby’s got a chainsaw”) and the opening sweet shuffle of “Sitting on the Edge of the World” with veteran blues harpist Kim Wilson’s tough blowing leading the way.

But Karp’s talents are best displayed throughout these 13 originals as he injects blues into geared up, dialed down, and even pop infused roots music. He brings a deep swamp groove to “The Grave,” a slinky New Orleans beat on the sexy “Cool Cool Thing” (name checking Tony Joe White along the way while singing “When two hearts beat as one/it could be hell, it could be fun) and digs into frisky Tex-Mex on “She Breaks Her Own Heart,” the latter adding sly Memphis inspired horns. On “Scared” Karp rides a slow, easy vibe similar to Clapton’s “Old Love” as he laments the loss of a romance with one of this disc’s most affecting and heartfelt vocals.

For the bittersweet ballad “The Last Heartbeat,” Karp instills subtle church overtones, creating a tearful ebb and flow with the essence of what makes blues so universal. Call it Americana/roots/blues if you must pigeonhole his music. But Peter Karp’s seemingly effortless yet always bracing blend dodges easy categorization. It makes this one of the finest albums of his eclectic, yet always blues-based, career. /Hal Horowitz, American Songwriter

Magnificent Heart mc
Magnificent Heart zippy

Wednesday, December 19, 2018

Peter Karp - The American Blues

Size: 129,5 MB
Time: 55:29
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues, Blues Rock
Art: Front

01. Treat Me Right (4:53)
02. Alabama Town (4:37)
03. Train O Mine (2:57)
04. The Turning Point (4:13)
05. The Nieztsche Lounge (3:45)
06. Nobody Really Knows (4:06)
07. Rolling On A Log (4:19)
08. That's How I Like It (4:01)
09. Her And My Blues (7:39)
10. I'm Not Giving Up (5:34)
11. The Arson's Match (Live) (5:20)
12. Y'all Be Lookin (Live) (3:57)

Karp is best known recently for his work on the Blind Pig label with Canadian guitarist, Juno Award winner and partner Sue Foley. Raised in south Alabama and New Jersey, his stylings embrace swamp, country and R&B in addition to the blues. Primarily a slide guitarist who’s influenced by Freddy King and Elmore James, he’d released the albums Roadshow and The Turning Point previously as a vehicle for his songs rather than stardom. But his work with Foley has reached the top of blues charts around the world.

The American Blues

Friday, June 8, 2018

VA - Pfingstberg Blues: Red House

Size: 167,7 MB
Time: 71:40
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues, Blues Rock
Art: Front & Back

01 Pfingstberg Blues Allstars - Pfingstberg Blues (4:47)
02 Red & Grey - I Can't Be Satisfied (3:04)
03 Norbert Schneider - Herrgott Schau Obe Auf Mi (2:59)
04 Schuster - Don't Cheap Yourself (3:27)
05 Nick Woodland - Bikes For Joey (3:10)
06 Patrick Ziegler - Fender Meets Steinway (2:34)
07 Topelkings - Rap Im Sitzen (3:38)
08 Timo Gross - Down To The Delta (5:37)
09 Bauer - Bluessanger Sein (4:21)
10 Dan Popek - Dan's Boogie (4:48)
11 Down Home Percolators - Ride On, Red, Ride On (3:33)
12 Schone Mannheims - Feeling Good (3:44)
13 Netzer & Scheydt - Elmore's Grave (3:54)
14 Peter Karp - Her And My Blues (7:37)
15 Cobody - I Want You (6:56)
16 Miss Zippy & The Blues Wail - Chocolate Jesus (4:26)
17 Like 'Em - Parallels (2:56)

Pfingstberg Blues

Friday, February 2, 2018

Peter Karp - Blue Flame

Size: 123,9 MB
Time: 52:59
File: MP3 @ 320K/s
Released: 2018
Styles: Electric Blues, Blues Rock
Art: Full

01. Rolling On A Log (4:19)
02. Train O'mine (2:57)
03. Your Prettiness (4:12)
04. Valentine's Day (3:17)
05. Treat Me Right (4:53)
06. The Turning Point (4:13)
07. Loose Ends (3:58)
08. The Arson's Match (3:26)
09. From Where I Stand (4:16)
10. You Know (3:51)
11. The Nietzsche Lounge (3:45)
12. Round And Around (6:49)
13. Young Girl (2:56)

This one follows just about a year later from Alabama Town and although diehard Karp fans will recognize several of these songs, they are recorded here in a new session with various star-studded guests. Like its predecessor, this one features Mick Taylor, Todd Wolfe, Paul Carbonara, and Dennis Gruenling. New guests include Dave Keyes and Kim Wilson. More than ever before, Karp displays his multi-instrumental skills handling multiple guitars, organ, piano, accordion, and harmonica. He also has a core band handling rhythm, keyboards and mandolin across his mix of blues and roots tunes – with the accent where he wants it—on his songwriting.

Karp’s eye for detail, the range of emotions, and clever sense of humor prevail. While the album may have benefitted from more new material, there are some real gems here that make this a strong effort. Listening to Mick Taylor solo on “The Turning Point” is always enjoyable. Kim Wilson takes his spot-on harp solo in “The Arson’s Match” and Dennis Gruenling’s harp colors “Your Prettiness” and “From Where I Stand,” two of the best tracks. Throughout Karp impresses with his expressive voice and passionate playing.

Karp has led a nomadic life, played with many great artists and has a well of experience to draw from. His wordplay is quite good. In fact, one of my favorite songs of his is “Dirty Weather” from his Blind Pig album Shadows and Cracks, one that I wish he would have reprised here. In any case, there’s bristling animation and energy in these baker dozen’s tunes that surpasses much of Karp’s previous work. It’s apparent immediately with Karp’s opener, “Rolling on a Log,” with its swirling B3 and Kim Wilson’s harp. The energy rarely lets up except when called for on tunes like “Valentine’s Day” and the mandolin-driven “From Where I Stand.” Karp’s personas of an amped-up bluesman and charismatic singer-songwriter are both well represented here. ~Jim Hynes

Blue Flame

Monday, January 9, 2017

Peter Karp - Alabama Town

Size: 136,9 MB
Time: 58:21
File: MP3 @ 320K/s
Released: 2017
Styles: Blues Rock
Art: Front

01. Alabama Town (4:35)
02. 'Til You Get Home (3:07)
03. That's How I Like It (4:01)
04. Blues In Mind (3:52)
05. I'm Not Giving Up (5:32)
06. Her And My Blues (7:39)
07. The Prophet (4:05)
08. Kiss The Bride (4:16)
09. Nobody Really Knows (4:03)
10. Lost Highway (4:23)
11. Y'all Be Lookin' (3:47)
12. I Walk Alone (5:45)
13. Beautiful Girl (3:09)

Award winning singer-songwriter, slide guitarist, pianist Peter Karp was raised both in the swamps of New Jersey and trailer parks in Alabama, Karp crafts music fueled with a Yankee-Rebel juxtaposition with plenty of humor and candor.

Alabama Town is Peter Karp’s eighth CD featuring his original songs. Produced by Peter and multi Grammy Award winning producer Dae Bennett (Tony Bennett). It was inspired by the music he heard growing up in Enterprise, Ala in the 1960s and is dedicated to his African American step mom Ruth Turner (12/4/1925 - 10/29/2016). The upbeat, guitar driven album represents his finest songwriting to date. It features his trademark slide guitar as well as guitar work from his friends Mick Taylor (Rolling Stones), Garth Hudson (The Band) Paul Carbonara (Blondie), Todd Wolfe (Sheryl Crow) and his son James Otis Karp. It also features harmonica virtuoso Dennis Gruenling.

Alabama Town

Monday, September 12, 2016

Peter Karp - Shadows And Cracks

Size: 103,6 MB
Time: 44:17
File: MP3 @ 320K/s
Released: 2007
Styles: Blues Rock
Art: Front

01. Goodbye Baby (2:47)
02. Air, Fuel And Fire (3:10)
03. All I Really Want (3:27)
04. Dirty Weather (4:28)
05. Rubber Bands And Wire (3:12)
06. I Understand (3:53)
07. Shadows And Cracks (4:03)
08. I Ain't Deep (3:16)
09. The Lament (4:12)
10. Runnin' (3:28)
11. The Grave (3:54)
12. Strange Groove (4:22)

Many artists get sabotaged by rave reviews that compare them to legendary performers they'll never have the chance of surpassing. How many singer/songwriters once called the next Dylan have faded into obscurity, or found their struggle to present their own unique music hampered by the unrealistic expectations such comparisons cause? All that said, singer, bluesman, folkie, and songwriter Peter Karp should be a lot better known than he is. It's tempting to say he combines John Prine's wordplay, Joe Ely's rocking instincts, Billy Joe Shaver's fatalistic outlook, Tim McGraw's good looks, and an expressive tenor that combines the fire of a young Steve Earle and the lazy drawl of Mose Allison, but that wouldn't be right. Karp is his own man, an artist who blends roots music styles into something that combines and transcends blues, country, rock, honky tonk, R&B, swamp, swing, and jazz. He may record for Blind Pig, a San Francisco-based blues logo, but he's no more blues than he is country. He personifies the amorphous Americana movement, freely shifting styles to keep listeners guessing, and dancing too. His lyrics combine working-class angst with college-educated insight, and a deadly sense of humor that keeps things from getting too dark. The 12 tunes on this album are all winners, each full of their own singular charm, even though they can easily fit into familiar industry pigeonholes. "I Ain't Deep" is a nasty blues-rock tune given a '40s swing feel by Popa Chubby's slide guitar work and the hook is a real winner -- "I ain't deep, baby; I'm just down." On the country rocker "Rubber Bands and Wire," Karp introduces several dissolute characters in an effort to win back his lady love, implicitly telling her, "Hey, compared to these guys I ain't so bad." His off-hand desperation and the surrealistic humor of the lyrics give the tune an unexpected twist. "Goodbye Baby" hinges on a cleaver turn of phrase -- "I can live with mine, but not your lies." It's a kiss-off song so full of self-depreciating humor that it makes breaking up sound easy to do. The song smokes along on a Waylon Jennings' stomp accented by Karp's sizzling harmonica work. Karp's B-3 gives the fatalistic "Runnin'" a jaunty sanctified feel; self-destruction seldom sounds this appealing. He follows it with "The Grave," a spooky slide guitar workout that advises people to keep their darkest secrets to themselves, no matter what friends and lovers say. He sounds like an old sad soul as he meditates on mortality and life's compromises. Every tune is arranged to give maximum effect to Karp's vocals. His lithe tenor is playful, macho, insouciant, innocent, and worldly, telling jokes that make you wince when you laugh. The backing musicians are all top-notch and every track smokes with understated virtuosity. So why isn't this guy a star?

Shadows And Cracks

Tuesday, March 1, 2016

Peter Karp - The Arson's Match (Feat. Mick Taylor)

Size: 129,0 MB
Time: 55:26
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Rock
Art: Front

01. The Arson's Match (Live) (5:21)
02. Gee Chee Gee Chee Wawa (Live) (6:12)
03. Y'all Be Lookin' (Live) (4:43)
04. The Turning Point (Live) (5:57)
05. The Nietzsche Lounge (Live) (5:39)
06. Your Prettyness (Live) (5:01)
07. Rolling On A Log (Live) (5:08)
08. I'm Not Giving Up (Live) (7:00)
09. Treat Me Right (Live) (5:40)
10. Train O'mine (Live) (4:41)

The Arson’s Match, was recorded live at a sold-out performance in New York City in 2004, and has not been released until now. Originally broadcast live on Sirius Satellite Radio, Karp and his Roadshow Band perform Karp’s finest original songs, together with Mick Taylor of the legendary Rolling Stones.

The Arson's Match