Showing posts with label Babajack. Show all posts
Showing posts with label Babajack. Show all posts

Tuesday, January 9, 2018

Babajack - Rooster

Bitrate: MP3@320K/s
Time: 39:54
Size: 91.4 MB
Styles: Folk blues
Year: 2012
Art: Front

[4:07] 1. The Money's All Gone
[3:20] 2. Plenty More Fish
[3:34] 3. Burn All The Bridges
[3:46] 4. Skin And Bone
[3:35] 5. Crying For My Home
[2:15] 6. Raine's Song
[4:45] 7. Sunday Afternoon
[3:45] 8. Rooster Blues
[4:25] 9. Gallows Pole
[4:09] 10. Don't Get Me Wrong
[2:08] 11. Som' These Days

“Chooglin’” was the term that Creedence Clearwater Revival coined for their sound and if you can imagine an acoustic choogle, that how BabaJack sound. It’s not folk, it’s not blues and it’s not rock’n’roll but it incorporates elements of all of them.

Rooster is the third album from the Malvern-based trio. Most of the songs are original although they acknowledge the inspiration of Charley Patton in the closing ‘Som’ These Days’ and ‘Gallows Pole’ is heavily modified from its traditional origins. There is a homespun feel about the band with Trevor Steger’s winebox guitar and Becky Tate’s hand percussion but combine Marc Miletitch’s double bass with Trevor’s guitars and harmonica and you have a rock-solid foundation for Becky’s vocals.

Look beneath the surface and the songs have deeper meaning. ‘The Money’s All Gone’ was written about our current economic climate but with a couple of minor alterations it could have come from any time in the last century and ‘Plenty More Fish’ is a modern take on the “my man done gone and left me” scenario. ‘Burn All The Bridges’ is a wonderful slow burning tale of heartbreak based on a bass riff underpinned with kick-drum while ‘Crying For My Home’ is a plaintive ballad about exile. Rooster is an album that is enjoyable on many levels whether your fancy runs to scat singing, slide guitar or a taste of pre-war blues. ~Dai Jeffries.

Rooster mc
Rooster zippy

Friday, December 30, 2016

Babajack - Exercising Demons

Bitrate: MP3@320K/s
Time: 51:15
Size: 117.3 MB
Styles: Folk blues
Year: 2010
Art: Front

[4:18] 1. Big Man Blues
[4:57] 2. Sweet Jelly Love
[5:16] 3. Going Down
[4:48] 4. Parade
[5:00] 5. Big Summer Rising
[4:36] 6. Dog Tired
[3:48] 7. The Last Train
[6:19] 8. Religion
[4:05] 9. I Walk On Diamonds
[8:04] 10. The Well Song

This is a CD that is going to grab you by the shoulders and shake you around for a bit, resettling your mind into a new locale on a wide-open range. It can seem serene and be flowing smoothly and in a blink erupt with a power and energy you never saw sneaking up on you. It is folky and then goes to almost violent tribal rhythms that display the sheer power of the music being generated. There are gypsy rhythms intertwined with African beats, drone, blues, and folk music. BabaJack is comprised of Trevor Steger on acoustic Dobro and wine box guitars, harmonica and vocals; Becky Tate vocals, drum, and stomp, with Aron Attwood on drums, bass, percussion and vocals (he also produced the disc) and they are joined by about five of their cohorts on various tracks on various instruments. The songs they unleash on the unsuspecting—they did write all of them—are well written and show the versatility of this group with their friends.

The singing, mostly done by Becky, is always full of emotion and very evocative and expressive. Though her voice comes very close to the level of surrender to the song, it is the musical rhythms that carry them. It is as much as what they don't play, the spaces they create and don't play into, as what they do play that creates the tension in the songs. Becky's voice has a gritty edge to it that gives it added texture along with Trevor's percussive guitar playing, particularly when he is using his slide. Though it might sound as if it could be hibildy gibbery it is a very cohesive disc that earns repeated listenings with its musicianship. ~Bob Gottlieb

Exercising Demons mc
Exercising Demons zippy