Showing posts with label Jimmy D. Lane. Show all posts
Showing posts with label Jimmy D. Lane. Show all posts

Saturday, January 20, 2018

Henry Townsend - My Story

Bitrate: MP3@320K/s
Time: 54:04
Size: 123.8 MB
Styles: Piano blues
Year: 2001
Art: Front

[4:38] 1. Less Than A Man
[5:39] 2. Tell Me
[4:20] 3. World Full Of People
[3:52] 4. No Fuss And Fight
[4:11] 5. Dreaming
[4:22] 6. You Should've Told Me
[5:37] 7. My Story
[5:17] 8. Help Me Darling
[4:34] 9. Screaming And Crying
[4:09] 10. Put Me On Hold
[2:31] 11. Goodbye
[4:48] 12. Repentance Blues

Acoustic Bass – Sho Komiya; Guitar [Dobro] – Jimmy D. Lane (tracks: 8,12); Guitar [Slide] – Ron Edwards; Piano, Guitar, Vocals – Henry Townsend.

Analogue Productions touts the fact that, with his latest CD, My Story, blues singer Henry Townsend has now released a recording, in one form or another, in every decade since the late 1920s. To me, the more impressive point is that Townsend has been singing the blues for over 70 years, so his many recordings over that time span would reveal someone who can not only sing the blues, but understands them and has most probably lived them too. Now, that’s something to crow about.

I hadn’t heard of Henry Townsend prior to listening to My Story. A quick perusal of my All Music Guide To The Blues informed me that he was born in Selby, Mississippi in 1909, which would make him about 90 when this disc was recorded. After traveling to St. Louis in the mid '20s, he began to record for Columbia, among others, and has been in and out of the studios ever since. (Unfortunately, his body of work is still rather sparse, a fact that I hope this CD will go a long way toward ameliorating.) Townsend’s not just a singer, but a very talented songwriter too, as evidenced by the fact that all of the tunes on My Life are self-penned. (After all those long years of banging along, trying to eke out a living singing the blues, can you think of a better title for this album?) With the aid of musicians Sho Komiya on bass, Ron Edwards on slide guitar, and, on two songs, Jimmie D. Lane on dobro, Townsend, who plays both piano and guitar here, lays out a vivid tutorial of just what singing the blues is all about. ~John Crossett

My Story mc
My Story zippy

Friday, November 17, 2017

Hubert Sumlin - I Know You

Bitrate: MP3@320K/s
Time: 56:36
Size: 129.6 MB
Styles: Chicago blues
Year: 1998
Art: Front

[4:01] 1. I'm Coming Home
[3:46] 2. Howlin' For My Darling
[8:31] 3. That's Why I'm Gonna Leave You
[4:01] 4. How Many More Years
[3:29] 5. Don't Judge A Book By The Cover
[5:51] 6. I Got It Where I Want It
[4:05] 7. I'm Not Your Clown
[4:37] 8. Smokestack
[7:19] 9. I've Been Hurt
[3:21] 10. Mind Is Rambling
[3:05] 11. You My Best
[4:25] 12. Good Bye

This is arguably the first musically indispensable album that Hubert Sumlin has done since Howlin' Wolf died some 23 years ago. That isn't to say that he hasn't done some good albums before this, just that I Know You has a degree of urgency, coupled with remarkable ease, that makes it a real delight. The result is a record that compares very favorably with Wolf's London Sessions record as a mix of old and new. Sumlin will never sound like Wolf as a singer, but he can't help sounding like him in every other way, since it was Wolf's guitar on practically every cut after 1954; but he does his best with a limited voice and a hot guitar to deliver some superb electric blues. Whether he's acknowledging Elmore James, Jimmy Reed, or John Lee Hooker, or paying tribute to Wolf himself ("How Many More Years," in a killer interpretation), Sumlin sounds like he's having great fun grinding and crunching away on his instrument. He even turns in a surprisingly strong vocal and guitar performance on a familiar piece of subdued blues, "That's Why I'm Gonna Leave You." There is a little dross here -- Sumlin doesn't do all that well stepping into John Lee Hooker territory; but generally, I Know You is a record that should please any fan of the Wolf or Sumlin (or, for that matter, James or Reed), with two tracks, "I'm Not Your Clown" and "Smokestack" (based on guess which song), indispensable to fans of hot blues guitar. Playing with him are Sam Lay (drums) and Carrie Bell (harp), with Jimmy D. Lane on second guitar and David Krull at the piano and organ. ~Bruce Eder

I Know You

Wednesday, July 27, 2016

The Legendary Rhythm & Blues Revue - Command Performance

Bitrate: MP3@320K/s
Time: 76:31
Size: 175.2 MB
Styles: Soul-blues, Urban blues, R&B
Year: 2008
Art: Front

[4:21] 1. Can't You See
[7:03] 2. I Feel That Old Feeling Coming On
[2:31] 3. Whammer Jammer
[7:20] 4. Still The Girl In The Band
[7:36] 5. See You Hurt No More
[3:52] 6. If It Ain't Me
[6:18] 7. If I Had A Nickel
[6:14] 8. Will It Go Round In Circles
[7:39] 9. She's Nineteen Years Old
[4:14] 10. Tell Me Mama
[6:02] 11. Looking For A Love
[9:22] 12. High On The Hog
[3:54] 13. Sea Cruise

The Legendary Rhythm & Blues Revue is a dynamic collaboration of talent that features the Tommy Castro Band along with an all-star lineup that includes pianist, saxophonist, singer/songwriter Deanna Bogart, Ronnie Baker Brooks, the son of legendary bluesman Lonnie Brooks, and Magic Dick, who is best known for his many years as the harmonica man in the J. Geils Band. This live recording spotlights many of the highlights of their recent tour on the highly regarded Legendary Rhythm & Blues Cruise.

Command Performance

Thursday, December 24, 2015

Jimmy D. Lane - 2 albums: It's Time / Legacy

Album: It's Time
Bitrate: MP3@320K/s
Time: 53:58
Size: 123.5 MB
Styles: Electric blues
Year: 2004
Art: Front

[ 3:31] 1. What Makes People
[ 3:29] 2. Til I Loved You
[ 4:01] 3. Half Love
[ 4:11] 4. Ain't It A Pity
[ 4:17] 5. It's Time
[ 4:03] 6. Stuck In The Middle
[ 4:24] 7. Hand On The Door
[ 5:23] 8. Bad Luck
[ 4:49] 9. My Nature
[ 2:44] 10. 24-7
[10:28] 11. Bleeding Heart
[ 2:32] 12. Salina

You might call Jimmy D. Lane a natural born bluesman. His father was the legendary Jimmy Rogers, who Jimmy D. shared the stage with for many years before recording on his own. Lane can play it '50s-style, as he did with his father and on Eomot RaSun's album, but he can also turn it up and rock out with any of the finest guitar slingers. For It's Time, Lane tackles a program of original tunes (except for one), with the aid of Double Trouble, Stevie Ray Vaughan's rhythm section. These guys bring decades of experience to their blues rhythms, and know exactly how to support a player like Lane. Keyboard duties are split between Celia Ann Price on B3 and piano, and Mike Finnigan on the B3. In addition, the album was produced and engineered by the one and only Eddie Kramer, who adds crisp, clear production values and some very subtle studio tricks (check out the panning in the slide solo on "Stuck in the Middle"). As a writer, Lane sticks close to standard subject matter "What Makes People" is certainly a close cousin of Willie Dixon's "The Same Thing," but the variety of tempos and grooves and great playing all around keep the album exciting. The reggae-inflected acoustic rhythm guitar and congas give "Til I Loved You" a unique sound, and the acoustic guitar, haunting slide and general atmosphere of "Stuck in the Middle" brings Lane close to Little Axe territory. "Ain't It a Pity" adds a bit of gospel flavor, a wonderful liquid guitar tone and the slightest bit of echo on some of Lane's vocals to great effect. But most of these songs showcase Lane's considerable guitar prowess and tough playing style. Great guitar solos are in abundance all over It's Time, and Lane really gets a chance to stretch out on Elmore James' "Bleeding Heart" (yet another connection to Jimi Hendrix's legacy). Credit must also go to label/studio owner Chad Kassem for putting out blues albums that sound the way they ought to: real musicians playing real instruments together in the same space without the gloss and polish (especially on drums) that is the bane of too many modern blues albums. Any fan of serious blues guitar really needs to check out Jimmy D. Lane, and It's Time is an excellent place to start. ~Sean Westergaard

It's Time mc
It's Time zippy

Album: Legacy
Bitrate: MP3@320K/s
Time: 60:02
Size: 137.4 MB
Styles: Electric blues
Year: 1998
Art: Front

[2:39] 1. Hey Little Girl
[4:05] 2. Clue Me
[7:13] 3. Four O'clock In The Morning
[2:37] 4. Going Downtown
[3:21] 5. Another Mule Kickin' In My Stall
[9:12] 6. In This Bed
[4:47] 7. Call It Blues
[7:04] 8. One Room Country Shack
[3:59] 9. Big House
[5:15] 10. Baby's Mule
[3:10] 11. Dem Blues
[3:49] 12. Pride
[2:45] 13. It's All Good

When your father was the late Chicago blues and Chess Records icon Jimmy Rogers (not to be confused with pioneering country singer Jimmie Rodgers), some would argue that you have a hell of a lot to live up to. But the question "How does Jimmy D. Lane compare to Jimmy Rogers?" is both unrealistic and unfair -- it would be like expecting Ravi Coltrane to accomplish what John Coltrane accomplished, or expecting Hank Williams, Jr. to be another Hank Williams, Sr. Besides, Lane is a fine Chicago bluesman in his own right. With Rogers making a guest appearance on "One Room Country Shack" and Muddy Waters' "Another Mule Kicking in Your Stall," listeners get to hear father and son playing alongside one another. Rogers, who died on December 19, 1997, had only two months to live when this historically important album was made. But Legacy is not only noteworthy because it contains the last recording of Rogers; it's also noteworthy because of the rich singing and expressive guitar playing that Lane brings to Memphis Slim's "Four O'Clock in the Morning" and Howlin' Wolf's "Big House," as well as heartfelt originals like "In This Bed," "Clue Me," and "Pride." Lane is someone who really understands the blues, and that fact is impossible to miss on this excellent date. ~Alex Henderson

Legacy mc
Legacy zippy

Sunday, December 13, 2015

Wild Child Butler - Sho' 'Nuff

Bitrate: MP3@320K/s
Time: 54:49
Size: 125.5 MB
Styles: chicago blues
Year: 2001
Art: Front

[5:08] 1. I Got To Go (Sweet Daddy-O)
[3:32] 2. Funky Things
[4:13] 3. Maryanne
[2:19] 4. Slippin' In
[4:28] 5. Can You Use A Man Like Me
[4:54] 6. Loving
[4:20] 7. Achin' All Over
[3:16] 8. Open Up Baby
[6:28] 9. Moaning Moaning
[5:31] 10. You Had Quit Me
[6:51] 11. I Changed
[3:44] 12. It's All Over

WILD CHILD BUTLER - hca/voc, JIMMY D. LANE - gtrs, BOB STROGER - bass.

Butler never was my favorite Chicago style harmonica player. I was disappointed by most of his recordings. This album is different. Not because I had to change my mind concerning his playing, but because the production is superb. You can feel the tension in the studio. Good vibrations. Chicago blues albums of this calibre in the new millennium are rare. ~Amazon

Sho' 'Nuff mc
Sho' 'Nuff zippy

Sunday, November 17, 2013

Jimmy D. Lane - Long Gone

Size: 145,8 MB
Time: 63:26
File: MP3 @ 320K/s
Released: 1997
Styles: Modern Electric Blues
Art: Full

01. Hear My Train A Comin' (5:46)
02. Obsession Babies (4:19)
03. Long Gone (4:53)
04. I Shall Be Released (4:01)
05. Shake, Shiver, Ache (3:10)
06. Rollin' Stone (5:54)
07. Whiskey (5:07)
08. Boom Boom (4:46)
09. White Tears (4:37)
10. Oh What A Feelin' (5:01)
11. California (8:48)
12. I'm In Love (2:52)
13. Tears Without A Shoulder (4:05)

A flexible bluesman, Jimmy D. Lane can handle straight-ahead Chicago blues as proficiently as he handles blues-rock; Long Gone is a fine example of the latter. Increasing the volume, the singer/guitarist shows his appreciation of Jimi Hendrix and Stevie Ray Vaughan on such high-octane originals as "Obsession Babies," "White Tears," and "Whiskey." Their influence is hard to miss on those songs as well as passionate interpretations of John Lee Hooker's "Boom Boom," Albert King's "California," and Hendrix's "Hear My Train a Comin'." And on Muddy Waters' "Rollin' Stone," listeners are reminded of the artistic debt that Hendrix owed to Waters. But it would be wrong to think that Lane is going out of his way to emulate either Hendrix or Vaughan. Their influence is present, but when Lane brings out his rock-influenced side, he's still very much his own person. Those who discovered Lane with his next album, Legacy, might be surprised to hear how more metallic his guitar playing is on the equally excellent Long Gone. ~Review by Alex Henderson

Thanks to Marc.
Long Gone