Showing posts with label Johnny Ray Jones. Show all posts
Showing posts with label Johnny Ray Jones. Show all posts

Saturday, November 23, 2024

Johnny Ray Jones - Mystic Chiefs

Album: Mystic Chiefs
Size: 99,0 MB
Time: 42:27
File: MP3 @ 320K/s
Released: 2024
Styles: Blues, harmonica blues
Art: Front

1. Automatic (3:35)
2. Trying To Get Back On My Feet (3:37)
3. Devil Woman (4:57)
4. Don't Go No Further (3:09)
5. Shake Your Hips (4:51)
6. I Wish You Would (2:29)
7. I'm Ready (3:37)
8. No Fightin' (5:10)
9. Sugar Sweet (3:20)
10. My Younger Days (3:35)
11. I'll Be Around (4:02)

Mystic Chiefs, the third album by Southern California blues shouter Johnny Ray Jones, is a hard-hitting 11-track collection that pays homage to generations of the region's best blues and roots bands including Canned Heat, the James Harman Band, the Blasters, the Red Devils, and the Blue Shadows and introduces a powerhouse new band featuring some of the genre's most skilled and exciting players. Jones brings four decades of experience in SoCal's clubs to the table; along the way he has sung beside such titans as Big Joe Turner, Lee Allen, Sam "Bluzman" Taylor, Phillip Walker, John Fogerty and Coco Montoya; he has shared stages with John Mayall, Leon Russell, Jeff Healy, Janiva Magness, Walter Trout, the Knitters, and the Blasters.

Jones' two previous albums for the Moondogg label, Feet Back in the Door (2017) and Way Down South (2021), were storming collections featuring Jones' potent vocal interpretations of blues, soul, R&B, and swamp rock classics. Mystic Chiefs, which features Jones' titular new group, is a crackling set of tough blues numbers originated by such masters as Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Slim Harpo, and Joe Hill Louis.

Five of the songs are drawn from the live repertoire of the Red Devils, the burnin' '90s Los Angeles blues unit fronted by harmonica ace Lester Butler; Jones sat in with the group during the era when they recorded King King, the ripping live album produced by Rick Rubin at the storied L.A. neighborhood joint and backed Mick Jagger on a legendary unreleased studio album. Mystic Chiefs was produced by Jones and recorded and mixed by Johnny Lee Schell at his Ultratone Studios in Studio City, CA. Schell, who continues as a rhythm guitarist in the Mystic Chiefs, has recorded with Bonnie Raitt (including on her multi-platinum 1989 album Nick of Time, which received the Grammy Award as Album of the Year), Buddy Guy, Otis Rush, B.B. King, Taj Mahal, Etta James, Ronnie Wood, and Joe Cocker.

The other players in the new band are a Who's Who of rockin' SoCal blues and roots music: lead guitarist Junior Watson (co-founder of the Mighty Flyers and guitarist for Canned Heat and William Clark); pianist Carl Sonny Leyland (keyboardist for Big Sandy & His Fly-Rite Boys); harp player Tex Nakamura (successor to Lee Oskar in War); bassist John Bazz (founding member of the Blasters); percussionist Stephen Hodges (noted for drumming an percussion work behind Tom Waits, Mavis Staples, and James Harman); and drummer J.R. Lozano (who played with his father, Los Lobos bassist Conrad Lozano, on the East L.A. band's Grammy-Winning album Native Sons). Sung, written, and played by the best, Mystic Chiefs is as close as you can get at home to a night in a blues club where the lights are low and the house is shakin'. /Amazon

Personnel: Johnny Ray Jones (vocals); Junior Watson (lead guitar); Johnny Lee Schell (rhythm guitar); Tex Nakamura (harmonica); John Bazz (bass); J.R. Lozano (drums); Stephen Hodges (percussion); Carl Sonny Leyland (piano).

Mystic Chiefs mc
Mystic Chiefs gofile

Thursday, July 29, 2021

Johnny Ray Jones - Way Down South

Size: 94.6 MB
Time: 40:22
File: MP3 @ 320K/s
Released: 2021
Styles: Electric Blues, Blues Soul
Art: Front

01. Steamy Windows (3:59)
02. I Got The Will (2:53)
03. Don't Burn Down The Bridge (3:19)
04. Way Down South (4:19)
05. You Don't Care (3:24)
06. Shine On Me (4:10)
07. Tunica Motel (3:58)
08. L.A. Fog (4:28)
09. Ninety Nine And A Half (Won't Do) (3:07)
10. Give Away None Of My Love (3:01)
11. Nothing Takes The Place Of You (3:38)

Johnny Ray Jones is back with the follow-up to “Feet Back In The Door.” The new highly-antcipated second album “Way Down South” is an all-out celebration of blues, roots & Americana soul, the next chapter in the unfolding story of the Godson of Soul, Johnny Ray Jones, vocalist & songwriter from Los Angeles. Johnny Ray Jones grew up in the L.A. blues music scene. Sam “Bluzman” Taylor, Johnny’s voice coach & mentor, traded him lessons for driving Sam to his shows & recording sessions.....
Percy Mayfield’s widow Tina Mayfield, Johnny’s godmother, booked Johnny Ray his first weekly blues shows at her club, Blues Unlimited, in South Central Los Angeles in the early ‘80s. Johnny Ray has performed with Big Joe Turner, John Fogerty & L.A.’s beloved blues-rockers The Red Devils. On this album, Johnny Ray brings back the top flight talent that made the first album so successful. Drummer Tony Braunagel (Phantom Blues Band, Taj Mahal, Bonnie Raitt, Robert Cray, Eric Burdon) and guitarist Johnny Lee Schell (Phantom Blues Band, Bonnie Raitt, Taj Mahal) return to contribute their production magic and stellar musicianship.

Way Down South MP3
Way Down South FLAC

Saturday, July 15, 2017

Johnny Ray Jones - Feet Back In The Door

Size: 98,5 MB
Time: 37:09
File: MP3 @ 320K/s
Released: 2017
Styles: Blues Rock, Blues Soul
Art: Front

01. Feet Back In The Door (3:54)
02. Hole In Your Soul (4:41)
03. Come Up And See Me Sometime (3:22)
04. High Cost Of Loving (3:15)
05. Hard Times Won (3:58)
06. Love-Itis (2:55)
07. I'm A Blues Man (3:17)
08. A Certain Girl (3:19)
09. In The Heart Of The City (4:38)
10. Hearts Have Turned To Stone (3:45)

It took a long time for Johnny Ray Jones and his friends to get Feet Back In The Door finished and bring it to market. The process actually started back in 1995 when Jones joined musicians Tony Braunagel, Marty Grebb, Joe Sublett, and Johnny Lee Schell got together, formed a group, and recorded four songs that somehow never got released.

Thankfully the project didn’t just disappear and they were able to complete the album by recording around busy schedules during 2015 and 2016, and now the album is available, and let me tell you, it’s a damn fine album.

I hope you like your blues with a lot of soul, because that’s what this album is all about. Each song draws from Jones’ strengths, and he’s not called “The Godson of Soul” for nothing. But it’s not just Jones. He’s joined by Schell on guitars; Braunagel on drums and percussion; Mike Finnigan on piano and organ; James “Hutch” Hutchinson on bass; and the Texicali Horns which is comprised of Sublett on tenor sax and Darrell Leonard on trumpet.

Special guests on the album include Lenny Castro on percussion; Jimmy Powers on harp; Marty Grebb on piano and baritone sax; Coco Montoya on lead guitar; Lee Thornburg on trumpet and flugelhorn; Paulie Serra on tenor sax; and Julie Delgado, Nita Whitaker, and Teresa James on backing vocals.

Some sweet soul blues opens the album with the title track, Feet Back In The Door. Jones’ voice is silky smooth and the band is on point, especially Finnigan’s keyboards and the Texicali Horns. I always had a soft spot for this kind of great soul music and this is a welcome addition to the genre.

Jones and Company follow up with Hole In Your Soul with guest artist Coco Montoya adding his signature lead guitar licks. It’s a strong song with some very powerful lyrics by Sam Taylor. I’ll be pulling this one out for an upcoming episode of Time For The Blues very soon.

Aside from a parting purr from Mae West in an old movie, Come On Up And See Me Sometime, is a cool as ice throwback number driven by Finnigan’s keys and Hutchinson’s bass. Jones has a seductive voice that is lovely to listen to – smooth but emotive, he pours out his lyrics like a mellow whiskey. This just might become my new go-to late night album to unwind to.

Jones adds some funk to High Cost Of Loving, with the rhythm section holding it together so that Finnigan and the Texacali Horns can add the spice. Schell adds in a great guitar break. They follow up with Hard Times Won, a solid blues number with a strong punch and Jimmy Powers’ harp. This a great song that should be getting some serious air play.

I remember the J. Geils Band performing Love-Itis back in the ‘70’s. It was good to hear Jones give it a little facelift. The horns are in rare form, and Jones sings the entire song with a smile on his face. Teresa James adds her magic to the backing vocals. I really think she’s an emerging star in the blues world and blending her voice with Jones makes a great sound.

Next up is a great blues song, I’m A Blues Man, that calls on so many of the great artists and lyrics from the past. This is that amazing Chicago sound that just electrifies a soul. I could easily listen to an entire album of songs like this, but Jones likes to mix things up. Still, he’s a great interpreter of the blues, and this long-delayed album could easily end up on a lot of best of 2017 lists…

Allen Toussaint’s A Certain Girl follows with that New Orleans swing. It’s a fun song with a little call and response between Jones and Johnny Lee Schell. Joe Sublett’s sax ties it all together and gives it even more punch.

Jones wrote the next song, In The Heart Of The City, and it stands up well against the others. It’s a low, tender ballad that showcases his voice at its most soulful. The song is full of emotion and one of those that get inside your heart for a while.

They end the album with Leon Russell’s Hearts Have Turned To Stone. It features some great piano work from Finnigan – always one of Russell’s trademarks – and the song has a strong backbone. This is a surprising number and perfectly delivered. It’s a great way to end the album.

My one regret with Feet Back In The Door is that it’s taken so long to get it finished and released. But trust me, it was worth the wait. Johnny Ray Jones has a killer voice and he and his friends have produced an album that features so many enjoyable blues and soul styles.

What holds it all together is not just the power of Jones’ voice – although that is a major factor – it’s the respect that Jones and all of the musicians have for the music. There are a number of artists right now who dabble in the blues, or maybe touch on a little soul, but it’s obvious that the music is deeply ingrained in Jones’ DNA. Maybe even an extra-soul chromosome floating around in there. ~by Professor Johnny

Feet Back In The Door