Size: 183,8+153,8+167,9+181,0 MB
Time: 79:12+66:10+72:22+78:14
File: MP3 @ 320K/s
Released: 2025
Styles: Blues/Rock/R&B
Art: Front
CD 1:
1. Dirty Work Is Going On (2:55)
2. The Things I Used To Do (3:35)
3. I Searched All Over (3:34)
4. I Can't Quit You Baby (3:48)
5. I Got Eyes (2:43)
6. This Should Go On Forever (2:59)
7. She's Tough (3:19)
8. Scratch My Back (3:32)
9. She's My Baby (4:31)
10. Baby Please Don't Lie To Me (2:48)
11. Snake Hips (2:50)
12. Pecker Wrecker (4:25)
13. Love At First Sight (2:54)
14. Wait On Time (3:05)
15. Scratch My Back (3:54)
16. Rich Woman (3:30)
17. Full-Time Lover (4:45)
18. Pocket Rocket (3:29)
19. She's Tuff (3:00)
20. Marked Deck (2:41)
21. Walkin' To My Baby (2:26)
22. Rock With Me (2:40)
23. C-Boy's Blues (3:00)
24. Let Me In (2:36)
CD 2:
1. Runnin' Shoes (3:41)
2. You Ain't Nothin' But Fine (1:50)
3. Low-Down Woman (3:19)
4. Extra Jimmies (2:40)
5. Sugar Coated Love (3:03)
6. Last Call For Alcohol (2:57)
7. The Crawl (2:15)
8. Jumpin' Bad (2:29)
9. Learn To Treat Me Right (3:10)
10. I'm A Good Man (If You Give Me A Chance) (2:50)
11. Dirty Work (3:06)
12. That's Enough Of That Stuff (2:10)
13. I Believe I'm In Love (2:30)
14. One's Too Many (2:41)
15. Give Me All Your Lovin' (2:49)
16. Roll, Roll, Roll (3:11)
17. Cherry Pink And Apple Blossom White (2:01)
18. I Hear You Knocking (2:47)
19. Tip On In (3:42)
20. I'm Sorry (2:52)
21. Mathilda (3:19)
22. Tell Me Why (2:28)
23. In Orbit (4:08)
CD 3:
1. Can't Tear It Up Enuff (3:04)
2. How Do You Spell Love (2:19)
3. You're Humbuggin' Me (3:44)
4. My Babe (2:53)
5. Neighbor Tend To Your Business (3:24)
6. The Monkey (3:16)
7. Diddy Wah Diddy (2:37)
8. Lover's Crime (2:37)
9. Poor Boy (3:24)
10. Tell Me (Pretty Baby) (3:45)
11. Gotta Have Somejust Got Some (4:43)
12. Tuff Enuff (3:23)
13. Tell Me (2:45)
14. Look At That, Look At That (3:27)
15. Two Time My Lovin' (3:43)
16. Amnesia (3:47)
17. Wrap It Up (2:45)
18. True Love (3:10)
19. Why Get Up (3:51)
20. I Don't Care (2:51)
21. Down At Antone's (3:06)
22. Stand Back (3:37)
CD 4:
1. Hot Number (3:27)
2. Wasted Years (4:23)
3. It Comes To Me Naturally (2:54)
4. Love In Common (4:50)
5. How Do You Spell Love (3:57)
6. Streets Of Gold (4:36)
7. Sofa Circuit (3:37)
8. Don't Bother Tryin' To Steal Her Love (3:23)
9. It Takes A Big Man To Cry (4:13)
10. Rock This Place (4:21)
11. Knock Yourself Out (4:30)
12. Mistake Number 1 (4:50)
13. One Night Stand (4:58)
14. Emergency (3:36)
15. Powerful Stuff (4:37)
16. Close Together (5:20)
17. Now Loosen Up Baby (3:34)
18. She's Hot (3:19)
19. Rainin' In My Heart (3:40)
Four years after The Jimmie Vaughan Story box set, the Last Music Company releases The Fabulous Thunderbirds - The Jimmie Vaughan Years: Complete Studio Recordings 1978-1989, a comprehensive multi-disc set that covers Vaughan's entire run with the band over eight albums. It's adorned by a 35-page book of rare photos, Bill Bentley's liner essay, and interviews and reminiscences from members and various others.
The buried treasure arrives early. The unissued 1978 sessions took place in New York when Doc Pomus brought them in. He also roped in legendary producer Joel Dorn. 13 songs were restored from a single, surviving, water-damaged tape, revealing a bar band that fully absorbed blues influences from Chicago, Memphis, and the Gulf Coast, including swamp-pop and NOLA R&B. They slipped original songs into rotation with covers. The T-Birds were appended by three saxophones and a piano on the Pomus session. Wilson's "Dirty Work Is Going On" and "Baby Please Don't Lie to Me" sit alongside Magic Sam's "I Can't Quit You Baby" and the standard "Snake Hips." 1979's Girls Go Wild! abandoned horns for a leaner, meaner sound. Wilson wrote six tracks including "Pocket Rocket" and "Rock with Me," and Jerry McCain's "She's Tuff."
1980's What's the Word appeared on Chrysalis; like its predecessor, it was produced by Denny Bruce and featured new drummer Fran Christina. Wilson penned six cuts including the swamp boogie "Learn to Treat Me Right" and the blistering roadhouse rocker "Enough of That Stuff." The set standout was a scorching, swampabilly version of Rockin' Sidney's "You Ain't Nothin' But Fine." In addition to Wilson's voice, Vaughan defines the band's sound with biting riffs, chords, and sparse single line runs. 1980's Butt Rockin' was recorded in Texas and Los Angeles with Bruce, horns, and piano. Wilson penned five tunes. The swampy "I Believe I'm in Love" picked up where the Rockin' Sidney jam left off, while "Can't Tear It Up Enuff" appeared on the soundtrack to Bull Durham.
Nick Lowe produced 1982's T-Bird Rhythm. Wilson's originals include "Can't Tear It Up Enuff" and the jump blues of "Lovers Crime," alongside Bobby Patterson's "How Do You Spell Love" and Dave Bartholomew's "The Monkey," all lit up by Vaughan's filthy guitar. Dave Edmunds produced 1986's Tuff Enuff - its title track was a potent single as was "Wrap It Up"; he also produced and played guitar on 1988's Hot Number with keyboardist Chuck Leavell and the Memphis Horns. Wilson composed eight of ten tracks. 1989's Powerful Stuff was Vaughan's last album with the T-Birds. Produced by Terry Manning, its hit title track made the soundtrack to the film Cocktail, while Wilson's "Emergency" with Vaughan's ringing rockabilly licks, and "Rainin’ in My Heart," a strolling NOLA R&B ballad, also resonated with fans.
The Jimmie Vaughan Years: Complete Studio Recordings 1978-1989 sounds fantastic as a definitive statement. It also reveals how much Vaughan's unique playing style informed the band's sound, and the popular evolution of blues and roots rock in the late 20th century. /Thom Jurek, AllMusic
The buried treasure arrives early. The unissued 1978 sessions took place in New York when Doc Pomus brought them in. He also roped in legendary producer Joel Dorn. 13 songs were restored from a single, surviving, water-damaged tape, revealing a bar band that fully absorbed blues influences from Chicago, Memphis, and the Gulf Coast, including swamp-pop and NOLA R&B. They slipped original songs into rotation with covers. The T-Birds were appended by three saxophones and a piano on the Pomus session. Wilson's "Dirty Work Is Going On" and "Baby Please Don't Lie to Me" sit alongside Magic Sam's "I Can't Quit You Baby" and the standard "Snake Hips." 1979's Girls Go Wild! abandoned horns for a leaner, meaner sound. Wilson wrote six tracks including "Pocket Rocket" and "Rock with Me," and Jerry McCain's "She's Tuff."
1980's What's the Word appeared on Chrysalis; like its predecessor, it was produced by Denny Bruce and featured new drummer Fran Christina. Wilson penned six cuts including the swamp boogie "Learn to Treat Me Right" and the blistering roadhouse rocker "Enough of That Stuff." The set standout was a scorching, swampabilly version of Rockin' Sidney's "You Ain't Nothin' But Fine." In addition to Wilson's voice, Vaughan defines the band's sound with biting riffs, chords, and sparse single line runs. 1980's Butt Rockin' was recorded in Texas and Los Angeles with Bruce, horns, and piano. Wilson penned five tunes. The swampy "I Believe I'm in Love" picked up where the Rockin' Sidney jam left off, while "Can't Tear It Up Enuff" appeared on the soundtrack to Bull Durham.
Nick Lowe produced 1982's T-Bird Rhythm. Wilson's originals include "Can't Tear It Up Enuff" and the jump blues of "Lovers Crime," alongside Bobby Patterson's "How Do You Spell Love" and Dave Bartholomew's "The Monkey," all lit up by Vaughan's filthy guitar. Dave Edmunds produced 1986's Tuff Enuff - its title track was a potent single as was "Wrap It Up"; he also produced and played guitar on 1988's Hot Number with keyboardist Chuck Leavell and the Memphis Horns. Wilson composed eight of ten tracks. 1989's Powerful Stuff was Vaughan's last album with the T-Birds. Produced by Terry Manning, its hit title track made the soundtrack to the film Cocktail, while Wilson's "Emergency" with Vaughan's ringing rockabilly licks, and "Rainin’ in My Heart," a strolling NOLA R&B ballad, also resonated with fans.
The Jimmie Vaughan Years: Complete Studio Recordings 1978-1989 sounds fantastic as a definitive statement. It also reveals how much Vaughan's unique playing style informed the band's sound, and the popular evolution of blues and roots rock in the late 20th century. /Thom Jurek, AllMusic
The Jimmie Vaughan Years: Complete Studio Recordings 1978-1989 part 1 mc
The Jimmie Vaughan Years: Complete Studio Recordings 1978-1989 part 1 gofile
The Jimmie Vaughan Years: Complete Studio Recordings 1978-1989 part 2 mc
The Jimmie Vaughan Years: Complete Studio Recordings 1978-1989 part 2 gofile