Size: 99,3 MB
Time: 42:29
File: MP3 @ 320K/s
Released: 1982
Styles: R&B
Art: LP front & back
1. Willie Egan - Wear Your Black Dress (1:59)
2. Willie Egan - I Can't Understand It (2:20)
3. Willie Egan - Willie's Blues (2:06)
4. Willie Egan - She's Gone Away But... (2:05)
5. Willie Egan - Come On (2:24)
6. Willie Egan - Oh Baby (2:10)
7. Willie Egan - Wow Wow (2:12)
8. Willie Egan - What A Shame (2:14)
9. Jimmy Thomason - Now Hear This (2:28)
10. Ervin 'Big Boy' Groves - You Can't Beat The Horses (2:20)
11. Ervin 'Big Boy' Groves - Big Boys Bounce (Boogie) (2:41)
12. Harmonica Slim - Do What Ya Wanna Do (2:04)
13. Harmonica Slim - My Baby Won't Quit Me (2:35)
14. Harmonica Slim - You Better Believe It (2:53)
15. Harmonica Slim - Drop Anchor (2:12)
16. Effie Smith & The Squires - Water Water (2:34)
17. Effie Smith - You Should Be Ashamed Of Yourself (2:33)
18. Effie Smith - Champagne (2:29)
Rare work from the 78 rpm years of the Vita label – with almost a full side of tracks by Willie Egan, plus more by Effie Smith, Harmonica Slim, Ervin Big Boy Groves, and Jimmy Thomason.
Rhythm and blues pioneer Willie Egan was born October 1, 1933 in Minden, Louisiana. The product of grinding poverty, his bayou home was so isolated from the rest of civilization that each year, members of the community were forced to forge a path through the swamp just to reach the main road - alligators were a threat as well, with Egan's father losing a hand and his brother sacrificing a foot. When Egan was nine-years-old, his family sent him to live with his grandmother in Los Angeles; there he began playing the piano parked on his uncle's front porch, learning to play by absorbing records by Amos Milburn and Hadda Brooks - in addition, neighbor Arthur Alexander (not the country-soul legend) taught Egan to play boogie by penciling numbers on the keys.
In 1949, the 15-year-old signed to J.R. Fullbright's Elko Records to cut his debut record, "It's a Shame" - credited to Little Willie Egans (the modifier was dropped following a subsequent growth spurt), the single generated little interest, and he returned to playing local clubs before getting a second chance in 1955, signing to Larry Mead's Mambo label and teaming with singer/guitarist Lloyd Rowe for "Don't Know Where She Went." The pairing proved short-lived, however, and Egan resumed his solo career, recording "Wow Wow" for Mambo as Willie Eggins and His Orchestra. The single was a hit throughout southern California, and Egan soon re-surfaced with "Sometimes I Wonder" - when Fats Domino complained the song sounded too much like his "Rosemary," Egan countered that both of them sounded like Amos Milburn in the first place.
His creative zenith was 1956's "Wear Your Black Dress," a fierce jump blues reminiscent of Ray Charles. The song was inspired by Egan's wife, Beatrice - "Wear Your Black Dress" came about because I almost shot her," he later recalled. "I was sitting at home with a .38 in my lap, waiting for her to come home." After moving to Mead's Vita imprint, he issued the singles "Come On" and "She's Gone Away, But," cutting his last solo effort, "Rock and Roll Fever," in 1958; Egan then teamed with Marvin Phillips in his long-running duo Marvin & Johnny, becoming just the latest in a long line of musical foils. Together Phillips and Egan recorded the lackluster "Baby Baby Baby" in 1958, disappearing on the club circuit before signing to Hunter Hancock's Swingin' label for a pair of 1962 sides, "I'm Tired of Being Alone" and "Second Helping of Cherry Pie."
Egan then resumed his solo career, but when he lost his equipment in a nightclub fire, he retired from performing and returned to Los Angeles to work as a hospital orderly. Two decades later, he was subsisting on unemployment when local R&B promoter Steve Brigati tracked him down - believing Egan was now dead, the British label Krazy Kat had compiled his solo singles on an LP, Rock & Roll Fever, and sales were proving remarkably strong throughout Europe. Soon Egan was headlining London's Electric Ballroom, backed by saxophonist Big Jay McNeely, and for Ace Records he cut a new studio LP, 1984's Going Back to Louisiana. After a long bout with cancer, Egan died in Los Angeles on August 5, 2004. /Biography by Jason Ankeny, AllMusic
Rhythm and blues pioneer Willie Egan was born October 1, 1933 in Minden, Louisiana. The product of grinding poverty, his bayou home was so isolated from the rest of civilization that each year, members of the community were forced to forge a path through the swamp just to reach the main road - alligators were a threat as well, with Egan's father losing a hand and his brother sacrificing a foot. When Egan was nine-years-old, his family sent him to live with his grandmother in Los Angeles; there he began playing the piano parked on his uncle's front porch, learning to play by absorbing records by Amos Milburn and Hadda Brooks - in addition, neighbor Arthur Alexander (not the country-soul legend) taught Egan to play boogie by penciling numbers on the keys.
In 1949, the 15-year-old signed to J.R. Fullbright's Elko Records to cut his debut record, "It's a Shame" - credited to Little Willie Egans (the modifier was dropped following a subsequent growth spurt), the single generated little interest, and he returned to playing local clubs before getting a second chance in 1955, signing to Larry Mead's Mambo label and teaming with singer/guitarist Lloyd Rowe for "Don't Know Where She Went." The pairing proved short-lived, however, and Egan resumed his solo career, recording "Wow Wow" for Mambo as Willie Eggins and His Orchestra. The single was a hit throughout southern California, and Egan soon re-surfaced with "Sometimes I Wonder" - when Fats Domino complained the song sounded too much like his "Rosemary," Egan countered that both of them sounded like Amos Milburn in the first place.
His creative zenith was 1956's "Wear Your Black Dress," a fierce jump blues reminiscent of Ray Charles. The song was inspired by Egan's wife, Beatrice - "Wear Your Black Dress" came about because I almost shot her," he later recalled. "I was sitting at home with a .38 in my lap, waiting for her to come home." After moving to Mead's Vita imprint, he issued the singles "Come On" and "She's Gone Away, But," cutting his last solo effort, "Rock and Roll Fever," in 1958; Egan then teamed with Marvin Phillips in his long-running duo Marvin & Johnny, becoming just the latest in a long line of musical foils. Together Phillips and Egan recorded the lackluster "Baby Baby Baby" in 1958, disappearing on the club circuit before signing to Hunter Hancock's Swingin' label for a pair of 1962 sides, "I'm Tired of Being Alone" and "Second Helping of Cherry Pie."
Egan then resumed his solo career, but when he lost his equipment in a nightclub fire, he retired from performing and returned to Los Angeles to work as a hospital orderly. Two decades later, he was subsisting on unemployment when local R&B promoter Steve Brigati tracked him down - believing Egan was now dead, the British label Krazy Kat had compiled his solo singles on an LP, Rock & Roll Fever, and sales were proving remarkably strong throughout Europe. Soon Egan was headlining London's Electric Ballroom, backed by saxophonist Big Jay McNeely, and for Ace Records he cut a new studio LP, 1984's Going Back to Louisiana. After a long bout with cancer, Egan died in Los Angeles on August 5, 2004. /Biography by Jason Ankeny, AllMusic
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