Showing posts with label Michael Wayne Avery. Show all posts
Showing posts with label Michael Wayne Avery. Show all posts

Thursday, November 9, 2023

Foley and the Falling Bassmen & Michael Wayne Avery - Pray

Size: 241 MB
Time: 39:57
File: Flac
Released: 2019
Styles: Blues, harp-blues
Art: Front

1. Lucky Three (3:55)
2. Atlas Said (2:46)
3. Pray (3:35)
4. Barely Seventeen (The Ballad of Joel and Jodean) (4:04)
5. Tired of Being Tired (4:02)
6. Build Up (3:51)
7. Evening Sun (4:12)
8. Love and Loyalty (5:05)
9. Static (4:16)
10. Eight Hands (4:07)

No info found. Be my guest (daba)

Pray FLAC

Monday, October 30, 2017

Michael Wayne Avery & Larry Giles - Mama's In The Medicine

Size: 101,1 MB
Time: 38:35
File: MP3 @ 320K/s
Released: 2017
Styles: Blues Rock
Art: Front

01. Marry Me, Mary Jane (2:40)
02. Real (3:12)
03. Walking Tracks (2:47)
04. Her Kind Of Trouble (3:58)
05. Better Bad Decisions (3:31)
06. Beautiful Disaster (2:50)
07. Jamming With Giles (3:38)
08. Mama's In The Medicine (3:18)
09. Far From Okay (2:48)
10. Bad Influence (3:28)
11. Bar Maid Blues (3:40)
12. Jump To Someone New (2:38)

Michael Wayne Avery is a fresh face on the Blues/Carolina Blues/Beach Music scene. The man understands that energetic and captivating performances mixed with great lyrics, memorable melodies, and uplifting tempos are a recipe for a surf side success!
Fans have already recognized him from the hit “Candy’s Coming Back to Town” which was included on both his Greetings from Myrtle Beach CD and the SISBRO Records’ Carolina Shag IV compilation CD. As a teen, Michael took guitar lessons from Red Fenton, the man who once sold George Harrison his first Rickenbacker electric guitar the year before Beatlemania swept through American by storm. After a few chords and being amazed at how long Red could keep the ash on his cigarette before it fell off during guitar lessons, Michael hung out with a local family that played nothing but bluegrass. That foundation of clean acoustic playing taught him to listen judiciously to other players and to think in terms each instrument playing different parts. That sense of respect for the music above the notion of show-boating, stayed with him during his early development and throughout his body of work which has encompassed many genres. Hearing the arrangements of Stephen Stills on the first Crosby, Stills & Nash album, help Michael Wayne to understand that, above all, every single note that is played serves the song itself. That journey has led him to his latest release, his second in the Carolina Blues/Beach Music style.

Mama's In The Medicine