Showing posts with label Gatemouth Moore. Show all posts
Showing posts with label Gatemouth Moore. Show all posts

Sunday, February 19, 2017

Various - Blues: The Very Best Of...

Bitrate: MP3@320K/s
Time: 54:23
Size: 124.5 MB
Styles: Delta blues, Memphis blues
Year: 2015
Art: Front

[2:52] 1. John Lee Hooker - Baby Lee
[2:26] 2. Lightnin' Hopkins - Lonesome
[3:15] 3. B.B. King - Young Dreamers
[3:23] 4. Jelly Roll Morton - Somebody's Gotta Go
[2:41] 5. Charles Brown - Walking Alone (Blues For My Baby)
[3:14] 6. Lead Belly - Baby Let Me Hold Your Hand
[3:14] 7. Lightnin' Hopkins - In New Orleans (House Of The Rising Sun)
[3:24] 8. B.B. King - By Myself
[2:36] 9. Johnny Otis - Have You Ever Loved A Woman
[3:44] 10. Memphis Slim - Mr. Jelly Lord
[2:37] 11. B.B. King - Lonesome Dog Blues
[2:24] 12. Gatemouth Moore - On My Word Of Honor
[2:09] 13. Memphis Slim - King Porter Stomp
[2:38] 14. Charles Brown - Trouble Blues
[1:17] 15. Lead Belly - Big Fat Woman
[3:51] 16. B.B. King - I'm Leaving You Now
[5:38] 17. Lightnin' Hopkins - Guess Who
[2:52] 18. Jelly Roll Morton - Rockin' Blues

When you think of the blues, you think about misfortune, betrayal and regret. You lose your job, you get the blues. Your mate falls out of love with you, you get the blues. Your dog dies, you get the blues. While blues lyrics often deal with personal adversity, the music itself goes far beyond self-pity. The blues is also about overcoming hard luck, saying what you feel, ridding yourself of frustration, letting your hair down, and simply having fun. The best blues is visceral, cathartic, and starkly emotional. From unbridled joy to deep sadness, no form of music communicates more genuine emotion.

The blues has deep roots in American history, particularly African-American history. The blues originated on Southern plantations in the 19th Century. Its inventors were slaves, ex-slaves and the descendants of slaves—African-American sharecroppers who sang as they toiled in the cotton and vegetable fields. It's generally accepted that the music evolved from African spirituals, African chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and country dance music. ~Ed Kopp

Blues: The Very Best Of... mc
Blues: The Very Best Of... zippy

Monday, January 4, 2016

Various - Savoy Blues Vols 5 & 6

Album: Savoy Blues Volume 5
Bitrate: MP3@320K/s
Time: 34:59
Size: 80.1 MB
Styles: Assorted styles
Year: 2009
Art: Front

[3:44] 1. Delta John - Goin' Mad Blues
[3:14] 2. Hot Lips Page - Uncle Sam Blues
[2:22] 3. Dexter Gordon - Knockin' Myself Out
[3:11] 4. Eddie Kirkland - Snake In The Grass
[2:17] 5. H-Bomb Ferguson - Good Lovin'
[3:22] 6. Big Joe Turner - I'm Still In The Dark
[2:51] 7. Walter Brown Mcghee - Auto Mechanic Blues
[7:58] 8. Charles Brown - I Put Myself Together
[2:57] 9. Billy Wright - Goin' Down Slow
[2:59] 10. Joe Williams - Kansas City Blues

Savoy Blues Volume 5 mc
Savoy Blues Volume 5 zippy

Album: Savoy Blues Volume 6
Bitrate: MP3@320K/s
Time: 32:28
Size: 74.3 MB
Styles: Assorted styles
Year: 2009
Art: Front

[4:28] 1. Big Maybelle - Blues Early, Early
[2:34] 2. Lafayette Thomas - Texarkana
[2:31] 3. Helen Humes - Sad Feeling
[3:40] 4. Eddie Kirkland - When I First Started Hoboing
[3:01] 5. Little Miss Sharecropper - Take Out Some Time
[3:01] 6. Gatemouth Moore - Love Doctor Blues
[4:29] 7. Charles Brown - I've Got A Right To Cry
[3:03] 8. Johnny Otis - Midnight In The Barrelhouse
[3:05] 9. Joe Williams - When The Sun Goes Down
[2:30] 10. Sticks McGhee & The Ramblers - Things Have Changed

Savoy Blues Volume 6 mc
Savoy Blues Volume 6 zippy

Sunday, December 27, 2015

Various - Savoy Blues 'n' Boogie

Bitrate: MP3@320K/s
Time: 48:35
Size: 111.2 MB
Styles: Soul/R&B/Blues
Year: 2003
Art: Front

[2:35] 1. Big Jay McNeely - Man Eater
[2:54] 2. Tommy Brown - Double Faced Deacon
[2:46] 3. Budd Johnson's Orchestra - Did You Ever Love A Woman
[2:40] 4. Lavern Baker - I Want To Rock
[2:24] 5. H-Bomb Ferguson - Bookie's Blues
[2:24] 6. Sonny Wilson - The Rainy Day Blues
[2:29] 7. Dexter Gordon - Airplane Blues
[3:07] 8. Dallas Bartley - You're The Greatest
[2:39] 9. Doc Pomus - My Good Pott
[2:49] 10. Milton Buggs - Fine Brown Frame
[2:22] 11. Tiny Bradshaw - Take The Hands Off The Clock
[2:34] 12. Dallas Bartley - I Know What It's All About
[2:42] 13. Melvin Moore - I'm Still In Love With You
[2:32] 14. Billy Wright - Married Woman's Boogie
[3:00] 15. Doc Pomus - My New Chick
[2:51] 16. Gatemouth Moore - I Ain't Mad At You Pretty Baby
[2:54] 17. Tommy Brown - V-Eight Baby
[2:43] 18. Dexter Gordon - Helen's Advice

Savoy compiled these solid blues and boogie woogie sides, including tracks by Tiny Bradshaw, Gatemouth Moore, and others. While these tracks are available elsewhere, Blues N' Boogie is still a nice budget-priced introduction to some raw, postwar sounds. ~Matt Collar

Savoy Blues 'n' Boogie mc
Savoy Blues 'n' Boogie zippy

Thursday, May 28, 2015

Gatemouth Moore - Pioneers Of Rhythm & Blues Vol 10

Bitrate: MP3@320K/s
Time: 35:30
Size: 81.3 MB
Styles: R&B-Blues vocals
Year: 2008
Art: Front

[3:42] 1. Goin' Down Slow
[3:23] 2. Everybody Has Their Turn
[5:57] 3. Beale Street Ain't Beale Street No More
[3:26] 4. Were You Loving Me
[2:44] 5. My Mother Thinks I'm Something
[3:56] 6. Boogie Woogie Papa
[3:10] 7. Do They Know It's Christmas
[2:36] 8. Did You Ever Love A Woman
[3:11] 9. I Ain't Mad At You, Pretty Baby
[3:20] 10. Somebody's Gotta Go

Blues shouter and later gospel preacher, Gatemouth Moore got his start in Kansas City while still a teenager, singing for the bands of Bennie Moten and Walter Barnes. Graced with a smooth but powerful voice similar to Charles Brown, Moore spent the 1940s penning and recording songs, most notably "Have You Ever Loved a Woman," which would later be covered by B.B. King and the previously mentioned Charles Brown. Others would revisit Moore's songs, too, with Rufus Thomas covering Gatemouth's "Somebody's Got to Go" and Jimmy Witherspoon adopted "Christmas Blues." In 1949 Moore gave up secular singing for the gospel trail. He still sang and recorded -- but almost exclusively gospel material -- and spent most of the ensuing decades working in churches and promoting gospel music through radio programs that he hosted. In 2003, Moore appeared in director Richard Pearce's film Road to Memphis singing a latter-day song he wrote titled "Beale Street Ain't Beale Street No More." The following year, the singer dubbed Gatemouth because of his massive voice passed away from natural causes at the age of 90. ~bio by Wade Kergan

Pioneers Of Rhythm & Blues Vol 10 mc
Pioneers Of Rhythm & Blues Vol 10 zippy

Monday, December 1, 2014

Various - Savoy Blues 'n' Boogie

Bitrate: 320K/s
Time: 48:35
Size: 111.2 MB
Styles: R&B, Soul, Texas blues
Year: 2009
Art: Front

[2:35] 1. Big Jay Mcneely & His Blue Jays - Man Eater
[2:54] 2. Tommy Brown - Double Faced Deacon
[2:46] 3. Gatemouth Moore - Did You Ever Love A Woman
[2:40] 4. Little Miss Sharecropper - I Want To Rock
[2:24] 5. H-Bomb Ferguson - Bookie's Blues
[2:24] 6. Sonny Wilson - The Rainy Day Blues
[2:29] 7. Helen Humes - Airplane Blues
[3:07] 8. Dallas Bartley - You're The Greatest
[2:39] 9. Doc Pomus - My Good Pott
[2:49] 10. Milton Buggs - Fine Brown Frame
[2:22] 11. Tiny Bradshaw & His Orchestra - Take The Hands Off The Clock
[2:34] 12. Dallas Bartley & His Band - I Know What It's All About
[2:42] 13. Melvin Moore - I'm Still In Love With You
[2:32] 14. Billy Wright - Married Woman's Boogie
[3:00] 15. Doc Pomus - My New Chick
[2:51] 16. Gatemouth Moore - I Ain't Mad At You Pretty Baby
[2:53] 17. Tommy Brown - V-8 Baby
[2:43] 18. Helen Humes - Helen's Advice

Blues ‘N’ Boogie is a unique collection of obscure, fun tunes dating from 1945-52. From the onset, the compilation does a nice job of placing this form of black jazz into historic context. Spanning through 18 tracks, this record showcases some genuine honkers (Big Jay McNeely) and shouters (Helen Humes). Also included are rare gems by Little Miss Sharecropper and a young man named Sonny Wilson, who are better known now as LaVern Baker and Jackie Wilson respectively. Not all the performers on this collection became so well known as those recognizable names, but they were integral in keeping the scene alive and pumping. These particular blues and boogies are often filtered through the sound of the big band style arrangements so popular during WWII and the early post-war years, which really sets these tunes as period pieces, though that hardly matters here. This is music of a particular moment in time. ~Barbara Flaska

Savoy Blues 'n' Boogie mc
Savoy Blues 'n' Boogie zippy

Wednesday, November 19, 2014

Various - Stompin' At The Savoy: Harlem Nocturne 1944-47

Bitrate: 320K/s
Time: 68:16
Size: 156.3 MB
Styles: Early R&B, Blues-jazz
Year: 2009
Art: Front

[3:14] 1. Hot Lips Page - Uncle Sam Blues
[3:01] 2. Pete Brown Quintet - Pete Brown's Boogie
[2:52] 3. Miss Rhapsody - Hey Lawdy Mama
[3:11] 4. The Toppers - If Money Grew On Trees
[2:59] 5. Big Joe Turner - S.K. Blues, Part 1
[2:57] 6. Big Joe Turner - S.K. Blues, Part 2
[3:02] 7. Albinia Jones - Evil Gal Blues
[2:51] 8. Gatemouth Moore - I Ain't Mad At You, Pretty Baby
[2:52] 9. Billy Eckstine - Prisoner Of Love
[3:06] 10. Johnny Otis - Harlem Nocturne
[3:12] 11. Slim Gaillard - Slim's Jam
[2:49] 12. Pete Johnson's All-Stars - Atomic Boogie
[3:08] 13. Cousin Joe - Weddin' Day Blues
[3:12] 14. Big Joe Turner - My Gal's A Jockey
[5:57] 15. Dusty Fletcher - Open The Door, Richard Parts 1 & 2
[2:22] 16. Tiny Bradshaw - Take The Hands Off The Clock
[3:03] 17. Johnny Otis - Midnight In The Barrel House
[2:58] 18. Benny Roberts Orchestra - Thriller Diller Poppa
[2:50] 19. The Ravens - Write Me A Letter
[3:11] 20. Paul Williams Sextet - Thirty Five Thirty
[2:39] 21. Doc Pomus - My Good Pott
[2:37] 22. Wild Bill Moore - We're Gonna Rock, We're Gonna Roll

This disc (1944-47) takes on the years when R&B had no name, but was rather an increasingly frenetic outgrowth of swing-band jump. There are refugees from Kansas City territory jazz bands, including Big Joe Turner on “S.K. Blues” and Gatemouth Moore with a killer vocal on “I Ain’t Mad At You, Pretty Baby”; boogie-woogie fad giants such as Pete Johnson; and bands recorded or picked up from the Central Avenue scene in Los Angeles, including Johnny Otis’ seminal after-hours instrumental “Harlem Nocturne”, the tune that launched a thousand detective-story soundtracks.

Most fascinating may be the numbers that combined zoot suit-era jive talk with honks and riffs — the aforementioned “Open The Door, Richard”, Slim Gaillard’s “Slim’s Jam”, etc. — which can certainly be seen now as hip-hop precursors. There’s a jumpin’ salute to a girlfriend with a suspiciously smoky name sung by future famed songwriter Doc Pomus — “My Good Pott”. And Hot Lips Page’s wartime lament that “Uncle Sam’s not a woman, but he sure can take your man” no doubt has some current relevance.

Stompin' At The Savoy: Harlem Nocturne 1944-47 mc
Stompin' At The Savoy: Harlem Nocturne 1944-47 zippy

Friday, October 17, 2014

Gatemouth Moore - Greatest Hits

Bitrate: 320K/s
Time: 36:41
Size: 84.0 MB
Styles: Early R&B, Jump blues, Piano blues
Year: 2014
Art: Front

[6:03] 1. Beale Street Ain't Beale Street No More
[3:53] 2. Boogie Woogie Papa
[2:40] 3. Did You Ever Love A Woman
[3:25] 4. Everybody Has Their Turn
[3:14] 5. Gate's Christmas Blues
[3:42] 6. Goin' Down Slow
[3:12] 7. I Ain't Mad At You Pretty Baby
[3:35] 8. My Mother Thinks I'm Something
[3:23] 9. Somebody's Got To Go
[3:28] 10. Were You Loving Me

Blues shouter and later gospel preacher, Gatemouth Moore got his start in Kansas City while still a teenager, singing for the bands of Bennie Moten and Walter Barnes. Graced with a smooth but powerful voice similar to Charles Brown, Moore spent the 1940s penning and recording songs, most notably "Have You Ever Loved a Woman," which would later be covered by B.B. King and the previously mentioned Charles Brown. Others would revisit Moore's songs, too, with Rufus Thomas covering Gatemouth's "Somebody's Got to Go" and Jimmy Witherspoon adopted "Christmas Blues." In 1949 Moore gave up secular singing for the gospel trail. He still sang and recorded -- but almost exclusively gospel material -- and spent most of the ensuing decades working in churches and promoting gospel music through radio programs that he hosted. In 2003, Moore appeared in director Richard Pearce's film Road to Memphis singing a latter-day song he wrote titled "Beale Street Ain't Beale Street No More." The following year, the singer dubbed Gatemouth because of his massive voice passed away from natural causes at the age of 90. ~bio by Wade Kergan

Greatest Hits mc
Greatest Hits zippy