Friday, May 31, 2024

Tiny Topsy & Lula Reed - Just A Little Bit: Federal's Queens Of New Breed R&B

Album: Just A Little Bit: Federal's Queens Of New Breed R&B
Size: 164,8 MB
Time: 70:40
File: MP3 @ 320K/s
Released: 2010
Styles: R&B
Art: Full

1. Miss You So (2:05)
2. Just A Little Bit (2:39)
3. A Woman's Intuition (2:37)
4. Aw! Shucks Baby (2:24)
5. Everybody Needs Some Loving (3:00)
6. Come On, Come On, Come On (2:40)
7. Cha Cha Sue (2:44)
8. Waterproof Eyes (2:12)
9. You Shocked Me (2:35)
10. Western Rock 'N' Roll (2:57)
11. Ring Around My Finger (2:18)
12. You Gotta Have That Green (2:39)
13. Know What You're Doing (3:00)
14. Puddentane (2:17)
15. Baby Baby (3:05)
16. What Makes You So Cold (2:06)
17. I'm A Woman (But I Don't Talk Too Much) (3:00)
18. I Know (2:27)
19. Say Hey Pretty Baby (2:24)
20. I Got A Notion (3:01)
21. Your Love Keeps A-Working On Me (2:52)
22. Ain't No Cotton Pickin' Chicken (Gonna Break This Chicken Heart Of Mine) (2:28)
23. It's Easy, Child (3:08)
24. Do The President Twist (2:43)
25. (Let Your Love) Watch Over Me (4:13)
26. You Can't Hide (2:54)

Rare singles plus just a bit of previously unissued material, recorded separately by two women singers for the Federal label in the late 1950s and early '60s, are compiled on this CD, divided about evenly between Tiny Topsy sides and Lula Reed tracks. None of the five singles Tiny Topsy did for the label between 1957 and 1959 were hits, but one of them should have been, and was indeed a hit for someone else. That song was the R&B/rock classic "Just a Little Bit," heard here in its original version.

Covered soon afterward for a huge R&B hit by Rosco Gordon, it was done over the next few decades by numerous rock and soul acts. Tiny Topsy's rendition isn't necessarily the best of the many that have been waxed, but it's tough and based around riveting, minor-keyed melodic lines. Unfortunately, none of her other Federal tracks were nearly as exciting. They're adequately energetic if formulaic performances caught somewhere between mid-'50s R&B and the rock & roll that was superseding it; Tiny Topsy used a far raunchier vocal approach than most women in her field did during that period.

Lula Reed is much better known, and was recorded much more often, than Topsy. In fact, she'd already done a lengthy tour of duty with Federal's parent label, King, in the early to mid-'50s that's collected on another Ace CD, I'll Drown in My Tears (whose title track was famously covered by Ray Charles as "Drown in My Own Tears"). This CD has singles she did in 1961 and 1962, including a couple duets with Freddy King. Reed wasn't as forceful a singer as Topsy, and these sides are just average, early-'60s R&B numbers with a bluesy edge. They're a little behind the times, as they're not especially influenced by either rock & roll or the emerging sounds of soul music. Songwriter Rudolph Toombs (noted for "One Mint Julep" and "One Scotch, One Bourbon, One Beer") wrote or co-wrote a few of the songs here, but even the liner notes acknowledge that they weren't up to the level of the aforementioned classics.

Another cut, "Ain't No Cotton Pickin' Chicken (Gonna Break This Chicken Heart of Mine)," deserves some sort of commendation for its convoluted title, but isn't as interesting as its handle might suggest. The somewhat poppier Reed-King duets aren't highlights of either artist's career, and don't contain much in the way of King's trademark flashy blues guitar. But they do provide a historical footnote worth hearing in "It's Easy, Child," which was somehow discovered by the Moody Blues and covered on the B-side of their mid-'60s smash "Go Now." /Richie Unterberger, AllMusic

Tracks 1-11 credited to Tiny Topsy
Tracks 12-22 credited to Lula Reed
Tracks 23-26 credited to Lula Reed & Freddy King

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The Odd Cases - Bad Love

Album: Bad Love
Size: 68,7 MB
Time: 29:43
File: MP3 @ 320K/s
Released: 2024
Styles: Blues, harmonica blues
Art: Front

1. Gotta Have That Woman (2:36)
2. Fly Real Low (2:48)
3. Bad Love (3:20)
4. Ramblin' On My Mind (3:03)
5. C.C. Rider (3:21)
6. Morning Sun (3:31)
7. Sweetest Angel (3:44)
8. Call Me (2:40)
9. Greasy Meat (1:33)
10. 1993 (3:03)

On Friday evenings in pubs over pints of beer (in this case trappist beer Orval), plans are often hatched. On one such occasion, two unique characters devised a plan to make music together. Their shared love for blues from the 1950s and 1960s quickly established the musical direction they would pursue. Putting their words into action, they went into the studio after just two rehearsals armed with infectious grooves, fragments of lyrics, and a whole lot of passion. One of them wielded an old Airline guitar and Fender Deluxe amp, while the other brought along a dozen Hohner harmonicas, an antique bullet microphone, and a dusty 5-watt amplifier.

Two afternoons later, they emerged from the studio with ten tracks. Everything you hear on the abum. "Bad Love," was recorded live (with the exception of the kazoo and washboard on "Greasy Meat" which were overdubbed), and the imperfections (of which there are quite a few) were intentionally left untouched. These ten blues songs. with their raw texture. shuffle along gently, sometimes aiming for the hips and other times tugging at the heartstrings. "Bad Love" is more than just a tasty interlude - it is an infectious collection of original compositions complemented by two covers (C.C. Rider, Rambling On My Mind).

Personnel: Steven Troch (vocals, harmonica); Bart Jult (guitar).

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Levee Town - Stories

Album: Stories
Size: 70,7 MB
Time: 30:34
File: MP3 @ 320K/s
Released: 2024
Styles: Blues/Roots/Rock
Art: Front

1. The Healthy Woman (3:39)
2. I Got A Hole In My Pocket (2:53)
3. Where I Lay My Head (3:36)
4. Worn Soul (3:59)
5. Harley Lou (3:32)
6. Dumb Ole Smart Phone (3:29)
7. My Daughter's Eyes (3:27)
8. Shuffling Sea (2:40)
9. Back Then (3:16)

Levee Town, formed in 2002, is a blues rock band based out of Kansas City, Missouri. The band consists of Brandon Hudspeth on guitar and vocals, Jacque Garoutte on bass and vocals, and Adam Hagerman on drums. When they are not touring, Levee Town is the house band at the world famous Knuckleheads Saloon.

Since their formation, Levee Town has burned up the highway and stages all over the US and Canada. The band has released nine studio albums and one live album. They have also had the opportunity to open shows for well-known acts like Kenny Wayne Shepard, Buddy Guy, David Allen Coe, Lee Roy Parnell, Jimmy Vaughn, and many more. Additionally, they have served as a backing band for many notable musicians such as Curtis Salgado, Albert Lee, Louisiana Red, Chris Duarte, Lazy Lester, Kenny Neal, Lee McBee, Gary Nicholson, Big Bill Morganfield, Mud Morganfield, Randy Mcallister amongst others.

Levee Town strives to play original music while staying true to their love of American roots music. They were twice picked to represent KC in the International Blues Competition in Memphis where they reached the finals in 2009. Their album Takin and Given was picked to represent KC in the IBC in the best CD category and the album maintained a high charting position on the Roots Music Report.

Their most recent album, “Tryin to Keep My Head Above Water” was nominated by Blues Blast Magazine for “Best Blues Rock Album” of 2022. The album reached and maintained a number one position on the Roots Music Report, and is listed as the 20th best blues rock album of 2022. Levee Town's music showcases their passion for blues and rock, and their history of success is a testament to their talent and dedication. Their albums and performances are a must-see for any fan of American roots music.

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Doug MacLeod Band - Ain't The Blues Evil

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Size: 327 MB
Time: 58:26
File: Flac
Released: 1991
Styles: Blues
Art: Full

1. Don't Point Your Finger (5:10)
2. Ain't The Blues Evil (4:05)
3. Placquemine (4:24)
4. Lone Wolf (4:42)
5. Love's A Hurtin' Thing (5:48)
6. Just Like A Minstrel (4:44)
7. One Fol Lookin' For Another (5:48)
8. High Priced Woman (3:39)
9. Too Little Too Late (5:11)
10. (I Think You're) Steppin' Out On Me (3:37)
11. Somewhere, Somehow, Someway (2:46)
12. SRV (For Stevie Ray) (4:05)
13. Cold Rain (4:22)

Blues artist Doug MacLeod earned an international reputation and won multiple awards for his tough, fleet-fingered guitar playing (typified by 2023's Raw Blues 1) and fluid bottleneck solos (the latter highlighted on 2015's Doug's Slide Guitar), as well as his impassioned and soulful vocal style. MacLeod most often performs on acoustic guitar, but he's also well-versed in electric styles (as on 1984's No Road Back Home) and a respected songwriter and magazine columnist. Doug MacLeod was born in New York City on April 21, 1946, and his family relocated to Raleigh, North Carolina shortly after his birth. MacLeod had a difficult childhood marked by abuse, and he had a severe stutter. As he struggled to overcome his speech impediment, he learned to play the guitar.

Ain't The Blues Evil FLAC

Thursday, May 30, 2024

Big Daddy G - Topless

Album: Topless
Size: 166,4 MB
Time: 71:36
File: MP3 @ 320K/s
Released: 2000
Styles: Blues, harmonica blues
Art: Full

1. New Man Blues (3:22)
2. What You're All About (3:21)
3. Stringbean 'N Tater (5:11)
4. Topless (3:04)
5. Chicken & The Hawk (3:24)
6. Payback (5:15)
7. Nothing Left To Lose (8:21)
8. You're Cute (4:16)
9. Keep Your Head Up (3:31)
10. Checkbook Game (4:02)
11. Blues For T.F. (5:31)
12. Looks Good (3:47)
13. Say, Reg! (3:17)
14. The Past Is Still Here (5:21)
15. Spud's Groove (5:52)
16. Let Me Ride Your Automobile (3:53)

Picking up on the decadent image and rowdy approach of vintage blues acts, guitarist Big Daddy G (known to his mother as Dave Glover) began making a splash around the turn of the century. The club circuit had shaped his music into a fiery attack before any records had been released, and a chance meeting with organist/singer Tortoise Blue gave Big Daddy G the chance to form a strong band around his playing. In 1998, 4 Blues became the first recorded effort from the duo.

A tribute to a deceased bandmate as well as a rough first effort, the uneven album led to the far superior Topless in 2000. Nominated for a Juno Award that year, the roaring album became a hit with blues audiences and the accolades began pouring in. A strong live act as well, Big Daddy G began scoring spots at several Canadian blues festivals while putting together their first live album. Entitled Blue Sound, the record captured their energetic stage show accurately and gave Big Daddy G the chance to explore his own songs a little more. /Biography by Bradley Torreano, AllMusic

(For personnel details, see artwork included.)

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Trudy Lynn Feat. Steve Krase - Royal Oaks Blues Café

Album: Royal Oaks Blues Café
Size: 112,2 MB
Time: 48:31
File: MP3 @ 320K/s
Released: 2013/2023
Styles: Blues, harmonica blues
Art: Full

1. Confessin' The Blues (3:51)
2. Play The Honky Tonks (4:27)
3. Feel It (4:44)
4. Every Side Of Lonesome (3:56)
5. Country Man Blues (3:57)
6. Street Walkin' Daddy (5:35)
7. Red Light (4:38)
8. I'm Gonna' Put You Down (5:19)
9. Down In Memphis (2:43)
10. Effervescent Daddy (4:10)
11. Whip It To A Jelly (5:06)

Trudy Lynn gives harpist Steve Krase a starring role on Royal Oaks Blues Café and he does indeed shine throughout this 2013 album. He offers subtle support, sometimes slipping in to accentuate her verses, then he takes center stage for slippery, supple solos that bring a bit of Chicago to Lynn's Texas blues. Such casual bending of genre boundaries is one of the appealing things about Lynn's latter-stage career: she's absorbed all the shifts in soul-blues styles since the '60s, so she can slide between sounds with ease.

There are rollicking roadhouse rockers like "Red Light" here but what gives this album such personality are the digressions into mellow, rolling soul ("Feel It"), funky R&B stomps ("Down in Memphis"), and even a sojourn into the Delta by way of Jimmy Reed ("Whip It to a Jelly"). Lynn is a master of every one of these sounds and so is Krase, so it's a pleasure to hear them enjoy each other's company. /Stephen Thomas Erlewine, AllMusic

(For personnel details, see artwork included.)

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Lady A - Just Bein' Me

Album: Just Bein' Me
Size: 81,0 MB
Time: 35:14
File: MP3 @ 320K/s
Released: 2023
Styles: Blues/Funk/Soul mix
Art: Full

1. Could It Be (3:32)
2. Don't Walk Away (4:47)
3. Big Cup (3:36)
4. Walkin' On Ice (3:30)
5. Wash These Blues Away (3:32)
6. God Is With Us (4:21)
7. For The Rest Of My Life (4:08)
8. Broken Pieces (3:25)
9. Payin' You No T'antion (4:20)

In the evergreen embrace of the Pacific Northwest, Lady A, often compared to the electrifying Tina Turner and the soulful Chaka Khan, has been a musical force for over two decades. With a radiant smile and a voice that wraps around you like warm velvet, she has become a beloved figure both in her hometown of Seattle and on stages across the globe.

Lady A’s performances are nothing short of a spectacle — a fusion of high energy, profound storytelling, and messages woven with love and encouragement. Her shows, pulsating with blues and funk, are more than just musical events; they are gatherings of joy and empowerment. Just like the finest pot of gumbo, Lady A's concerts are rich, varied, and best enjoyed hot.

Her musical journey continued to evolve with her 2023 album, “Just Bein’ Me,” a concoction as eclectic and vibrant as the city that raised her. In this project, Lady A stretches her musical palette, blending Blues, Soul, Funk, and Gospel roots with a hint of Blues/Rock — each genre adding its unique spice to the mix, much like the diverse ingredients of a well-prepared gumbo.

2024 brought Lady A into the spotlight with multiple nominations from the International Singer/Songwriter Association (ISSA). Celebrated for her single "Big Cup," and her indomitable presence both onstage and off, she was nominated for Best Single of the Year, Vocalist of the Year, and Entertainer of the Year — honors that underscore her influence and popularity in the music world.

(For personnel details, see artwork included.)

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Tuesday, May 28, 2024

Big Dave & The Ultrasonics - No Sweat!

Album: No Sweat!
Size: 156,3 MB
Time: 67:39
File: MP3 @ 320K/s
Released: 1996
Styles: Blues, jump blues, harmonica blues
Art: Full

1. Jump, Jive And Wail (3:51)
2. Mm, Mm, Mm, Mm, Mm (3:41)
3. Hold It Right There (9:23)
4. Cross-Eyed Cat (4:54)
5. I Need An Angel (11:36)
6. If I Don't Jump (4:31)
7. No Sweat! (6:12)
8. I Feel So Bad (4:58)
9. I Stand Accused (7:23)
10. Letter From St. Louis (4:42)
11. Rocket 88 (6:22)

Don't be fooled by the title of Big Dave and the Ultrasonics' latest effort. No Sweat is likely to stir the juices of even the most sedentary, rhythmically challenged listeners. Just ask the hundreds who were on hand - and no doubt sweating - in January 1996 when tape was rolling at the Easy Street Cafe in Bowling Green, Ohio, and the Blind Pig in Ann Arbor, Michigan.

In the follow up to the highly-acclaimed Love & Money, Big Dave and the Ultrasonics continue to emphasize individual musicianship without jeopardizing their tightly integrated swing/blues/jazz sound. The solo work is generous and tasty throughout the album's 11 tracks, yet never tedious or over-indulgent.

No Sweat is contemporary blues at its finest - a fusion of delta passion with urban panache. The magic of Big Dave & The Ultrasonics lies in the grey area between the sum of the parts and the whole - the place where blues, swing, jazz and jump come together at the speed of sound. Never did such a high-speed collision sound so smooth. /Excerpt from the liner notes by John C. Bruening

(For personnel details, see artwork included.)

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Monday, May 27, 2024

The Hightones - Oh Baby, Me Too

Album: Oh Baby, Me Too
Size: 86,9 MB
Time: 37:35
File: MP3 @ 320K/s
Released: 2013
Styles: Blues, rocking blues
Art: Full

1. Mademoiselle (2:52)
2. I'm Not Ready To Go (2:57)
3. Tuesday (3:06)
4. Lake Of Time (6:06)
5. Sugar Mama (3:08)
6. Oh Baby Me Too (3:20)
7. Crazy About You (3:19)
8. I Believe I Do (3:14)
9. Lucky One (3:51)
10. Settle Down (2:50)
11. Hard Working Woman (2:50)

The Hightones from Sweden represent the flagship of a new generation of blues musicians. Assembled as late as in 2012 from the municipalities of Karlstad & Örebro, The Hightones have already built up a reputation as a highly respected blues act, both in Sweden and across Europe. With their debut album “Oh Baby, Me Too”, independently released in 2013 with 11 original songs, they showed that these guys mean business, they know their blues and its genuine history. Their hot single “Mademoiselle” had air-time on several blues radio shows across Europe, and the record caught the attention and recieved good reviews from press and public while the guys continued to build up their repertoire playing shows around Europe.

(For personnel details, see artwork included.)

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The Fried Okra Band - This Is Your Chance, France Baby!

Album: This Is Your Chance, France Baby!
Size: 104,0 MB
Time: 45:02
File: MP3 @ 320K/s
Released: 2007
Styles: Blues/Roots/Rock mix
Art: Full

1. Okra Prelude (1:00)
2. Poor Black Maddie (3:03)
3. Glory, Glory (3:57)
4. Miss Maybelle (3:53)
5. Pushin My Luck (3:36)
6. Get Behind The Mule (5:17)
7. France Chance (3:34)
8. High Fever (4:15)
9. Ladies Man (4:10)
10. 3220 (3:40)
11. Rollin' And Tumblin' (3:47)
12. Crossroads (4:45)

Originally taking its main inspiration and song material from the Hill Country Blues of Mississippi, US, Fried Okra from Copenhagen, Denmark, now write their own songs, and consider themselves a blues, roots, rock, folk, americana (and you name it) band. Fried Okra Band, with and without the “the”, has existed since around 2006. Since 2016 the band has been the trio it is today – Thomas Crawfurd (drums, percussion, backing vocals), Anders Wallin (bass, backing vocals), Morten Lunn (lead vocals, guitar, diddley bo) – and the name’s been Fried Okra.

People who lives in or travelled the state of Louisiana or the rest of the south in the US will know where the name Fried Okra derives from – namely the common dish Fried Okra. It is what is says – the small, green vegetable okra covered in a cornmeal based batter and then deep-fried in oil (try it!). However, the name does not mean that Fried Okra plays a Louisiana type of music like Cajun or Zydeco. Rather the band chose the name to refer to Afro-American culture of the South in general. The list of current influences ranging from Lucinda Williams to T Model Ford goes to show that while the music of Fried Okra is heavily bluesy it is not straight blues. The aim is not to copy any of the artists that Fried Okra claims as influences, but rather to mix it together with something of your own – “so it smells familiar while still spiced with something indefinable and different” as Danish reviewer Mads Kornum from the web magazine Side 33 wrote in a live review.

The band has been nominated 4 times. Three out of six albums have been nominated for Danish Blues Album of The Year, and in 2021 Fried Okra was also nominated for The Blues Live Award. In 2017-2018 Fried Okra won the Danish Blues Challenge and reached 2nd place in the European Blues Challenge. 2018 also saw the release of the live album Fried Alive. In the fall of 2020 Fried Okra released the album “Doing It Right”. Music magazines and regular blues magazines in- and outside Denmark has received “Doing It Right” well. The reviews mentions the sound and lyrics of the album and the bluestone of “Doing It Right” without the album being a straight blues album. “Doing It Right” has gotten airplay on several independent blues radio stations after the release of the record in September, including La Hora Del Blues (ES), The Blues Show 544 by Gary Grainger (GB), Bluestimen (NO).

Fried Okra has played many of the Danish blues clubs and blues clubs and venues in different European countries. The band has also appeared on national and international festivals the open-air festival, Blues fest Eutin in Germany, being one of them. Helsinki, Finland has become Fried Okra’s home away from home, and the band last toured Finland in the spring of 2019. The main venue for Fried Okra though has been Mojo Blues Bar in central Copenhagen, a small club with a lot of atmosphere that serves as the hub of the Copenhagen blues environment as well as for international blues artists. It’s a must-go-to-venue for Scandinavian music travelers.

(For personnel details, see artwork included.)

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Virginia & Skybenders - Live At Malmoe-Copenhagen Blues Connexion

Album: Live At Malmoe-Copenhagen Blues Connexion
Size: 108,6 MB
Time: 47:07
File: MP3 @ 320K/s
Released: 2024
Styles: Rock/Blues mix
Art: Full

1. Miss Kozmic Blues (1:13)
2. Wade In The Water (6:11)
3. Baby Blues (7:19)
4. I'm Tired (8:14)
5. Delta Mystery Blues (4:06)
6. Hold On (3:37)
7. Faraway (10:57)
8. Nothing Compares 2 U (5:27)

Virginia began her musical journey, with a childhood full of music, mixed rock and blues. At age 13, virginia started singing in the hometown gospel choir, a church full of love and soulful music. A choir that made the foundation for Virginias continued interest in music. Around 20 years of age, Virginia decided to travel to Harlem, New York USA, "in order to listen to the music and musicians I've been trained by, and their place of origin and where history was once written." And she did.

Virginia drove around and listened and played with various jazz and blues musicians in the opening scenes. In Harlem, Virginia got to play at clubs like St. Nick's Pub, where, for example, Billie Holiday began her career. In Harlem she was introduced to blues music on a whole other level. "Here I got to meet with several musicians and together we created the blues in the old smoke-filled rooms." In Harlem she started to played with Dennis Davis, drummer best known for his work with David Bowie, Stevie Wonder, Jermain Jackson and Roy Ayers. And here she is today.

Virginia has a powerful voice with great sensitivity and empathy, who can sing everything from heavy blues to funky soul, even with elements of reggae. She is a colorful performer who rarely leave anyone untouched. A reincarnation of Janis Joplin and Etta James.

(For personnel details, see artwork included.)

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Thursday, May 23, 2024

Interstate 40 Rhythm Kings - Knocking At Your Front Door

Album: Knocking At Your Front Door
Size: 105,1 MB
Time: 45:55
File: MP3 @ 320K/s
Released: 2005
Styles: R&B, jump blues
Art: Full

1. At My Front Door (2:27)
2. Smooth Slow And Easy (3:19)
3. Hurry Home (2:17)
4. Queen Of Hearts (2:54)
5. Too Late Old Man (3:20)
6. Rolling Your Dice (2:50)
7. Sexy Ways (2:27)
8. Boogie Woogie King (2:35)
9. You Got Me Dizzy (2:39)
10. 64 Hours (3:06)
11. Take You Back Home (3:05)
12. Kokomo (3:18)
13. Everything You Do To Me (4:04)
14. Teardrops (2:57)
15. Tell Mama (4:30)

Interstate 40 Rhythm Kings plays Rhythm ’N’ Blues with influences from black american music from the late 40’s and early 50’s. The repertoire contains material by Roy Milton, Smiley Lewis, Todd Rhodes and Big Joe Turner to name a few. Interstate 40 Rhythm Kings guarantees a nice Rhythm ’N’ Blues experience with an amazing swing.

Personnel: Benny Olander (vocals, harmonica); Kenneth Nilsson (guitar, vocals); Sven Karlsson (bass, vocals); Richard Carlsson (drums, vocals); Jan-Ola Carlsson (saxophone, vocals).

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Big Dave & The Ultrasonics - Big Dave & The Ultrasonics

Album: Big Dave & The Ultrasonics
Size: 164,1 MB
Time: 70:40
File: MP3 @ 320K/s
Released: 1999
Styles: Blues, jump blues, harmonica blues
Art: Full

1. She's The King (4:17)
2. Jump Street (5:16)
3. Black Coffee (5:51)
4. She Can't Keep A Secret (6:15)
5. A Month Of Sundays (4:06)
6. Back In The Hot Seat (4:57)
7. I Hear Your Voice (5:14)
8. Everybody Wants A Cadillac (3:47)
9. Escuchame (3:43)
10. Phone Fun (3:12)
11. My Baby's Sweater (5:00)
12. Big Bad Blues Train (4:12)
13. Junkman (3:21)
14. I Can't Fly (3:29)
15. Ooh My My (7:54)

On their third album, "Big Dave" Steele and his four Ultrasonics gravitate to historic black music styles without coming across as copycats. Rather, the Ann Arbor-based band, led by Steele from its inception in 1990, brings freshness to its sound by streamlining elements of house-rockin' swing, jump-jive boogie, gospel, jazz, Memphis soul-R&B, and Chicago and Texas blues.

Steele's blues guitar playing, always technically competent and often jazz-inflected, has the capacity to flame up with inspiration, as when he pursues his muse into Bo Diddley territory on roots-rumbler "Black Coffee" or chooses just the right notes for his feature spots on the stylish shuffle "Big Bad Blues Train." And the band is fortunate in having two other capable soloists: Dave Morris on harmonica and Ben Wilson on keyboards. /Frank-John Hadley, Amazon

(For personnel details, see artwork included.)

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Arnesen Blues Band - Later In The Evening

Album: Later In The Evening
Size: 108,8 MB
Time: 46:55
File: MP3 @ 320K/s
Released: 2003
Styles: Blues
Art: Full

1. Crazy For My Baby (3:22)
2. Early In The Morning (3:47)
3. T-Bone Shuffle (3:41)
4. Stop Breaking Down (4:03)
5. Atchafalaya Blues (4:07)
6. Wish Me Well (3:38)
7. Livin' In The Fast Lane (3:39)
8. Key To The Highway (3:05)
9. On The Other Side (3:46)
10. You're My Leader (3:31)
11. One Way Out (4:26)
12. Time To Pass Time (3:28)
13. It Hurts Me Too (2:17)

Thomas Arnesen brought this band together in the spring of 2002 in order to play some material that was in some way modern, yet in blues form and with a genuine blues feel. Some of the songs are his own and some are traditional standards - old favourites and new ones. Some thoroughly arranged, others more loosely. He felt a need to develop an ambitious musical co-operation with a fixed constellation of good musicians within the area of blues music. “Blues, with it’s traditional 12 and 8 bar form, is to me a sort of musical essence that lies at the heart of human musical perception. It’s form challenges the musician to find a personal, original way to develop while staying within it’s rigorous confines” says Arnesen.

The Arnesen Blues Band’s music shifts on a large palette between a bluesy “Stormy Monday” and the powerful sounds of rock. Between these extremes, the band members are more than happy to make “trips” into other rhythms and states of mind. With vocalists of first class and with an easiness of movement between various rhythms, the Arnesen Blues Band presents a wealthy repertory, but they remain in essence a blues band, as themselves declare: “It’s a variation within strict limits”.

Personnel: Thomas Arnesen (vocals, guitar); Anders Forsberg (electric piano); Andreas Hellkvist (Hammond organ); Martin Von Schmalensee (bass); Kjell Gustavsson (drums); Tore Berglund (alto saxophone); John Högman (tenor saxophone); Bosse Broberg (trumpet).

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The SuperSoul Brothers - By The Way

Album: By The Way
Size: 100,1 MB
Time: 43:17
File: MP3 @ 320K/s
Released: 2024
Styles: Soul/Funk/R&B
Art: Front

1. Toy Party Time (2:55)
2. By The Way (4:48)
3. Gimme Some Soul (3:37)
4. Time Is Right (3:34)
5. Heart Made Of Stone (2:44)
6. Father (3:56)
7. Where Are You? (3:12)
8. Snow Day In The World (4:27)
9. Play It Like A Sister (3:18)
10. Yeah! Yeah! Yeah! (2:46)
11. One More Day (3:50)
12. Changing The People (Take My Hand) (4:06)

With “By The Way”, their third album released on Dixiefrog Records, the SuperSoul Brothers are clearly changing categories. Carried by a simply stunning melodic quality, the soul of the Pau group exudes through every pore of each of the tracks on the album. It’s delicate, fresh, exquisite and, above all, dancing like never before. We think of Otis Redding, James Brown, Little Richard or Lee Fields. Names that form the basis of inspiration for the SuperSoul Brothers, a group that perfectly personifies the new wave of R&B.

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Wednesday, May 22, 2024

Big Daddy Kinsey & Sons - Can't Let Go

Album: Can't Let Go
Size: 95,4 MB
Time: 41:20
File: MP3 @ 320K/s
Released: 1990
Styles: Blues, Chicago blues
Art: Front, tray

1. Can't Let Go (4:32)
2. Going To New York (3:09)
3. Meanest Woman (3:16)
4. Kinsey's Mood Too (2:51)
5. It's Over (4:01)
6. Dancin' Shoes (3:05)
7. Do You Need Me Like I Need You (3:43)
8. Hard Life (4:13)
9. I'm A Lover (4:03)
10. Howlin' Wolf (8:24)

When the Kinsey Report signed on to back their father for Can't Let Go, the group was at their peak, so it would have made commercial sense for the boys to move their direction. Fortunately, they went the other way, choosing to stick to Chicago blues. The Kinseys don't play it straight, however, they rock it hard, which energizes Big Daddy and makes Can't Let Go a thoroughly enjoyable collection of hard-rocking contemporary Chicago blues. /Thom Owens, AllMusic

Personnel: Big Daddy Kinsey (vocals, guitar); Donald Kinsey, Ron Prince (guitar); Kenneth Kinsey (bass); Ralph Kinsey (drums); Lucky Peterson (keyboards); Matthew Scholler (harmonica); Vycki Z. Walls, Yvonne Jackson (backing vocals).

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Big Dave & The Ultrasonics - Love & Money

Album: Love & Money
Size: 153,5 MB
Time: 66:20
File: MP3 @ 320K/s
Released: 1994
Styles: Blues, harmonica blues
Art: Full

1. I Used To Be Free (3:25)
2. Midnight Shift (2:53)
3. Money And Love (5:03)
4. Full-Time Lover (6:32)
5. I Feel So Bad (5:02)
6. Walking The Beat (6:07)
7. 12 O'Clock Jump (3:29)
8. Full Grown Man (4:27)
9. Just Move On (5:49)
10. Mean Old Frisco (4:03)
11. That's What Love Will Make You Do (5:50)
12. Empty Pockets (3:09)
13. Two Wrongs (4:57)
14. Too Late (5:28)

As its title suggests, "Love & Money," the debut album by Big Dave and the Ultrasonics, is inspired by themes as old as the blues itself. The Ann Arbor-based band, however, manages to keep things interesting with an approach that's alternately cool, kicking and cunning. After opening with "I Used to Be Free," an original jump blues laced with leader Dave Steele's sly guitar work and David Morris's searing harmonica, the sextet unveils a solid assortment of new songs and cover tunes. The latter include a funky revision of Chuck Willis's "I Feel So Bad," a chugging version of "Mean Old Frisco" that celebrates the impact its author, bluesman Arthur Crudup, had on the emerging sound of rockabilly in the '5Os, and a tastefully updated version of the Little Walter hit "Too Late," which serves as the album's resonating coda.

All of the band's tunes - save for Morris's exhilarating harmonica workout, "12 O'Clock Jump" - were composed by Steele, who wields a clever ("Empty Pockets") and sometimes philosophical pen ("Just Move On"). His unaffected vocals and a forceful, no-nonsense rhythm section also help push most of the performances well above the norm. /Mike Joyce, Washington Post

(For personnel details, see artwork included.)

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Various Artists - Rockin' The Blues

Album: Rockin' The Blues

Size: 152,2 MB
Time: 65:36
File: MP3 @ 320K/s
Released: 2017
Styles: Blues, blues-rock, rock
Art: Full



1. Kenny Wayne Shepherd - Diamonds & Gold (5:17)
2. Quinn Sullivan - Midnight Highway (5:56)
3. Eric Gales - Been So Long (4:45)
4. Walter Trout - We're All In This Together (Feat. Joe Bonamassa) (7:58)
5. Beth Hart - Love Is A Lie (3:15)
6. Gary Hoey - Dust & Bones (4:09)
7. Lance Lopez - Mr. Lucky (4:09)
8. Simo - People Say (3:57)
9. Thomas Wynn And The Believers - Wade Waist Deep (3:33)
10. Supersonic Blues Machine - L.O.V.E. (4:31)
11. Jonny Lang - Stronger Together (3:36)
12. Sonny Landreth - Blues Attack (Live) (5:21)
13. Black Stone Cherry - Champagne & Reefer (3:45)
14. Ronnie Baker Brooks - Times Have Changed (Feat. Al Kapone) (5:18)

Over the course of the last decade, there has been a massive upsurge of interest in the blues. Not that the blues ever went away, as such, but there currently seems to be more artists meeting with more success than there has been for some time. At the forefront of this is the Mascot Label group, who have an unerring eye for talent, both young and old. In celebration, 2018 will see the Rockin’ The Blues Tour roll across Europe and, to get you in the mood, we have this cracking compilation, which is not just a sampler, but also a celebration of the fantastic roster Mascot have put together.

If you’re gonna get a hard-rockin’ blues party started, then Kenny Wayne Shepherd’s superlative "Diamonds & Gold" is the perfect choice - funky, soulful and with some stinging leads. Hotly-tipped youngster Quinn Sullivan is up next with an uncharacteristically chilled number in the form of "Midnight Highway", before the indomitable Eric Gales sets the cat amongst the pigeons with the funky "Been So Long". These two quieter numbers offer stunning musicianship, as you might expect, but they also serve as a moment of calm before Walter Trout appears, with the mighty Joe Bonamassa in two, to whip up a storm on "We’re All In This Together", the title track of his latest masterpiece. A relatively slow blues with smoking leads and a tough-as-nails vocal performance.

Sadly, very few female artists are represented on this compilation, but it’s always a joy to hear Beth Hart, and her "Love Is A Lie" is a stinging reminder of her exceptional power. Gary Hoey, whose "Dust And Bones" album so impressed in 2016, offers up the title track to that album, with its hard-driving rhythm and gloriously fluid lead work. A little bonus for those buying the album, Lance Lopez offers up a previously unreleased cover of John Lee Hooker’s "Mr Lucky" which is pretty much worth the price of admission alone. Lance’s voice is a gritty marvel, his guitar playing second to none and the vibe of the song pitch-perfect. Yet another hghlight of 2017 is represented next in the form of Simo’s distortion-laden "People Say" before Thomas Wynn And The Believers offer up "Wade Waist Deep", a slow, soulful piece of music that leads nicely to the fantastic "L.O.V.E." from Supersonic Blues Machine’s exquisite "Californisoul" album.

Jonny Lang continues to impress with "Strong Together", but few can compare to the glorious guitar work of Sonny Landreth who appears here with a live cut, "Blues Attack", recorded in Lafayette. Arguably the hardest rockers on the album, Black Stone Cherry turn in an exquisitely swampy cover of "Champagne And Reefer" before Ronnie Baker Brooks brings things to a close with his hip-hop infused "Times Have Changed".

Listening to this album, it makes you realise just how many amazing blues records have appeared in the last two years, and just how close to the cutting edge the Mascot Label Group actually is. Running the gamut from slow, introspective blues (Eric Gales and Quinn Sullivan), to full-blooded guitar rawk (Black Stone Cherry), this album just floors the listener time and again with killer cut after killer cut. Unless you own every record on the compilation, this low-priced compilation is the perfect entrée into the amazing world of blues Mascot are building for themselves and their artists. /Phil Styles, SonicAbuse

(For personnel details, see artwork included.)

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Tuesday, May 21, 2024

D.B. Walker - This Record Album Has No Title

Size: 491 MB
Time: 74:07
File: Flac
Released: 2018
Styles: Blues, rockin' blues
Art: Front

1. Mumblin' Blues (2:41)
2. Wear Me Down (4:52)
3. What to Do (2:27)
4. It Ain't Long (3:33)
5. This Way Again (4:42)
6. I Wanna Boogie (6:22)
7. Open Up (4:03)
8. In the Middle (2:45)
9. Nothings Left (6:18)
10. Drive (3:40)
11. Hear Here (4:29)
12. Permanent Darkness (3:53)
13. What to Do (Reprise) (1:28)
14. Glitter (6:57)
15. A Place to Rest (8:06)
16. Coming Down (7:44)

Here are DB’s notes for the album and personnel: “This Record Album Has No Title” Because its more like 3 records in one. It begins with some driving Blues, then edges more into Classic Rock/Blues, takes a stop in Americana then shifts into pounding Hendrix inspired psychedelia before it floats off into a Post Rock/Pink Floyd haze. How can it have a title when it has so many personalities? Recorded at Bella Sounds in San Jose Additional tracking at Basment3Productions Studios Mixed at Basement3Productions studios All music written by The D.B. Walker Band (Walker, Falzone, Oliver, Kane) (c) 2017 A Wraparound Records Production released November 23, 2018 D.B. Walker: Vocals, Guitar David Falzone: Bass Lachlann Kane: Keyboards Michael Oliver: Drums Kenny Schick: Producer / Engineering / Mixing / Horns / Guitar / Vocals Additional Musicians: Mumbling Blues; Kenny Schick-Horns Wear me down; Kenny Schick-Horns Nothings Left; Hershel Yatovitz-Lead Guitar, Kenny Schick-Baritone Guitar, Sabiné Heusler Schick-Background Vocals Drive; Kenny Schick, Background Vocals A place to rest; Ryan Krage-Drums, Davon Whitehead-Keys Coming Down; Sabiné Heusler Schick-Additional voice

This Record Album Has No Title FLAC

Kemp Harris - Edenton

Size: 237 MB
Time: 39:44
File: Flac
Released: 2007
Styles: Gospel, Blues
Art: Front

1. Sometimes (0:57)
2. Sweet Weepin Jesus (4:45)
3. Day After Day (4:38)
4. Tryin Times (5:03)
5. Ruthie's (Broke Down) (3:32)
6. Didn't it Rain (3:13)
7. Mother Earth (3:15)
8. Miles Between Us (5:25)
9. Nightlife (3:02)
10. Edenton (4:41)
11. Sometimes (Reprise) (1:09)

Kemp Harris defies categorization. He is a singer and songwriter, a master weaver of American musical styles. He’s an actor, activist, author, and storyteller, and an award-winning educator who has taught young public school students for more than 40 years. “It’s all about communication,” Kemp says. “Everything I do.” Born in segregated Edenton, North Carolina, and transplanted to Massachusetts, where he bounced between relatives’ homes, Kemp learned to adapt to whatever world he found himself in - a talent that has come to define him as a person and an artist. He began writing songs at 14 and recording them in college, using a pair of old cassette players to track parts, and has been delighting music lovers ever since with his earthy, soulful creations. Kemp honed his powerful, intimate performance style in Cambridge’s coffeehouses, developing into a magnetic frontman who has shared stages with artists such as Koko Taylor, Livingston Taylor, Gil Scott-Heron, Kandace Springs and Taj Mahal. He has composed original music for the Alvin Ailey American Dance Theater and Complexions Contemporary Ballet, established a songwriting residency at Boston’s Wang Theater, and recently delivered a series of master classes at Berklee College of Music on the subject of Artists as Activists, alongside Chad Stokes of the band Dispatch and members of the dance troupe Urban Bush Women. Kemp’s most recent album, Edenton, featuring vocals from the legendary Holmes Brothers, is a modern blues journey that fuses the personal and the political, the sacred and the profane, to haunting effect. Edenton’s title track, a bittersweet valentine to his birthplace, explores a simpler time in a racially-divided town with the clear-eyed grace that is a hallmark of Kemp’s work. Everything he makes is built on a foundation of social awareness and the desire to reflect the world as he sees and experiences it. Whether he’s performing a rousing soul tune backed by a 14-piece orchestra in a grand concert hall or a hushed meditation alone at his piano, Kemp speaks truth the only way he knows how: by baring his soul. Considering the state of the world, it is no wonder Kemp is back on the road playing to the biggest audiences of his life - selling out rooms from Northern New England to New York City and enjoying a wave of new fans who have discovered this seasoned Renaissance man via word of mouth. “Nobody tries to pigeonhole me,” says a delighted Kemp, clearly thrilled to be taking his career to the next level. “My audience allows me to be myself and do it all.” This resurgence spans all facets of Kemp’s creative life. On top of his busy concert and storytelling schedule, he recently landed acting roles in the feature film “Bleed for This” and the hit Showtime series “SMILF,” as well as a coveted slot in WGBH/PBS television’s storytelling series “Stories from the Stage.” Kemp’s powers of observation, his unique gift for shining a light on the modern world and what it means to be alive, have only deepened over a lifetime devoted to the most basic and profound of pursuits: human connection. Whether he’s in the classroom, on a film set, leading a workshop, or performing on the concert stage, “at the end of the day,” Kemp says, “I’m an old black man telling stories and spreading the love.”

Edenton FLAC

Various Artists - Rockin' The Blues

Album: Rockin' The Blues
Size: 132,1 MB
Time: 57:05
File: MP3 @ 320K/s
Released: 2000
Styles: Blues
Art: Full

1. Roomful Of Blues - Just Like Dynamite (4:19)
2. Johnny Sansone - Civilized City (4:11)
3. J.B. Hutto & The New Hawks - I'm Leaving You (2:48)
4. Gary Primich - Slap You Silly (3:15)
5. Monti Amundsen & The Bluebinos - Killing Time (3:04)
6. Duke Robillard - Let Me Love You (4:19)
7. George Thorogood & The Destroyers - Move It On Over (4:22)
8. Sugar Ray - No Good Woman (3:31)
9. James Harman - I've Got News (4:38)
10. Mike Morgan - I'm Worried (3:21)
11. Smokin' Joe Kubek Feat. Bnois King - All About The Thang (3:48)
12. Drippin' Honey - Heat (6:56)
13. Ronnie Earl & The Broadcasters - Blue Guitar (5:04)
14. Radio Kings - Virginia (Dedicated To Ginny) (3:22)

Haven't found any specific info for this compilation, so let the music do the talking.

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Terry Hanck - Look Out!

Album: Look Out!
Size: 142,6 MB
Time: 61:39
File: MP3 @ 320K/s
Released: 2011
Styles: Blues/R&B
Art: Full

1. Here It Comes (3:09)
2. Keep A Drivin' (2:47)
3. Ain't That Just Like A Woman (5:35)
4. Catch That Teardrop (4:16)
5. You Coulda Let Me Go (7:01)
6. Side Tracked (4:48)
7. Girl, Girl, Girl (3:48)
8. Appreciate What You Got (4:41)
9. Train Kept A Rollin' (4:14)
10. I Keep Holding On (5:31)
11. You Give Me Nothing But The Blues (7:14)
12. My Girl Josephine (3:50)
13. Just One More Time (4:39)

Fans of fifties and sixties sounds are lucky with this new work of singer and sax player Terry Hanck, who gives us a delightful digestible album, with a delicious selection of thirteen songs based on fifties rock ‘n’ roll, New Orleans rhythm and blues in the path of Fats Domino, Ray Charles, Lee Allen and King Curtis, and also has a selection of soul, surf and blues tracks that could get the willies even to a quite bald person. A real colorful festival, a funny enjoyable walk with a right electrifying vision of the most dancing black music of those years of creative magic and splendor.

Five of the thirteen cd tracks are Terry’s own compositions, the rest are ‘covers’ he has updated with some interesting surprising arrangements. An album that must not be overlooked, because it brings you a collection of juicy priceless songs I’m sure will satisfy all your most fancy musical expectations. Brilliant!

(For personnel details, see artwork included.)

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Monday, May 20, 2024

Otis Rush - Right Place, Wrong Time

Album: Right Place, Wrong Time
Size: 94,7 MB
Time: 40:55
File: MP3 @ 320K/s
Released: 1976/1987
Styles: Blues
Art: Full

1. Tore Up (3:21)
2. Right Place, Wrong Time (5:26)
3. Easy Go (4:48)
4. Three Times A Fool (3:14)
5. Rainy Night In Georgia (4:00)
6. Natural Ball (3:31)
7. I Wonder Why (4:15)
8. Your Turn To Cry (3:40)
9. Lonely Man (2:53)
10. Take A Look Behind (5:43)

This recording session was not released until five years after it was done. One can imagine the tapes practically smoldering in their cases, the music is so hot. Sorry, there is nothing "wrong" about this blues album at all. Otis Rush was a great blues expander, a man whose guitar playing was in every molecule pure blues. On his solos on this album he strips the idea of the blues down to very simple gestures (i.e., a bent string, but bent in such a subtle way that the seasoned blues listener will be surprised). As a performer he opens up the blues form with his chord progressions and use of horn sections, the latter instrumentation again added in a wonderfully spare manner, bringing to mind a master painter working certain parts of a canvas in order to bring in more light.

Blues fans who get tired of the same old song structures, riff, and rhythms should be delighted with most of Rush's output, and this one is among his best. Sometimes all he does to make a song sound unlike any blues one has ever heard is just a small thing - a chord moving up when one expects it go down, for example. The production is particularly skilled, and the fact that Capitol Records turned this session down after originally producing it can only be reasonably accepted when combined with other decisions this label has made, such as turning down the Doors because singer Jim Morrison had "no charisma."

This record doesn't mess around at all. The first track takes off like the man they fire out of a cannon at the end of a circus, a perceived climax swaggeringly representing just the beginning, after all. Some of the finest tracks are the ones that go longer than five minutes, allowing the players room to stretch. And that means more of Rush's great guitar playing, of course. For the final track he leaves the blues behind completely for a moving cover version of "Rainy Night in Georgia" by Tony Joe White. /Eugene Chadbourne, AllMusic

(For personnel details, see artwork included.)

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Big Harp George - Cooking With Gas

Album: Cooking With Gas
Size: 110,2 MB
Time: 47:43
File: MP3 @ 320K/s
Released: 2024
Styles: Blues, harmonica blues, R&B
Art: Full (PDF)

1. Cooking With Gas (3:52)
2. Cellphone Hater 2.0 (3:34)
3. Doom Loop (4:35)
4. Wine Is My Friend (3:46)
5. Maceosity (5:28)
6. Awkward Me (3:43)
7. What The Missus Misses (3:46)
8. June's Tune (3:55)
9. DIY Mama (4:10)
10. Paradise Is Burning (3:47)
11. The Older We Get (3:22)
12. When I First Held Valerie (3:42)

Sometimes the second career or avocation can be far afield from the primary one. Every so often a bluesman appears from an unlikely background. Big Harp George is a prime example although he is not new to the blues. The singer-songwriter and chromatic harmonica ace (George Bisharat) is releasing his seventh album titled Cooking With Gas.

Prior to establishing George’s musical career he was a criminal defense attorney, award-winning professor of law at UC College of the Law, San Francisco, and expert commentator on law and politics in the Middle East. His background gives him source material that few blues artists possess. That, coupled with an enthusiastic sense of humor, mastery of the chromatic, rather than the customary blues staple, the diatonic harmonic, make Big Harp George (BHG) a special cat. He’s also made a smart business decision by linking up with Kid Andersen’s Greaseland crew, not only in terms of production but in gaining access to a great backing band.

The chromatic harmonica is found more often in jazz than blues and thereby gives BHG’s music a bigger umbrella to include soul, funk, blues, and jazz. Thus, we find fourteen musicians and singers in the credits, some just on select tracks augmenting a core band of guitarist Andersen and drummer Derrick D’Mar Martin (half of Rick Estrin’s Nightcats), keyboardist Chris Burns, trombonist Mike Rinta, saxophonist Michael Peloquin, baritone saxophonist Doug Rowan, and bassist Joe Kyle Jr. The Sons of the Soul Revivers (James, Dwayne, and Walter Morgan) sing on all but three tracks. This aggregation of talent is rare, especially on a blues album. Rinta is a first-class arranger, and was behind Taj Mahal’s 2023 jazz album, Stompin’ at the Savoy.

Opening with the funky facetious title track, BHG compares his love life to the phasing out of his gas stove as Burns rollicks on piano and the three-piece horn section blasts away. His satirical stance also runs through the swinging jazz on “Cellphone Hater 2.0,” with a brimming chromatic solo that fits tightly with the swaying horns. Rowan’s bari sax lays down a fat bottom, trumpeter Ed Morrison joins the horn section and Martin shifts to percussion on the Latin flavored “Doom Loop,” a horn slathered, animated dance number with BHG’s harp soaring.

The vibe shifts to vintage R&B, Amos Milburn style, in “Wine Is My Friend,” especially imbued by “The Sons” doo-wopping on the choruses. Peloquin wrote the instrumental funk rave-up “Maceosity,” nodding to James Brown’s musical director Maceo Parker, Fred Wesley, and those Famous Flames that backed the soul icon. Burns rocks out on the electric keys, and once again BHG proves his mettle in another musical context. Soloists Rinta and Peloquin (here on a diatonic harp, so note how that differs with the chromatic), and Rowan stretch out. That sturdy bassline comes courtesy of soul/blues/R&B icon Jerry Jemmott, who also plays on the rhumba “DIY Mama.”

BHG pokes fun at himself in “Awkward Me,” the band sounding like a big band from the ‘30s, with Rinta taking the lead. The title and the melody on “What the Missus Misses” is straight out of early ‘60s television, another vibrant swinger for the band, guaranteed to bring smiles. The instrument “June’s Tune” is for drummer June Core, a fixture in Charlie Musselwhite’s West Coast bands. He plays here along with former Musselwhite bandmate Andersen who shifts to upright bass, with a brief solo too. “Paradise Burning” is one of the few core blues songs here, again strengthened by the harmonies of The Sons.

BHG’s trademark wit is on display “The Older I Get,” which features one of his best turns on the chromatic, with Rinta and The Sons shining here as well. Closing with the tender “When I First Met Valerie” Big Harp George coaxes wonderful tone from his chromatic, delivering the melody as sweetly as one might equate with Johnny Hodges in Ellington’s band. Burns adds a steady, bluesy touch on the acoustic piano and the horns swell lightly in support.

To say Cooking With Gas is Big Harp George’s finest effort to date is no stretch. The pacing of the album through different musical styles, coupled with his songwriting make this a can’t miss effort, especially with this talented group of musicians backing. /Jim Hynes, Rock & Blues Muse

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Saturday, May 18, 2024

John Lee Hooker - Endless Boogie

Album: Endless Boogie
Size: 167,7 MB
Time: 72:41
File: MP3 @ 320K/s
Released: 1971/1991
Styles: Blues
Art: Full

1. (I Got) A Good 'Un (5:14)
2. House Rent Boogie (6:23)
3. Kick Hit 4 Hit Kix U (Blues For Jimi And Janis) (6:43)
4. Standin' At The Crossroads (6:07)
5. Pots On, Gas On High (11:24)
6. We Might As Well Call It Through (8:04)
7. Doin' The Shout (3:31)
8. A Sheep Out On The Foam (6:30)
9. I Don't Need No Steam Heat (4:18)
10. Sittin' In My Dark Room (5:38)
11. Endless Boogie, Parts 27 And 28 (8:44)

The black blues legends playing with the white up-and-comers. A dark, slow-moving collection of grooves in Hooker's one-of-a-kind style. The highlight is definitely his anti-drug sermon in the middle of "Kick Hit 4 Hit Kix U (Blues For Jimi & Janis)", but the whole thing slinks around being cool the way any good John Lee Hooker music does. A host of rock musicians make special guest appearances.

This album falls distinctly into the former class John Lee Hooker, a 54-year-old blues legend in his own right, is sympathetically accompanied by the likes of Jesse Davis, Carl Radle, Steve Miller, Gino Scaggs and Mark Naftalin and the end product is a double-album set of unadulterated Hooker portraits in blues.

(For personnel details, see artwork included.)

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Thursday, May 16, 2024

Albert King & Otis Rush - Door To Door

Album: Door To Door
Size: 92,7 MB
Time: 39:34
File: MP3 @ 320K/s
Released: 1969/1990
Styles: Blues
Art: Full

1. Albert King - Searchin' For A Woman (3:03)
2. Albert King - Bad Luck (3:02)
3. Otis Rush - So Close (2:45)
4. Albert King - Howlin' For My Darling (3:04)
5. Otis Rush - I Can't Stop (2:14)
6. Albert King - Won't Be Hangin' Around (2:55)
7. Otis Rush - I'm Satisfied (2:25)
8. Otis Rush - All Your Love (2:54)
9. Otis Rush - You Know My Love (2:41)
10. Albert King - Merry Way (2:52)
11. Albert King - Wild Women (2:38)
12. Albert King - Murder (2:56)
13. Otis Rush - So Many Roads (3:11)
14. Albert King - California (2:46)

Although Albert King is pictured on the front cover and has the lion's share of tracks on this excellent compilation, six of the fourteen tracks come from Rush's shortlived tenure with the label and are some of his very best. Chronologically, these are his next recordings after the Cobra sides and they carry a lot of the emotional wallop of those tracks, albeit with much loftier production values with much of it recorded in early stereo.

Oddly enough, some of the material ("All Your Love", "I'm Satisfied (Keep on Loving Me Baby)") were remakes - albeit great ones - of tunes that Cobra had already released as singles. But Rush's performance of "So Many Roads" (featuring one of the greatest slow blues guitar solos of all time) should not be missed at any cost. /Cub Koda, AllMusic

(For personnel details, see artwork included.)

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Alexis Korner's Breakdown Group - Blues From The Roundhouse (Special Expanded Edition)

Album: Blues From The Roundhouse
Size: 187,2 MB
Time: 80:42
File: MP3 @ 320K/s
Released: 1957/2009
Styles: Blues/Roots/Skiffle
Art: Full

1. Leaving Blues (3:11)
2. Rotten Break (3:46)
3. Alberta (2:43)
4. Roundhouse Stomp (2:51)
5. Skip To My Lou (1:56)
6. Good Morning (2:36)
7. Boll Weevil (3:29)
8. Ella Speed (2:55)
9. Streamline Train (3:03)
10. Ain't Gonna Worry No More (2:37)
11. County Jail (2:50)
12. Kid Man (2:18)
13. Easy Rider (2:27)
14. Sail On (2:53)
15. National Defence Blues (2:13)
16. Go Down Sunshine (3:03)
17. Death Letter (2:38)
18. KC Moan (Bonus Track) (2:53)
19. Casey Jones (Bonus Track) (2:31)
20. Midnight Special (Bonus Track) (2:48)
21. KC Moan (Bonus Track) (2:24)
22. Take This Hammer (Bonus Track) (3:22)
23. Down By The Riverside (Bonus Track) (2:30)
24. Go Down Old Hannah (Bonus Track) (2:39)
25. Streamline Train (Bonus Track) (2:38)
26. Kansas City Blues (Bonus Track) (2:53)
27. Casey Jones (Bonus Track) (3:07)
28. This Train (Bonus Track) (2:24)
29. Rock Me (Bonus Track) (2:50)

Alexis Korner and Cyril Davies - aka "The Godfather" and "The Architect" of British Blues respectively - had each played in various jazz and skiffle combos before linking up in late 1956 to present live music at The Roundhouse pub in London's Soho. A few months later, in February 1957, they recorded the unfeasibly-rare Blues From The Roundhouse album, credited to Alexis Korner's Breakdown Group featuring Cyril Davis.

This 10" LP is the Holy Grail among collectors, as only 99 copies were ever pressed. It was swiftly followed by two equally-rare EPs, each also confusingly titled Blues From The Roundhouse, credited to The Alexis Korner Skiffle Group and Alexis Korner's Blues Incorporated featuring Cyril Davis respectively. These three pivotal releases, plus an LP outtake, make up the backbone of this compilation. The bonus tracks were all recorded between 1954-56 and feature Alexis and/or Cyril as sidemen.

Tracks 1-9 credited to Alexis Korner's Breakdown Group Feat. Cyril Davies
Tracks 10-13 credited to Alexis Korner Skiffle Group
Tracks 14-17 credited to Alexis Korner's Blues Incorporated Feat. Cyril Davies
Tracks 18-20 credited to Ken Colyer's Skiffle Group
Track 21 credited to Cyril Davies
Tracks 22-25 credited to Ken Colyer's Skiffle Group
Tracks 26-29 credited to Beryl Bryden's Backroom Skiffle

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Wednesday, May 15, 2024

Big Boy Bloater & His Southside Stompers - Jumpin' Rhythm & Blues

Album: Jumpin' Rhythm & Blues
Size: 89,1 MB
Time: 38:07
File: MP3 @ 320K/s
Released: 1998
Styles: R&B, jump blues
Art: Full

1. Reeling And Rocking (2:09)
2. You're Cheap (2:44)
3. Hook, Line And Sinker (2:24)
4. Refrigerator Baby (2:25)
5. Chicken And The Hawk (2:45)
6. Roberta (3:15)
7. Take It Back Baby (3:08)
8. It Ain't The Meat It's The Motion (2:27)
9. Down The Road (2:09)
10. Sapphire (2:16)
11. Get Out Of Here (2:22)
12. My Man (2:12)
13. Yum Yum (2:31)
14. This Little Girl's Gone Rockin' (1:44)
15. Let Me In Honey (3:28)

Big Boy Bloater & His Southside Stompers are playing late 1940's, early 1950's rhythm & blues in a Louis Jordan meets Louis Prima style and they love this music. They play gigs to packed houses all over the UK and Europe, providing outstanding entertainment to audiences who are, for the most part, far too young to have had any first-hand experience of the 1950s. They go to see the band because they know that they are guaranteed to have a great night out.

This long awaited album contains 15 tracks of no-nonsense good-time rhythm & blues. A great mixture of cover versions with half a dozen of the band's own numbers thrown in. These studio performances do capture some of that Bloater magic that everyone who has seen them live will know all too well. It's Jumpin' Rhythm & Blues!

(For personnel details, see artwork included.)

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Tuesday, May 14, 2024

VA - Blues Singles Collection Vol.78

Size: 201,5 MB
Time: 87:35
File: MP3 @ 320K/s
Released: 2024
Styles: Blues/Rock
Art: Front

01 Lurrie Bell - Set Me Free (Feat. Frank Catalano) (Single Version) (4:08)
02 Bette Smith - Goodthing (3:13)
03 Angelique Francis - Train Coming (Feat. Eric Gales) (4:04)
04 Black Country Communion - Red Sun (Feat. Joe Bonamassa, Jason Bonham, Glenn Hughes & Derek Sherinian) (6:33)
05 Rogue Johnsen Project - Tramp (3:41)
06 Kees Bouwman - The Italian Blues (Feat. Ruben Sieraal) (3:15)
07 Voodoo Chili Bluesmen - Crescent's Tales (4:22)
08 Bill Dejohn - 1955 (1:49)
09 Dennis Jones - Always The Same (3:42)
10 Eddie 9V - Saratoga (3:36)
11 McKinley James - Movin' (3:26)
12 Ri Wolf - Train To Tennessee (Feat. The Blues Disciples) (2:48)
13 The Fabulous Thunderbirds - Payback Time (Feat. Billy Gibbons) (3:35)
14 Greg Izor - Please Understand (2:28)
15 Alastair Greene - Am I To Blame? (3:42)
16 Nellie Tiger Travis - Back It Up (Remix) (Feat. Eddie Harris) (3:36)
17 Elles Bailey - Leave The Light On (3:19)
18 Mick Clarke - Blues Train (3:23)
19 Paul Benjaman Band - Church Of Space And Time (3:11)
20 Sierra Green & The Giants - Come To Mama (3:18)
21 Paul Steward - You Can Dance To My Blues (3:38)
22 Tyler Dodson - Pushin' (Live) (3:37)
23 Chubbs Morton - Let Me Love You (3:12)
24 The Bluesmakers Collective - Soul Of The City Blues (4:22)
25 Sierra Green & The Giants - Can You Get To That (4:14)

They keep coming!

Blues Singles Collection 78 MP3

Monday, May 13, 2024

Big Boy Bloater & His Southside Stompers - What You Been Prayin' For?

Album: What You Been Prayin' For?
Size: 82,6 MB
Time: 35:44
File: MP3 @ 320K/s
Released: 2006
Styles: R&B, jump blues
Art: Front, back

1. Everybody Rock (2:17)
2. Hey Pretty Baby (2:33)
3. Im Still Drinkin' (3:35)
4. Moonfight (2:30)
5. Six Foot Of Rope (2:37)
6. Those Lonely Nights (4:29)
7. Don't Cut Out On Me (2:19)
8. Bernadette (3:11)
9. What You Been Praying For (3:46)
10. I Wanna Do More (2:51)
11. Don't Happen No More (2:32)
12. Monkey See, Monkey Do (2:58)

Surrey born Big Boy Bloater has drawn praise from his contemporaries for his powerful voice and instantly recognizable guitar style. Luminaries such as Imelda May confessed to being a "massive fan" and appeared on two of his songs, Jools Holland has declared him "one of the great bluesmen of our time" and Mark Lamarr personally funded a vinyl run of the single Whammy.

His career has taken him around the world and has seen him perform at the top of the World Trade Centre and was voted the ‘Best Band of the Weekend' at the Viva Las Vegas Festival. He has supported Carl Perkins, played with Wanda Jackson, Paloma Faith, Imelda May and appeared at festivals such as; Ramblin' Man Fair, Latitude, Secret Garden Party, Hop Farm, Jersey Live, ABC Roskilde, BluesFest, Cognac's Blues Passions and Holland's Ribs'n'Blues.

He has lead and been musical director for the Kings of Rhythm house band at the Rhythm Riot Festival since its inception and was personally invited to record at Abbey Road by Sir Paul McCartney. No stranger to TV and radio, he was the presenter for The Blues Magazine Radio Show on Team Rock Radio and has been a guest on BBC Radio on the Jools Holland, Paul Jones, Craig Charles, Mark Lamarr, Alex Lester and Jo Whiley shows. He has appeared on Vintage TV, Imelda May's RTE show and was immortalized in book form in Rock & Pop: The Complete History and The Illustrated Encyclopedia of Music.

He previously self-released his solo and band records, Big Boy Bloater - That Ain't My Name (2008), the self-titled Big Boy Bloater & The LiMiTs (2011), Big Boy Bloater & The LiMiTs - The World Explained (2012), Big Boy Bloater's One Man Show - Loopy (2014) and then signed to Mascot Label Group at the end of 2015, home to Joe Bonamassa, Black Stone Cherry, Beth Hart, Monster Truck, Walter Trout and The Kenny Wayne Shepherd Band.

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Knut Nordhagen & Bluepack - Maximum R&B

Album: Maximum R&B
Size: 108,2 MB
Time: 46:43
File: MP3 @ 320K/s
Released: 2024
Styles: Modern electric blues
Art: Front

1. High Muddy Water (3:58)
2. Lost In The Groove (3:54)
3. Eye Of The Spy (4:41)
4. Slave To The Rhythm (4:05)
5. Guitar Man (3:38)
6. Walkin' In My Sleep (3:24)
7. Noisy Silence (4:42)
8. Don't Start Me (3:39)
9. Crowded City (3:31)
10. Invisible Blues (3:51)
11. Hard Bargain (3:19)
12. The Girl I Left Behind (3:55)

Knut Nordhagen is a well-known player in the Norwegian blues world with tours around the country for 30 years.

Note: That's all the info I've found, so let the music do the talking.

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Boogie Beasts - Neon Skies & Different Highs

Album: Neon Skies & Different Highs
Size: 111,8 MB
Time: 48:28
File: MP3 @ 320K/s
Released: 2024
Styles: Blues-rock, rock
Art: Front

1. Save Me (4:02)
2. Give Me A Sign (2:42)
3. Devil's Cup (3:24)
4. Cold Ways (3:28)
5. Interlude #1 (0:23)
6. Love Chase (3:25)
7. Sunday Morning Soul (3:33)
8. Interlude #2 (0:21)
9. Some People (2:57)
10. Down The Line (3:04)
11. Interlude #3 (0:24)
12. Sly Baby (3:00)
13. Baby's Coming Home (3:28)
14. Interlude #4 (0:18)
15. Midnight Man (3:13)
16. Noon (3:51)
17. Fool For You (3:48)
18. Broken Glass (2:59)

Belgian alternative blues rock band Boogie Beasts has released their fourth studio album, and their fifth in total. According to the members, it will also be their most eclectic one yet. Once again, the Beasts translate their deep love for raw blues into a sound of their own, only this time additionally inspired by gospel, soul, desert blues & rock, rhythm & blues, psychedelia and even a touch of hip-hop. The band also assigned a bigger role to producer Koenraad Foesters, who’s practically acting as a fifth band member. The result is a very groovy record full of passion and emotion, and with a very contemporary sound.

Personnel: Jan Jaspers (guitar, vocals); Patrick Louis (guitar, vocals); Fabian Bennardo (harmonica); Gert Servaes (drums).

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