Showing posts with label Mick Pini. Show all posts
Showing posts with label Mick Pini. Show all posts

Monday, January 24, 2022

Mick Pini - Backtrack

Size: 143.4 MB
Time: 62:12
File: MP3 @ 320K/s
Released: 2022
Styles: Electric Blues, Blues Rock
Art: Front

01. Jumping Blues (3:47)
02. Blues For Peter Green (7:00)
03. Shadows (4:22)
04. Blues Is Cheap (5:19)
05. You Know I Can (3:52)
06. Into The Distance (4:44)
07. Standing In The Rain (4:31)
08. Slow Hands (7:42)
09. Got It Bad (6:43)
10. Snowy Wood (3:30)
11. One Glass Of Water (6:07)
12. Wasteland (4:28)

In 1998 the MICK PINI BAND won the prestigious ‘Blues Band of the Month’ award at ‘Talkin Blues’ in Cologne, Germany. The band recorded their authoritative Mike Vernon-produced album “Blues Gonna Be My Way” in 1989.

You’ll also perhaps know the “Wildman” British blues veteran from his group “B.E.P.” (Black, Estrada, Pini) an ensemble whose personnel included the (now rakeshame) Little Feat bassist Roy Estrada, the Mothers of Invention drummer Jimmy Carl Black, Peter Bruder on rhythm guitar (with whom Pini worked on his album “Come On Into My Kitchen” 1999) and Gregor“ Squibb ”Wittner on keyboards.

The new album, Backtrack originates from a concept by renowned D.J. blues promoter and writer Pete Feenstra and is a collection of Pini’s favorite tracks from an extensive catalog. All tracks were written by Pini except “Shadows” and “Slow Hands” which were both co-written with producer Craig Marshall. “Blues is Cheap” was written with guitarist Al Sansome.

We had a listen —

Just as the title suggests, the album somersaults into life with “Jumping Blues” which is a tasty slice of heritage-pie, a push-chugging blues rocker. And, of course, it’s a jump-blues number! The track incorporates feckless keys, rough-motion rhythms and strong distinctive vocals. It’s a bristle brush roller that will make everyone get up and dance, and it has super lemony guitar to spice it all up! Fizzy!

Pini is inspired by the openness & lightness of Peter Green, the sweetness, the string bending, and the vibrato, so “Blues for Peter Green” is purity and insight. The articulation of his instrument communicates a smooth perspective and wise contemplation. This is a thing of such graceful beauty!

“Shadows” has a wonderful long-legged bass-line and lots of glittery jingles from the ivory. This is a candlelit sound with soft vibrations and dreamy voices. A purr of jazz ‘n’ blues, with dreamlike expression. Comforting!

“Blues is Cheap” has a raffish slide riff and a scruffy (but oaky) voice. Here Pini’s guitar-work is dark, then vixenish, like a deceptive fox caught snagging away a bird in the night.

“Slow Hands” is a refinement of quality blues licking… a timelessly smooth piece of sophistication with guitar-work that is always clear & expressive… plus, the atmosphere is super-sultry! Wonderful! ~Neil Mach

Backtrack MP3
Backtrack FLAC

Thursday, November 5, 2015

Mick Pini - Happy With The Blues

Size: 115,6 MB
Time: 49:20
File: MP3 @ 320K/s
Released: 2015
Styles: Electric Blues, Blues Rock
Art: Front

01. Blues Is Cheap (5:20)
02. Catfish Mama (7:31)
03. Jumping Blues (3:46)
04. Let Go (3:42)
05. Going Down (4:10)
06. Happy With The Blues (3:51)
07. You Know I Can (3:52)
08. I've Been A Fool (4:22)
09. She Was Born That Way (4:56)
10. Fishes In The Sea (4:44)
11. Just Pushin' (3:01)

The Mick Pini Band are: Mick Pini, guitar, harmonica and vocals, Uwe Jesdinsky, bass and Markus Klopfer, drums.
Additional Musicians: Alan Sansome, guitar and slide, Volker ‘Wolfman’ Kunschner, Hammond, Gregg Witner, piano, Steve Clayton, acoustic piano, Obe Pflüger, saxophone.

"Great man, I like it" (B.B.King)
"You're the first white blues player with a black feel" (Sherman Robertson)
"Real great player" (Mick Avery, Kinks)
"A great player" (Roger Chapman, Family)
"I haven't heard anything like this since I did the Clapton Beano 1966 John Mayall Album" (Dick Heckstall Smith)
"One of the top acts on the Continent" (Joachim Kirsten, Blues News Germany)
"A great British Blues player" (Dirk Fohrs, Blues News Germany)
"Best live Blues player I've ever seen and been influenced by" (Ian Parker, Blues Matters)

I started playing guitar as a young boy back in 1960. Since then I’ve paid my dues in pubs, clubs, festivals, concert halls - hell, even busking on the streets. Over a lifetime, I've worked with many musicians: Doctor Ross, Professor Longhair, Rich Grech (Blind Faith, Traffic), Mojo Buford, Louisana Red, Dick Heckstall-Smith (John Mayall's Bluesbreakers), Chris Farlowe, Paul Jones (Manfred Mann), BB King, Luther Allison, Roy Estrada (Mothers of Invention, Little Feat), Jimmy Carl Black ((Mothers of Invention) – and more than a few others. Click on the links below if you'd like to know a bit more about my musical background.

Here's part of a review written about me to get you interested in my music:
"With a life time in music you’ll hear echoes and influences from the whole tradition of the blues in Mick’s playing. His uncompromising adherence to a genuine belief in his music has never been deflected. Those distinctive raw, attacking riffs and phrases, often reminiscent of such legendary names as Freddie King, Albert Collins or T-Bone Walker hit you with aggression not unlike a ton of bricks, then in a moment, he’ll melt your heart with a sweeping phrase of pure beauty. These are the hallmarks of Mick Pini: to encounter him live is a joy not to be missed - it’s a blues master class! Live, the winner of the "Talking Blues Award” is simply brilliant – but why take my word for it; Eric Clapton called him the “legitimate successor to Peter Green”, while Mick Vernon described him as “ having the energy and attack that made Freddie King one of the greats. There are too few great guitarists working the European scene. Sure there are many good ones, but only a few have the potential to make a mark in the way Freddie King did many years ago.” A recent gig produced the newspaper headline: “An honour to see blues legend in action.” Perhaps the most telling tribute is the fact that when Mick is in town, Mick Double, Eric Clapton’s manager can regularly be found at the back of the room, quietly enjoying the music." (Paul McAree)

Happy With The Blues