Showing posts with label John Dee Holeman. Show all posts
Showing posts with label John Dee Holeman. Show all posts

Monday, October 11, 2021

John Dee Holeman - You Got To Lose, You Can't Win All The Time

Size: 79.6 MB
Time: 33:34
File: MP3 @ 320K/s
Released: 2008
Styles: Electric/Acoustic Blues
Art: Full

01. Two Trains Runnin' (1:13)
02. Mojo Hand (4:09)
03. Early Letter Blues (4:05)
04. Ain't Gonna Worry, My Life Anymore (3:09)
05. One Black Rat (3:28)
06. Three O'Clock In The Morning (3:17)
07. John Dee Jam (1:57)
08. Hoochie Coochie Man (4:43)
09. You Got To Lose, You Can't Win All The Time (4:37)
10. John Henry (2:52)

Fans of Piedmont blues as performed by the likes of the late John Jackson and John "Bowling Green" Cephas will like the guitar and vocal stylings of John Dee Holeman, who has several recordings that are readily available. Holeman has been based in Durham, North Carolina since 1954. Over the years, tobacco city Durham has been home to a prominent list of bluesmen, including people like Rev. Gary Davis, Arthur Lyons, and Blind Boy Fuller. Holeman has updated the older Durham acoustic Piedmont blues traditions to include elements of urban blues, Texas blues, classic R&B, and jazz. Holeman was born in Orange County in 1929 and began singing and picking guitar as a 14-year-old. He cites Blind Boy Fuller as the musician who taught him how to play -- he learned guitar from listening to Fuller's recordings and by performing with musicians who had learned first-hand from Fuller. Later, as a teen, he began entertaining at birthday parties, wood choppings, house rent parties, and corn shuckings. Once in Durham, he began performing with pianist Fris Holloway (born in 1918), and both men were also excellent buckdancers.

Holeman received a National Heritage Fellowship from the National Endowment for the Arts in 1988 and a North Carolina Heritage Award in 1994, and he still performs frequently in and around North Carolina on weekends. He toured nationally and internationally in the 1980s, giving concerts at Carnegie Hall in New York and Wolf Trap in Washington, D.C. He has performed abroad for the United States' Information Agency's Arts America program. In 1988, Holeman recorded the album Bull Durham Blues with Grammy Award-winning musician Taj Mahal, who played guitar, bass, piano, and hambone on the album. Holeman's other releases include John Dee Holeman & the Waifs Band and You Got to Lose, You Can't Win All the Time. He also has an album on the Washington, D.C.-based Mapleshade Records label, John Dee Holeman and Sunnyland Slim: Blues Legends Live. His Bull Durham Blues was reissued on Music Maker Relief Foundation Records, based in North Carolina, in 1999. ~Richard Skelly

You Got To Lose, You Can't Win All The Time MP3
You Got To Lose, You Can't Win All The Time FLAC

Tuesday, November 24, 2020

John Dee & Fris - Country Girl

Size: 111,6 MB
Time: 47:27
File: MP3 @ 320K/s
Released: 1993
Styles: Blues
Art: Front

01. My Baby Is A Country Girl (4:13)
02. Sugar Mama (3:48)
03. I Can't Quit You Baby (3:43)
04. Diggin' My Potatoes (4:09)
05. I Hate To See The Evenin' Sun Go Down (5:49)
06. Big Boss Man (3:49)
07. My Little Machine (3:29)
08. Mama Got Mad 'Cause Papa Didn't Bring No Coffee Home (4:14)
09. Big Leg Woman (2:38)
10. Give Me Back That Wig I Bought You (3:05)
11. Careless Love (4:22)
12. Baby, You Don't Have To Go (4:04)

Recorded live at LBJ's Lounge, Washington, D.C. on April 15, 1988.

Fans of Piedmont blues as performed by the likes of the late John Jackson and John "Bowling Green" Cephas will like the guitar and vocal stylings of John Dee Holeman, who has several recordings that are readily available. Holeman has been based in Durham, North Carolina since 1954. Over the years, tobacco city Durham has been home to a prominent list of bluesmen, including people like Rev. Gary Davis, Arthur Lyons, and Blind Boy Fuller. Holeman has updated the older Durham acoustic Piedmont blues traditions to include elements of urban blues, Texas blues, classic R&B, and jazz. Holeman was born in Orange County in 1929 and began singing and picking guitar as a 14-year-old. He cites Blind Boy Fuller as the musician who taught him how to play -- he learned guitar from listening to Fuller's recordings and by performing with musicians who had learned first-hand from Fuller. Later, as a teen, he began entertaining at birthday parties, wood choppings, house rent parties, and corn shuckings. Once in Durham, he began performing with pianist Fris Holloway (born in 1918), and both men were also excellent buckdancers.

Holeman received a National Heritage Fellowship from the National Endowment for the Arts in 1988 and a North Carolina Heritage Award in 1994, and he still performs frequently in and around North Carolina on weekends. He toured nationally and internationally in the 1980s, giving concerts at Carnegie Hall in New York and Wolf Trap in Washington, D.C. He has performed abroad for the United States' Information Agency's Arts America program. In 1988, Holeman recorded the album Bull Durham Blues with Grammy Award-winning musician Taj Mahal, who played guitar, bass, piano, and hambone on the album. Holeman's other releases include John Dee Holeman & the Waifs Band and You Got to Lose, You Can't Win All the Time. He also has an album on the Washington, D.C.-based Mapleshade Records label, John Dee Holeman and Sunnyland Slim: Blues Legends Live. His Bull Durham Blues was reissued on Music Maker Relief Foundation Records, based in North Carolina, in 1999. ~Richard Skelly

Country Girl MP3
Country Girl FLAC

Saturday, November 9, 2019

John Dee Holeman - Last Pair Of Shoes

Size: 88,8 MB
Time: 38:03
File: MP3 @ 320K/s
Released: 2019
Styles: Electric Blues
Art: Front

01. Chapel Hill Boogie (5:03)
02. She Moves Me (4:23)
03. Dust My Broom (4:53)
04. Dig Myself A Hole (3:09)
05. Shotgun Blues (5:06)
06. John Henry (2:58)
07. Give Me Back My Wig (5:38)
08. Going Down To New Orleans (3:11)
09. Two Trains (3:38)

At 90 years young, John Dee Holeman is nothing short of an enigma. The 1988 NEA National Heritage Fellowship award recipient boasts multiple tours overseas, shaking it down at NYC’s Carnegie Hall, 3 full length records with Music Maker Relief Foundation, and an insatiable appetite for endless boogie, 12 bars or otherwise.

Hailing from Durham, North Carolina by hard way of the farms of Orange County, Holeman came up farming tobacco. He completed the fourth grade then promptly gave up schoolwork for farm work to assist his Daddy on the farm. Trading in a formal education edified him a doctorate in the Blues. “I think the Blues is hardship and working hard,” Holeman says. “You really can get into it then and I’ve had it hard. The way I take it is when you’re down or out, more less, that’s what I take to be the Blues.” Scoring a $15 Silvertone at the hardly ripe age of 14 commenced a journey that keeps on giving, and Holeman just wants to give more.

Entering his ninth decade, Mr. Holeman has admittedly made a decent living thus far but looks even more forward to continuing his righteous path in music. From pig-picking backyard North Carolina parties to packed venues in Thailand, Honolulu, Hong Kong, Indonesia, Singapore, Turkey, Canada, and even Africa, learning a few chords from an uncle and a cousin has proved to be the world’s greatest gift. Not only providing countless hours of comfort for the long, arduous, albeit inhumanely hot nights of drying out leaves in a tobacco barn but an ethereal distraction and ultimately a golden path for his later years. North Carolinian drummer and manager extraordinaire, Zeke Hutchins, produced Holeman’s most recent offering, You Got To Lose, You Can’t Win All The Time, in 2008. A new record is nigh entitled Last Pair of Shoes, again on Music Makers and out this coming Friday, 8/2/19.

Holeman’s signature ditty is the infectious “Chapel Hill Boogie.” A 12 bar boogie that cooks in all its funky juices, highlighted by the fuzzy rhythm riff and a harmonious harp on top of it all. It’s the type of groove you’d like to keep on repeat, if not only for the song, but just to keep catching the feeling over and over. It’s our great honor to premier that song to you here, right now…

Last Pair Of Shoes

Tuesday, April 30, 2019

John Dee Holeman & The Waifs Band - John Dee Holeman & The Waifs Band

Source: CD
Size: 121,4 MB
Time: 52:01
File: MP3 @ 320K/s
Released: 2004
Styles: Piedmont Blues, Blues Folk
Art: Full

01. John Henry (2:33)
02. Country Gal (7:24)
03. Mojo Hand (3:07)
04. Give Me Back My Wig (5:38)
05. I'm A Pilgrim (2:30)
06. Comin' Home To You (7:41)
07. Dust My Broom (4:31)
08. Little Queenie (4:26)
09. I Miss You Huggin' (6:05)
10. Looking Yonder Comin' (3:23)
11. Baby Please Don't Go (4:38)

"The Waifs had converged at Music Maker studios in North Carolina for a week’s rehearsal before our US tour started. Toward the end of the week Tim Duffy suggested he invite some of the Foundations artists over to make some music. John Dee Holeman turned up. He's a real gentleman, very gracious & after a quick round of introductions he picked up an old guitar and started to play like ...well like he'd been doing it all his life.
We were in awe. There are rare occasions when one sits in the presence of living legend and experiences one of the last true forms of authentic music. Tentatively we joined in. I remember being nervous about playing harmonica. I was trying to play Sonny Terry licks, to be bluesy, to feel it. You can hear that...me trying.
That’s the thing you see. All week we had been going over songs, arrangements. Arguing over this and that. Trying to create our final version. When John Dee picked up that guitar and started playing it was the most natural thing in the world. Not something you thought about, or planned, or crafted. Just something you felt, as natural and easy as taking a walk.
So here it is. That afternoon at Music Maker studios when John Dee Holeman took a walk with his guitar and the Waifs tagged along, sometimes in step, sometimes a step behind. But the closest step we'd ever taken toward the blues. We wish to thank John Dee Holeman for the music and Tim & Denise Duffy for putting us up & bringing it together." -Vikki Thorn

John Dee Holeman & The Waifs Band

Monday, February 11, 2019

VA - Blue Muse

Size: 168,1 MB
Time: 71:40
File: MP3 @ 320K/s
Released: 2019
Styles: Acoustic/Electric Blues, Blues Folk
Art: Front

01 The Grotto Sessions - La Collegiale (3:27)
02 Taj Mahal - Spike Driver Blues (4:24)
03 Captain Luke - Old Black Buck (3:29)
04 Eddie Tigner - Route 66 (4:45)
05 Alabama Slim - I Got The Blues (4:39)
06 Robert Finley - Age Don't Mean A Thing (4:27)
07 Dom Flemons - Polly Put The Kettle On (2:14)
08 John Dee Holeman - Hambone (2:18)
09 Algia Mae Hinton - Snap Your Fingers (3:40)
10 Willie Farmer - I Am The Lightnin' (3:20)
11 Dave McGrew - D.O.C. Man (3:43)
12 Martha Spencer & Kelley Breiding - Sweet Valentine (2:24)
13 Dom Flemons - I Wanna Boogie (1:43)
14 Eric & Tim - Mississippi Blues (3:46)
15 Guitar Gabriel - Landlord Blues (2:54)
16 Drink Small - Widow Woman (4:15)
17 Sam Frazier Jr. - Cabbage Man (2:27)
18 Cary Morin - Sing It Louder (2:59)
19 Ironing Board Sam - Loose Diamonds (4:12)
20 The Branchettes - I Know I've Been Changed (3:35)
21 Theotis Taylor - Something Within Me (2:49)

Blue Muse

Tuesday, November 20, 2018

VA - Grotto Sessions

Size: 62,3 MB
Time: 26:43
File: MP3 @ 320K/s
Released: 2018
Styles: Acoustic/Electric Blues
Art: Front

01 Guitar Gabriel - La Collegiale (3:26)
02 John Dee Holeman - Hambone (2:10)
03 Rufus McKenzie - Mother Sleep On (3:24)
04 Cora Fluker - Jesus Run The Race (2:26)
05 Captain Luke - Careless Love (4:23)
06 Essie Mae Brooks - Rain In Your Life (3:43)
07 The Goins - Children Go Where I Send Thee (4:33)
08 Essie Mae Brooks - I Got So Much To Talk About (2:35)

Recently, some European musicians decided to show their appreciate of Music Maker when they took MMRF master tapes of bluesmen and remixed them with some new recordings. The result is being release as the Grotto Sessions. Together these musicians have created a fascinating tribute that feels like a postmodern meditation on the legacy of American blues. There is a freshness to their approach that presents this timeless blues music in an exciting new light.

Grotto Sessions