Tuesday, May 31, 2016

Erwin Helfer - Erwin Helfer Way

Year: 2013
Bitrate: MP3@320K/s
Time: 52:40
Size: 123,3 MB
Styles: Piano blues, jazzy blues, instrumental
Scans: Full

1. Chicken Shack (5:28)
2. Take My Hand, Precious Lord (4:10)
3. The Fives (2:56)
4. Within (4:28)
5. Exactly Like You (2:57)
6. Baby Won't You Please Come Home (3:51)
7. E&C Boogie (2:59)
8. Big Joe (4:21)
9. Winin' Boy (5:31)
10. Sweet Georgia Brown (5:35)
11. Tin Roof Blues (5:12)
12. The Preacher (5:05)

In the Chicago blues piano tradition, each player developed his own personal style, from Jimmy Yancey to Albert Ammons. Erwin Helfer's style and his compositions are his own. His playing and personality are honest, straightforward, and committed to strong personal connections, on the bandstand and off. On Erwin Helfer Way , Helfer plays solo, and he is also joined by some of his closest collaborators including Barrelhouse Chuck, John Brumbach, William Bugs Cochran, Lou Marini, and Skinny Williams. This disc is another masterpiece by Helfer, who is the last living link to the Yancey's. Erwin Helfer was introduced to piano blues as a young teenager growing up in Chicago in the early '50s, the heyday of the city's blues clubs and the fortunes of labels such as Chess Records. A native of Chicago's south side, he haunted the clubs as a boy, but he also took the time to attend school and completed college with a degree in music, which he followed by spending three years in New Orleans in the late '50s, where he played jazz. Among the musicians who influenced him most were Jimmy Yancey, Albert Ammons, Pete Johnson, and Speckled Red, and Helfer counted himself a good friend of guitarist Big Joe Williams. Helfer became a performer and teacher, touring Europe as a blues pianist and also training college students in Chicago throughout the 1970s. His style is equally adaptable to blues and jazz.

Helfer, of course, is a genuine Chicago treasure — one of the greatest living exponents of boogie-woogie and old-fashioned blues piano, and one of the most modest, affable human beings on the planet. Earlier this year he released a typically refined and entertaining album called "Erwin Helfer Way" — the title refers to the stretch of Magnolia Avenue he lives on, which was christened for him by the city's honorary street-naming program in 2006. The recording features Helfer in a variety of instrumental settings with his regular cast of collaborators. There are raucous, hard-driving blues like the opener "Chicken Shack," with dueling tenor saxophones played by John Brumbach and Skinny Williams—bassist Lou Marini and drummer William "Bugs" Cochran, a onetime member of Sun Ra's Arkestra, are the rhythm section throughout the record, save for some solo pieces and a pair of duets with fellow keyboardist Barrelhouse Chuck — as well as a version of the Horace Silver tune "The Preacher," where Helfer and company vibrantly flavor the hard bop with some stride, swing, and R&B. The pianist takes some concise solos on these band tracks, and he also shows what a peerless accompanist he can be. But for me the best moments on the album are the three tracks when Helfer is all alone, where one can bask in the interplay between his right and left hands. There's the driving barrelhouse bass line he inserts beneath his jaunty take on the standard "Exactly Like You", and the leisurely pace he takes on the early jazz piece "Baby Won't You Please Come Home", played with his usual elegant phrasing. /Peter Margasak

Erwin Helfer Way mc
Erwin Helfer Way zippy

Barrelhouse Chuck - Combo Classics

Year: 2014/2015
Bitrate: MP3@320K/s
Time: 43:49
Size: 101,5 MB
Styles: Piano blues, R&B
Scans: Full

1. Hot & Heavy (2:50)
2. Time Is Tight (3:12)
3. Depression Blues (3:28)
4. Chuckabilly (3:01)
5. Pacific Blue (3:37)
6. My Dog Don't Bow Wow (4:49)
7. Bright Sounds Of Big Moose (3:23)
8. Walk Don't Run (2:09)
9. Porchlight (4:12)
10. Wah Wah Blues (5:04)
11. Farfisa B3 Boogie For Winwood (1:05)
12. Don't Go To Dallas (4:19)
13. Slam Hammer (2:35)

Much has been written about Barrelhouse Chuck's piano playiing over the past 35 years. Numerous references have been made to the influences of his mentors and friends Sunnyland Slim and Little Brother Montgomery, or his uncanny ability to play Chicago blues piano with deft ferocity like Otis Spann or the plantive emotion of Leroy Carr. However, little has ever been documented about his astounding talents with the Compact Combo Organs that make up an integral part of his repertoire, and are a key ingredient to what he refers to as "his sound". Chuck's life long love affair with the Combo Organ started early on. As a young boy he fell under the infectious Vox Organ riff of the 1966 garage classic "96 Teras" by ? And The Mysterians. "I just loved that song, and would look for it everytime that I saw a juke-box."

Featuring Joel Paterson, Billy Flynn, Hash Brown and Jeremy Johnson this set of 60's style blues sounds feature Chuck behind the mighty Combo Electric Organ. Think of Earl Hooker of Johnny Big Moose Walker's recordings from the 60's and you get the idea. Of course a stellar line up in support with S.P. Leary, Willie "Big Eyes" Smith, Richard Innes, Eddie Taylor Jr. and Curtis Salgado being just some of the many featured players.

Combo Classics mc
Combo Classics zippy

Neal Pattman - Prison Blues

Size: 132,4 MB
Time: 57:15
File: MP3 @ 320K/s
Released: 1999
Styles: Country Blues, Harmonica Blues
Art: Full

01. Momma Whoopin' Blues (2:45)
02. Catfish Blues (4:02)
03. Shortnin Bread (5:33)
04. Talkin' 'bout You Baby (5:15)
05. Market Blues (6:31)
06. Neals Testimony (2:47)
07. Prison Blues (3:27)
08. Disco Twist (2:26)
09. Going Back To Georgia (4:31)
10. Five Long Years (5:59)
11. Bottle Up And Go (4:37)
12. Oklahoma City Blues (5:16)
13. I Want Jesus To Walk With Me (4:00)

Recording may be a relatively new luxury to Neal Pattman, but in life he is a grizzled veteran. His first album is a stark affair, almost an eavesdrop into a backroom rehearsal. A frisky harp player and singer, Pattman is joined by Taj Mahal and labelmate Cootie Stark on over half the album, and together and in various configurations the trio turns out some fine, jaunty country blues. There are, however, a number of clumsy stabs at testimonial blues, and these diminish the appeal of the album as a whole. In fact, everything has a clumsiness about it, and when it swings in favor of the musicians, it can be quite charming. When it doesn't, though, it can come off as plain gawky. ~Review by Jim Smith

Prison Blues

John Lee Hooker & Friends - Live From The House Of Blues (Remastered)

Size: 158,3 MB
Time: 68:02
File: MP3 @ 320K/s
Released: 2015
Styles: Electric Blues, Blues Rock
Art: Front

01. Elwood Blues Intro - Look Me Up (Zakiya Hooker & Duke Robillard Band) (4:00)
02. Too Hot To Handle (Duke Robillard) (6:29)
03. Dyin' Flu (Duke Robillard) (7:58)
04. Sugar Coated Love (Lazy Lester) (4:10)
05. Come On In My Kitchen (John Hammond) (3:55)
06. Found Love (John Hammond & The Duke Robillard Band) (3:09)
07. Blues Overtook Me (Charlie Musselwhite) (5:23)
08. Help Me (Charlie Musselwhite) (8:04)
09. Big Leg Mama (Taj Mahal & The Duke Robillard Band) (4:09)
10. Strut (Taj Mahal & The Duke Robillard Band) (5:57)
11. She Caught The Katy (Taj Mahal & The Duke Robillard Band) (3:13)
12. Crawling Kingsnake (John Lee Hooker With Ry Cooder & The Duke Robillard Band) (4:13)
13. One Bourbon One Scotch One Beer (John Lee Hooker With Ry Cooder & The Duke Robillard Band) (3:37)
14. Boom Boom (John Lee Hooker With Ry Cooder & The Duke Robillard Band) (3:31)

A rich combination of blues talent and spice assembled in West Hollywood in June 1995 for Live From The House Of Blues, a spectacular display of collaborations with equally impressive names from the blues scene. John Lee Hooker's own Daughter Zakiya opened the event backed by the Duke Robillard Band. Added to the day's event was a prized collection of genial giants in Charlie Musselwhite, Taj Mahal, Ry Cooder, John Hammond, Lazy Lester and of course, the boom, boom blues of the legendary John Lee Hooker. Duke Robillard s band offered a prominent backing for most of the guests and sealed the day with Ry Cooder's subliminal workout alongside Hooker for his signature R&B Boom, Boom. Klondike proudly presents the entire WLUP-FM broadcast of Live At The House Of Blues, a gathering of genial blues giants and friends of John Lee Hooker.

Live From The House Of Blues

Michael Bloomfield - If You Love Those Blues, Play 'Em As You Please

Size: 162,7 MB
Time: 70:30
File: MP3 @ 320K/s
Released: 1976/2004
Styles: Electric/Acoustic Blues
Art: Full

01. If You Love These Blues (1:08)
02. Hey, Foreman (2:52)
03. Narrative #1 (0:36)
04. Wdia (3:34)
05. Narrative #2 (0:10)
06. Death Cell Rounder Blues (3:32)
07. Narrative #3 (0:05)
08. City Girl (4:27)
09. Narrative #4 (0:19)
10. Kansas City Blues (3:08)
11. Narrative #5 (0:16)
12. Mama Lion (3:40)
13. Narrative #6 (0:10)
14. Thrift Shop Rag (1:47)
15. Narrative #7 (0:14)
16. Death In My Family (3:55)
17. East Colorado Blues (1:32)
18. Blue Ghost Blues (2:15)
19. Narrative #8 (0:25)
20. The Train Is Gone (2:55)
21. Narrative #9 (0:07)
22. The Alter Song (2:20)
23. I'll Overcome (3:49)
24. I Must See Jesus (4:35)
25. Great Dreams From Heaven (2:51)
26. Gonna Need Somebody On My Bond (4:05)
27. I Am A Pilgrim (2:30)
28. Just A Closer Walk With Thee (3:06)
29. Have Thine Own Way (2:20)
30. Farther Along (2:33)
31. Peace In The Valley (4:58)

Is it really 23 years since Mike Bloomfield shuffled off this mortal coil? On 15 February 1981, the blues guitar legend was found dead from a drugs overdose, slumped in his car in a side street in San Francisco.

During the 1960s, his guitar playing had ignited "live" performances and recordings by Bob Dylan, the Paul Butterfield Blues Band and The Electric Flag, among others. He had also provided much of the focus for the Super Session and Live Adventures projects on which he shared joint headline credit with Al Kooper.

Personal problems, and unease with the formulaic approach that success often demands, dogged many of his later recordings and diminished in many people's eyes the great contribution he had, undoubtedly, made to the electric guitar sound of the 60s.

IF YOU LOVE THESE BLUES, PLAY 'EM AS YOU PLEASE is a timely reminder of what a consummate musician he was. 22 tracks of this CD were recorded in 1976 and released originally with the same album title on Guitar Player/Takoma 3002. The remaining nine tracks come from the Norman Dayron recorded session featuring Bloomfield with guitarist Woody Harris and were originally released on Kicking Mule KM 164.

The 1976 sides were conceived by Bloomfield as a way of repaying the debt he felt he owed to his musical influences, the many black blues and white hillbilly performers from whom he had learned so much. Consequently, the musical performances range across a breadth of styles and are linked by simple narratives recited by Bloomfield himself. Rather than being something that wears thin with repetition, these link narratives are a rare opportunity to hear the man himself, talking about the music he loved best.

Recorded in a relaxed atmosphere in the dark San Francisco basement studio of David Blossom, the sessions obviously took Bloomfield back to the dark Chicago clubs that he had enjoyed so much in his youth and missed badly in the era of the stadium concert. His singing is warm and unforced and works well with his stunning guitar playing and the laid-back support from such musical friends as singer/guitarist Nick Gravenites, organist Ira Kamin, bassist Doug Kilmer, drummers Tom Donlinger and Dave Neditch plus the occasional added horns of Ron Stallings and Hart McNee.

For the session three years later with Woody Harris, the emphasis shifts from the secular to the sacred. All the tunes are gospel songs and the warm collaboration between the two guitarists is a joy. With the aid of studio overdubbing, Bloomfield plays both electric slide and acoustic guitars on the closing Peace In The Valley and both guitars, piano, organ, bass and drums on The Altar Song. Especially fine is Bloomfield's stinging, distorted electric guitar on Gonna Need Somebody On My Bond and Just A Closer Walk With Thee, both beautifully underpinned by Harris's acoustic guitar chords and picking. ~by John Crosby

If You Love Those Blues, Play 'Em As You Please

Big Pete - Live At Bluesnow! (Feat. Kid Ramos, Monster Mike Welch & Anthony Geraci)

Size: 142,3 MB
Time: 61:29
File: MP3 @ 320K/s
Released: 2016
Styles: Modern Electric Blues
Label: Coast Company
Art: Front

01. Mean (Live) (6:17)
02. Born To Die (Live) (3:55)
03. Come On In This House (Live) (6:27)
04. This Time No Lies (Live) (4:16)
05. 6-45 (Live) (6:58)
06. I've Got My Eyes On You (Live) (6:25)
07. Ball And Chain (Live) (6:11)
08. Just To Be With You (Live) (5:07)
09. Only Time Will Tell (Live) (4:14)
10. Rockin' Daddy (Live) (5:11)
11. My Backscratcher (Live) (6:25)

Dutch blues vocalist and harp master Pieter "Big Pete" van der Pluijm may not be a familiar name to American blues audiences, but he's already well-established in the Netherlands – his native home base in North-West Europe. At 23, Pete was handpicked for a European memorial tour to honor the music and memory of legendary harmonica player and vocalist Lester Butler (the Red Devils and Thirteen), backed by several of Lester's original bandmates. The project was met with great success and critical acclaim, so more tours and a CD by the Lester Butler Tribute Band soon followed, securing Pete's arrival on the scene as one of the premier next generation blues performers in the Benelux region. Since then, Big Pete has gone on to form and record many other successful projects including his debut release "Bathroom Acoustics" by The Strikes, a couple of CDs by the rockin' 50's Chicago blues outfit The Backbones, and most recently, the more progressive and forward-thinking group M.O.C.T. (Men Of Considerable Taste). Pete's growing reputation has also led to tours and performances backing many internationally acclaimed blues artists including Alex Schultz, Mitch Kashmar, Monster Mike Welch, Hook Herrera, Matt Schofield, and Ian Siegal. Pete's informal introduction to the U.S. market materialized in March 2010 with his appearance on The Mannish Boys' 5th anniversary release "Shake For Me." Pete closed out the album in style paying tribute to his hero Lester Butler on the storming New Orleans romp "Way Down South," backed by Kid Ramos, Willie J. Campbell and Jimi Bott along with special guest pianist Andy Kaulkin, who previously recorded with Lester Butler on the classic album "Thirteen." Now Holland's best kept secret makes his official American solo album debut with an incredible all-star recording lineup featuring Kim Wilson, Paul Oscher, Al Blake, Johnny Dyer, Alex Schultz, Kirk Fletcher, Kid Ramos, Rusty Zinn, Shawn Pittman, John Marx, Mojo Mark, Rob Rio, Willie J. Campbell and Jimi Bott. “Choice Cuts (DGPCD149)” is guaranteed to be an instant classic not to be missed by anyone who considers themselves a true blues lover!

Live At Bluesnow!

Monday, May 30, 2016

Johnny Rawls, Tad Robinson, Deitra Farr - From The Soul

Year: 2014
Bitrate: MP3@320K/s
Time: 57:09
Size: 132,1 MB
Styles: Soul-blues
Scans: Full

1. Deitra Farr - When They Really Love You (5:30)
2. Tad Robinson - Payback (6:04)
3. Johnny Rawls - Ace Of Spades (3:00)
4. Deitra Farr - Bad Company (6:16)
5. Tad Robinson - Rained All Night (4:02)
6. Johnny Rawls - I Would Be Nothing (3:50)
7. Deitra Farr - How Much Longer (6:10)
8. Tad Robinson - Dying From The Blues (4:54)
9. Johnny Rawls - Lucky Man (4:20)
10. Deitra Farr - Waiting For You (5:24)
11. Johnny Rawls - Lucy (3:34)
12. Johnny Rawls - Can't Nobody (4:05)

From The Soul is a club format created by the Top Dogs band with the intention to introduce US artists working in the soul blues tradition to Swedish audiences. The idea was to arrange a series of tours, each featuring a new performer backed up by Top Dogs. When considering which artist to ask, we wanted to focus on the vocal performance and a strong stage presence, the working principle being that blues, first and foremost, is about a singer telling a story. We also wanted to emphasize the soul element, to make the band horn-driven rather then guitar-based.

Here is a selection of live recordings from our efforts for your listening pleasure. We hope you will enjoy these great performances by entertainer extraordinaire Johnny "Soul Survivor" Rawls, Tad Robinson - one of the most innovative artists currently working in the field - and, lastly, the epitome of the big-voice blues singer, the great Deitra Farr. /Excerpt from the liner notes

Top Dogs: Sverker Blomberg (guitar), Erik Pettersson (Hammond organ, piano), Patrik Norrman (bass), Thomas Lingman (drums)

The Forlorn Blues Horns: Mighty Bo Gustafsson (tenor sax), Mikael Renliden (trumpet), Ingalill Högman (tenor sax), Magnus Appelholm (trumpet)

From The Soul mc
From The Soul zippy

Cadillac Kings - Gonna Tell Your Momma

File: MP3 @ 320K/s
Source: LL (from CD)
Released: 2012
Styles: Blues
Time: 55:51
Size: 128,6 MB
Art: Full

(3:52) 1. Gonna Tell Your Momma
(3:40) 2. A Man Needs His Loving
(4:41) 3. Somebody
(4:38) 4. Ding Dong Daddy
(4:18) 5. Sick & Tired
(3:21) 6. Zydeco Cadillac
(3:41) 7. Just A Matter Of Time
(4:20) 8. Mean Old Frisco
(3:19) 9. Boogie Hamar
(3:31) 10. The Big Next Thing
(3:33) 11. Stranded In The Jungle
(3:51) 12. Big Bad Boy
(3:58) 13. Eight Ball Jack
(5:02) 14. Betty Lou

Cadillac Kings recent album, Gonna Tell Your Momma, has the clear sound essential in a quality live recording. The show was recorded live in Norway, featuring some of the UK's top blues and roots musicians, the Cadillac Kings are probably the favourite band on the UK and European Jump Jive scene. Their sound is inspired by the styles of the 1940s & 1950’s and perhaps some early 1960’s Rock ‘n’ Roll, the kind of thing that suits bryl cream and energetic jiving, and which tips its hat to Muddy Waters, Bo Diddley, Louis Jordan, and others. This is a band with a reputation for wowing their audiences, from intimate clubs to major festivals, from theatres to dance-halls, the length and breadth of the UK and Europe. Along the way the band has picked up numerous awards including The Times' best blues CD of the year 2004 for 'Highway 17' and Canada's Real Blues Magazine's award for best UK blues act and CD 2009 for 'Trouble in Store'. If you like their music – and the more contemporary, twangy, but equally bright Big Boy Bloater – you’ll really enjoy this. Ding Dong Daddy stands out for Mike Adcock’s bursts of lively accordion. Mike Thomas’s strident vocals are a great listen on songs like the opener, Gonna Tell Your Momma, while Gary Potts contributes vocals reminiscent of Jerry Lee Lewis and cool amplified harmonica on Somebody, a very fine song also featuring some memorable guitar licks. Just a Matter of Time is a song about the arrival of old age. Pleasingly, the tune is as bright and bubbly as its lyrics, such as “The girls ignore you at the bar/ the last time you got lucky was when you found your car/ old age is coming.” Finally, the album features some top boogie woogie piano – this time like Jerry Lee Lewis on keys – from Henri Herbert. Henri also includes a stunning original tune, Boogie Hamar. Often, you can hear the audience having a fine time.

Gonna Tell Your Momma

Tail Dragger - Stop Lyin': The Lost Session

Size: 125,2 MB
Time: 54:13
File: MP3 @ 320K/s
Released: 2013
Styles: Modern Electric Blues, Chicago Blues
Art: Full

01. So Ezee ( 3:47)
02. Where Did You Go ( 4:25)
03. Ain't Gonna Cry No Mo ( 4:57)
04. Don't You Want A Good Man ( 3:34)
05. My Head Is Bald ( 4:16)
06. Alabama Bound ( 4:08)
07. Don't Trust Yo Woman ( 4:01)
08. Please Mr. Jailer ( 5:05)
09. Stop Lyin' ( 3:14)
10. Tail's Tale (16:41)

On September 29, 1982 blues singer Tail Dragger recorded nine songs with Johnny B. Moore and Jesse Lee Williams, guitars; Eddie 'Jewtown' Burks, harmonica; Willie Kent, bass; Larry Taylor, drums. Unfortunately producer Iron Jaw Harris didn't live long enough to see the album issued. Jimmy Dawkins, operating his Leric label, made an arrangement with Tail Dragger to release the 45 My Head Is Bald backed with So Ezee featuring overdubbed piano by Lafayette Leake. The remainder of the session sat in Tail Dragger's home for thirty years. Until now.

Stop Lyin': The Lost Session

Johnny 'Guitar' Watson - Gettin' Down With

Size: 179 MB
Time: 33:20
File: FLAC
Released: 1978/2009
Styles: Texas Blues, Blues Soul, Blues Jazz
Art: Front

01. Witchcraft (3:09)
02. I Cried For You (3:02)
03. I'll Remember April (4:38)
04. Polka Dots And Moonbeams (6:03)
05. Exactly Like You (2:16)
06. When Did You Leave Heaven (6:12)
07. Reconsider Baby (2:19)
08. Misty (5:38)

70's issue of this insanely wonderful early session by Johnny Guitar Watson – originally recorded for Chess in the early 60s, and featuring Johnny on piano, not guitar! Despite the sexy 70's cover (an attempt to cash in on Johnny's hit records at the time), this one's a beautiful set of jazzy cuts played by Johnny in vocal and instrumental versions. The record's incredibly tough to describe – but the sound is amazing, and Johnny's vocal interpretations of the material are fantastic. Includes a slamming Latin take on "I'll Remember April", plus the cuts "Exactly Like You", "Misty", and "Witchcraft". Great stuff – and one of our favorite sessions ever!

Gettin' Down With

Dustin Douglas & The Electric Gentlemen - Dustin Douglas & The Electric Gentlemen

Size: 115,1 MB
Time: 49:36
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Rock
Art: Front

01. Ain't Your Poppa's Blues (4:09)
02. Baby Girl (2:23)
03. Queen Of The North End (4:05)
04. Drivin' (Down The Interstate) (4:26)
05. Move On (4:50)
06. Bulldozer (1:32)
07. Fade Away (3:57)
08. Love (4:03)
09. Keep It Simple (4:08)
10. Treat Me Bad (4:11)
11. Bad Man (3:49)
12. Whatever You Sell (7:57)

Capturing the vibe of late 60’s blues-laced rock n’roll, Pennsylvania’s premier power trio, Dustin Douglas & The Electric Gentlemen mix retro-style and groove (Jimi Hendrix Experience, Black Crowes, Led Zeppelin) for a lightning charged, vintage style all their own.

Led by the transcendent lead guitarist/singer/songwriter Dustin Douglas (Lemongelli, The Badlees), The Electric Gentlemen leave even the most discerning music fans with little left to ask for at the end of any live set.

Dustin Douglas & The Electric Gentlemen

VA - Rough Guide To Gospel Blues

Size: 174,6 MB
Time: 74:29
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Gospel
Art: Front

01 Rev. Gary Davis - I Am The Light (2:59)
02 Blind Willie Johnson - I Know His Blood Can Make Me Whole (3:00)
03 Mississippi John Hurt - Praying On The Old Camp Ground (2:34)
04 Bukka White - The Promise True And Grand (3:02)
05 Rev. Edward W. Clayborn - (Your Enemy Cannot Harm You (2:54)
06 Blind Roosevelt Graves - I'll Be Rested (When The Roll Is Called) (2:26)
07 Blind Boy Fuller - Twelve Gates To The City (2:40)
08 Blind Joe Taggart - Scandalous And A Shame (2:53)
09 Mother McCollum - Jesus Is My Air-O-Plane (3:17)
10 Tallahassee Tight - Got Heaven In My View (3:03)
11 Skip James - Be Ready When He Comes (2:52)
12 Julius Daniels - Slippin' And Slidin' Up The Golden Street (3:09)
13 Blind Mamie Forehand - Wouldn't Mind Dying If Dying Was All (3:24)
14 Lil' McClintock - Mother Called Her Child To Her Dying Bed (3:08)
15 Bo Weavil Jackson - I'm On My Way To The Kingdom Land (2:58)
16 Memphis Minnie - Let Me Ride (2:56)
17 Blind Gussie Nesbit - I'll Just Stand And Wring My Hands And Cry (3:13)
18 Blind Willie McTell - Georgia Rag (3:09)
19 Blind Willie Davis - I've Got A Key To The Kingdom (3:10)
20 Henry Thomas - Jonah In The Wilderness (2:52)
21 Barbecue Bob - When The Saints Go Marching In (3:05)
22 Bessie Smith - On Revival Day (A Rhythmic Spiritual) (2:53)
23 Charley Patton - Jesue Is A Dying-Bed Maker (2:50)
24 Sam Collins - Lead Me All The Way (2:39)
25 Blind Lemon Jefferson - All I Want Is That Pure Religion (3:10)

The huge musical influence of the church has meant that gospel music and the blues have long been intertwined. From the true guitar evangelists such as Blind Willie Johnson and Reverend Gary Davis to blues legends Charley Patton and Skip James, these recordings illustrate how the line separating the Lord's song and 'the devil's music' was very thin.

Rough Guide To Gospel Blues

The Big Easy Blues Band - Blue Mondays

Size: 121,5 MB
Time: 52:05
File: MP3 @ 320K/s
Released: 1999
Styles: Chicago Blues
Art: Front

01. She Caught The Katy (3:56)
02. My Little Girl (4:01)
03. Hotstuff (3:48)
04. California's Blues (6:54)
05. Whole Lotta Shaking - Caldonia (4:16)
06. Just A Teeny Bit Of Your Love (3:22)
07. Sweet Home Chicago (4:25)
08. Get A Little (2:45)
09. Move Up To The Country (4:55)
10. Got My Mojo Working (4:31)
11. How Sweet It Is (4:07)
12. Tired Of Loving (4:59)

"Humble" Mike Hall learned blues harmonica & guitar growing up in the deep south. That is, the deep south of Africa! After over a decade of playing in central & southern Africa, Humble Mike brought his talents to Beijing, China where he quickly joined forces with the international talents of drummer Danny California, guitarist "Fast Eddie", and local legends Zhang Ling (Bass), Jin Hao (Sax) and Xiao Kong (Keyboards).

"Blue Mondays" is the band's first full studio CD and this studio recording captures the live spirit of the band's acclaimed performances at Beijing's premier blues venue, The Big Easy. Featuring musicians from four continents, this CD showcases the awesome individual talents of this cross-cultural joint venture.

Humble Mike plays a mean harp that drives a great repertoire of original and cover songs, while his rasping vocals evoke a lifetime of smoky bars and late night blues. Fast Eddie's funk-edged guitar is perfectly complemented by Danny California's vintage-style drumming while Kong's sterling piano & organ work and Jin Hao's hot-rod sax underlines their status as the foremost sidemen in China. Zhang Ling's accomplished bass playing and impassioned vocal work makes it difficult to believe that he's actually a Beijinger and didn't grow up on Chicago's south side!

Blue Mondays

Mojo Preachers - Confessions

Size: 130,2 MB
Time: 55:15
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Rock, Soul
Art: Front

01. Girl Child Coming (4:05)
02. Clouds Rain (5:41)
03. Loaded Lucy (4:17)
04. Carlzonie (3:42)
05. Leave The Light On (6:37)
06. Dark Wild (5:25)
07. I Hold On (5:06)
08. Pearlescent Eyes (3:32)
09. Harlequin Man (4:21)
10. Easy (3:29)
11. Because (4:29)
12. Dont Bring Me Down (4:25)

Personnel:
Sophie - Vocals
Carl - Keyboards
Nigel - Bass
Nick - Guitar
Luke - Drums

Mojo Preachers are a five peice band who started life playing blues. As their original songs have now become the major part of their performance their style has evolved to include influences from American West Coast and Deep South (Steely Dan, Little Feat) as well as the best of British blues (Beth Hart, Jo Harmon).

Vocals: Sophie has an amazing range able to reach notes so high you can barley hear them, more just a feel on the back of your neck.
Keys: Carl has played with some top names over the years and has been compared to Sun Ra meets Dr John. Has a passion for great Rhodes piano and amazing hammond.
Guitar: Nick (our baby) has ot been playing long but grew up on the knee of the Great Walter Trout and hs a blues experience well beyond his years.
Bass: Nig is generally the one to be found dancing on the bar or laying down in the middle of the audience playing good solid bass with a passion.
Luke: now he's lost 'baby' status to Nick he's happy to keep it tight with Nig and the two of them can usually be found smoking (vapour) behind the bike sheds (if they can find a bike shed)

Confessions

Sunday, May 29, 2016

The Cash Box Kings - Holler And Stomp

Year: 2011
Bitrate: MP3@320K/s
Time: 40:59
Size: 95,5 MB
Styles: Blues, harmonica blues
Scans: Full

1. Holler & Stomp (3:47)
2. That's My Gal (3:33)
3. Off The Hook (2:51)
4. Feel Like Going Home (3:45)
5. Fraulein On Paulina (4:07)
6. Hayseed Strut (3:35)
7. Katie Mae (2:59)
8. Sara (3:49)
9. Barnyard Pimp (3:16)
10. Oh My Baby's Gone (3:21)
11. Blues Come Around (2:19)
12. Tribute To The Black Lone Ranger (3:31)

Joe Nosek fell in love with the blues when he was a boy, but it was vintage Chess Records singles and the blues 78s of the 1920s and '30s that captivated him. When the vocalist and harmonica player put together the Cash Box Kings in the early 2000s, he named them after a now defunct magazine that charted the juke box hits of the '40s and patterned their sound on the early blues records that captivated him. The music on Holler And Stomp pays tribute to the country sounds that influenced the blues in the early days of recording with a mix of originals and covers that sound like they're 50 years old.

"That's My Gal" is a variation on Slim Harpo's "Scratch My Back", with Paterson's reverb-drenched guitar and Oscar Wilson's sly vocal contributing to the retro feel. Nosek's harp adds and Jimmy Sutton's standup bass support Wilson's tasty vocal on "Barnyard Pimp", a tribute to down-home cookin' with a lyric full of clever double entendres. Covers include a bluesy rockabilly-flavored take on Hank Williams' "Blues Come Around" with a laid-back vocal by Nosek, as well as Muddy Waters' classic country blues "Feel Like Going Home" with Wilson channeling Muddy's vocals and Paterson laying down some stinging slide guitar.

Their primal version of the Rolling Stones' "Off the Hook" has a lyric that sounds as old-fashioned as the arrangement in these days of cell phones and texting. Holler And Stomp was recorded in 2011, but Nosek and group guitarist Joel Paterson produced the album with a lo-fi approach that mimics the early blues sides they love. The album captures the ambience of an old-time tube radio with uncanny accuracy. /J. Poet, AllMusic

Holler And Stomp mc
Holler And Stomp zippy

Gary Primich Band - Tribute To Gary Primich (Think It Over)

Year: 2015
Bitrate: MP3@320K/s
Time: 48:17
Size: 112,1 MB
Styles: Rocking blues, harmonica blues
Scans: Full

1. Playgirl (3:00)
2. Why Don't You Write Me (3:10)
3. My Home (4:11)
4. Never Know When A Woman (3:50)
5. Radiates That Charm (3:18)
6. The Primich Boogie (2:50)
7. I Gotta Be Good (2:55)
8. Knock Me A Kiss (3:09)
9. Cotton Club Revue (2:52)
10. Angeline (2:48)
11. Queen Of Complication (5:24)
12. Darlin' I'm Leavin' (4:20)
13. Hard Luck Jim (2:57)
14. Think It Over (3:27)

Haven't been able to find any specific info for this Gary Primich tribute cd. The info given in the liner notes says the recordings are made at two different studios in Sweden, but there's no info at all on when the recordings were made or what artists that are participating on which one of the different tracks. For info on the musicians credited, see the credits list below. /Red Rooster

Credits: Gary Primich (harmonica, vocals), Jim Starboard (drums, vocals), Randy Glines (bass), Dave Wesselowski (bass, vocals), Chris Ruest (guitar, vocals), Greg Izor (harmonica, vocals), Chris Masterson (guitar), Jeremy Johnson (guitar), Micke Finell (saxophone).

Tribute To Gary Primich (Think It Over) mc
Tribute To Gary Primich (Think It Over) zippy

Toni Lynn Washington - I Wanna Dance

Year: 2015
Bitrate: MP3@320K/s
Time: 41:12
Size: 95,4 MB
Styles: Blues
Scans: Full

1. I Feel Like A Million (3:40)
2. I Wanna Dance (4:21)
3. Mellow Down Easy (4:26)
4. I Can't Get Over Losing You (4:39)
5. You Better Leave My Man Alone (4:23)
6. Checkin' Up On My Baby (3:04)
7. Give Me One Reason (5:41)
8. Somebody's Sleeping In My Bed (5:41)
9. Walkin' And Talkin' (And Crying My Blues Away) (5:14)

Toni Lynn Washington's latest CD I Wanna Dance is a nine track field trip through all of the various forms of blues music that Ms. Washington has favored over the years. The chanteuse seems to take her listener by the hand and walks him through like an enthusiastic tour guide pointing out many great highlights.

Ms. Washington strikes all of the right notes on this outing and her support players, including sax man Amadee Castenell, drummer Mark Teixeira, and bassist Jesse Williams, make all the right moves too. This singer offers a variety of approaches within her blues genre while her band pumps out great tunefulness all around her. It’s safe to say that every fan of Toni Lynn Washington will be very happy with this offering. The lady is most certainly in all of her glory on this disc.

Personnel: Toni Lynn Washington (vocals), Bruce Bears (keyboards), Amadee Castenell (tenor saxophone), Sax Gordon (tenor and baritone saxophone), Mike Williams (guitar), Jesse Williams (bass), Mark Teixeira (drums).

I Wanna Dance mc
I Wanna Dance zippy

Saturday, May 28, 2016

Little Milton - Movin' To The Country / Who's Cheating Who? / Time For Hot Electric Blues Songs

Album: Movin' To The Country
Size: 98,9 MB
Time: 42:50
File: MP3 @ 320K/s
Released: 1987
Styles: Modern Electric Blues, Blues Soul, Soul
Art: Full

01. You Just Can't Take My Blues (4:08)
02. Movin' To The Country (3:47)
03. His Old Lady And My Old Lady (4:46)
04. You're So Cold (4:42)
05. Just Because You See Me Smilin' (4:00)
06. Room 244 (4:43)
07. Lovin' On Borrowed Time (4:08)
08. A Possum In My Tree (5:47)
09. At This Moment (3:44)
10. Have You Ever Loved A Woman (3:01)

Milton was born James Milton Campbell, Jr., in the Mississippi Delta town of Inverness and raised in Greenville by a farmer and local blues musician. By age twelve he had learned the guitar and was a street musician, chiefly influenced by T-Bone Walker and his blues and rock and roll contemporaries. In 1952, while still a teenager playing in local bars, he caught the attention of Ike Turner, who was at that time a talent scout for Sam Phillips' Sun Records. He signed a contract with the label and recorded a number of singles. None of them broke through onto radio or sold well at record stores, however, and Milton left the Sun label by 1955.

After trying several labels without notable success, including Trumpet Records, Milton set up the St. Louis based Bobbin Records label, which ultimately scored a distribution deal with Leonard Chess' Chess Records. As a record producer, Milton helped bring artists such as Albert King and Fontella Bass to fame, while experiencing his own success for the first time. After a number of small format and regional hits, his 1962 single, "So Mean to Me," broke onto the Billboard R&B chart, eventually peaking at #14.

Movin' To The Country

Album: Who's Cheating Who?: The World Of Little Milton
Size: 102,7 MB
Time: 44:13
File: MP3 @ 320K/s
Released: 1992
Styles: Modern Electric Blues, Blues Soul
Art: Full

01. We're Gonna Make It (2:39)
02. Who's Cheating Who? (2:59)
03. Grits Ain't Groceries (All Around The World) (2:42)
04. Life Is Like That (2:41)
05. Believe In Me (2:39)
06. You're Welcome To The Club (2:46)
07. I'm Gonna Move To The Outskirts Of Town (3:04)
08. Losing Hand (2:38)
09. Country Style (2:47)
10. Baby I Love You (2:51)
11. Just A Little Bit (2:26)
12. Blues In The Night (3:12)
13. Stand By Me (2:53)
14. Ain't No Big Deal On You (2:20)
15. Man Loves Two (3:02)
16. I Play Dirty (2:29)

He may not be a household name, but die-hard blues fans know Little Milton as a superb all-around electric bluesman -- a soulful singer, an evocative guitarist, an accomplished songwriter, and a skillful bandleader. He's often compared to the legendary B.B. King -- as well as Bobby "Blue" Bland -- for the way his signature style combines soul, blues, and R&B, a mixture that helped make him one of the biggest-selling bluesmen of the '60s (even if he's not as well-remembered as King). As time progressed, his music grew more and more orchestrated, with strings and horns galore. He maintained a steadily active recording career all the way from his 1953 debut on Sam Phillips' legendary Sun label, with his stunning longevity including notable stints at Chess (where he found his greatest commercial success), Stax, and Malaco. ~Bio by Steve Huey

Who's Cheating Who?

Album: Time For Hot Electric Blues Songs
Size: 168,7 MB
Time: 71:27
File: MP3 @ 320K/s
Released: 2014
Styles: Blues Soul, R&B
Art: Front

01. Hey Girl (2:00)
02. Cross My Heart (2:44)
03. If Crying Would Help Me (3:11)
04. Long Distance Operator (2:32)
05. Re-Beat (2:36)
06. I Love My Baby (2:57)
07. Running Wild Blues (2:38)
08. I'm In Love (2:05)
09. Let It Be Known (2:47)
10. Oo-Wee Wee Baby (2:42)
11. Strange Dreams (2:23)
12. My Mind Is Troubled (2:46)
13. I Found Me A New Love (3:09)
14. My Baby Pleases Me (2:32)
15. Same Old Blues (2:36)
16. She's My Queen (2:29)
17. That Will Never Do (2:54)
18. Somebody Told Me (2:57)
19. Alone And Blue (3:06)
20. Hold Me Tight (2:08)
21. Beggin My Baby (2:27)
22. Homesick For My Baby (2:18)
23. I'm Tryin' (2:08)
24. Lookin' For My Baby (2:52)
25. If You Love Me (2:30)
26. I'm A Lonely Man (2:58)
27. Dead Love (2:53)

James Milton Campbell was born September 7, 1934, in the small Delta town of Inverness, MS, and grew up in Greenville. (He would later legally drop the "James" after learning of a half-brother with the same name.) His father Big Milton, a farmer, was a local blues musician, and Milton also grew up listening to the Grand Ole Opry radio program. At age 12, he began playing the guitar and saved up money from odd jobs to buy his own instrument from a mail-order catalog. By 15, he was performing for pay in local clubs and bars, influenced chiefly by T-Bone Walker but also by proto-rock & roll jump blues shouters. He made a substantial impression on other area musicians, even getting a chance to back Sonny Boy Williamson II, and caught the attention of R&B great Ike Turner, who was doubling as a talent scout for Sam Phillips at Sun. Turner introduced the still-teenaged Little Milton to Phillips, who signed him to a contract in 1953. With Turner's band backing him, Milton's Sun sides tried a little bit of everything -- he hadn't developed a signature style as of yet, but he did have a boundless youthful energy that made these early recordings some of his most exciting and rewarding. Unfortunately, none of them were hits, and Milton's association with Sun was over by the end of 1954. He set about forming his own band, which waxed one single for the small Meteor label in 1957, before picking up and moving to St. Louis in 1958.

In St. Louis, Milton befriended DJ Bob Lyons, who helped him record a demo in a bid to land a deal on Mercury. The label passed, and the two set up their own label, christened Bobbin. Little Milton's Bobbin singles finally started to attract some more widespread attention, particularly "I'm a Lonely Man," which sold 60,000 copies despite being the very first release on a small label. As head of A&R, Milton brought artists like Albert King and Fontella Bass into the Bobbin fold, and with such a high roster caliber, the label soon struck a distribution arrangement with the legendary Chess Records. Milton himself switched over to the Chess subsidiary Checker in 1961, and it was there that he would settle on his trademark soul-inflected, B.B. King-influenced style. Initially a moderate success, Milton had his big breakthrough with 1965's "We're Gonna Make It," which hit number one on the R&B charts thanks to its resonance with the civil rights movement. "We're Gonna Make It" kicked off a successful string of R&B chart singles that occasionally reached the Top Ten, highlighted by "Who's Cheating Who?," "Grits Ain't Groceries," "If Walls Could Talk," "Baby I Love You," and "Feel So Bad," among others.

The death of Leonard Chess in 1969 threw his label into disarray, and Little Milton eventually left Checker in 1971 and signed with the Memphis-based soul label Stax (also the home of his former protégé Albert King). At Stax, Milton began expanding his studio sound, adding bigger horn and string sections and spotlighting his soulful vocals more than traditional blues. Further hits followed in songs like "Annie Mae's Cafe," "Little Bluebird," "That's What Love Will Make You Do," and "Walkin' the Back Streets and Cryin'," but generally not with the same magnitude of old. Stax went bankrupt in 1975, upon which point Little Milton moved to the TK/Glades label, which was better known for its funk and disco acts. His recordings there were full-blown crossover affairs, which made "Friend of Mine" a minor success, but that label soon went out of business as well. Milton spent some time in limbo; he recorded one album for MCA in 1983 called Age Ain't Nothin' But a Number, and the following year found a home with Malaco, which sustained the careers of quite a few old-school Southern soul and blues artists. During his tenure at Malaco, Milton debuted the song that would become his latter-day anthem, the bar band staple "The Blues Is Alright," which was also widely popular with European blues fans. Milton recorded frequently and steadily for Malaco, issuing 13 albums under their aegis by the end of the millennium. In 1988, he won the W.C. Handy Award for Blues Entertainer of the Year, and was also inducted into the Blues Hall of Fame. ~Biography by Steve Huey

Time For Hot Electric Blues Songs

Jimmy Witherspoon - Live At The Renaissance & At Monterey

Size: 180,0 MB
Time: 76:05
File: MP3 @ 320K/s
Released: 2016
Styles: Jump Blues, R&B, Blues Jazz
Art: Full

Live At The Renaissance:
01. Time's Gettin' Tougher Than Tough (3:35)
02. How Long Blues (3:25)
03. Corrine, Corrina (3:21)
04. C.C. Rider (4:40)
05. Roll 'em Pete (4:26)
06. Everyday I Have The Blues (2:43)
07. Outskirts Of Town (3:46)
08. Kanasas City (3:11)
09. Trouble In Mind (3:26)
10. St. Louis Blues (3:52)

Live At Monterey:
11. No Rollin' Blues (5:35)
12. Good Rockin' Tonight (2:25)
13. Big Fine Girl (4:54)
14. Ain't Nobody's Business (6:30)
15. When I've Been Drinkin' (5:38)

Bonus Tracks:
16. Oo Wee, Then The Lights Go Out (Bonus Track) (2:57)
17. Froggy Bottom (Bonus Track) (2:40)
18. Until The Real Thing Comes Along (Bonus Track) (2:49)
19. When I've Been Drinkin' (Bonus Track) (3:38)
20. Ain't Nobody's Business (If I Do) (Bonus Track) (2:25)

With a musical career that spanned over five decades Jimmy Witherspoon sang R&B, swing, gospel and jazz but his roots were always in the blues. His deep and mellow voice and impeccable taste made him a successful jazz/blues crossover artist.

• This CD includes two fine live albums from 1959 and 1960, with backing from star musicians such as Ben Webster, Gerry Mulligan, Coleman Hawkins and Earl Hines. Five bonus tracks have been added

Thanks to Unknown
Live At The Renaissance & At Monterey

Royal Southern Brotherhood - The Royal Gospel

Size: 130,6 MB
Time: 55:19
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Rock
Art: Full

01. Where There's Smoke There's Fire (4:39)
02. I've Seen Enough To Know (5:02)
03. Blood Is Thicker Than Water (6:04)
04. I Wonder Why (4:22)
05. I'm Comin' Home (4:28)
06. Everybody Pays Some Dues (3:06)
07. Face Of Love (4:07)
08. Land Of Broken Hearts (4:21)
09. Spirit Man (4:28)
10. Hooked On The Plastic (4:55)
11. Can't Waste Time (4:04)
12. Stand Up (5:38)

Damn, these Royal Southern Brotherhood guys are a prolific bunch…the band is about to release its fourth studio album in a like number of years on June 24th, 2016 when The Royal Gospel hits the streets. Like all of the RSB’s previous albums, The Royal Gospel will be released by the good folks at Ruf Records. The album features a line-up of singer Cyril Neville, guitarists Bart Walker and Tyrone Vaughan, drummer Yonrico Scott, and new bassist Darrell Phillips. Guest keyboardist Norman Caesar provides some tasty B3 organ on several songs.

The follow-up to 2015’s Blues Music Award-nominated Don’t Look Back album, The Royal Gospel was recorded in a mere seven days in February 2016 at Dockside Studios in Louisiana. Working with noted producer David Z, the band played together live in the studio, their chemistry allowing them to capture many of their performances in a minimum of takes. “We walked in not really knowing what we were gonna do,” Philips says in a press release for The Royal Gospel. “Cyril and Bart come to us with chord progressions, tempos, and ideas and we build together. We’d just fall right into the thing and all of a sudden, there’s the song. On this record, we came together as a band. It was a magical thing to witness.”

The Royal Gospel pushes the band’s blues-rock roots even further, taking advantage of Walker and Vaughan’s intertwined guitars to build a more electric sound that rocks. Hard. Listening to a preview of the album, a number of songs stand out. “Where There’s Smoke There’s Fire” burns like an open flame with its scorching fretwork and soulful vocals. “Blood Is Thicker Than Water” features stellar instrumentation, and the intro alone will blow your mind, the song itself a high-octane mix of the Neville Brothers’ New Orleans soul and blistering blues-rock guitar.

“I’m Coming Home” pairs wonky, angular guitar lines with bluesy vox and martial drums to stunning effect while “Land of Broken Hearts” is a monster, a fire-breathing tsunami with torrents of guitar and crashing percussion. “The whole record is geared toward making a joyful noise,” says Neville in the album’s press release, “but while we’re partying, we still need to be thinking about what’s going on around us. It covers what we’ve seen in our travels over the last few years, and what we’ve lived personally as citizens of the world.”

Royal Southern Brotherhood was formed in 2011 as a sort of roots ‘n’ blues ‘supergroup’ by New Orleans music legend Cyril Neville and guitarists Mike Zito and Devon Allman – all three successful solo artists in their own rights – along with bassist Charlie Wooten and drummer Yonrico Scott. The five released their critically acclaimed self-titled debut album in 2012, its blend of rock, blues, jazz, and funk music finding a ready audience. RSB followed with a live CD and DVD, Songs From The Road, later that year, the set subsequently winning a Blues Music Award.

The equally-acclaimed Heartsoulblood album followed in 2014, after which Zito and Allman left the band to pick up their solo careers. RSB didn’t skip a beat, adding Nashville blues-rock guitarist Bart Walker and Tyrone Vaughan, son of blues legend Jimmie Vaughan, and the new roster recorded Don’t Look Back in Muscle Shoals, Alabama. As good as their albums are, though, it’s the band’s entertaining and dynamic live performances that have won them a loyal and enthusiastic and sure enough they’ll be hitting the road again in the wake of The Royal Gospel. Check out RSB’s summer 2016 tour dates below and plan on catching one of the most electrifying touring outfits in the blues today when they hit your town. ~by Rev. Keith A. Gordon

Thanks to Unknown
The Royal Gospel

Rev. Gary Davis - Harlem Street Singer (Remastered Bonus Track Version)

Size: 187,9 MB
Time: 80:00
File: MP3 @ 320K/s
Released: 1960/2016
Styles: Country Blues, Blues Folk, Blues Gospel
Art: Front

01. Samson And Delilah (4:02)
02. Let Us Get Together (3:09)
03. I Belong To The Band-Hallelujah! (2:54)
04. Pure Religion (2:56)
05. Great Change Since I Been Born (4:02)
06. Death Don't Have No Mercy (4:42)
07. Twelve Gates To The City (3:08)
08. Goin' To Sit Down On The Banks Of The River (2:54)
09. Tryin' To Get Home (3:46)
10. Lo I Be With You Always (4:17)
11. I Am The Light Of The World (3:34)
12. I Feel Just Like Goin' On (3:29)
13. Little Bitty Baby (Bonus Track) (4:29)
14. I Decided To Go Down (Bonus Track) (4:21)
15. Bad Company Brought Me Here (Bonus Track) (3:34)
16. Lord, I Looked Down The Road (Bonus Track) (4:15)
17. Motherless Children (Bonus Track) (4:11)
18. You Better Mind (Bonus Track) (3:28)
19. There's A Bright Side Somewhere (Bonus Track) (3:12)
20. I'll Fly Away (Bonus Track) (9:28)

Recorded during a three hour session on August 24, 1960, Gary Davis laid down 12 of his most impassioned spirituals for Harlem Street Singer. Starting off the session with a version of Blind Willie Johnson's "If I Had My Way I'd Tear That Building Down," here renamed "Samson and Delilah," Davis is in fine form. His vocals are as expressive as Ray Charles' while similar in richness to Richie Havens' work. Harlem Street Singer features his inspired country blues fingerpicking as well. Many moods color the selections, from the gentle "I Belong to the Band" to the mournful "Death Don't Have No Mercy," only to be followed by the joyous shouting of "Goin' to Sit Down on the Banks of the River." Overall, the collection is well worth the purchase and should be considered essential listening for fans of country blues or gospel. ~by Matt Fink

Harlem Street Singer

Anders Rosell - Birds & Blues

Size: 100,3 MB
Time: 35:19
File: MP3 @ 320K/s
Released: 2016
Styles: Electric Blues, Blues Rock
Art: Front

01. I'm Badly Gonna Need (2:50)
02. The Imaginary Misery Song (4:26)
03. Spoonful (4:04)
04. Leave My Woman Alone (3:26)
05. The Black Sea (4:05)
06. In My Sleep (5:29)
07. Wanted Man (3:26)
08. Help Me (3:16)
09. The Thrill Is Gone (4:14)

Anders is most known as one of the guitar players in the Swedish rock band Bonafide. This is the first time Anders has recorded a solo album on his own. The album contains self written material as well as some of his favorite blues cover songs. So please enjoy som soulish rock and blues from this cool Swedish blues guitarist!

Anders Rosell - Birds & Blues

Friday, May 27, 2016

Sonny Rhodes - The Blues Is My Best Friend / Blue Diamond / A Good Day To Play The Blues

Album: The Blues Is My Best Friend
Size: 127,4 MB
Time: 54:34
File: MP3 @ 320K/s
Released: 1994
Styles: Modern Electric Blues, Texas Blues
Label: Kingsnake
Art: Full

01. Stand By Me (4:02)
02. Thank You, Lord (3:14)
03. The Blues Is My Best Friend (6:22)
04. What I Don't See Can't Hurt Me (3:17)
05. Put The Shoe On The Other Foot (3:54)
06. Right Around The Corner (3:25)
07. Trying To Make A Comeback For Myself (4:34)
08. President Clinton (4:14)
09. I Just Can't Stay (4:32)
10. Crazy Fool Blues (6:07)
11. One More Drink (3:31)
12. Can't Let You Go (3:44)
13. The Letter Song (S-Y-S-L-J-F-M) (3:31)

Blues guitarist, singer, and songwriter Sonny Rhodes is such a talented songwriter, so full of musical ideas, that he's destined to inherit the to seats left open by the untimely passing of blues greats like Albert King and Albert Collins.

Born November 3, 1940 in Smithville, TX, he was the sixth and last child of Le Roy and Julia Smith, who were sharecroppers. Rhodes began playing seriously when he was 12, although he got his first guitar when he was eight as a Christmas present. Rhodes began performing around Smithville and nearby Austin in the late '50s, while still in his teens. Rhodes listened to a lot of T-Bone Walker when he was young, and it shows in his playing today. Other guitarists he credits as being influences include Pee Wee Crayton and B.B. King. Rhodes' first band, Clarence Smith & the Daylighters, played the Austin area blues clubs before Rhodes decided to join the Navy after graduating from high school.

In the Navy, he moved west to California, where he worked for a while as a radio man and closed-circuit Navy ship disc jockey, telling off-color jokes in between the country and blues records he would spin for the entertainment of the sailors.

Rhodes recorded a single for Domino Records in Austin, "I'll Never Let You Go When Something Is Wrong," in 1958, and also learned to play bass. He played bass behind Freddie King and his friend Albert Collins. After his stint in the Navy, Rhodes returned to California while in his mid-twenties, and lived in Fresno for a few years before hooking up a deal with Galaxy Records in Oakland. In 1966, he recorded a single, "I Don't Love You No More" b/w "All Night Long I Play the Blues." He recorded another single for Galaxy in 1967 and then in 1978, out of total frustration with the San Francisco Bay Area record companies, he recorded "Cigarette Blues" b/w "Bloodstone Beat" on his own label. Rhodes toured Europe in 1976, and that opened a whole new European market to him, and he was recorded by several European labels, but without much success. His European recordings include I Don't Want My Blues Colored Bright and a live album, In Europe. In desperation again, Rhodes went into the studio again to record an album in 1985, Just Blues, on his own Rhodesway label.

Fortunately, things have been on track for Rhodes since the late '80s, when he began recording first for the Ichiban label and later for Kingsnake. His albums for Ichiban include Disciple of the Blues (1991) and Living Too Close to the Edge (1992).

More recently, Rhodes has gotten better distribution of his albums with the Sanford, Florida-based Kingsnake label. Aside from his self-produced 1985 release Just Blues (now available on compact disc through Evidence Music), his best albums include the ones he's recorded for Kingsnake, for these are the records that have gotten Rhodes and his various backup bands out on the road together throughout the U.S., Canada, and Europe. They include The Blues Is My Best Friend, and his 1995 release, Out of Control. On these albums we hear Rhodes, the fully developed songwriter, and not surprisingly, both releases drew high marks from blues critics.

The Blues Is My Best Friend

Album: Blue Diamond
Size: 163,6 MB
Time: 70:07
File: MP3 @ 320K/s
Released: 1999
Styles: Modern Electric Blues, Slide Guitar Blues
Art: Full

01. Meet Me At The 10th Street Inn ( 3:19)
02. Shame On You ( 4:36)
03. Blues Is My Religion ( 3:12)
04. Blue Diamond ( 4:27)
05. Back Where You Come From ( 3:56)
06. Rainy Day ( 4:11)
07. What You're Looking For ( 3:54)
08. Beside Myself ( 4:23)
09. Too Much Trouble ( 2:14)
10. Love From A Stone ( 3:27)
11. Blues Walk ( 3:58)
12. Blues Man's Prayer ( 1:55)
13. Life's Rainbow ( 6:15)
14. Interview (Bonus Track After 2 Min.) (20:13)

This very unique lap steel player of the blues stretches out on this Canadian roots label's release. Those who have seen him will never forget his shows, where he goes out of his way to entertain an audience. From his bright red suit to his bejeweled turban, and the legendary smile that is absolutely radiant, to the good humor he displays on stage, add his prowess on his lap steel, and he is every bit the entertainer. This same warm and embracing energy is captured on this disc and given as a bonus to the listener. The lap steel is far more common in country music, but it is an instrument that he has adapted to the blues and he finds it gives him the musical expressions and tones he was looking for. He was born in Texas and the blues that he heard growing up, as played by T-Bone Walker, Freddie King, and Chuck Willis can still be heard in his music. This combined with his strong and imaginative songwriting -- he wrote or co-wrote ten of the songs on this disc -- and his expressive voice make for a very worthy disc, plus as a bonus there is an in-depth interview at the tail end of the disc. Take special note of the expression and intensity displayed in "Blues Walk." This man, born Clarence Edward Smith, has come a far piece of ground from his roots, yet his appreciation and hard work -- he is on the road 250 days a year -- has honed his sound to sheer enjoyment. He is a true diplomat of the blues. ~by Bob Gottlieb

Blue Diamond

Album: A Good Day To Play The Blues
Size: 107,6 MB
Time: 45:38
File: MP3 @ 320K/s
Released: 2001
Styles: Modern Electric Blues, Texas Blues
Art: Full

01. Big Bag O' Blues (2:36)
02. Love And Harmony (3:16)
03. She's Not Happy Unless She's Sad (5:05)
04. Driving Two Ways Down A One-Way Street (3:50)
05. Honey Do Woman (3:27)
06. Ten Pounds Of Love (In A Five-Pound Sack) (4:18)
07. I Bleed Blues (3:13)
08. If The Blues Fits, Wear It (2:59)
09. I Wanna Get Your Boogie (3:12)
10. Win-Win Situation (3:18)
11. Good Man, Good Woman (3:01)
12. Monkey See, Monkey Do (3:27)
13. Good Day To Sing And Play The Blues (Van Fire Blues) (3:49)

Sonny Rhodes is a performer who believes in giving his all with every show, and when you see this turbaned performer in one of his bright suits you won't be disappointed. Although a strong effort, this disc suffers from some inconsistent material for him to let loose and really play the blues. He was born and raised in Texas, and you can hear that in his vibrant playing; however, he lived for years in the Bay Area and thus was exposed to and influenced by a wide variety of influences. His lap steel playing is sharp, gritty, and at times stinging to the bone. His vocals display his strong Texas upbringing; he played behind Albert Collins and Freddie King when he was younger, and these roots are exposed at their most basic in his phrasing. The material here (he wrote or co-wrote eight of the 13 cuts) is not weak -- it is just not as strong and animated throughout as the session during which he recorded Blue Diamond, which was as sharp, cutting, and balanced a performance as watching a fine cutting horse work his magic on the poor hapless cow. The music here is good, but he set a benchmark for himself, and he doesn't quite reach up to it on this one (though for anyone else it would be considered a great effort). This is a showman you truly have to see live to appreciate. The consummate showman can play the blues. ~by Bob Gottlieb

A Good Day To Play The Blues

Tony Joe White - Rain Crow

Size: 103,3 MB
Time: 44:34
File: MP3 @ 320K/s
Released: 2016
Styles: Swamp Blues, Country, Rock
Art: Front

01. Hoochie Woman (3:58)
02. The Bad Wind (4:51)
03. Rain Crow (4:54)
04. The Opening Of The Box (5:25)
05. Right Back In The Fire (4:57)
06. The Middle Of Nowhere (4:22)
07. Conjure Child (5:29)
08. Where Do They Go (4:30)
09. Tell Me A Swamp Story (6:04)

“With a deep, come-hither voice” (Mother Jones) and an “ability to turn that throbbing, thumping uh-uhh hazy guitar beat” (PopMatters), the “King of Swamp Rock” Tony Joe White will release his 19th studio album, Rain Crow on May.

Recorded at his own studio and produced by his son, Jody White, Rain Crow summons recollections of long ago, when animals foretold the weather, tongue-talking worshippers proved their faith by handling snakes and a “bad wind” could drive a man to edge of insanity.

The nine-song set features new compositions White wrote over the past three years, including co-writes with his wife, Leann, and Billy Bob Thornton on “The Middle of Nowhere.” Known for popularizing swamp music, White has written gems like “Polk Salad Annie” and “Rainy Night in Georgia,” and has had his songs performed by Elvis, Ray Charles, and Tina Turner.

Cover not included in rar. Please, save picture of the post to the album folder.

Rain Crow

Rhythm Zoo - Sold For Love

Size: 99,9 MB
Time: 38:54
File: MP3 @ 320K/s
Released: 2016
Styles: Electric Blues, Blues Rock
Art: Front

01. Sold For Love (6:23)
02. River Of Tears (2:46)
03. Coco Blue (4:54)
04. 12 Bar Blues (4:52)
05. Steal Your Love (4:18)
06. Misgotten Man (4:23)
07. Red Moon (5:08)
08. Whole Lotta Water (3:19)
09. Crazy Kitten Blues (2:46)

Be in no doubt that Rhythm Zoo are back! Having taken some time out to refine, develop and reform, the band's sound has never been better. Refuting conformity, it would be impossible to put a label on the Zoo. Flirting with the blues and with a hint of rock, the band pushes all the boundaries from full on drama through to dark moodiness and then a furnace like blast of energy and excitement.
Fronted by Welsh songstress Andi Hall on vocals, with Phil Dean on blistering guitar and along side Phil on guitar is the band's newest member and main song writer, Pete Rea, the band is driven by the rock solid rhythm section of Dermot Hall on drums and Pete Betts on bass.

Sold For Love

Little Boys Blue - Tennissippi

Size: 131,8 MB
Time: 56:07
File: MP3 @ 320K/s
Released: 2016
Styles: Electric Blues, Blues Rock
Art: Front

01. Tennissippi (4:27)
02. Lights On (4:43)
03. Pack It Up Baby (3:43)
04. If Id'a Known (6:16)
05. 35 Years (5:27)
06. Chitlins Con Carne (4:55)
07. Do You No Wrong (5:41)
08. Smoke Rings (5:40)
09. Health Insurance Blues (4:10)
10. Wanna Be Your Loving Man (3:59)
11. Big Pimpin Sugar Daddy Romeo (4:31)
12. Jackson (2:29)

Twenty years and many gigs ago, singer/harp player JD Taylor and guitarist Steve Patterson started the Jackson,Tennessee based band Little Boys Blue. Enlisting an array of veteran players, who toured with Nashville country and Sun Records Rockabilly artists, they mixed all their influences from Tennessee and Mississippi Delta Blues styles with flavors of Rockabilly, Rock and Country to create the Little Boys Blue sound.

Sometimes working as a duo, Taylor and Patteson became friendly with Rockabilly legend Carl Perkins, and often backed him up during book signings and events. The group played blues clubs, festivals and competitions throughout the southeast. In 1997 they won third place in the Blues Foundation's International Blues Competition.

In 2002 Taylor started traveling to Nashville, where he became part of Nashville's Music Mafia, playing shows with John Rich, Gretchen Wilson, Hank Williams, Jr, and Kid Rock, and recording with Warner Bros. artists including Blake Shelton. After about five years, JD was drawn back to Jackson, Memphis, and his first love - the Blues.

Little Boys Blue has three previous albums, most recently 2014's BAD LOVE. Their newest, TENNISSIPPI, was recorded at Fame Studios in Muscle Shoals, AL and Webb Studios in Memphis, TN. The album features a mixture of electric and acoustic blues, rock 'n' roll, and Americana roots music, citing influences from Sleepy John Estes and R.L. Burnside to Muddy Waters and The Allman Brothers.

The current band includes JD Taylor, Dave Mallard, Mark Brooks, Alex Taylor (JD's son) and Dave Thomas. They tour the country, playing major clubs and festivals, and still make a home in the Beale Street clubs.

Tennissippi

Sulfur City - Talking Loud

Size: 100,2 MB
Time: 42:41
File: MP3 @ 320K/s
Released: 2016
Styles: Blues Rock
Art: Front

01. Whispers (3:37)
02. War Going On (3:39)
03. Pockets (4:04)
04. Ride With Me (4:14)
05. Tie My Hands To The Floor (3:17)
06. Sold (3:56)
07. Kings Highway (3:00)
08. Johnny (4:13)
09. One Day In June (6:24)
10. Raise Hammer (2:41)
11. You Don't Know Me (3:31)

There’s a song about a third of the way through this fabulous record called “Ride With Me”. On it, organ swirls, the guitar solo soars, and then frontwoman Lois Paradis – who as good as the rest of the band are, proves to be the absolute copper bottomed star of the show here – suggests quite calmly as the backbeat slinks its way around, “I am a woman on a journey, do you wanna ride with me….”

Strap yourselves in, brother, cos this is quite a trip.

The passion with which Sulfur City do things is perfectly obvious throughout, there’s something glorious primal about the way songs like “Whispers” and “War Going On” are constructed, and whilst you wouldn’t want to call them retro, given that might imply they were dated when in fact this record is infused with a life and vibrancy that is entirely fresh, there is a definite air of the throwback about “War Going On” and the like.

Paradis herself puts in an heroic shift, coming on like a full on fire and brimstone preacher on “Pockets” then dripping with sensuality on “Don’t Lie To Me” and as if to prove how versatile they are “Sold” is somewhere between blues and a deep south Honky Tonk. On this Paradis claims she sold her soul to the devil – the safe bet is that Beelzebub gave it back as he probably couldn’t handle it.

There’s no letting up in either quality of song or fervency of delivery, either. “Highways” is simple and glorious, while “Johnny” is almost bursting to rock, beginning as it does with a fine solo from Jesse Lagace and just in case you thought you’d got this record pinned down (our advice would be don’t even try as you can never second guess it) “One Day In June” is a meandering epic, which brings in some jazz-like elements to the sound.

“Raise Hammer” is a kind of song you might hear on a chain-gang, in one of those old movies, and the collection closes with its hair let don, the drinks ordered and the hedonistic fun of “Don’t Know Me”.

On this Paradis offers – with what like to think was a knowing filthy grin, “you think you know me, but you don’t know a thing”. MV would like to respectfully disagree, we like to think we know a superb record when we hear it, and in “Talking Loud” we have just heard one. Rating 8.5/10 ~Andy Thorley

Talking Loud

Thursday, May 26, 2016

Ronnie Earl - I Like It When It Rains / Plays Big Blues

Album: I Like It When It Rains
Size: 96,9 MB
Time: 41:41
File: MP3 @ 320K/s
Released: 1990
Styles: Modern Electric Blues, Acoustic Blues
Art: Full

01. Ridin' With Ronnie (4:02)
02. Linda (4:54)
03. Midnite Clothes (4:15)
04. Mutcika (4:40)
05. I Like It When It Rains (3:17)
06. Walkin' And Cryin' (3:40)
07. Down On Guadalupe (2:18)
08. Anna Lee (6:53)
09. Sittin On Top Of The World (4:53)
10. Blues For Jimmie And Jesse (2:44)

One of the finest blues guitarists to emerge during the '80s, Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well. His versatility made him one of the few blues guitarists capable of leading an almost entirely instrumental outfit, and his backing band the Broadcasters became one of the more respected working units in contemporary blues over the course of the '90s, following Earl's departure from Roomful of Blues.
Ronnie Earl was born Ronald Horvath in Queens, NY, on March 10, 1953. He didn't start playing guitar until after he entered college at Boston University in the early '70s and became fascinated with the local blues scene. Developing his craft quickly, he landed a job in the house band of the Speakeasy Club in Cambridge, MA, and changed his last name to the bluesier-sounding Earl in tribute to Earl Hooker, one of his favorite influences. Prior to the name switch, he'd made some recordings for the small Baron label under his original moniker beginning in 1977, first backing Guitar Johnny & the Rhythm Rockers, then as a founding member of Sugar Ray & the Bluetones with harmonica player/singer Sugar Ray Norcia. In 1979, Earl was invited to replace Duke Robillard in the prominent Rhode Island band Roomful of Blues, whose swinging jump blues revivalist sound demanded a jazz sensibility as well as ample blues feeling. Earl spent the next eight years with Roomful of Blues and watched their national profile grow steadily larger. ~Steve Huey

I Like It When It Rains

Album: Plays Big Blues
Size: 93,0 MB
Time: 40:06
File: MP3 @ 320K/s
Released: 1997
Styles: Modern Electric Blues, Blues Rock
Art: Full

01. I Want To Shout About It (3:34)
02. Bonehead Too (3:14)
03. Peace Of Mind (5:26)
04. Off The Hook (3:00)
05. Ronnie Johnnie (2:58)
06. I Smell Trouble (4:23)
07. Blind Love (4:41)
08. I Wish You Could See Me Now (3:35)
09. Backstroke (4:20)
10. Ships Passing In The Night (4:51)

Plays Big Blues

Chris Farlowe & The Thunderbirds - Out Of The Blue + Born Again

Size: 112,3+133,6 MB
Time: 48:21+57:36
File: MP3 @ 320K/s
Released: 2014
Styles: Blues Soul, Blues Rock
Label: M.I.G.
Art: Front

CD 1: Out Of The Blue (1985)
01. I Ain't Superstitious (4:24)
02. Gambler's Blues (6:07)
03. Them That's Got (I Ain't Got Nothin) (2:49)
04. Ain't No Love In The Heart Of The City (3:56)
05. It's All Wrong (2:10)
06. Key To My Kingdom (3:16)
07. The Thrill Is Gone (4:21)
08. Watch Your Step (3:08)
09. All The Way Lover (4:14)
10. Standing On Shakey Ground (4:27)
11. Circles Round The Sun (Bonus Track) (3:01)
12. Medicated Goo (Bonus Track) (2:37)
13. Out Of Time (1991 Re-Recorded) (Bonus Track) (3:44)

CD 2: Born Again (1986)
01. Into The Night (3:06)
02. Starting All Over Again (4:18)
03. Lonely Eyes (4:10)
04. One Night Stand (4:26)
05. Ain't Got No Money (2:56)
06. I'm Yours (4:03)
07. I've Been Born Again (4:41)
08. Living Ain't Easy Without You (4:42)
09. Never Too Old (4:04)
10. End Of The Line (4:00)
11. I Stayed Away Too Long (3:42)
12. Man Of The World (Bonus Track) (2:56)
13. We Can Work It Out (Bonus Track) (3:41)
14. Jealous Kind (Bonus Track) (6:47)

Out of the Blue marked Chris Farlowe's return to American soul music and blues, after a decade-long hiatus caused by a road accident injury and a series of gigs with other players. It was as though he'd picked up right where he'd left off at Immediate Records in 1970, without skipping a beat -- opening with Willie Dixon's "I Ain't Superstitious," he sounds so American and so black that listeners could still do double-takes after 20 years in the spotlight for the singer. "The Thrill Is Gone" and "Ain't No Love in the Heart of the City" are among the best cuts, but the whole album is worthwhile and then some. ~by Bruce Eder

Born Again was the second phase of Chris Farlowe's return to recording after almost a decade away from his own career -- the production is more opulent than the sound on its predecessor, Out of the Blue, but he still holds his own as the blackest-sounding white soul singer most of us have ever heard. The title track, "One Night Stand," and "Never Too Old to Rock" are the highlights, but there's not a bad song here, with Farlowe in top form. ~by Bruce Eder

Out Of The Blue
Born Again