Thursday, January 30, 2014

Peps Persson - Sonet Blues Story Part 2: Early Peps

Size: 133,2+132,9 MB
Time: 58:11+58:03
File: MP3 @ 320K/s
Released: 2005
Styles: Chicago Blues, Blues Rock
Art: Full

CD 1: Linkin' Louisiana Peps - Blues Connection (1968)
01. Blues With A Feeling ( 6:23)
02. Dimples ( 5:09)
03. Five Long Years ( 5:19)
04. Rooster Blues ( 3:15)
05. Shake Your Money Maker ( 3:41)
06. The Sky Is Crying ( 5:51)
07. Dust My Blues ( 2:51)
08. Sportin' Life Blues ( 5:03)
09. Minglewood Blues (Prev. Unissued) (20:34)

CD 2: Peps & Blues Quality - Sweet Mary Jane (1969)
01. Sweet Mary Jane (4:22)
02. Copenhagen Blues (5:09)
03. You're So Fine (3:55)
04. Somebody (5:22)
05. Once Was A Gambler (6:39)
06. Sail Off To Another Shore (3:54)
07. Sad Night Is Falling (6:20)
08. You're So Fine (Alt. Take) (3:29)
09. It Hurts Me Too (Prev. Unissued) (5:31)
10. Sweet Mary Jane (Alt. Take) (3:36)
11. Sad Night Is Falling (Alt. Take) (5:40)
12. I Got My Mojo Working (Prev. Unissued) (4:02)

This is the second part of "The Sonet Blues Story" and a re-issue of the LP "Blues Connection" by Linkin' Louisiana Peps from 1968 (CD 1), and the LP "Sweet Mary Jane" by Peps & Blues Quality from 1969 (CD 2).

Thanks to MrWalker.
The Sonet Blues Story Part 2 CD 1
The Sonet Blues Story Part 2 CD 2

Roy Brown - The Complete Imperial Recordings Of Roy Brown

Size: 104,9 MB
Time: 44:03
File: MP3 @ 320K/s
Released: 1995
Styles: West Coast Blues, R&B, Rock & Roll
Art: Full

01. Everybody (2:22)
02. The Tick Of The Clock (1:55)
03. No Greater Thrill (2:47)
04. Saturday Night (2:20)
05. Party Doll (2:13)
06. I'm Stickin' With You (2:16)
07. Let The Four Winds Blow (2:04)
08. I'm In Love (2:17)
09. Diddy-Y-Diddy-O (2:17)
10. Crying Over You (2:34)
11. Slow Down Little Eva (2:28)
12. Ain't Gonna Do It (2:13)
13. Ivy League (2:14)
14. Sail On Little Girl (2:18)
15. I'm Convicted Of Love (2:03)
16. I'm Ready To Play (2:01)
17. Hip Shakin' Baby (1:50)
18. Be My Love Tonight (1:48)
19. We're Goin' Rockin' Tonight (1:53)
20. I Love You, I Need You (2:00)

In the mid-'50s Brown, like many other early R&B pioneers, was a bit lost at sea amid the rock & roll explosion. From 1956 to 1958, he recorded these 20 tracks for Imperial under the direction of legendary New Orleans R&B producer Dave Bartholomew. Brown and Bartholomew were attempting to update Brown's jump blues/R&B hybrid with a lot of Fats Domino-type Crescent City influence on these sides. The results weren't bad, but with Bartholomew co-writing most of the tunes and using local musicians like saxophonist Lee Allen, Brown sounded more like a journeyman New Orleans R&B singer than an innovative, bluesy forefather of rock & roll. There were a couple of commercial successes; his cover of Buddy Knox's "Party Doll" made the R&B Top 20, and "Let the Four Winds Blow" actually made the pop Top 40, although Fats Domino would have much greater success with the same song when he covered it a few years later. Diluted by occasional pop and rock influences, as well as a substandard variation of "Good Rockin' Tonight," this compilation shouldn't be the first Brown on your shelf. But for those who want to go a little further, it's packaged very well, with thorough liner notes and seven previously unissued cuts. ~Review by Richie Unterberger

The Complete Imperial Recordings Of Roy Brown

K. Jones & The Benzie Playboys - Oh Yeah!

Size: 114,0 MB
Time: 48:29
File: MP3 @ 320K/s
Released: 2013
Styles: Cajun, Zydeco
Art: Front

01. The Back Door (3:04)
02. Done Got Over (3:19)
03. La Pistache A Tante Nana (2:18)
04. Pine Grove Blues (3:29)
05. Oh Yeah (3:55)
06. Broken Hearted (3:18)
07. Quo' Faire (4:47)
08. La Valse De Grands Bois (3:58)
09. Ann Cayanne (2:54)
10. Bosco Stomp (3:22)
11. L'anse Aux Pailles (3:26)
12. Tee Black (4:19)
13. Lacassine Special (2:51)
14. Chickens On The Run (3:22)

When it comes to the music of Southwest Louisiana, Dance is the ultimate form of applause. K. Jones and the Benzie Playboys are not exactly from Louisiana-- the group hails from the rugged wilds of Northern Michigan -- But may as well be from the Pelican State based on its riveting, yet authentic infectious zydeco, Creole and Cajun dance music. And believe it, the group does get its share of applause, not to mention rapturous response from the seas of zealous dancers well beyond I-10.

K. Jones and the Benzie Playboys have been together for more than a decade now, playing major festivals, weddings, universities, school assemblies and other events throughout the Midwest. Though the band is from Benzie County, Michigan, the home of Sleeping Dunes National Park and one lone stoplight, the group doesn’t dumb it down just to be trendy marketable. Former New Orleanian Kirk Jones plays accordion and fiddle, in addition to handling lead vocals. He has made many pilgrimages to various music instructional camps such as the Augusta Heritage (West Virginia) and the Balfa Camp (Louisiana) to study and play with such practitioners as Corey Ledet, Mitch Reed, Joe Hall, Ed Poullard and Jeffery Broussard. Ditto for the band’s other Louisiana expat, Mark Stoltz (frottoir), who has also attended the same camps. Heating the beat on drums is Jamey Bernard. The versatile Doug Albright thumps the bass while fiddler Jonah Powell is just an overall string wizard maniac. Rounding out the Benzie Playboys is guitarist Rex Alexander who fills in the gaps with tasteful bluesy and twangy country riffs.

Additionally, not many bands can boast having a dance teacher in its midst but the Benzie Playboys can. Mark Stoltz is a dance instructor in all forms of Louisiana French music, from the Cajun two-step and waltz to the more complicated eight-step zydeco. Not only does he teach regionally but has also taught such Michigan music festivals as Wheatland, Bliss and Dunegrass as well as the prestigious Australian Folk Festival. Oftentimes before the band takes the stage, Stoltz will teach a dance lesson so yearling dancers can better appreciate the intricacies of the music.

So strap on your dancing shoes and get ready to boogie until the cows come home – K. Jones and the Benzie Playboys are headed your way.

Oh Yeah!

Chuck Credo IV - Credo Blues Society EP

Size: 69,3 MB
Time: 29:56
File: MP3 @ 320K/s
Released: 2014
Styles: New Orleans Blues
Art: Front

01. Everyday (3:37)
02. Tell Me Mama (3:15)
03. Help The Poor (4:05)
04. Dolores (5:46)
05. Worried Life (7:18)
06. Mean Old World (5:51)

Chuck Credo IV is a fourth generation New Orleans musician. At the age of six, Chuck was thrown into the local music scene …playing guitar with the multiple “Credo family bands” that were performing at the time. Chuck’s father, grandfather, and Great grandfather were all successful bandleaders in New Orleans. (Chuck Jr. leading the Basin Street Six for over thirty years taking his music around the globe several times). The name “Chuck Credo” has been a music staple in New Orleans for almost eighty years.
Chuck IV's musical upbringing in Jazz, Blues, and Rock 'n' Roll started him on a path that has brought over twenty years of classic on-stage and recording performances with artists such as THE MIXED NUTS, THE TOPCATS, CYNDI LAUPER, ALLEN TOUSSAINT, ROCKIN' DOPSIE JR, AMANDA SHAW, JOURNEY, TAYLOR HICKS, NEWSFLASH: THE HUEY LEWIS AND THE NEWS EXPERIENCE, THE HOT SHOTS, EDDIE BO, REO SPEEDWAGON, THE GO-GO’s, KID ROCK, SONNY LANDRETH, LOUISIANA LEROUX, THE DOOBIE BROTHERS, THE CREDO BLUES SOCIETY, THE HARMON DREW SUPERGROUP, THERESA ANDERSON, THE SUBDUDES, GARY HIRSTIUS and many others.
Today, Chuck has become one of the most respected and sought after guitarists in the region, performing over two hundred shows a year throughout the country. Chuck has performed for the past eight years as a studio musician at local studios such as Radionic, The Truck Farm, and Fudge Studios. Chuck started work as a record producer in 2006, co-producing Gary Hirstius’ post Katrina album “Waterline” as well as the very successful “Holiday Angels Working Undercover” Charity CD series
Besides performing live shows and studio work, Chuck is also the CEO of the WILLIAM CREDO AGENCY. This talent and literary group specializes in corporate entertainment coordination as well as artist representation.

Chuck is also the head of the annual NEW ORLEANS BEATLES FESTIVAL that is now in its tenth year. The New Orleans Beatles Festival has grown into the largest Beatles Festival in the South and features local and national talent performing the songs in tribute to the Fab Four. This sold-out show takes place each year at The House Of Blues and continues to be a hallmark event for hundreds of local Beatles fans each year.

Credo Blues Society

Karl Baudoin & The New York Brass - Ahead Of Time EP

Size: 32,4 MB
Time: 13:48
File: MP3 @ 320K/s
Released: 2014
Styles: Funky Blues
Art: Front

01. High Time (2:19)
02. Copy And Paste (2:49)
03. Forever In My Heart (3:01)
04. If Trouble Was... (2:27)
05. Gotta Go (3:09)

Karl Baudoin is a composer songwriter and performer equally at ease in the fields of Orchestral Film Music, Rock, Pop, Soul, Funk and Blues.
He started at an early age playing bass in Hard Rock bands in the eighties, then moved to the Blues, leading influential local bands such as "Blues Staff" in the nineties.
At the turn of the century, he explored World Music and wrote an Ethno-Rock Opera: "Rêves et Voyages" which was critically acclaimed. The stage act included the band "Mandala", a narrator, a dance company, videos, etc and was a renown public success.
He then studied Classical composition for 6 years with "Polyphonies" following the paths of the Masters (Bach, Mozart, Beethoven, etc.)
As he has always been interested in the moving image, he studied with the American College of Music "Berklee": "Orchestration", "Film Scoring", "Songwriting For Film And T.V.", "Arranging: Contemporary Styles", "Music Composition For Film And T.V." among others.
He got his Master "Orchestration For Film And T.V." and wrote many scores for short films, documentaries, plays and various advertisements.
Today, as ever, he's back to the blues again ! Always back to the good old roots with his brand new band "King Biscuit Time" to promote the first E.P. of the TIME trilogy: "Ahead Of Time" which was recorded with the famous and talented "New York Brass" in a Soul/Funk style. Many musicians from different parts of the world (United States, Netherlands, Italy, United Kingdom, New Caledonia) collaborated to this long awaited mini-album which is part of a concept series of three E.P.s revolving around the notion of TIME.

Ahead Of Time

The Beans - The Beans

Size: 112,0 MB
Time: 47:49
File: MP3 @ 320K/s
Released: 2013
Styles: Alt. Blues Rock
Art: Front

01. Wanting You (3:35)
02. Wabasha (4:30)
03. Highway 71 (2:59)
04. Blind Willard (3:03)
05. Devil Woman (7:00)
06. Life's Luxuries (5:54)
07. Child Of God (2:03)
08. What You've Always Wanted (4:12)
09. Carnal Constant (5:25)
10. Whiskey Headed Woman (6:01)
11. Slaughterhouse (3:03)

The members were all brought up in Houston, Texas where at various times in their lives they met and befriended Brendan. Nearing the end of his college coursework (in December 2010) Brendan called together his friends for an informal jam session with the hopes of masterminding a sophisticated & crude rock n' roll band. His plan worked. The Beans started writing songs and performing around the city in March 2011. By January of 2012 The Beans had finished recording a demo and built a devout fan-base largely due to the raw energy of their live shows. They are currently working on touring to promote their debut album.

Band:
Blues/Rock/Rockabilly/Funk Soul
Sam Griffin (vocals & guitar)
Christian Galatoire (guitar)
Daniel Taylor (bass)
Brendan Hall (drums)

The Beans

Wednesday, January 29, 2014

Jimmy Witherspoon - I'll Be Right On Down: The Modern Recordings 1947-1953

Size: 151,1 MB
Time: 65:59
File: MP3 @ 320K/s
Released: 2008
Styles: Jump Blues, Texas Blues, R&B
Art: Front

01. Love My Baby (Takes 1&3) (3:30)
02. I'm Going Round In Circles (3:09)
03. Baby Baby (Take 1) (2:11)
04. Slow Your Speed (2:58)
05. Geneva Blues (Take 2) (2:22)
06. Daddy Pinocchio (2:43)
07. Don't Ever Move A Woman Into Your House (2:54)
08. I'm Just A Country Boy (2:57)
09. Practice What You Preach (2:45)
10. Moaning For You (Take 1) (2:46)
11. Jump Children (Take 2) (2:44)
12. There Ain't Nothing Better (Take 2) (2:56)
13. Who's Been Jiving You (Take 1) (3:15)
14. Drinking Beer (Take 4) (2:06)
15. You Can't Kiss A Dream Goodnight (2:22)
16. Operation Blues Aka Doctor Blues Aka The Dr. Knows His Business (Take 1) (2:15)
17. I'll Be Right On Down (2:58)
18. Oh Mother Dear Mother (2:40)
19. I've Only Myself To Blame (Take 4) (2:13)
20. Rain, Rain, Rain (2:41)
21. Let Jesus Fix It For You (2:49)
22. Each Step Of The Way (3:06)
23. It's Raining Outside (Take 1) (3:07)
24. Blowing The Blues (Take 2) (2:20)

As the liner notes to this compilation explain, "The chief purpose of this CD is to reissue the remaining Modern masters that were originally issued in Spoon's name and that have so far not been digitized by Ace." So while the CD's subtitle, "The Modern Recordings 1947-1953," might lead you to assume that this could be a retrospective with all or the best material Jimmy Witherspoon cut for the Modern label during that period, be aware that it's actually a mix of some of his Modern 45s with some previously unissued outtakes and alternates. Since not all Witherspoon or R&B fans collect the singer's Modern work, by acquiring his Ace CD reissues (or keep track of what's been reissued on which of those), it might be best for the general listener to treat this anthology as a respectable, but hardly definitive, collection of some of the sides he cut for Modern during the late '40s and early '50s. These don't include his biggest sellers from the time (some of which weren't recorded for Modern in any case), but it's a decent assortment with roughly equal proportions of both uptempo R&B/jump blues, and ballads, if not a collection that includes any of his top signature tunes. They're hardly highlights, but a couple gospel sides from a 1953 single issued on Modern's gospel label stand out as anomalous changes of pace, though Witherspoon doesn't sound comfortable working with a background choir on these. Better is the title track, a 1953 45 penned by the then-emerging young songwriting team of Jerry Leiber and Mike Stoller, which has tempo changes and some Latin rhythmic influence that anticipates the more varied R&B variations soon to blossom in 1950s rock & roll. Leiber and Stoller also wrote its flipside, "Oh Mother, Dear Mother" (also included), which exhibits a clear Fats Domino influence. ~Review by Richie Unterberger

I'll Be Right On Down

Mr. Boogie Woogie - Big Easy

Size: 120,7 MB
Time: 51:35
File: MP3 @ 320K/s
Released: 2013
Styles: New Orleans Blues
Art: Front

01. Have You Seen My Baby (3:31)
02. Another Mule (4:23)
03. Going Home Tomorrow (3:02)
04. Worry No More (3:21)
05. In The Wee Wee Hours (3:39)
06. Whiskey Heaven (3:29)
07. Mardi Gras In New Orleans (2:54)
08. Three Nights A Week (2:13)
09. Fats Frenzy (2:23)
10. New Orleans Ain't The Same (3:07)
11. When My Dreamboat Comes Home (2:48)
12. Your Cheating Heart (3:37)
13. Mother In Law/Working In A Coalmine/A Certain Girl (4:19)
14. I Almost Lost My Mind (4:52)
15. Corrine, Corrina (3:50)

Join Mr. Boogie Woogie and his 11 piece band on this musical journey to the 'Big Easy'. Back to the haydays of New Orleans Rhythm Blues with the music of pioneers such as Professor Longhair, Allen Toussaint and of course, Fats Domino.

This album was recorded on February 8th and 10th, 2013 at the Box Records Studio, Katwijk
Engineered, edited and mixed by Rob Könst at the Box Records Studio, Katwijk.
Mastered by Darius van Helfteren at Amsterdam Mastering, Diemen.
All horn arrangements by Bart van Ballegooijen except #4 by Harm van Sleen.
Produced by Eric-Jan Overbeek

Line up:
Eric-Jan Overbeek, “Mr. Boogie Woogie” - piano, vocals
Marcel Schuurman - guitar (panned left, solo on #5)
Chris “C” Clemens - additional guitar (panned right)
Frank Duindam - drums
Harm van Sleen - bass
Koen Schouten - baritone sax
Bart van Ballegooijen - tenor sax (solo # 2, 5, 9, 14)
Joran van Liempt - tenor sax (solo # 3 and 12)
Arnoud de Graaff - tenor sax (solo # 11 and 15)
Harm van Oss - trumpet (solo # 4)
Jasper Aubel - trumpet (solo # 7)

Big Easy

Van Funk - 13

Size: 108,1 MB
Time: 45:44
File: MP3 @ 320K/s
Released: 2013
Styles: Blues Folk
Art: Front

01. Nice To Hear (3:04)
02. Storms' A Comin' (2:33)
03. Hold And Swing (2:40)
04. Art Of Escape (3:30)
05. Detective (3:51)
06. Abandon Ship (3:51)
07. Toxic Love Blues (2:32)
08. Contagious Sound (3:08)
09. Counting The Days (2:16)
10. Buskin Blues (2:56)
11. Blues Chords (3:26)
12. Condor (2:40)
13. Young Winds (Live) (9:13)

Founding members of Van Funk are Jordan Funk and Jessica Fedorek.
Jordan’s gritty riffs and lyrics fit perfectly with Jess’s powerful voice and harmonica. Drinking songs are a staple for the band and Van Funks live shows are always a party. Van Funks drink of choice? Gin!

Van Funk spent the last year recording their debut album “13” and playing as many shows in western Canada as possible.
Recorded live off the floor with a select few songs adding overdubbed harmonica, guitar and keyboard. Van funk is known locally for their live shows and great sound and it was important to them that the record reflected that. With songs like young winds taken from a live TV performance and busking blues where they recorded outside to truly busk. Nominated for the 2012 Edmonton Music Awards as " Artist to watch" and performing live on Breakfast Television have helped take the band where they truly want to go, the road!

“Van Funk land themselves somewhere on the darker side of folk, the switchblades and chain side… This has led to the creation of a music that speaks volumes with an un-cuddly Barbwire edge.” – Void Magazine-

Jordan and Jess have known each other for over 13 years but it was only until recently that they started playing music together.
In 2006 their lives were tuned upside down. They decided to leave Edmonton for Tugaski Saskatchewan to fulfill a life long dream of theirs to build an acoustic guitar by hand. Little did they know in the process they would end up fulfilling another dream. Playing live music with each other
.
Their first show under the name Van Funk was Friday the 13 2011, They have been together for 13 years and they finished recording their album on Friday July 13.
Naturally their début album is titles “13”

Van Funk is independently financed, managed, produced and promoted. They shoot and edit their own videos and even make their own gig posters and for such a young band they have an exceptionally large catalog of original songs.

They play all original blues/Folk/Rock songs and with a cataloged as large as theirs they have sets for every venue/Festival.
Jordan and Jess have a passion for the “Road” and truly feel at home living out of a suitcase. They plan on releseing “13” and taking their show on the road for Summer 2013?

13

Luther 'Guitar Junior' Johnson - Country Sugar Papa

Size: 129,2 MB
Time: 55:14
File: MP3 @ 320K/s
Released: 1994
Styles: Chicago Blues
Art: Full

01. Walkin' With You Baby (4:17)
02. If The Blues Was Whiskey (5:31)
03. Big Leg Woman (4:18)
04. Called Me On The Phone Last Night (5:32)
05. You Told Me Baby (3:30)
06. Southern Country Boy (3:56)
07. I'm A King Bee (3:39)
08. Can't Come Home (4:05)
09. I'm Going Back, Back, Back (3:51)
10. I Love You (4:32)
11. Whiskey Drinkin' Woman (4:53)
12. Ain't Treating Me Right (2:57)
13. You Belong To Me (4:06)

Johnson's third and final album for producer Ron Levy's Bullseye Blues diskery is every bit as spellbinding as the prior pair. Whether fronting his latest batch of Magic Rockers or going it alone, Johnson is totally convincing. ~Review by Bill Dahl

Thanks to Marc.
Country Sugar Papa

Sven Zetterberg - Permanently Blue / Blues From Within

Album: Permanently Blue
Size: 104,8 MB
Time: 45:24
File: MP3 @ 320K/s
Released: 1995
Styles: Blues Soul, Modern Electric Blues
Art: Full

01. I Think You Need A Shrink (4:58)
02. Fortune Teller (3:26)
03. What Can A Man Do? (4:03)
04. The Soul Of A Man (4:21)
05. Permanently Blue (3:42)
06. Barroom Furniture (4:01)
07. All For Business (5:31)
08. Cha Cha Cha In Blues (Cut My Toenail) (3:04)
09. The Flipside Of Blues (4:57)
10. Rockin' Man (2:18)
11. Sweet Woman's Love (4:58)

Talking about blues players outside America it´s hard to leave out Sven Zetterberg, Sweden´s most versatile artist in this field. Being both an excellent singer,guitarist,songwriter and harmonica player extraordinary, he has become a house-hold name all over Scandinavia. Born in Skärblacka on the 28th of March in 1952,Sven took music seriously enough to perform in school at the age of seven. "I didn´t know any real english words and couldn´t actually play any instrument but my grandmother had bought me an acoustic guitar that I fooled around with trying to mimic Elvis Presley. The first black performer I heard was Little Richard and he almost drove me crazy with his wild, frantic singing. "In 1964 he first heard Mick Jagger play harmonica and later that year heard Sonny Boy Williamson (Rice Miller) and that got him started. "The Blues activated something in me and it still moves me". "Harmonica was my main instrument to begin with. I didn´t start playing guitar seriously until I was 24. The first bluesband , Telge Blues, was formed in 1972 and lasted long enough to make the Phillips record company interested enough to release an album in 1976. Today, many albums later, Sven hasn´t lost interest in performing or recording and two of his albums, "Blues from within" and "Let me get over it" were both nominated for a Grammy in Sweden. "Today Sven works mostly with the Rockarounds: Micke Finell: Tenor sax & Vocals, Calle Brickman: Keyboards, Tommy Cassemar: Bass, Ingemar Dunker: Drums

Thanks to MrWalker.
Permanently Blue

Album: Blues From Within
Size: 106,7 MB
Time: 46:14
File: MP3 @ 320K/s
Released: 1999
Styles: Blues Soul
Art: Full

01. Plenty Of Everything (4:14)
02. 38th Street Blues (2:22)
03. You're Breaking My Heart (5:31)
04. People Don't Do Like They Used To Do (4:37)
05. That's Why I'm Crying (4:03)
06. She's Doing The Boogaloo (3:44)
07. My Deepest Emotions (3:50)
08. Somebody Been Talking (2:19)
09. Bloody Tears (3:25)
10. Crosstown Blues (3:53)
11. All Your Love (4:15)
12. The Bottom Of The Top (3:56)

Thanks to MrWalker.
Blues From Within

Susan Santos - Shuffle Woman / Electric Love

Album: Shuffle Woman
Size: 139,4 MB
Time: 59:57
File: MP3 @ 320K/s
Released: 2012
Styles: Blues Rock
Art: Front

01. Black Sunglasses (4:16)
02. Tequila Shot (3:47)
03. Midnight Blue (5:46)
04. Crazy (5:00)
05. Don't Treat Me Bad (4:23)
06. Goin' Back Home (3:41)
07. Shuffle Woman (3:44)
08. Heatwave (4:16)
09. Straight To The Bone (3:59)
10. Spinnin' Round (5:22)
11. Come On (4:12)
12. Tumbleweed (6:29)
13. Wake Up (4:55)

A great passion for the music led Susan Santos to learn, in a self-taught way, how to play guitar and sing. Step by step the lefty guitarist and singer was creating her own songs and her particular style of understanding the music. After several groups, and two discs recorded, in 2009, she moved to Madrid and formed "Susan Santos Band", her more energetic project, a power trio that mixes blues and rock with funky brushstrokes. In the summer of 2010, she recorded a new CD called "Take me home", (Grasa Records, 2010).
She has had an intense year of concerts in important clubs and played several international festivals where she shared the stage with the likes of Jimmie Vaughan, Joe Bonamassa, The Fabulous Thunderbirds, Joe Louis Walker, or Buddy Whittington. Last June she flew to Chicago and was invited to play concerts in clubs like Buddy Guy Legends, Rosa's Lounge, Kingston Mines, B.L.U.E.S. and jammed with Sugar Blue (harp of the Rolling Stones).
Susan's outstanding voice and appealing guitar style, along with her strong stage presence is very refreshing in the contemporary blues scene.

Shuffle Woman

Album: Electric Love
Size: 110,2 MB
Time: 47:23
File: MP3 @ 320K/s
Released: 2014
Styles: Blues Rock
Art: Front

01. It's All About You (4:24)
02. Electric Love (4:38)
03. Devil's Waltz (3:58)
04. Inner City (4:48)
05. Big Shinny Car (4:05)
06. Kaleidoscope (5:27)
07. Off My Skull (3:55)
08. Somebody Like You (4:45)
09. Ice On Fire (3:41)
10. Everything (4:11)
11. You Rocking Me (3:27)

Electric Love

Tuesday, January 28, 2014

Siegel-Schwall - Vanguard Visionaires

Size: 99,3 MB
Time: 42:15
File: MP3 @ 320K/s
Released: 2007
Styles: Chicago Blues
Art: Full

01. Going To New York (3:24)
02. Boot Hill (2:57)
03. Easy Rider (4:01)
04. Shake For Me (4:48)
05. Tell Me (3:51)
06. I Have Had All I Can Take (3:15)
07. So Glad You're Mine (3:43)
08. I Don't Want You To Be My Girl (6:22)
09. Song (4:20)
10. Angel Food Cake (5:29)

Vanguard Visionaries recycles ten previously released tracks taken from Siegel-Schwall's stint with the label in the mid- to late '60s. The band's original four albums are now deleted and have been replaced by compilations, the best being Where We Walked. Since most fans will no doubt already own this material, it appears to be marketed to the novice. With that in mind, it would have been useful to include some liner notes chronicling the band's history. The easily obtainable Complete Vanguard Recordings is the set to look for.

Thanks to MrWalker.
Vanguard Visionaires

Roy Brown - Mighty Mighty Man!

Size: 134,9 MB
Time: 57:11
File: MP3 @ 320K/s
Released: 1993
Styles: Jump Blues, West Coast Blues, R&B
Art: Full

01. Mr. Hound Dog's In Town (2:34)
02. Bootleggin' Baby (2:46)
03. Trouble At Midnight (2:59)
04. Everything's Alright (2:52)
05. This Is My Last Goodbye (2:41)
06. Don't Let It Rain (2:40)
07. Up Jumped The Devil (3:05)
08. No Love At All (2:33)
09. Ain't It A Shame (2:21)
10. Ain't No Rockin' No More (2:37)
11. Queen Of Diamonds (2:46)
12. Gal From Kokomo (2:34)
13. Fannie Brown Got Married (2:22)
14. Worried Life Blues (2:39)
15. Black Diamond (2:31)
16. Letter To Baby (2:12)
17. Shake 'em Up Baby (2:41)
18. Rinky Dinky Doo (2:27)
19. Adorable One (2:27)
20. School Bell Rock (2:24)
21. Ain't Got No Blues Today (2:35)
22. Good Looking And Foxy Too (2:14)

Mighty Mighty Man! is a nother British import that really delivers the rocking goods. This time zeroing in on Brown's 1953-59 King sides exclusively, the 22-cut CD shows that Brown actually picked up his tempos to meet rock's rise head on. The clever sequel "Ain't No Rocking No More," "Black Diamond," "Gal from Kokomo," and "Shake 'Em Up Baby" rate with his hottest rockers, with great support from a crew of Crescent City stalwarts. ~Review by Bill Dahl

Thanks to Marc.
Mighty Mighty Man!

Joe Krown, Walter 'Wolfman' Washington, Russel Batiste Jr. - Live At The Maple Leaf

Size: 140,6 MB
Time: 60:13
File: MP3 @ 320K/s
Released: 2008
Styles: Blues Soul, Blues Funk
Art: Front

01. Steal Away (6:21)
02. What's Going On (5:32)
03. Maple Leaf Strutt (6:00)
04. Use Me (8:22)
05. Talk To Me, Talk To Me (7:25)
06. Under The Influence (7:39)
07. Feel So Bad (6:36)
08. Maple Leaf Strutt (6:12)
09. You Can Stay But The Noise Must Go (6:02)

Joe Krown is one of the most notable and distinctive keyboardists in New Orleans, part of a great tradition that includes Dr. John, Allen Toussaint, James Booker and Professor Longhair. As the keyboardist in Clarence “Gatemouth” Brown’s band from 1992 until Gates’ death in 2005, Krown saw the world and shared the stage with Carlos Santana, Eric Clapton, Ike Turner, and countless other superstars. Krown keeps a busy schedule in New Orleans, with several house piano gigs a week and a weekly hit at the Maple Leaf with this phenomenal trio.

Joe Krown (Hammond B-3), Walter Wolfman Washington (guitar & vocals) and Russell Batiste (drums & background vocals) started playing together in March 2007. The trio has been performing weekly at the Maple Leaf Bar in New Orleans, and has developed its own unique sound. Joe’s full-throated organ sound complements Walter’s soulful vocals and unique guitar playing, all tied together by the masterful drumming of Russell Batiste Jr.

The trio recorded and released a live CD, Live at the Maple Leaf (JK1003) in the fall of 2008. Live at the Maple Leaf captures the magic of these great musicians. The trio also won a 2009 Big Easy Award in the “Best Rhythm & Blues Band” category.

New Orleans icon Walter “Wolfman” Washington’s sound reflects the full range of music from New Orleans. He certainly can howl the blues, hence his nickname, but his musical talents have always defined pure Crescent City soul.

Russell Batiste, Jr. belongs to one of New Orleans’ most legendary musical families. Well-schooled on a number of instruments, he has been playing drums since age 4. Batiste has recorded and performed with The Funky Meters, Allen Toussaint, Robbie Robertson, Harry Connick, Jr. and many more.

Live At The Maple Leaf

Little Feat - Hellzapoppin': The 1975 Halloween Broadcast

Size: 184,1 MB
Time: 78:31
File: MP3 @ 320K/s
Released: 2013
Styles: Blues Rock, Southern Rock
Art: Front

01. Two Trains (4:16)
02. Skin It Back (5:41)
03. Fat Man In The Bathtub (5:27)
04. A Apolitical Blues (3:32)
05. Oh Atlanta (4:25)
06. Day Or Night (7:16)
07. All That You Dream (4:45)
08. Romance Dance (5:01)
09. Long Distance Love (3:09)
10. Cold Cold Cold (5:02)
11. Dixie Chicken (7:14)
12. Triple Face Boogie (8:11)
13. Willin' (5:25)
14. Teenage Nervous Breakdown (4:07)
15. Spanish Moon (4:52)

In retrospect, it’s not surprising that Little Feat are on such blistering form during this 1975 WCBN broadcast, transmitted from the prestigious Orpheum Theatre in Boston on that year’s Halloween Night. Already renowned as a magnificent live act, the band had been honing their already-considerable skills to razorsharp perfection during a consecutive 5-night residency at Paul’s Mall - a smaller club in the city - immediately prior to moving to the larger, 2,500-seat Orpheum for this concert. The North American tour of which these shows were part, was in support of Little Feat’s fifth LP, ‘The Last Record Album’, released just days after this gig. Live versions of four tracks - Day Or Night, All That You Dream, Romance Dance and Long Distance Love - are featured here.

By this time, Little Feat had been together for six years. Guitarist, singer and songwriter Lowell George had been fired from Frank Zappa’s Mothers of Invention in 1969 for - allegedly - writing a song about drugs (Willin’). Zappa was vehemently anti-drugs. Lowell teamed up with keyboardist Bill Payne (who had auditioned for the Mothers too) and the duo recruited bassist Roy Estrada (another ex-Mother) and drummer Richie Hayward (from George’s previous band, The Factory), to form Little Feat.

The Mothers’ connection turned out to be beneficial however when Zappa, differences notwithstanding, recommended Little Feat to Warner Brothers, who signed them. The band also often used cover artist Neon Park, who had painted Zappa’s ‘Weasels Ripped My Flesh’.

Hellzapoppin'

Nytro Blue - Heartbeat

Size: 71,3 MB
Time: 30:43
File: MP3 @ 320K/s
Released: 2013
Styles: Rockin' Blues
Art: Front

01. Down In The Meadow (3:47)
02. Middle Of The Deep (4:32)
03. Heartbeat (4:01)
04. New Kind Of Love (4:21)
05. Midnight Hour (4:05)
06. Sittin' All Alone (5:24)
07. Hot 4 U (4:30)

David and Karen Valdez, talented songwriters from Colorado Springs CO. releasing their 1st album "Nytro Blue, Heartbeat." The Rockin Bluez style of music sets everyone ablaze with songs that relate to situations in life that we face everyday. DiamondDave tearing it up on the guitar. kVa with her "get down" keys, junEllen with her spine chillin vocals, reZboy hothothot on harp, and dEb's saucy jazzy blues saxophone. This truly outstanding CD of rockin bluz songs will leave listeners asking for more.

Heartbeat

Jason Vivone & The Billy Bats - Lather Rinse Repeat / Eddie Ate Dynamite

Album: Lather Rinse Repeat
Size: 87,5 MB
Time: 37:34
File: MP3 @ 320K/s
Released: 2012
Styles: Electric Blues, Slide Guitar Blues
Art: Front & Back

01. I Hear A Heartbeat (5:56)
02. Baby Fat (3:11)
03. The Nina, The Pinta, The Santa Maria (3:53)
04. The Black Lone Ranger (5:10)
05. One Hot Mother (4:01)
06. Photograph (4:15)
07. Do The Nod (1:53)
08. Liquid Diet (2:18)
09. Medusa Blues (6:53)

The line up is Vivone on vocal, guitar and harp; Matt Bustamante on drums, Jeremy Clark on bass; Paula Crawford on vocal and guitar; Imani Glasgow on vocal and percussion and Ben Hoppes on vocal and banjo. The release opens with a seductive I Hear A Heartbeat, a Texas Boogie style track with tempting lyrics and rippin' cigar box slide. Baby Fat using a tongue in cheek rhythm features Vivone on solo vocal and minimal band backing except a slide melody and drums. The Nina, The Pinta, The Santa Maria is a sped up Chicago blues with 50's style vocals and classic blues riffs but with a touch of humor and instrumentals. The Black Lone Ranger, loosely based on a Muddy Waters track and with a touch of George Thorogood, keeps the groove and again gives the slide king a chance to show his stuff. One Hot Mother, a prototypical 12 bar blues track allows Vivone the freedom to sing clever lyrics to anotherwise basic track. My favorite track on the release by far, Photograph, has the characteristics of a Tex/Mex blues along the lines of something Ryland Cooder would do. I like the melody and the slide work is controlled and interesting. Do The Nod has hints of Bo Diddley and further modern punk music. It breaks away form a lot of the balance of the recordings in that it is much more loosely recorded. Liquid Diet is a funky scratch track on the simplest basis. Medusa Blues wraps the recording with a more complex track... not in execution but in composition. This song has very simple components but is actually quite interesting with a quiet wailing harp. This is a party blues recording so get out your stuff and have a ball. ~Bman

Lather Rinse Repeat

Album: Eddie Ate Dynamite
Size: 97,6 MB
Time: 41:26
File: MP3 @ 320K/s
Released: 2013
Styles: Electric Blues, Slide Guitar Blues
Art: Front

01. Cut Those Apron Strings (4:24)
02. Placebo (4:48)
03. Mean (5:11)
04. Eddie Ate Dynamite (3:08)
05. Analog (4:45)
06. The Blues & The Greys (4:05)
07. Methinks The Lady Doth Protest Too Much (5:44)
08. Where Did The Day Go (4:44)
09. I Can Never Say Goodbye (4:34)

“The spirit of ‘Big’ Joe Turner is alive and well enjoying life in the shape and form of one Kansas born and bred Jason Vivone; his vim, verve and simple lust for life takes musical shape in the delicious merging of hill country and rockabilly, with a vigorous fifties rock’n’roll feel that is infused with a backbone of the blues, laced with a jaunty fusing of gospel and soul. The combination of banjo, cigar box slide and a sweetly enticing shuffling percussive sound make for spine-tingling music. When Jason’s voice isn’t hollering an invitation to you it is sweetly and personally canoodling your senses with an almost whispering seductiveness that is reminiscent of the fragile intonations of Harry Nilsson. ” ~Brian Harmon, Blues in the Northwest

Eddie Ate Dynamite

Monday, January 27, 2014

Heaven's Radio - Rendezvous

Size: 114,1+114,0 MB
Time: 48:36+48:39
File: MP3 @ 320K/s
Released: 2007
Styles: Modern Electric Blues, Blues Reggae
Art: Full

CD 1: Active (1977)
01. Voodoo Music (3:03)
02. Checkin On My Baby (3:49)
03. You Lost Again (5:31)
04. I Think - Work Out Fine (3:44)
05. Junco Partner (4:38)
06. Good Time Station (4:15)
07. Voodoo Musicince's Song (2:41)
08. High And Lonesome (3:52)
09. Kinky Reggae (8:14)
10. Theme (2:28)
11. 707 (3:17)
12. If You Like Music (2:58)

CD 2: Uptown Babies (1979)
01. Uptown Babies (5:13)
02. Little Piece Of Heaven (4:04)
03. I Ain't Got It (3:59)
04. The Round And Round (2:42)
05. New Mown Lawn (9:10)
06. Rough Rider (5:55)
07. Soul Rebel (4:07)
08. River Of Jordan (2:39)
09. Heed The Word Of The Lord (2:32)
10. When I Come Back To Ya (4:42)
11. Natural Girl (3:31)

Heaven's Radio "Active" and "Uptown Babies" digitally remixed and mastered with 4 bonus tunes! "Heaven’s Radio leaps ahead with Uptown Babies. This is the kind of album you would like to take home to meet your mother. This is one of the best albums to come out of anywhere by anybody in a long time. – Victor Botari "

Terry Gillespie formed Heaven’s Radio – who were widely considered the best band to come out of Ottawa, Ontario in the '70s. Their highly acclaimed albums of the early 80s, 'Active' and 'Uptown Babies', were re-released as a box set in May 2007. Holger Petersen, President of Stony Plain Records and host of CBC’s long running Saturday Night Blues calls Heaven's Radio, "A highly under-rated band of that era."

Band:
Terry Gillespie - Vocals, Guitar, Trumpet
Miche Pouliot - Drums
Corky Kealey - Drums (regular player but not on all albums)
Vince Halfhide - Guitar, Vocals
Bob Blacker - Bass

Rendezvous

Cool John Ferguson - Cool John Ferguson / Guitar Heaven

Album: Cool John Ferguson
Size: 118,0 MB
Time: 50:36
File: MP3 @ 320K/s
Released: 2001
Styles: Modern Electric Blues, Blues Rock
Art: Full

01. The Cat Ate The Rat, The Rat Ate The Wizard (4:45)
02. Here Comes Floyd (3:42)
03. I Love You (3:46)
04. Strollin' By The Waterfront (4:44)
05. Miss You Like The Devil (3:27)
06. Tater Done (3:58)
07. Let No Woman (3:25)
08. Pre-Alex Stomp (3:07)
09. Send Up My Timbers (3:53)
10. Log Cabin Woman (4:13)
11. I Got A Right To Cry Sometimes (7:29)
12. Cootie's Jam (4:02)

The legendary entertainer Taj Mahal says, "Cool John is among the five greatest guitarists I have heard in my career."

John was born on Saint Helena Island off the coast of South Carolina. His mother is of the Gullah people and John grew up with the old ways all around him

Born December 3, 1953, John has been playing the guitar since age three. At five he was playing church music professionally, often out-seating musicians ten times his age.

John has recently come to Pinnacle, North Carolina from his home in Beaufort, South Carolina to lend his talents to the efforts of Tim Duffy and the Music Maker Relief Foundation, performing on the national Winston Blues Revival Tour as a solo act and with artists Beverly "Guitar" Watkins, Carl Rutherford and Captain Luke both on the road and in the studio.

John's musical path is immersion. The man breathes music and plays from the inside out. He commands the rare ability to develop a theme on the fly, incorporating every element of the musical environment along the way and somehow summing them all up neatly when he feels the end coming. His improvised pieces carry the aesthetic sensibility of careful, painstakingly crafted works, which in fact they are; it is simply all done in real time. Coupled with the willingness to play with anybody, any time, in any style, familiar or not, John Ferguson possesses a formidable talent that is making him a force to be reckoned with in the music industry.

Thanks to Marc.
Cool John Ferguson

Album: Guitar Heaven
Size: 89,2 MB
Time: 38:19
File: MP3 @ 320K/s
Released: 2003
Styles: Modern Electric Blues
Art: Full

01. 16 Years (4:52)
02. Low Country Blues (4:23)
03. Song For Brenda (4:07)
04. Chunk Of Funk (4:47)
05. Which Way Is Up (4:09)
06. It's True (5:05)
07. Having Fun (5:27)
08. Keep It Confidential (5:26)

“It didn’t matter where the music came from. I just learned it all – TV themes, blues, R&B, jazz, gospel – it all came in my ears and through my hands.” – Cool John Ferguson Cool John Ferguson walks onto the stage, looks out from under a broad-brimmed leather hat, smiles, and sets his hands on the frets of an electric guitar. Before there is a sound, the audience can see that something exceptional is about to happen. Long thin fingers reach across the neck of the guitar, left-hand poises to stroke, right-hand frames the chord, and out comes an incredible bath of sound. But wait! He’s got that guitar on backwards and the low sounds are coming from the bottom string. That’s because Cool John is a studied but self-taught guitar player. Nobody told him he had the guitar the wrong way around and by the time they did, he was too good to go to the trouble to change. “I played as a three-year old,” Cool John explains. “To hold the guitar, I had to be put in someone’s lap while they sat in a chair. I played sing notes on Just a Closer Walk With Thee, my first song. Later on, fooling around with it, I learned to play the lead, bass, and rhythm parts at the same time.”

Thanks to Marc.
Guitar Heaven

John Lyons - Natural Blues / Sing Me Another Song

Album: Natural Blues
Size: 127,2 MB
Time: 54:29
File: MP3 @ 320K/s
Released: 2007
Styles: West Coast Blues, Funky Blues
Art: Front

01. Natural Woman Blues (3:36)
02. Last Shirt (3:03)
03. Cry (6:51)
04. Can't Sleep (4:02)
05. I Need Your Lovin' (4:53)
06. Ghosts (4:37)
07. Monkey Business (4:37)
08. Mean Street (4:14)
09. Drive Baby Drive (4:32)
10. Voodoo Priest (3:17)
11. Lonely Fool (7:18)
12. I Like It Like That (3:23)

There are 12 tracks of varying styles all with their common roots in the blues. John's musical influences are as diverse as the styles of the songs he writes. From Stevie Ray Vaughn to Robert Cray, from Jimi Hendrix to Howlin' Wolf, from Eric Clapton to T-Bone Walker, from Albert King to Albert Collins. A whole lot of musical inputs have gone into this record. And thats just the start... John grew up in South West Michigan on a Fruit farm, self taught singer/guitarist. Gigged professionally in Florida, Chicago and since 2001 in Switzerland ( married Swiss, 2 daughters )...

Notes about the songs:
01. Natural Woman
mid-tempo funky minor blues with a sexy groove. The kind of vibe that makes you wanna get up and do something.
02. Last Shirt
Fast Jump Blues, reminiscent of the 50's big band swing, in the style of Brian Setzer, T-Bone Walker, Duke Robillard, or even Sha-Na-Na
03. Cry
An incredible slow ( and I mean really Slow ) song, with a lot of dynamic and emotion, featuring a beautiful piano solo by Christian Roffler.
04. I Can't Sleep
Soulful funky blues, lets say if you like old school Robert Cray stuff like Phone Booth, Shiver, or Smokin' Gun then check this song out
05. Need Your Lovin
Straight ahead Texas Shuffle blues here,no surpises just good blues
06. Ghosts
Beautiful Guitar Ballad, some have said it reminds them of Mark Knopfler, Dire Straits. I think it osunds like Bob Dylan or Tom Petty influences..but whatever you think, juts listen and enjoy
07. Monkey Business
Funky Blues, in the direction of Alber Collins, Coco Monotoya. Song about being fed up with low wages, politics and too few opportunities in life (imagine that)
08. Mean Street
Another Albert Collins / Peter Green influenced song, this time minor funky mid tempo
09. Drive Baby Drive
A hauntingly sad and beautiful ballad, lyrics by Michelle Mott of Portage Michigan, a 'chick song' - emotional.
10. Voodoo Priest
A fun, New Orleans second line groove with tasty guitar chops all over the place
11. Lonely Fool
Minor slow blues, great dymanics and feeling. Break out your whiskey jar and turn this one up
12. I Like It Like That
Rocking blues! Stevie Ray Vaughn was inspired by Jimi Hendrix, and I was inspired by Stevie and jimi..so here is my little contribution to the tree... in all due respect to my influences. The vocal style on this song was definatley influenced by Robert Plant's early Led Zeppelin stuff. Enjoy

Natural Blues

Album: Sing Me Another Song
Size: 113,6 MB
Time: 48:10
File: MP3 @ 320K/s
Released: 2013
Styles: West Coast Blues, Acoustic Blues
Art: Front

01. Another Wave (4:03)
02. She'll Tell You No Lies (3:48)
03. Believe (3:22)
04. Waiting For You (4:12)
05. Sing Me Anther Song (3:31)
06. Beautiful (4:19)
07. Helengeli (4:12)
08. Under The Stars (4:52)
09. Dear James (4:41)
10. The Blues Moved In (4:47)
11. Blink Of An Eye (3:15)
12. Bluestar Highway (3:01)

Sing Me Another Song is a catchy and ear-pleasing collection of well-crafted songs that seem woven around an unquenchable passion, a broken heart, a hopeful and wistful outlook; whatever John Lyons was feeling at the moment of each musical and lyrical creation, the songs are an open book of honesty, held together by melodies that seem just as inspired. The beautiful and actually highly unique aspect of this album is that nothing seems forced or conformed to a style or a sound; rather, Lyons seems to have written purely from a songwriter’s perspective, with a naturally keen sense of perception and any inhibitions out of mind. He was born and raised in Michigan and has lived in Switzerland since 2001. His musical influences come from a wide variety of the colorful musical spectrum, from heavy rock to hippie generational anthems, from heartfelt soul to ’70s disco; in his music, one can hear unique notes fleshed out in a new way of legends such as Led Zeppelin, The Beatles, Bob Dylan, and Black Sabbath, and his music certainly proves (in a wonderful way) that the artist doesn’t fall too far from his inspiration.

The album starts off with the catchy, pop-infused track “Another Wave,” a song written of the past and of a newfound longing for the time he and his significant other were once able to spend, time that is now just a piece of the past. “She’ll Tell You No Lies” follows, a track that seems as though it could be found on an Elvis Costello record; a tune of acceptance and regret, this song is the story of losing the woman he always knew he couldn’t keep. The acoustic track, “Believe,” is a plea for the one he loves to believe in their relationship as much as he does. Sweet and hopeful, the song asks her, “Can we try to just get back / Back to simple things, back to you and me / Where it all started from?” because “In this life of mass confusion / We’re tied up in illusions / But there’s still a chance for you and me.” “Waiting for You” is a song written around Clapton-like wailing guitars and yet sings of the mundane routines of daily life, paired with the ongoing impatient desire and hope that one day, he’ll have the woman he patiently waits for. The fifth track of the record holds the album’s title, “Sing Me Another Song;” undeniably catchy and memorable, the song’s melody and seductive story line will hold the listener for days. “Beautiful” is like a ten second moment in time that was remembered and magically crafted into a haunting, 4-minute arrangement – “A warm wind is blowin’ / Through your hair / Sounds of laughter / Fill the air / Sunlight smiles / On your face / I can’t find the words to say it, so I’ll sing it / I can’t find the courage to tell you that you’re beautiful.”

“Helengeli” is a mellow, acoustic song formed around the lyrical promise that his love is undying and unquenchable, no matter where she goes or who she becomes. “Under the Stars (Dancing Again)” is another ballad of a song written around a short yet unforgettable moment in time between two inseparable lovers. “Dear James (She’s Cheating On Me)” is the diary of a breakup, the discovery of the most heartbreaking realization and feeling of deception any man or woman could have – “I found a letter from my baby / While I was lookin’ for my smokes / ‘Should I read it’, I thought, ‘Yeah, maybe’ / Here’s how the story goes / It said ‘Dear James,’ that was my first clue / That this letter was not meant for me.” “The Blues Moved In” is the reality of what it’s really like to be alone – “That night that she moved out / The blues moved in.” “Blink of an Eye” is a folksy song with Dylan’s style, a tune with a story-like lyrical style supported by a light acoustic guitar and a bright harmonica. The final track, “Bluestar Highway,” is a grungy, distorted blues rock masterpiece that closes the album out with a bang.

John Lyons is a melting pot of style and inspiration with a collection of stories to be told. His talent is raw and his passion is like a burning fire. With a classic appeal and the obvious desire to communicate that perception, those tales, and the emotion that rules his music, John Lyons will surely be making album after album into the future. Perhaps, too, like the many musical legends that continually inspire him, he will leave his mark on the future with the music he wrote in the past. The Review: 8/10 ~Review by Jill Jacobs

Sing Me Another Song

Home By Midnight - Lost Baggage

Size: 114,4 MB
Time: 48:42
File: MP3 @ 320K/s
Released: 2012
Styles: Rockin' Blues
Art: Front

01. Saint Louis Blue (3:07)
02. Just Another Saturday Night (2:49)
03. The Blues Ain't Nothing (3:41)
04. Misty Sunset (5:02)
05. On The Line (3:52)
06. Outlaw In The Sun (3:49)
07. Shadowland (3:05)
08. In The Hands Of A Stranger (4:58)
09. Dallas Blues (4:04)
10. Three On A Match (2:38)
11. This Rain (2:58)
12. Rock The Boat, Baby (2:52)
13. Some Mexican Town (2:33)
14. Can't Stay Here No More (3:08)

Home By Midnight, a five-piece band founded in 2006 from Calgary, Alberta, Canada, is rocking North America thanks to iTunes and a presence in more than 50,000 TouchTunes jukeboxes across the continent.

This particular compilation takes some older classics like Saint Louis Blues, The Blues Ain't Nothin' and Dallas Blues and modernizes them, while still keeping them true to their roots. New originals such as Just Another Saturday Night, Some Mexican Town, and Can't Stay Here No More describe the bands experiences on the road. Bundled together, they are all different but tell the tale of Lost Baggage.

"I love this CD. My favourite songs are Misty Sunset and On the Line, but I love them all!"

"This is great music! Kind of like the Ozark Mountain Daredevils meet Blue Rodeo. I put this in my CD player and listen to it as background music or crank songs like Saint Louis Blue if I wanna feel like dancing."

Lost Baggage

Sunday, January 26, 2014

The Hi Tide Harris Blues Band - Hot Blues, Cool Blues: Blues With A Feeling EP

Size: 44,5 MB
Time: 19:03
File: MP3 @ 320K/s
Released: 1991
Styles: Modern Electric Blues
Art: Front

01. Shiry Bee (3:27)
02. Great Googa Mooga (3:13)
03. Conversation (2:55)
04. Blowin' In The Wind (4:46)
05. Dirty Frisco (4:41)

b. 26 March 1946, San Francisco, California, USA. His real name was reportedly Willie Boyd or Willie Gitry. He was brought up in Richmond, California, and sang in vocal groups as a youngster; he also learned to play guitar in the early 60s, going on to play with Big Mama Thornton, Jimmy McCracklin, and others (he also recorded with McCracklin). Following a spell in Los Angeles (1969-1971), he formed his own band around 1972. In 1973 he joined Charlie Musselwhite’s band, and the following year he toured and recorded with John Mayall. Harris was also involved in film work: he wrote the theme song for Mandingo (sung by Muddy Waters) and sang on the soundtrack of Leadbelly. Harris was ‘an excellent guitarist in both the slide and regular fingerstyles’ (Blues Unlimited).

Thanks to Marc.
Hot Blues, Cool Blues: Blues With A Feeling EP

Vintage Trouble - The Bomb Shelter Sessions

Size: 99,7 MB
Time: 42:23
File: MP3 @ 320K/s
Released: 2010
Styles: Blues Soul
Art: Full

01. Blues Hand Me Down (3:45)
02. Still And Always Will (3:23)
03. Nancy Lee (3:41)
04. Gracefully (3:38)
05. You Better Believe It (4:10)
06. Not Alright By Me (3:20)
07. Nobody Told Me (4:36)
08. Jezzebella (4:00)
09. Total Strangers (3:34)
10. Run Outta You (8:13)

Looking more like 30-something session bods than the hot young street-walking cheetah teens one might expect of a much-hyped new act, Vintage Trouble are here to reactivate the stomping vibe of 1960’s R&B – rather like Geno Washington, hero of that ace Dexys Midnight Runners anthem, did in London’s "sweaty clubs" in the late-70s.

Formed in Hollywood, recorded in upscale Laurel Canyon, and represented by Doc McGhee, a legendary manager previously behind such mega-acts as Mötley Crüe, KISS and James Brown, there is a sense of ‘fait accompli’ about VT’s swift rise. A rousingly kinetic appearance on Later with Jools Holland served as an eyebrow-raising introduction to these shores, followed by tours supporting Brian May and Bon Jovi. Certainly well-connected, these fellas.

This debut record kicks off energetically with Blues Hand Me Down (their Later… song), in the vein of Led Zeppelin II – loud, heavy, yowling, with substantial guitar solos, but also naggingly generic. Is there a point, you gradually wonder, to a combo cutting their own material today which is so squarely according to the specific codes of R&B past? Gracefully, a Solomon Burke-style ballad, is so slavishly Atlantic Records 1966, it’s actually an obstacle to feeling its emotional impact. A shame, because Ty Taylor sings with all the gravelly conviction of Otis Redding – again, though, he seems never quite destined to rise above that reference, and genuinely move you.

On the plus side, VT’s sound is raw and warm and enveloping – the kind of delectably twangin’ blues hum which seduces innumerable millions around the world into buying American beer via TV adverts. They have, thus far, a couple of outstanding songs – the achingly world-weary Nobody Told Me and the Chuck Berry-riffed, call-and-response belter Nancy Lee – but these won’t be sufficient to blow away the post-millennial pop fluff from the charts’ upper echelons, as doubtless had been projected in their marketing meetings.

Where Vintage Trouble are bound for glory (like Geno, who never sold any records whatsoever), is onstage. Live, these four’s energy and enthusiasm for the cause is far less resistible, with or without an accompanying King of Beers. In short: go see ‘em instead. ~Review by Andrew Perry

Thanks to DrPeak.
The Bomb Shelter Sessions

Marshall X - Broke, Busted & Blue

Size: 129,5 MB
Time: 55:55
File: MP3 @ 320K/s
Released: 2013
Styles: Blues Rock, Modern Electric Blues
Art: Front & Back

01. Broke, Busted & Blue (4:28)
02. Southern Rain (4:27)
03. Life's Broken Pieces (5:05)
04. Working On A Chain Gang (3:44)
05. Suckers Ballad (3:26)
06. Love Is Blind (4:31)
07. So Hard To Handle (4:04)
08. Mainstreet Cafe (3:37)
09. The Pain Inside (3:26)
10. Bourbon Blues (3:53)
11. Who Do You Think I Am (4:38)
12. Son Of A King (6:01)
13. Worn Out Shoes (4:28)

Band:
Marshall X (vocal,guitar,altosax)
Linda Bohnert (vocals)
Bernhard Schoenke (bass)
Horst Reinhold (drums)
Ruben di Renzo (keyboards)

I'm a singer-songwriter-producer,play guitar,keyboards and alto sax.Earlier I was signed to Ariola,CBS in Austria.Had about 14 Singles on the Market,3 LP's 1984 I spent one year in NASHVILLE,TN,where I met a lot of nice people,was invited to record 5 songs with very wellknown musicians and ERNIE WINFREY, a very wellknown engineer.
In the SOUNSHOP Rec.Studios,where we recorded our songs,we were invited to watch a recording session with RAY CHARLES and different country acts.
JOHN HURLEY(Son of a Preacherman-Love of the Common People) became one of our best friends.
Our Song"What about You" was recorded by HOT CHOCOLATE and came out on a single.I wrote about 140 songs,about 80 of them I have on records or as demos.
Privat I'm together with Linda Bohnert since 33 years. She is the female voice on all my recordings, my cowriter and had also an LP out.

Broke, Busted & Blue

Leo Welch - Sabougla Voices

Size: 78,1 MB
Time: 33:08
File: MP3 @ 320K/s
Released: 2014
Styles: Blues Gospel
Art: Front

01. Praise His Name (3:47)
02. You Can't Hurry God (2:20)
03. Me And My Lord (3:43)
04. Take Care Of Me Lord (3:44)
05. Mother Loves Her Children (3:10)
06. Praying Time (4:33)
07. Somebody Touched Me (3:23)
08. A Long Journey (3:10)
09. His Holy Name (3:31)
10. The Lord Will Make A Way (1:42)

Review:
Although the blues and gospel are classified as different kinds of music genres, they aren't mutually exclusive, and like every other kind of vernacular American music, there has always been a lot of cross-pollination going on, and since musicians are musicians, playing secular music in a jook on Saturday night isn't substantially different than taking the same set of riffs into church on Sunday morning, with different lyrics, of course. And even that isn't all that difficult, since singing about loss and singing about redemption are really two sides of the same coin, a part of the same conversation. Leo Welch understands this, and he's had to. Born and raised in Sabougla in the hill country of Mississippi, Welch worked over 30 years in the region's logging camps, spending his nights and days off playing picnics, house parties, and jook joints, developing a raw and urgent electric guitar style that put him in a long line of Mississippi trance guitarists that included R.L. Burnside and Junior Kimbrough. When the blues gigs began to get rarer in the mid-'70s, Welch simply packed up his approach and blues prowess and took them to the churches, developing a style that combined the grit and dirt of Mississippi blues guitar with the passionate urgency of Southern call-and-response gospel, which puts him squarely in the lineage of another great gospel guitarist, Mississippi Fred McDowell. This debut set, released when Welch was 82, is pretty much his church set done up straight with no frills in a recording studio, and it's a stunning and fiery thing to hear. From the relentless opener, "Praise His Name," this is an album of redemptive gospel blues that crackles with urgency, passion, and relentless energy. Welch is no traditionalist, and he has stated that he doesn't have a divisive mind when it comes to either the blues or gospel, enjoying both, and whether one sings about mortal love or God, it's all about longing. This is a marvelous album, a revelation, even, with striking electric stomps like "Somebody Touched Me," which sounds a bit like a raw garage band doing a slowed-down gospel version of Chuck Berry, and delicately balanced acoustic numbers like "Mother Loves Her Children" and "The Lord Will Make a Way" showing that Welch has found a way to make the blues and gospel speak together in one voice.

Biography:
Born and raised in the hill country of Mississippi, gospel blues guitarist and singer Leo Welch didn't make his professional recording debut until he was 82 years old, by which time he was pretty much the last in a line of vernacular Mississippi guitarists who included R.L. Burnside, Junior Kimbrough, and Mississippi Fred McDowell. Born in Sabougla, Mississippi in 1932, Welch showed an affinity for music early, learning to play guitar, harmonica, and fiddle, and he was soon playing at picnics and parties, working his way up to jook joints and clubs, playing mostly blues standards with a gospel edge, raw and urgent. Otherwise, he kept his day job, working over 30 years on a logging crew in the hill country. Around 1975, when the blues began to wane as a popular music and the gigs began to dry up, Welch switched his sound to gospel, and took his blues riffs and Chuck Berry energy into the churches, developing a raw hybrid style that had the grit and moan of the blues laid under the urgent, passionate energy of call-and-response gospel. An offhand phone call to the Big Legal Mess record label brought him an audition and then a recording contract. Welch took his striking gospel blues into the studio, putting it down straight and with no frills, emerging with a debut album, Sabougla Voices, early in 2014.

Sabougla Voices

Jimmy James & The Hot Grease Band - Livin' Out My Life

Size: 89,3 MB
Time: 37:47
File: MP3 @ 320K/s
Released: 2013
Styles: Southern Americana Blues, Roots
Art: Front

01. Roll Him On (3:31)
02. Dancin' Flower (4:04)
03. Stories She Tells (4:03)
04. Drummer Drumming (3:41)
05. Pickin' Time (3:03)
06. Steady Workin' (3:47)
07. Gotta Break Out (3:56)
08. Wild Wild Spirit (3:19)
09. Everything To Me (4:33)
10. Angels, Hear 'em Sing (3:47)

Ever since my teenage years I have been in love with R&B, Blues, southern rock and down and out stuff. Music has a wonderful effect on me. It allows me to travel with out really going anywhere. Sometimes it pulls my heart strings and make me tear up, other times it makes me happy but almost always it moves me. Give me that traveling anytime.... I love going places. My music is about people and times that have a bid influence on me.

Livin' Out My Life

Michael Hill's Blues Mob - New York State Of The Blues

Size: 113,6 MB
Time: 48:31
File: MP3 @ 320K/s
Released: 1998
Styles: Modern Electric Blues
Art: Full

01. Long Hot Night (4:15)
02. A Case Of The Blues (4:20)
03. Soul Doin' Time (6:01)
04. Young Folks' Blues (3:44)
05. Papa Was A Rollin' Stone / Mama Sang The Blues (4:02)
06. Anytime, Anywhere (4:49)
07. New York State Of Blues (4:26)
08. Living For The City (4:59)
09. This Is My Job (4:13)
10. Up And Down The Stairs (4:02)
11. Never Give Up On You (3:34)

New York's Michael Hill's Blues Mob play deep blues for the body and soul, both as an astonishing live act--just ask any of the thousands of people mesmerized through a rainstorm at the 1996 Chicago Blues Festival--and as a rip-roaring and award-winning recording group, Michael Hill's Blues Mob stands out in the small circle of young, African-American blues artists bent on keeping the blues alive by taking the music into previously uncharted territory. "Hill is truly the bluesman piloting the music into the next century," proclaimed Blues Revue. Michael Hill's Blues Mob bring raw sweat, energy and intensity to every song they play. Hill's impassioned, sometimes humorous songs, his sweetly soulful singing voice and explosive guitar playing are perfectly complemented by the expert musicianship of the Blues Mob--Pete Cummings on bass, E.J. "The Professor" Sharpe on keyboards and Tony Lewis on drums. With their new Alligator release, New York State Of Blues (AL 4858), Michael Hill's Blues Mob continue to blaze a modern blues trail filled with cutting edge tunes and foot-stomping rhythms. Through his original songs (Hill wrote or co-wrote nine of the album's 11 songs) and formidable musicianship, Hill and his band boldly raise the bar for their contemporaries meanwhile raising the roof wherever they play. "Incendiary," shouted Guitar Shop. "A wonderful melting pot of R&B, blues, fusion, reggae, and balls-out heavy rock." But it's not just about the fiery music. "For me," says Hill, "writing is as important as playing guitar. The blues is about telling stories. The guitar playing and musicianship are important as long as they're serving the song or story. The lyrics give the playing and singing something to do."

New York State Of Blues is a tour-de-force of tough, inner city scenes, lovers' temptations and blues celebrations co-existing in Hill's guitar drenched, polyrhythmic universe. From the searing opener Long Hot Night (co-written by Vernon Reid) to the prophetic and humorous Young Folks Blues to the reinventions of the Temptations' Papa Was A Rolling Stone and Stevie Wonder's Livin' For The City to the album's closer, the soulful and hopeful Never Give Up On You, Michael Hill's Blues Mob grab their listeners with their every-note-matters musicianship and draw them in with Hill's storytelling skills and his powerful vocals.

Thanks to Marc.
New York State Of The Blues

Junior Parker - Love Ain't Nothin' But A Business Goin' On

Bitrate: 320K/s
Time: 33:55
Size: 77.7 MB
Styles: Electric Memphis blues, R&B
Year: 1971/1997
Art: Front

[3:22] 1. Love Ain't Nothin' But A Business Goin' On
[3:16] 2. Outside Man
[3:46] 3. Darling Depend On Me
[3:45] 4. Taxman
[2:47] 5. River's Invitation
[3:42] 6. (I Wonder) Where Our Love Has Gone
[3:53] 7. Just To Hold My Hand
[3:39] 8. You Know I Love You
[2:15] 9. Lady Madonna
[3:26] 10. Tomorrow Never Knows

Junior Parker was a straight up Bluesman with a capital “B”. He was born in the deep south, jammed with Howlin’ Wolf, Sonny Boy Williamson, and B.B. King, and he wrote a song that was co-opted and popularized by Elvis (“Mystery Train”). But far from being a purist content to relax on his Memphis-blues laurels, Parker was a man who evolved with the times, and in 1971 the singer dropped the funkiest funk album you’ve never heard. The capital “B” Bluesman’s foray into funk on the Love Ain’t Nothin’ But A Business Going On LP is worth a listen for several capital “B” reasons: Parker’s silky voice (the Baritone!), the tight rhythms of his small backing band (the Basslines!), the killer soul covers of Taxman, Lady Madonna, and Tomorrow Never Knows (the Beatles!), and the songs about no-good-gold-digging-women (the Blues!). Sadly, just a few months after the albums release, Junior Parker was felled by a capital “B” Brain tumor at the age of 49. I guess if it had a happy ending it wouldn’t be the Blues. ~Donny Potter

Love Ain't Nothin' But A Business Goin' On

Hokie Joint - The Way It Goes... Sometimes

Bitrate: 320K/s
Time: 47:19
Size: 108.3 MB
Styles: Electric blues
Year: 2008
Art: Front

[4:28] 1. The Way It Goes... Sometimes
[3:15] 2. Mrs. Jones
[4:22] 3. Franklin
[4:09] 4. Chocolate Cake
[4:14] 5. Back Where We Are Going
[3:38] 6. Tom Rushen Blues
[5:39] 7. The Crying Song
[4:01] 8. Ghost
[5:50] 9. Clarksdale Mill
[3:50] 10. Chain Me
[3:50] 11. Lost In The City

Bass – Fergie Fulton; Drums, Percussion – Stephen Cutmore; Guitar, Vocals [Backing] – Joel Fisk; Harmonica – Giles King; Vocals – JoJo Burges.

Hokie Joint, from Colchester, are an eclectic, fresh sounding blues band ready to take the blues to the masses. This cool five piece are led by charismatic singer Jojo Burgess and ace harmonica player Giles King (played on Ian Siegal’s “Meat & Potatoes” album).

Their stunning debut album, “The Way It Goes…Sometimes”, offers a variety of blues styles with crossover potential to a wider rock and roots audience. There is already a real buzz about Hokie Joint in the UK press & media, with comparisons to UK’s no. 1 blues man Ian Siegal. They are destined to raise some dust in both the blues scene and beyond and are already very successful in the Benelux countries, where they are booked for all major festivals, including The Belgian Rhythm & Blues Festival in Peer.

The Way It Goes... Sometimes

CW Ayon - Setting Son

Bitrate: 320K/s
Time: 44:53
Size: 102.8 MB
Styles: Hill country blues
Year: 2014
Art: Front

[2:55] 1. Last Ride
[2:50] 2. Singing Blues
[2:39] 3. No Good Anymore
[3:49] 4. Strut
[3:08] 5. Got Ya Baby
[2:59] 6. Setting Son
[5:04] 7. Walls Of Our Home
[2:51] 8. Maybe Someday
[2:59] 9. Looking Back
[3:25] 10. Knock The Rust Off
[4:32] 11. Night Never Wins
[7:38] 12. Dust In My Eyes

In what he calls a "happy mistake," Cooper Ayon, known as CW Ayon, explores his talent for songwriting in his fifth album, "Setting Son." "It just kind of happened, and those are the best," he said.

"Setting Son" came about when Ayon's record label, Solitary Records out of Chicago, asked him to record four songs for a compilation album that would include two other one-man bands. Before he knew it, he had enough material for a full album. He recorded 12 songs for "Setting Son" last year in Las Cruces.

"Setting Son" is a collection of hill country, a style of Mississippi blues with forefathers the likes of Junior Kimbrough, R.L. Burnside, John Lee Hooker, Muddy Waters and Robert Belfour. "Those guys are just awesome," Ayon said. "That music is so ingrained in who those guys were. I don't know, maybe that's what I like about it. They built their own myths about themselves." The album is heavy on the blues. It has a simple beat, making it perfect for a one-man band, such as CW Ayon, to play. Ayon plays all instrument parts - even sometimes with a harmonica around his neck. He has a kick drum at his feet, a tambourine around one shoe, a guitar on his lap and a microphone in front of his lips.

Setting Son