Born and raised in Ashland, MS, guitarist Joe Beard grew up with the Murphy brothers, one of whom later found an international following as Matt "Guitar" Murphy. Guitarist Nathan Beauregard lived with Beard's cousin, so he was surrounded by aspiring and veteran blues musicians while growing up, and he began singing at an early age. Beard became interested in playing guitar via the Murphy brothers, who sat in with a young B.B. King when he played at the Roosevelt Lake Club. Beard began to learn guitar at age 17 from Ernest Scruggs, a neighbor, before heading to Chicago. Beard moved to Rochester, NY, and from time to time would visit one of his brothers in Chicago. He quickly became enamored of the blues being played in clubs there. Beard sat in with John Lee Hooker one night and received encouraging words from Hooker, and also later sat in with his idol, Muddy Waters. While in Rochester, he formed the Soul Brothers Six, playing bass and singing, but he didn't perform in public on guitar until 1965. Beard worked as an electrician by day and would occasionally play out at night and on weekends for most of the '60s on through to the '80s. He has a reputation as one of the best local players around, and though he may not be a household name in other parts of the U.S., he toured Europe in 1983 and did studio and stage work with Buster Benton, Lafayette Leake, and Memphis Slim.
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Album:
NO MORE CHERRY ROSE
Styles: Modern Electric Blues
Recorded: 1990
Released: 1990
Bitrate: 320k/s
Size: 97.66 MB
Time: 41:49
Art: Full
1. When I Get Drunk (3:19)
2. Cancel My Reservation (5:00)
3. Something's On My Baby's Mind (4:22)
4. Heaven Of My Own (4:48)
5. Let Me Love You (3:14)
6. Highway 49 (4:17)
7. No More Cherry Rose (4:44)
8. Have You Ever Wanted Someone (4:15)
9. Papa's Little Angel (3:28)
10. New York Woman (4:22)
Personnel: Joe BEARD - Guitars, Vocals
Ernie Lancaster - Guitar
Lucky Peterson, Teo Lacksameyer - Piano
John Dubuc - Harmonica
Bob Greenlee - Bass
Denny Best - Drums
Note: Joe Beard was 52 when he recorded No More Cherry Rose in 1990, an enjoyable electric blues date that employs Lucky Peterson on piano, Ernie Lancaster on guitar, Bob Greenlee on bass, and John Dubuc on harmonica (among others). Not a bad cast of players, and this isn't a bad album at all. Except for a likable interpretation of Lightnin' Hopkins' "Papa's Little Angel," the singer/guitarist concentrates on his own songs, which range from the humorous "When I Get Drunk" and the playful "Let Me Love You" to the lonely "Heaven on My Own" and the haunting title song. Beard favors a relaxed, laid-back style of singing that clearly owes a debt to Jimmy Reed, and he has also been influenced by Texas blues great Lightnin' Hopkins. However, it's equally clear that the singer/guitarist is very much his own man. Not a gem but generally pleasing, this album went out of print after several years but will hopefully be reissued someday.
No More Cherry Rose
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Album:
BLUES UNION
Styles: Modern Electric Blues
Recorded: 1995
Released: 1996
Bitrate: 320k/s
Size: 130.05 MB
Time: 55:03
Art: Full
1. Lay For Me Sometimes (4:41)
2. Just To Be With You (5:25)
3. I Count The Days (3:32)
4. Sinners Prayer (7:29)
5. Sally Mae (2:58)
6. Please Don't Light The Flame (4:48)
7. Feets Out In The Hall (6:31)
8. Think (3:21)
9. Telling It Like It Is (8:25)
10. Don't Know Why (4:07)
11. Late In The Evening (3:46)
Personnel: Joe BEARD - Guitar, Vocals
Ronnie Earl - Guitar
Bruce Katz - Keyboards
John Dubuc - Harmonica tr.2,3,6
Rod Carey - Bass
Per Hanson - Drums
with special guest:
David 'Fathead' Newman - Tenor Sax tr.4,8
Notes: Although Joe Beard is a country-based bluesman and fellow guitarist Ronnie Earl (who brought along his Broadcasters for this set) is strictly city, they work together quite well. The emphasis is often on Beard's expressive vocals (which sometimes look toward John Lee Hooker and Lightnin' Hopkins but display their own personality). Beard and Earl contribute contrasting guitar solos, pianist-organist Bruce Katz fuels a grooving rhythm section, tenor saxophonist David "Fathead" Newman has a couple of cameos and the harmonica of Joe Dubuc is a strong asset on three songs. Even with its nods toward the past, this release is a fine example of blues in the mid-'90s.
Blues Union
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