Recorded: 2011
Released: 2012
File: mp3 @ 320k/s
Size: 133.23 MB
Time: 57:28
Art: Front
1. Basin Street Blues (6:11)
2. Treme Song (2:59)
3. Flat Like That (Get That Gator) (5:42)
4. At The Foot of Canal Street (5:21)
5. Rock Star (Like Mike) (4:50)
6. Whatever Happened to Peanut (5:05)
7. Bury The Hatchet (4:35)
8. Tipitina (4:44)
9. Gospel Medley (9:53)
10. I Want You (4:00)
11. Guilded Splinters (4:08)
Personnel: Glen David ANDREWS - Trombone, Vocals
with various musicians
Note: Glen David has a lanky 6-foot-4-inch body and a mercurial personality. The brass-band music and traditional jazz he was raised on are still his greatest loves. “The musicians that played in my neighborhood, they brought me out of the womb,” he says, not by way of metaphor. According to his mother, Vana Acker, when she was pregnant, Anthony “Tuba Fats” Lacen, a traditional-music icon and mentor to many musicians, came by and blew his horn with the bell of the instrument pointed at her very pregnant belly. He said the sound of the tuba would induce labor. Glen David was born the next day.
As a young boy, whenever a second-line parade passed by, Andrews tagged along with his older brother, Derrick Tabb, who is now the snare drummer with the Rebirth Brass Band. Back then, Andrews played bass drum. At 12, he picked up the trombone.
Rather than studying formally, he absorbed musical skills from Tuba Fats as well as neighbors such as “Frogman” Joseph, Harry Nance, Harold DeJean and other local heroes - “the cream of the crop,” Andrews says. Soon he was playing for money alongside Tuba Fats in Jackson Square, in the middle of the French Quarter.
He was recruited into a brass band led by his younger cousin, Troy “Trombone Shorty” Andrews, and played in both the New Birth, Lil Rascals, and Tremé brass bands, among others, lending equal measures of musicianship and showmanship to each.
Now he fronts his own high-powered ensemble that touches on every style of music in the course of a show. “Aside from being a great musician, Glen David has absorbed a fading tradition,” says Ben Jaffe, who runs Preservation Hall, where Andrews performs regularly . “He's a link for his generation to something important, but he also has a rare enthusiasm and energy that makes it all special and exciting for even casual listeners.” Though most contemporary brass-band musicians have embraced the more funk and pop-oriented sound of say, the Rebirth band, a shift that began some 30 years ago, Andrews always includes some of the old hymns, spirituals and trad-jazz tunes in his performances.
As a young boy, whenever a second-line parade passed by, Andrews tagged along with his older brother, Derrick Tabb, who is now the snare drummer with the Rebirth Brass Band. Back then, Andrews played bass drum. At 12, he picked up the trombone.
Rather than studying formally, he absorbed musical skills from Tuba Fats as well as neighbors such as “Frogman” Joseph, Harry Nance, Harold DeJean and other local heroes - “the cream of the crop,” Andrews says. Soon he was playing for money alongside Tuba Fats in Jackson Square, in the middle of the French Quarter.
He was recruited into a brass band led by his younger cousin, Troy “Trombone Shorty” Andrews, and played in both the New Birth, Lil Rascals, and Tremé brass bands, among others, lending equal measures of musicianship and showmanship to each.
Now he fronts his own high-powered ensemble that touches on every style of music in the course of a show. “Aside from being a great musician, Glen David has absorbed a fading tradition,” says Ben Jaffe, who runs Preservation Hall, where Andrews performs regularly . “He's a link for his generation to something important, but he also has a rare enthusiasm and energy that makes it all special and exciting for even casual listeners.” Though most contemporary brass-band musicians have embraced the more funk and pop-oriented sound of say, the Rebirth band, a shift that began some 30 years ago, Andrews always includes some of the old hymns, spirituals and trad-jazz tunes in his performances.
He released a live gospel CD, “ “Walking Through Heaven’s Gate”, on Threadhead Records in 2009 which was included on the nominating ballot for the Grammys, for “Best Traditional Gospel Recording. He released a second live recording, “Live at Three Muses”, in January 2012 , that showcases a typical Glen David Andrews set, a mix of trad jazz, rock, gospel, funk and even a little zydeco.
Both CDs capture on record, the entrancing quality of Andrews' performances at venues like Jazzfest, Lincoln Center, Preservation Hall, Tipitina’s, and most powerfully of all, on the streets, where it all began.
He was inducted into the Louisiana Music Hall of Fame on Nov 7, 2010 As a "Future Hall of Famer", along with Amanda Shaw, the first artists so honored. He has appeared in three seasons of HBO’s Treme, playing himself and performing one of his original tunes, Knock Wit Me. He has appeared in numerous documentaries, including Faubourg Tremé: The Untold Story of Black New Orleans, by Lolis Eric Elie, Swiss filmmaker Peter Entell's chronicle of the controversial, post-Katrina proposed closing of St. Augustine Church, Shake the Devil Off, and Spike Lee’s two epics about Katrina, When the Levees Broke: A Requiem in Four Acts, and If Da Creek Don’t Rise.
This is very energetic & hot live show!
Live At Three Muses
He was inducted into the Louisiana Music Hall of Fame on Nov 7, 2010 As a "Future Hall of Famer", along with Amanda Shaw, the first artists so honored. He has appeared in three seasons of HBO’s Treme, playing himself and performing one of his original tunes, Knock Wit Me. He has appeared in numerous documentaries, including Faubourg Tremé: The Untold Story of Black New Orleans, by Lolis Eric Elie, Swiss filmmaker Peter Entell's chronicle of the controversial, post-Katrina proposed closing of St. Augustine Church, Shake the Devil Off, and Spike Lee’s two epics about Katrina, When the Levees Broke: A Requiem in Four Acts, and If Da Creek Don’t Rise.
This is very energetic & hot live show!
Live At Three Muses
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