Showing posts with label Charlie Parr. Show all posts
Showing posts with label Charlie Parr. Show all posts

Thursday, July 29, 2021

Charlie Parr - Last Of The Better Days Ahead

Size: 150.5 MB
Time: 64:28
File: MP3 @ 320K/s
Released: 2021
Styles: Acoustic Blues Folk
Art: Front

01. 817 Oakland Avenue ( 4:19)
02. Everyday Opus ( 8:04)
03. Last Of The Better Days Ahead ( 3:11)
04. Blues For Whitefish Lake, 1975 ( 3:51)
05. Walking Back From Willmar ( 4:18)
06. Anaconda ( 3:45)
07. On Fading Away ( 5:14)
08. On Listening To Robert Johnson ( 5:58)
09. Bed Of Wasps ( 3:44)
10. Rain ( 6:07)
11. Decoration Day (15:53)

Charlie Parr’s newest album, 'Last of the Better Days Ahead,' is a collection of powerful new songs about how one looks back on a life lived, as well as forward on what’s still to come. Its spare production foregrounds Parr’s poetic lyricism, his expressive, gritty voice ringing clear over deft acoustic guitar playing that references folk and blues motifs in Parr’s own exploratory, idiosyncratic style. When it comes to what it all means, Parr says it best:

“'Last of the Better Days Ahead' is a way for me to refer to the times I’m living in. I’m getting on in years, experiencing a shift in perspective that was once described by my mom as ‘a time when we turn from gazing into the future to gazing back at the past, as if we’re adrift in the current, slowly turning around.’ Some songs came from meditations on the fact that the portion of our brain devoted to memory is also the portion responsible for imagination, and what that entails for the collected experiences that we refer to as our lives. Other songs are cultivated primarily from the imagination, but also contain memories of what may be a real landscape, or at least one inspired by vivid dreaming. The album represents one full rotation of the boat in which we are adrift—looking ahead for a last look at the better days to come, then being turned around to see the leading edge of the past as it fades into the foggy dreamscape of our real and imagined histories.”

Last Of The Better Days Ahead MP3
Last Of The Better Days Ahead FLAC

Thursday, July 16, 2015

Charlie Parr - Stumpjumper

Bitrate: MP3@320K/s
Time: 54:23
Size: 124.5 MB
Styles: Contemporary Blues-Folk
Year: 2015
Art: Front

[2:54] 1. Evil Companion
[4:43] 2. Empty Out Your Pockets
[4:59] 3. Falcon
[3:41] 4. Remember Me If I Forget
[4:51] 5. On Marrying A Woman With An Uncontrollable Temper
[4:17] 6. Over The Red Cedar
[7:18] 7. Resurrection
[4:25] 8. Stumpjumper
[4:14] 9. Temperance River Blues
[6:57] 10. Frank Miller Blues
[6:00] 11. Delia

Charlie Parr - Voice, 12-string, National Steel Guitar, and Fretless Banjo; Emily Parr - Harmony; Phil Cook - Harmony, Short Piano, Steel Guitar, Banjo, and Electric Guitar; Ryan Gustafson - Electric Bass, Fiddle, Banjo; James Wallace - Drums, Piano. Recorded at Down Yonder Farm in Hillsborough, NC on October 11 - 13, 2014.

"Charlie Parr‘s latest album, Stumpjumper, is a hot one. As usual he draws from the well of human suffering, but does so with humor and just a dash of folk tale mystery. Parr benefits from the additional band members, who offer percussive accents to his mesmerizing resonator and 12-string blues style picking." ~ American Standard Time

Stumpjumper mc
Stumpjumper zippy

Tuesday, January 13, 2015

Charlie Parr - When The Devil Goes Blind

Bitrate: MP3@320K/s
Time: 38:37
Size: 88.4 MB
Styles: Folk-blues
Year: 2010
Art: Front

[3:22] 1. I Dreamed I Saw Jesse James Last Night
[3:25] 2. South Of Austin, North Of Lyle
[3:07] 3. Where You Gonna Be (When The Good Lord Calls You Home)
[3:48] 4. For The Drunkard's Mother
[3:10] 5. Ain't No Grave Gonna Hold My Body Down
[3:11] 6. 1890
[3:35] 7. Up Country Blues
[3:26] 8. Mastodon
[5:28] 9. I Was Lost Last Night
[2:40] 10. Turpentine Farm
[3:21] 11. Last Day

The rough-and-ready sound of Charlie Parr's banjo and guitar work is exactly the kind of aesthetic that's not meant to age -- or rather, is meant to make a sound appear somehow timeless however much it's captured on an optical disc read by lasers. Larger philosophical points aside, When the Devil Goes Blind finds Parr further honing his self-consciously traditional aesthetic, something that's not about radical reinvention, whether it's his half-holler, half-family circle singing or the general look of the release via such elements as the sepia-tinted cover photo, but which in its lyrics is clearly about radicalism of a classic American kind. Parr is obviously dedicated to his craft and it's often about the individual moment of skill and flair in the structure he works in -- the sudden up-and-down parts on "Where You Gonna Be (When the Good Lord Calls You)," the descending breaks between verses on "Up Country Blues," the slow introduction to "I Was Lost Last Night." He also knows that an album can work best with variety in the sequencing -- after a series of quick performances he takes the slower, more contemplative route on "For the Drunkard's Mother," which in its own way also feels like a sudden modernizing of the overall album, like a quiet moment from Pearl Jam circa 1998. (And while it's a bit much to say that Parr has developed an Eddie Vedder-esque yarl, there's a sudden shock at times on songs like "Mastodon" when you realize how close it can be.) Similarly, "1890" feels much more 2010, Parr's switch to a speak-singing and the gentle tones of the guitar achieving a calm delicacy even as he sings a harrowing lyric about Native American slaughter in the Old West. ~Ned Raggett

When The Devil Goes Blind mc
When The Devil Goes Blind zippy