Showing posts with label Shuggie Otis. Show all posts
Showing posts with label Shuggie Otis. Show all posts

Saturday, May 27, 2023

Johnny Otis Blues Band - Get On Up! (Live Chicago '93)

Size: 134.5 MB
Time: 58:19
File: MP3 @ 320K/s
Released: 2023
Styles: Electric Blues, Blues, Soul
Art: Front

01. Jumpin' At The Woodside (Live) ( 4:23)
02. I'm In The Driver's Seat (Live) ( 3:51)
03. Open House At My House (Live) ( 7:44)
04. Willie And The Hand Jive (Live) ( 3:34)
05. Creole Love Call (Live) ( 8:08)
06. Forever And Always (Live) ( 3:51)
07. Stormy Monday (Live) ( 7:17)
08. Instrumental Jam (Live) ( 9:08)
09. Dance To The Music/I Can't Turn You Loose/Respect/Chain Of Fools (Live) (10:19)

While James Brown was seen as the Godfather of soul music, for many music critics Johnny Otis was considered the Godfather of rhythm and blues. But what his many fans across the U.S.A. did not know was that he was actually a Greek-American.

In his long career, Johnny Otis wore many hats, and he was a pioneer in many ways. He was a bandleader, talent scout, singer, drummer, church minister, journalist, television show host, and radio producer.

Between 1950 and 1952, Johnny and his band recorded fifteen top 40 R&B hits. He discovered, produced, and promoted legends such as Etta James, Little Esther, Big Mama Thornton, and Jackie Wilson.

There is even an unsubstantiated story that he was responsible for coining the new term “rock and roll” as rhythm and blues was transforming into rock and roll during the 1950’s.

He was even briefly dubbed “The King of Rock and Roll” early on in this process before Elvis snatched the crown and took it to his grave.

Johnny Otis was born Ioannis Alexandros Veliotes on December 28, 1921 in Vallejo, California. His Greek-immigrant parents were Alexander Veliotes, a grocery store owner, and painter Irene Kiskakes. He grew up in a predominantly black neighborhood, and early in life, he decided that was where he belonged.

“As a kid, I decided that if our society dictated that one had to be black or white, I would be black,” he stated.

At the age of 19, and despite the disapproval of his mother, the Greek-American musician married his childhood sweetheart, 18-year-old Phyllis Walker, who was African-American and Filipino. The couple was forced to elope and marry in Reno, Nevada.

Johnny Otis began his music career as a drummer and became a bandleader in the late 1940’s. He released a string of successful records as The Johnny Otis Orchestra (1948-1957) and he headlined “The Johnny Otis Show” from 1958 to 1969.

In the late 1960’s, early Rock and Roll and R&B were becoming passe, and Otis made less and less music every year, both in the studio and on stage. In the early 1970’s, he started a Blues record label called Blues Spectrum.

He reinvented himself once more in the 1980s, becoming a radio show host in California. Through the 1990’s and 2000’s, he continued touring and sporadically releasing albums. He was inducted into the Rock and Roll Hall of Fame in 1994 and the Blues Hall of Fame in 2017.

Get On Up! (Live Chicago '93) MP3
Get On Up! (Live Chicago '93) FLAC

Thursday, August 13, 2020

Shuggie Otis - Shuggie's Boogie: Shuggie Otis Plays The Blues

Year: 1994
Bitrate: MP3@320K/s
Time: 52:22
Size: 120,6 MB
Styles: Electric blues
Scans: Full

1. Slow Goonbash Blues (9:30)
2. Shuggie's Boogie (5:32)
3. Gospel Groove (4:16)
4. The Hawks (2:27)
5. Me And My Woman (4:11)
6. I Can't Stand To See You Die (4:09)
7. I Got The Walkin' Blues (2:23)
8. Purple (Edited Version) (4:50)
9. Cold Shot (4:07)
10. Sweet Thang (4:12)
11. Bootie Cooler (2:39)
12. Shuggie's Old Time Slide Boogie (4:01)

Culled from four albums, except for one previously unreleased track, Shuggie's Boogie: Shuggie Otis Plays the Blues is a tour de force made all the more remarkable because the prodigy who produced it was so young. In fact, Shuggie Otis recalls during a boyish spoken intro in "Shuggie's Boogie" how he used to wear dark glasses and paint on a mustache to look older than his 14 or 15 years when he played in bars in the band of his legendary father Johnny Otis. During the same intro he effortlessly throws off guitar impersonations of T-Bone Walker, B.B. King and Elmore James. This compilation has a few rousing, up-tempo numbers, but the highlights are the slow, soulful tunes. One unfortunate omission is the seven-minute "Oxford Gray" from his 1970 album Here Comes Shuggie Otis. /Mark Allan, AllMusic

Shuggie's Boogie: Shuggie Otis Plays The Blues mc
Shuggie's Boogie: Shuggie Otis Plays The Blues zippy

Monday, March 19, 2018

Preston Love - Preston Love's Omaha Bar-B-Q

Year: 1969/2001
Bitrate: MP3@320K/s
Time: 27:57
Size: 65,1 MB
Styles: Instrumental R&B/funk/blues mix
Scans: Front (plus some LP art)

1. Chicken Gumbo (2:08)
2. Chili Mac (3:38)
3. Cream Dream (4:01)
4. Neck Bones (2:22)
5. Cool Ade (2:01)
6. Omaha Bar-B-Que (2:34)
7. Hoe Cakes And Sorghum (3:36)
8. Shuggie's Chittlin' Blues (5:08)
9. Pot Likker (2:25)

Saxophonist Preston Love was far more associated with the early sounds of West Coast R&B in the 1940s and 1950s than he was with modern soul-funk. However, he, like numerous other R&B vets, actually did make some recordings in a much more modern style that have been relatively ignored. By the time this CD came out in 2001 early funk was undergoing a renaissance among collectors, spurring the reissue of Love's rare 1969 LP.

Helping Love out on this collection of instrumental soul-funk tunes were the legendary Johnny Otis on piano and vibraphone, Clifford Soloman on tenor sax, and, on one of his earliest recordings, legendary guitarist (and son of Johnny Otis) Shuggie Otis, just 14 years of age when this was made. It's a good, though not great, set of instrumentals that bubble along nicely, with both grit and jazzy accents.

Shuggie Otis' bluesy playing is already stinging and imaginative at this point, sometimes with a slightly distorted wah-wah edge that gives the R&B-based jams a late-1960s feel, and, in fact, he and his father co-wrote most of the material. On "Cream Dream," the sounds take on a slightly psychedelic hue, with the combination of underwater bubbling noises and way-in-the-background flute by Love. It's a nice record, though quite brief at just 28 minutes. /Richie Unterberger, AllMusic

Preston Love's Omaha Bar-B-Q mc
Preston Love's Omaha Bar-B-Q zippy

Thursday, February 25, 2016

The Johnny Otis Show - Live At Monterey

Year: 1971/1993
Bitrate: MP3@320K/s
Time: 72:09
Size: 169,7 MB
Styles: R&B, blues
Scans: Full (front, back, cd)

1. Willie And The Hand Jive (3:18)
2. Cry Me A River Blues (Feat. Little Esther Phillips) (4:46)
3. Cleanhead's Blues (Feat. Eddie 'Cleanhead' Vinson) (4:55)
4. I Got A Gal For Every Day In The Week (Feat. Big Joe Turner) (2:57)
5. Since I Met You, Baby (Feat. Ivory Joe Hunter) (2:38)
6. Baby, You Don't Know (Feat. Roy Milton) (3:01)
7. Preacher's Blues (Feat. Gene Connors) (3:28)
8. Good Rockin' Tonight (Feat. Roy Brown) (3:27)
9. The Time Machine (Feat. Shuggie Otis) (3:30)
10. Margie's Boogie (Feat. Margie Evans) (3:33)
11. Little Esther's Blues: Blowtop Blues/T Bone Blues/Jelly Jelly (Feat. Little Esther Phillips) (6:50)
12. Kidney Stew Blues (Feat. Eddie 'Cleanhead' Vinson) (3:07)
13. The Things I Used To Do (Feat. Pee Wee Crayton) (5:00)
14. R.M. Blues (Feat. Roy Milton) (3:01)
15. Shuggie's Boogie (Feat. Shuggie Otis) (4:06)
16. You Better Look Out (Feat. Delmar Evans) (4:09)
17. Goin' Back To L.A. (Feat. Delmar Evans) (2:45)
18. Plastic Man (Feat. Big Joe Turner) (4:51)
19. Boogie Woogie Bye Bye (2:38)

The Historic Rhythm & Blues Extravaganza That Rocked The 1970 Monterey Jazz Festival

The blues never has been, to my recollection, the occasion for a more joyous celebration of its uniquely vibrant spirit than on a certain day in the late summer of 1970, when Johnny Otis brought his entire azure-indigo caravan of giants to spread their talents over an afternoon on the fairgrounds at Monterey, California. Here was the consummate proof that where today's music may set up communication and generation gaps, the blues destroys them. On stage, where Shuggie Otis, 16; rhythm guitarist Jim (Supe) Bradshaw, 23; singers Margie Evans and Delmar "Mighty Mouth" (no relation) Evans, both in their 20's; and the rest of the singing and blowing battalion representing every decade on up to Pee Wee Crayton and Big Joe Turner, both in their very late 50's, and Roy Milton, who's up there at the Social Security borderline.

The same with the roaring receptive, over capacity audience. Those who stood up on their seats hollering and testifying, or boogalooed along the aisles, were mostly in the 15-25 bracket, while others, less extroverted, exchanged reminiscences about the first time they had heard the call of the blues, perhaps at some half-remembered dance in the 30's, or on a 78 record player at high school in the 40's and 50's. That's what this album is all about. This is no gallery of museum pieces set up to rekindle a lost past, no futile exercise in nostalgia; instead it is a meeting ground were ages, races, and backgrounds coalesce, where grooving together is all that matters. /Leonard Feather

Live At Monterey mc
Live At Monterey zippy

Thursday, December 3, 2015

Al Kooper, Shuggie Otis - Kooper Session

Bitrate: MP3@320K/s
Time: 40:36
Size: 93.0 MB
Styles: Roots rock, West Coast blues
Year: 1970/1999/2007
Art: Front

[8:55] 1. Bury My Body
[2:25] 2. Double Or Nothing
[3:34] 3. One Room Country Shack
[5:47] 4. Lookin' For A Home
[9:27] 5. 12 15 Slow Goonbash Blues
[4:02] 6. Shuggie's Old Time (Dee-Di-Lee-Di-Leet-Deet Slide Boogie)
[6:24] 7. Shuggie's Shuffle

In 1969, producer, multi-instrumentalist, and vocalist Al Kooper added "talent scout" to his already lengthy résumé on the follow-up to the highly successful Super Session disc, which had been issued the previous year. One major difference between the two, however, is the relatively unknown cast featured on Kooper Session. Both albums again converge with the presentation of top-shelf musicianship and inspired performances. At only 15 years of age, guitarist Shuggie Otis is equally potent a performer as the seasoned keyboardist/guitarist Kooper. The duo is able to manifest an aggregate of material whose success leans as much on Kooper's experience as it does on Otis' sheer inspired youthful energy. The LP is divided between a side of shorter works (aka "songs") and a few extended instrumentals (aka "blues"). Kooper and Otis steer their house band, which includes Stu Woods (bass), Wells Kelly (drums), and Mark Klingman (piano). The tight arrangements aptly reveal Kooper's uncanny ability as a musical conduit. "Bury My Body" -- a variation on "In My Time of Dyin'" -- has been reworked into a gospel rave-up and features Kooper on one of the album's only vocals. Conversely, "Double or Nothing" is a spot-on re-creation of a Booker T. & the MG's track, which not only retains every Memphis-inspired intonation, but also shows off Otis' ability to cop Steve Cropper's guitar solo note for note. The blues instrumental jams are documented live and presented on this album the way that they originally went down at the recording sessions. The descriptively titled "Shuggie's Old Time Dee-Di-Lee-Di-Leet-Deet Slide Boogie" is endowed with a nostalgic piano/bottleneck slide duet and even features the added production value of manufactured surface noise. Both "12:15 Slow Goonbash Blues" and "Shuggie's Shuffle" are certainly no less traditional, allowing both Otis and Kooper the chance to stretch out and interact in real time. ~Lindsay Planer

Kooper Session mc
Kooper Session zippy

Sunday, August 10, 2014

The Johnny Otis Show - Good Lovin' Blues

Bitrate: 320K/s
Time: 53:14
Size: 121.9 MB
Styles: R&B
Year: 1990
Art: Full

[3:28] 1. Ida Mae
[3:22] 2. Loving You Is All I Know
[3:29] 3. Ice Water In Your Veins
[3:34] 4. Listen, Women
[3:57] 5. Your Last Boogie
[3:35] 6. Time To Say 'Bye Bye'
[3:51] 7. Pop & Sons Boogie
[5:49] 8. Medley: Open House At My House/Baby What You Want Me To Do
[3:05] 9. In The Driver's Seat
[4:02] 10. Good Good Lovin' Blues
[5:21] 11. Come On Over, Baby
[3:05] 12. Rock Me Baby
[6:28] 13. Hey, Mr Bartender

"There's nothing seriously wrong with..." That's kind of a standard line, if a true one, to describe records by veterans who might be in their tried-and-true style, but really aren't very interesting. And it's an opening line that applies to this 1990 effort, in which the Johnny Otis Show presents its customary R&B variety show, but without the all-stars or future stars that had lent it much of its pizzazz in the long-ago past. You probably haven't heard of anyone on this session aside from the members of the Otis family, including Johnny Otis, Shuggie Otis, and Nick Otis, the vocals taken by Ramona (no last name given), Jackie Payne, and La Dee Streeter. It's not embarrassingly slicked-up or modernized R&B; in fact, it's not slicked up at all. There's just a sense of veterans comfortably going through the routine on this set of journeyman big-band blues/R&B Otis originals, with covers of "Rock Me Baby" and "Baby What You Want Me to Do." Shuggie Otis (on guitar, bass, and organ) is a cult figure in his own right, but his role here is limited to functional lines within a standard R&B format that was essentially the same as what Johnny Otis had been playing back in the 1950s. No doubt the ensemble could have still put on a reasonably entertaining live show for your club or social function. But you want more than that from a record, and as R&B ones go, this is competent but unmemorable.

thank you mrwalker.
Good Lovin' Blues mc
Good Lovin' Blues zippy