Showing posts with label Howard Tate. Show all posts
Showing posts with label Howard Tate. Show all posts

Friday, December 9, 2022

Howard Tate - Direct-To-Disc Sessions [Vinyl] (APO 009)

Source: Vinyl (clean)
Size: 52.1 MB
Time: 22:27
File: MP3 @ 320K/s
Released: 2010
Styles: Acoustic Blues
Art: Full

01. Look At Granny Run (2:35)
02. Sweet Sixteen (5:04)
03. Louisiana 1927 (3:45)
04. I'll Be Home (4:49)
05. Dear Lord (3:43)
06. Ain't Nobody Home (2:30)

All tracks were recorded live, direct-to-disc at Blue Heaven Studios, Salina, Kansas.
Singer Howard Tate cracked the R&B Top 20 three times in the late 1960s, left music and endured hardship and anonymity for nearly 30 years and beginning in the early 2000s returned to his rightful place as one of America's most revered soul performers.

Tate was born in Macon, Georgia, in 1939 and moved with his family to Philadelphia as a young boy. In his teens, he joined a north Philadelphia gospel group, the Gainors, that also featured to-be star Garnet Mimms. The group recorded in the early 1960s for Mercury Records and Cameo Records before Tate left to become the featured singer of organist Bill Doggett's group.

In the mid-'60s, Mimms urged producer Jerry Ragovoy to check out Tate, and from 1966 to 1969 Tate and Ragovoy recorded about 10 singles, the first for the Utopia label, the rest for Verve. "Ain't Nobody Home" (1966), "Look At Granny Run Run" (1966) and "Stop" (1967), all written or co-written by Ragovoy, each charted R&B Top 20. But to rock audiences, Tate was best known as the original performer of "Get It While You Can," which became one of Janis Joplin's signature tunes. Tate's debut album, Get It While You Can, was released in 1966 to tremendous acclaim. Rolling Stone called the album "a spectacular showcase of suave, muscular good-powered singing, heavily influenced by Sam Cooke, with a joyous, shrieking falsetto that became Tate's trademark."

Tate recorded a few more singles for Lloyd Price's label, Turntable, before reuniting briefly with Ragovoy for sessions on Atlantic. After one more single on Epic in 1974, Tate all but vanished. Despite his success, he was unhappy with how the music business was treating him, never having seen any royalties.

Tate sold securities in the New Jersey and Philadelphia areas into the 1980s when he succumbed to substance abuse and endured a very tumultuous period of homelessness and personal loss. He turned his life around and began work as a minister and counselor in the early 1990s. Then in 2001, a musician Tate had toured with back in the 1960s saw him in a supermarket and within hours Tate's old producer, Jerry Ragovoy, was calling, resulting in a return to the studio for the Grammy-nominated Rediscovered. He followed up with Howard Tate Live in 2006, A Portrait Of Howard - with guests Lou Reed, Carla Bley and Larry Goldings - in 2007 and Blue Day in 2008.

Music luminaries have recognized and celebrated Tate's trademark voice throughout the years, with Elvis Costello calling him "the missing link between Jackie Wilson and Al Green." Among the well-known musicians that have covered songs originally recorded by Tate are Joplin ("Get It While You Can"), Jimi Hendrix ("Stop"), Hugh Masekela ("Stop"), B.B. King ("Ain't Nobody Home"), Ry Cooder ("Look At Granny Run Run") and Grand Funk Railroad ("Look At Granny Run Run").

Direct-To-Disc Sessions [Vinyl] (APO 009) MP3
Direct-To-Disc Sessions [Vinyl] (APO 009) FLAC

Sunday, July 1, 2018

Howard Tate - Rediscovered

Bitrate: MP3@320K/s
Time: 47:32
Size: 108.8 MB
Styles: R&B, Soul
Year: 2003
Art: Front

[3:47] 1. Mama Was Right
[3:54] 2. Show Me The Man
[4:01] 3. Organic Love (100% Natural)
[2:37] 4. Sorry Wrong Number
[3:41] 5. Either Side Of The Same Town
[5:22] 6. All I Know Is The Way I Feel
[4:15] 7. Don't Compromise Yourself
[3:57] 8. Don't Need No Monkey On My Back
[3:27] 9. She May Be White (But She Be Funky)
[4:25] 10. Kiss
[4:13] 11. Eternity
[3:49] 12. Get It While You Can

Pop music has a virtual anti-pantheon of artists foiled by drugs, tragedy, and cruel fortunes. Indeed cult R&B star Howard Tate seems to have hit some sort of fateful trifecta in the mid-'70s, not only cutting short a promising career but leading to one of the most puzzling "whatever happened to?" stories in pop music. While Tate's vibrant 1960's hits lived on in covers by everyone from Janis Joplin ("Get It While You Can") and Jimi Hendrix ("Stop") to B.B. King ("Ain't Nobody Home"), the Philadelphia native abandoned the music business, sold securities, and wrestled with addiction until a mid-'90s religious experience led to his founding/pastoring a local church--and eventually to a fateful reunion with producer/writer Jerry Ragovoy, the original partner in Tate's abandoned musical legacy. Ragovoy calls Tate "the missing link between Jackie Wilson and Al Green," and the veteran team wastes no time showing it here, whether lighting up the bluesy "Mama Was Right" and "Sorry, Wrong Number" with a sinewy tenor that's miraculously persevered decades of neglect, bringing gospel fervor to the Elvis Costello co-written "Either Side of the Same Time" and "Get It While You Can," or playfully bobbing ‘n' weaving with the Uptown Horns on "She May Be White (But She Be Funky)." The album's classic Philly soul sound may break little new ground, but just hearing Howard Tate's taut, emotion-packed voice dart and soar like it's 1968 again is more than enough recommendation. --Jerry McCulley

Rediscovered mc
Rediscovered zippy