Showing posts with label Lloyd Jones. Show all posts
Showing posts with label Lloyd Jones. Show all posts

Sunday, April 5, 2026

Lloyd Jones - Small Potatoes

Album: Small Potatoes
Size: 76,0 MB
Time: 32:57
File: MP3 @ 320K/s
Released: 1989
Styles: Blues
Art: Full

1. Small Potatoes (2:54)
2. Sweet Talk (2:54)
3. No Longer A Part Of Your Dreams (3:22)
4. Toughen Up (4:38)
5. Playing With The Heart (3:22)
6. I've Got To Get You Back (3:39)
7. Jump Sister Bessie (3:27)
8. You'd Be Crazy Too (2:23)
9. Nothing You Can Say (3:08)
10. If I Didn't Love You (3:06)

b. 1950, Portland, Oregon, USA. Raised in a musical atmosphere by his trumpet playing father, as a small child Jones was taught by his older brother, Paul, to play drums. Before he entered his teens, he sometimes played professionally with Paul and another brother, Bob. To this experience was allied the impression made upon him by visiting blues, R&B, soul and funk masters, who included Muddy Waters and James Brown. During his late teenage years he took up the guitar and simultaneously drew from the music of Jimmy Reed and Sonny Terry and Brownie McGhee; he was also encouraged by Walter Horton and S.P. Leary. Around this time he replaced brother Paul in a local band, Moxy, soon renamed Brown Sugar of which Jones eventually became leader. The band became locally popular through a large part of the 70s.

After folding Brown Sugar, Jones played drums with Slice Of Life and other pop bands. He also played guitar in a trio at a local club where he and blues harpist Curtis Salgado teamed up as a duo. This expanded into a larger group, In Yo’ Face, which worked locally for some years until Salgado quit to join Roomful Of Blues. This prompted Jones to form a new band in 1985, the Lloyd Jones Struggle, shifting the repertoire slightly to accommodate traditional blues and contemporary New Orleans funk. With Struggle, Jones attained a good following and also attracted critical approval, winning more than 20 Muddy Awards from the Cascades Blues Association.

Although Jones remains based in the Pacific Northwest, he has also played at prestigious events such as the New Orleans Jazz & Heritage Festival and the Western Maryland Blues Festival and has toured Australia. Included in his repertoire are several of his own compositions, including ‘Can’t Get You Off My Mind’, ‘I Broke My Baby’s Heart’, ‘Trouble Monkey’, ‘I’ll Be Laughing (When He Makes You Cry)’, ‘Don’t Call Me Today’, ‘Long, Long Way To Go’ and ‘When I Get Back Home’. Musicians in Jones’ band have included saxophonists Warren Rand, Bob ‘Housewine’ Roden and Rudy Draco, trumpeter Steve Cannon, keyboard player Glenn Holstrom, bass player Victor Little and drummer Reinhardt Melz. /Biography by AllMusic

(For personnel details, see artwork included.)

Small Potatoes mc
Small Potatoes gofile

Friday, April 3, 2026

Lloyd Jones - Love Gotcha

Album: Love Gotcha
Size: 98,8 MB
Time: 42:49
File: MP3 @ 320K/s
Released: 1999
Styles: Blues
Art: Full

1. Nickels And Dimes (3:37)
2. I Declare (4:16)
3. Love Gotcha (2:55)
4. Treat Me Like The Dog I Am (3:33)
5. Ride And Roll (4:03)
6. Ain't Nothing A Young Girl Can Do (3:22)
7. Hurtin' House (3:52)
8. Old News (5:14)
9. Shake 'Em Up (3:34)
10. Fools Gold (2:50)
11. Big Ol' Shirt (2:16)
12. Highway Rider (3:12)

This is Jones' best album to date. The blues/R&B veteran is in top form - his guitar playing is incisive and efficient, and his singing is terrific. His songwriting, however, is probably the most impressive thing about Love Gotcha. Working with a solid group of sidemen, it seems like everything is within his grasp. A slow Chicago blues like "Old News" simmers admirably, flavored by a perfectly measured guitar solo, while the title track, another Jones' original, is driving, funky R&B powered by a slick horn arrangement.

Jones turns the old Brownie McGhee/Sonny Terry tune "Ride and Roll" into a swinging R&B blockbuster, and he throws down an equally potent interpretation of the classic blues number "Hurtin' House," which features a very tasty tenor sax solo from Renato Caranto. No matter how you look at it, this album shapes up as an outstanding project. /Philip Van Vleck, AllMusic

(For personnel details, see artwork included.)

Love Gotcha mc
Love Gotcha gofile

Wednesday, April 1, 2026

Lloyd Jones - Have Mercy - Live

Size: 429 MB
Time: 72:05
File: Flac
Released: 1995
Styles: Blues
Art: Full

1. Let's Have a Natural Ball ( 7:46)
2. Driving Wheel ( 4:43)
3. I'm a Fool for You ( 7:57)
4. Crying Fool ( 8:39)
5. Goin' Away Baby ( 6:37)
6. Live It Up ( 6:09)
7. I Can't Get You off My Mind ( 5:26)
8. Gone to Main Street ( 8:16)
9. It Hurts Me Too ( 5:23)
10. Everything I Do Gonh Be Funky (From Now On) (11:05)

This is live and loose barroom blues. Uncut, uncensored, and full of between-song chatter. Maybe there should have been some editing done, but what the hell. Mama said there would be nights like this.

Have Mercy-Live! FLAC

Thursday, September 17, 2020

Lloyd Jones - Tennessee Run

Size: 106,6 MB
Time: 44:53
File: MP3 @ 320K/s
Released: 2020
Styles: Electric Blues
Art: Front

01. You Got Me Good (2:19)
02. Me & You (2:18)
03. I Wish I Could Remember Loving You (Feat. Teresa James) (3:14)
04. Where's My Phone? (3:11)
05. A True Love Never Dies (3:53)
06. Bayou Boys (3:47)
07. Everybody's Somebody's Fooli Wish I Could Remember Loving You (Feat. Delbert McClinton) (3:38)
08. Turn Me Loose (2:31)
09. That's All I Want (2:56)
10. Love Is Everything (2:57)
11. Chicken Bones (4:04)
12. Every Time We Meet (2:44)
13. Dilly Dally (3:05)
14. Chevrolet Angel (4:10)

If there was ever a predestined pairing, this might be it as blues singer-songwriter-guitarist Lloyd Jones, who hails from Portland, OR lands in keyboardist/producer Kevin McKendree’s Rock House studio in Franklin, TN for Tennessee Run, which features Delbert McClinton’s band and a few other Nashville cats. Delbert duets with Jones on “Everybody’s Somebody’s Fool,” the Grammy-nominated Teresa James takes her turn on “I Wish I Could Remember Loving You,” and a three-piece horn section. LaRhonda Steele, and background vocalist Etta Britt and Jackie Wilson add to the festive session. McKendree is a top-notch producer who has produced records for Delbert, Tinsley Ellis, and John Hiatt, to name just a few. If you haven’t heard of Jones until now, that’s understandable. He may well be one of the best under-the-radar blues artists playing today, yet he has recorded six critically acclaimed albums, toured internationally, and racked up dozens of major awards and accolades. He’s a relentless road warrior, hitting festival stages, Delbert’s annual Sandy Beaches Cruises (he’s been a regular on six winter cruises), and clubs all across the land to enthusiastic crowds who can’t get enough of his swampy blues, his back-porch picking, soul, roadhouse two-beats, and old-school rhythm and blues. Early in his career Jones worked with the best such as Earl King, Charlie Musselwhite, Bib Mama Thornton, and Albert Collins. His songs have been covered by Gatemouth Brown, Coco Montoya, Joe Louis Walker, and Curtis Salgado. Fellow Oregonian Robert Cray is one of his biggest admirers. This recording indeed stemmed from those Delbert Sandy Beaches cruises with all timeless fourteen songs written by Jones and performed, as mentioned by Delbert’s band and some of Music City’s best (yes, some of the best blues recordings in recent years have been made in Nashville, home to McClinton, McKendree, Tom Hambridge, Will Kimbrough, Joe Bonamassa, and ‘Keb ‘Mo, to name just a few.) We call these songs timeless as they are cut from a similar cloth, less the country trappings, that have made McClinton one of the foremost roots artists over the last six decades. These songs from Jones would fit into any era since the early days of jump blues, rhythm and blues, and early rock n roll. Here you will hear strains of the New Orleans rhythms (akin to some of the late Dr. John’s music), the simplicity of Memphis music, and, of course, the roadhouse Delbert style blues. It’s a brand that Jones dubbed Swampified American Roots Music. This stellar band is Jones on piercing guitar and gritty vocals backed by those mentioned as well as these instrumentalists: Kevin McKendree (keys), Steve Mackey (bass), Kenneth Blevins (drums), Reinhardt Meiz (percussion), Jim Hoke (saxophones), Quentin Ware (trumpet), and Roy Agee (trombone). The first released single and video depicts the fun, humorous streak of Jones with “Where’s My Phone?” sarcastically pointing out the overdependence most of us have with the hand-held device – “I can’t stand it. I’m at the end of my rope/Gonna have to buy a brand new phone/And spend some dough, maybe I’ll get a cold beer/that would ease my mind/I opened up the frigilator door baby what did I find…/It’s my phone, that’s where it’s at/It’s my cell phone, I GOT IT BACK!” The album opens with the punchy, horn-infused “You Got Me Good,” complete with a Jones fiery guitar break. “Me and You” rolls along not only with great horns but with the background singers, a lyrical guitar break and tenor honking from Jim Hoke. The band is already cooking with those two cuts, but McKendree’s barrelhouse piano ups the ante for a spirited duet between Jones and Teresa James on “I Wish I Could Remember You.” Finally, five cuts in, the tempo slow for the smoldering blues of “A True Love Never Dies,” with a great horn arrangement by Glenn Holstrom. The percolating syncopated “Bayou Boys” is a co-write with McKendree and Gary Nicholson, a track that adds percussionist Meiz to the funky mix. Delbert, who seems to have spiritually presided over all that preceded his entrance on “Everybody’s Somebody’s Fool,” clearly finds his soulmate, almost a reflection of himself, as he duets with Jones sans horns. The chugging groove returns on “Turn Me Loose,” with Jones sounding especially animated vocally and picking, while Hoke is the lone horn blowing up a storm while McKendree pounds the keys in boogie-woogie attack mode. LaRhonda Steele sounds like three voices, singing in unison with Jones on the 50’s R&B styled, “That’s All I Want,” propelled in part by Hoke’s growling, filthy bari sax. “Love Is Everything” brings back the two co-writers and the background vocalists for one big sound. Then, they pull back to just a quartet for “Chicken Bones” with McKendree on a heavy B3 for a tune that faintly resembles some of those Jerry Reed swamp songs. Wait; that’s until Jones rips off a searing solo and McKendree takes over completely with his swirling organ runs. “Every Time We Meet” features the entire aggregation for the joyous ride, a tune that would make a great live performance track. “Dilly Dally” is a funk workout with the quartet, driven by Jones’ wah guitar while the closer “Chevrolet Angel” returns the full unit for yet another hard-charging “swampified” run. Jones and band bring unrelenting energy and contagious, infectious hooks and groves that make it impossible to sit still. This is an absolute must for Delbert fans and a “must-have” for lovers of high powered, horn-fueled rowdy roadhouse fare. ~Jim Hynes

Tennessee Run MP3
Tennessee Run FLAC

Sunday, June 9, 2019

Lloyd Jones - Trouble Monkey

Year: 1995
Bitrate: MP3@320K/s
Time: 45:28
Size: 105,5 MB
Styles: Electric blues, R&B
Scans: Full

1. Can't Get You Off My Mind (4:51)
2. I Broke My Baby's Heart (4:15)
3. Trouble Monkey (4:06)
4. Old Friends (3:19)
5. I'll Be Laughing (When He Makes You Cry) (3:25)
6. (Just About To) Bust Up A Love (3:35)
7. Don't Call Me Today (4:18)
8. No More Crying (3:32)
9. Long, Long Way To Go (4:06)
10. Rosemary (2:52)
11. When I Get Back Home (2:24)
12. Drop Down Mama (4:39)

Lively and danceable R&B, in the vein of James Brown. Jones and his musicians, especially the horn section, would be ideal as a house band for a late-night talk show host. Exceptions are "Long, Long Way to Go," a solo acoustic giving a back porch feeling, and a slow sobber, "I Broke My Baby's Heart." The ending tune, Sleepy John Estes' "Drop Down Mama," is a treat with Jones on guitar accompanied by drummer Reinhardt Melz. /Char Ham, AllMusic

(For personnel details, see artwork included.)

Trouble Monkey mc
Trouble Monkey zippy

Monday, October 10, 2016

Tommy Castro, Jimmy Hall, Lloyd Jones - Triple Trouble

Time: 52:25
Size: 120.0 MB
Source: LL
File: MP3 @ 320K/s
Styles: Blues
Released: 2003
Covers: Full

1. Sometimes {2:17}
2. If That Ain't Love {4:38}
3. Be Careful With A Fool {6:45}
4. Love Will {4:23}
5. Help! {4:04}
6. Whole Lotta Soul {6:48}
7. Good Good Lovin' {2:43}
8. Raised In The Country {6:07}
9. Mammer Jammer {5:34}
10. Midnight To Daylight {4:46}
11. Cold Funk {4:16}

With billing divided equally between three midlevel headliners, Triple Trouble simmers without ever quite catching fire. Despite backing from the former Stevie Ray Vaughan rhythm section and a clever gospel rearrangement of the Beatles classic "Help," performances tend to drag. No one seems to work up much of a sweat, and guitar solos add up to strings of ancient clichés, absent the intensity they once conveyed. Perhaps if Reese Wynans' organ had been mixed higher, some churchy element might have pepped things up; as it is, bassist Tommy Shannon and drummer Chris Layton come through loud, clear, and listless. A feeling persists throughout this album that if this group had delivered this set before a rowdy crowd in some beery backwoods dive, results would have been far more persuasive. As it is, Triple Trouble is hardly trouble at all.
AllMusic Review by Robert L. Doerschuk

Triple Trouble

Sunday, September 18, 2016

VA - If This Is Love... I'd Rather Have The Blues

Size: 116,5 MB
Time: 49:51
File: MP3 @ 320K/s
Released: 2004
Styles: Electric Blues, Blues Rock
Art: Front

01 Jimmy Thackery & The Drivers - Cool Guitars (3:40)
02 Debbie Davies - Wrong Man For Me (4:58)
03 John Mooney - Brand New Woman (4:07)
04 Studebaker John & The Hawks - Two Time Boogie (3:56)
05 E.C. Scott - Before Quick Can Get Ready (4:48)
06 Chris Cain - Middle Name Is Trouble (3:03)
07 Big Bill Morganfield - Left Alone (2:52)
08 Renee Austin - Bury The Hatchet (4:16)
09 Lloyd Jones - Treat Me Like The Dog I Am (3:32)
10 Nick Curran & The Nightlifes - Shot Down (3:06)
11 Chris Cain - You're The Kind Of Woman That Ain't That Hard To Find (4:15)
12 Arthur Adams - Who Does She Think She Is (3:31)
13 Jimmy Thackery & The Drivers - You Came Back To Me (3:41)

You can't ignore the sexy packaging that graces the cover of this budget compilation of Blind Pig blues artists. Evidently it must be difficult to grab the attention of blues fans without this type of eye-catching gimmick. Well, as far as the music goes, If This Is Love...I'd Rather Have the Blues contains 13 decent previously released tracks from Blind Pig Records with a heartbreak, romance, and don't-get-caught theme including LLoyd Jones, Jimmy Thackery & the Drivers, Debbie Davis, Studebaker John & the Hawks, Renee Austin, John Mooney, Big Bill Morganfield, and Chris Cain. Let's hope labels like Blind Pig will stick to signing passionate blues players and releasing budget-priced comps to attract listeners without the need to use sexy promotional campaigns. ~ by Al Campbell

If This Is Love... I'd Rather Have The Blues

Saturday, May 23, 2015

Lloyd Jones - The Lloyd Jones Struggle

Size: 77,8 MB
Time: 33:06
File: MP3 @ 320K/s
Released: 1987
Styles: Modern Electric Blues
Art: Front

01. You Ought To Know Better (3:00)
02. Shake Your Money Maker (2:36)
03. Stay Away From My Baby (3:04)
04. What Am I Living For (3:20)
05. In The Open (3:20)
06. If The Washing Don't Get You (3:16)
07. Locked Up In Love (3:51)
08. Get Your Hat (2:33)
09. Me And My Woman (4:12)
10. Talk To Me Baby (3:50)

b. 1950, Portland, Oregon, USA. Raised in a musical atmosphere by his trumpet playing father, as a small child Jones was taught by his older brother, Paul, to play drums. Before he entered his teens, he sometimes played professionally with Paul and another brother, Bob. To this experience was allied the impression made upon him by visiting blues, R&B, soul and funk masters, who included Muddy Waters and James Brown. During his late teenage years he took up the guitar and simultaneously drew from the music of Jimmy Reed and Sonny Terry and Brownie McGhee; he was also encouraged by Walter Horton and S.P. Leary. Around this time he replaced brother Paul in a local band, Moxy, soon renamed Brown Sugar of which Jones eventually became leader. The band became locally popular through a large part of the 70s.

After folding Brown Sugar, Jones played drums with Slice Of Life and other pop bands. He also played guitar in a trio at a local club where he and blues harpist Curtis Salgado teamed up as a duo. This expanded into a larger group, In Yo’ Face, which worked locally for some years until Salgado quit to join Roomful Of Blues. This prompted Jones to form a new band in 1985, the Lloyd Jones Struggle, shifting the repertoire slightly to accommodate traditional blues and contemporary New Orleans funk. With Struggle, Jones attained a good following and also attracted critical approval, winning more than 20 Muddy Awards from the Cascades Blues Association.

Although Jones remains based in the Pacific Northwest, he has also played at prestigious events such as the New Orleans Jazz & Heritage Festival and the Western Maryland Blues Festival and has toured Australia. Included in his repertoire are several of his own compositions, including ‘Can’t Get You Off My Mind’, ‘I Broke My Baby’s Heart’, ‘Trouble Monkey’, ‘I’ll Be Laughing (When He Makes You Cry)’, ‘Don’t Call Me Today’, ‘Long, Long Way To Go’ and ‘When I Get Back Home’. Musicians in Jones’ band have included saxophonists Warren Rand, Bob ‘Housewine’ Roden and Rudy Draco, trumpeter Steve Cannon, keyboard player Glenn Holstrom, bass player Victor Little and drummer Reinhardt Melz.

The Lloyd Jones Struggle

Saturday, January 31, 2015

Lloyd Jones - 2 albums: Doin' What It Takes / Highway Bound

Portland, Oregon roots artist Lloyd Jones has recorded six critically acclaimed albums, toured internationally, and racked up dozens of major awards and accolades. He’s a relentless road dog, hitting festival stages, Delbert’s annual Sandy Beaches Cruises (he’s been a regular on six winter cruises), and clubs all across the land to enthusiastic crowds who can’t get enough of his swampy blues, his backporch picking, his serious-as-anthrax funk, soul, roadhouse two-beats, and old-school rhythm and blues (back before the R&B tag was somehow appropriated for other musical purposes, apparently when we weren’t looking). Yet he may be the most invisible, best-kept roots/blues/Americana secret on the contemporary scene.

Jones is a master of the soulful understatement, the raw growl, and the groove. From his roots in muddy Oregon soil, he’s forged a 30-plus-year career as an impassioned singer and fierce guitar slinger, a clever and soulful songwriter, a bandleader, record producer, and an almost strident torchbearer for all that’s true and good about America’s music. Jones is his own true artist who works diligently at pushing American roots music forward.

What he does, he says, is “combine New Orleans rhythms, the simplicity of Memphis music, and the rawness of the blues, all for the 21st century. This music is not about louder and faster. It’s about time, meter, groove. I thought Muddy and Walter and those guys were pushing the envelope in their era. They were using effects, they were inventing their own sound. They were modern. I want to look at it in a contemporary way.” The gist is all the same — Lloyd Jones is the total package.


Album: Doin' What It Takes
Bitrate: MP3@320K/s
Time: 37:55
Size: 86.8 MB
Styles: Electric blues, Roots rock
Year: 2012
Art: Front

[4:55] 1. Bend In The River
[3:32] 2. I'll Be Right On Down
[5:08] 3. Without You
[3:29] 4. Doing What It Takes
[3:10] 5. I Can't Stop
[3:21] 6. Never Again
[4:49] 7. Give A Little
[3:24] 8. My Wife Can't Cook
[2:58] 9. Worried Life Blues
[3:05] 10. Ruby Do

Doin' What It Takes mc
Doin' What It Takes zippy

Album: Highway Bound
Bitrate: MP3@320K/s
Time: 44:03
Size: 100.9 MB
Styles: Acoustic blues
Year: 2011
Art: Front

[2:28] 1. Travelin' On
[3:25] 2. Careless Love
[2:04] 3. When I'm Gone
[2:15] 4. Ice Cream Man
[3:05] 5. Broke Down Engine
[2:20] 6. Last Fair Deal Gone Down
[3:27] 7. Southbound Train
[3:12] 8. No More Crying
[2:33] 9. Don't Want Me Baby
[2:50] 10. Key To The Highway
[1:58] 11. You Better
[2:38] 12. Cry For Me Baby
[3:20] 13. Make Me A Pallet On The Floor
[3:01] 14. Good Night Irene
[2:53] 15. Good Morning Little School Girl
[2:26] 16. Lazybones

Highway Bound mc
Highway Bound zippy