Time: 52:57
Size: 121.2 MB
Styles: Piano blues
Year: 1992/2007
Art: Front
[5:24] 1. Big John Big John
[5:37] 2. Cab Driving Man
[3:31] 3. Tin Can Alley
[3:00] 4. Flat Foot Boogie
[3:54] 5. Wish Me Well
[3:46] 6. Disable Man
[5:36] 7. New York And Chicago
[3:06] 8. Miss Annie Lou
[6:30] 9. Hobo Sam
[3:56] 10. Piano C Red Is In Town
[4:18] 11. Blues And Jazz, Pt. 1
[4:15] 12. Blues And Jazz, Pt. 2
Alto Saxophone – Ed William; Drums – Warner; Guitar – Peter Allen (9), Sonny Carter (2); Piano, Vocals – Piano 'C' Red; Tenor Saxophone – Tyrone. Recorded in Chicago in 1991 (except "Blues and jazz" from 1983).
b. James Wheeler, 14 September 1933, Montevallo, Alabama, USA. By day a cab driver, in the evenings James Wheeler transforms himself into Chicago boogie-woogie legend, Piano C. Red. His first yearnings to be involved in music were inspired by his mother, who sang spiritual songs around the house. He was tutored by a local piano player known as Fat Lilly, who was initially reluctant until Wheeler bribed him with moonshine whiskey. Wheeler moved to Chicago in 1956. He began his recording career with Chess Records in 1963, recording versions of "Slow Down And Cool It" and "Hundred And Two". He also shared a stage with many of the blues greats of the time, including Elmore James, Muddy Waters and Memphis Slim. However, like many of his ilk, he never enjoyed access to a full-time recording contract. By the 90s, when he finally began to achieve more than local acclaim, he had retired to performing only occasional sets at selected Chicago restaurants and cafés. Despite this, he and his Flat Foot Boogie Band consistently play engaging, Little Richard/Ray Charles-styled pop-blues well into the early hours. Among his best compositions is the autobiographical "Cab Drivin' Man", which was also the title of his debut album. ~bio from AllMusic
b. James Wheeler, 14 September 1933, Montevallo, Alabama, USA. By day a cab driver, in the evenings James Wheeler transforms himself into Chicago boogie-woogie legend, Piano C. Red. His first yearnings to be involved in music were inspired by his mother, who sang spiritual songs around the house. He was tutored by a local piano player known as Fat Lilly, who was initially reluctant until Wheeler bribed him with moonshine whiskey. Wheeler moved to Chicago in 1956. He began his recording career with Chess Records in 1963, recording versions of "Slow Down And Cool It" and "Hundred And Two". He also shared a stage with many of the blues greats of the time, including Elmore James, Muddy Waters and Memphis Slim. However, like many of his ilk, he never enjoyed access to a full-time recording contract. By the 90s, when he finally began to achieve more than local acclaim, he had retired to performing only occasional sets at selected Chicago restaurants and cafés. Despite this, he and his Flat Foot Boogie Band consistently play engaging, Little Richard/Ray Charles-styled pop-blues well into the early hours. Among his best compositions is the autobiographical "Cab Drivin' Man", which was also the title of his debut album. ~bio from AllMusic
Piano 'C' Red mc
Piano 'C' Red zippy