Showing posts with label Elaine Paige. Show all posts
Showing posts with label Elaine Paige. Show all posts

Sunday, 27 April 2025

So watch me fly, we all know I can do it!

It's been a hectic last weekend of freedom, dear reader! Yesterday, John-John, Hils, Crog and I traversed the wilds of the East End of London (to the Excel London exhibition complex) for the Tutankhamun Immersive Experience [more on that later, no doubt], followed by a jaunt across the Thames on the "IFS Cloud" Cable Car to the O2 Millennium Dome for a bit of shopping and lunch in the Wetherspoons located therein, then hiked from Canary Wharf all the way through Limehouse to Wapping along the Thames Path. Our original destination was none other than Serena McKellen's pub The Grapes, but there were no tables free so we ended up at the historic Prospect of Whitby - London's oldest riverside inn - to finish off the day with a few much-needed drinks.

Today, the weather having been beautiful all day, was spent in the garden - my last full day out there until after our trip to Spain next week - doing a last few important potting-on jobs (including hoiking a mature hydrangea into an enormous new pot), while The Madam tackled the much-needed chore of sorting out the neglected, overgrown and tatty patch of clay that laughingly passes for the front garden, which now has several clumps of Geranium × oxonianum "Wargrave Pink" (that was way too rampant to live any longer in a planter) given free rein to do battle with the weeds. It will most likely win the battle.

But it was, of course, the saintly not-yet-a-Dame-for-some-reason Elaine Paige who kicked the weekend off - or at least it was the star-studded concert in her honour, BBC Radio 2 Celebrates Elaine Paige we went to see at the London Palladium on Friday!

Hosted by DJ and presenter Zoe Ball, it promised to be a golden celebration of the great lady's 60 years in showbiz - and her status as a "national treasure" was confirmed by the fact this illustrious and huge theatre was completely sold-out. It certainly was a hell of a tribute!

Among the array of performers were the prime of West End and Broadway talent, including Sharon D. Clarke, Mazz Murray [who was superb!], the very gorgeous Julian Ovenden, Clive Rowe, Charlie Stemp, Summer Strallen, Preeya Kalidas, Samantha Barks and Lucy St. Louis, as well as members of one of Elaine's chosen charities Mountview drama school choir, and each in turn did a great job of presenting highlights from the shows that made Elaine's career - from her early appearances in Hair, Jesus Christ Superstar, Grease and Billy, as well as her triumphs Evita, Cats, Chess, Anything Goes, Piaf, Sunset Boulevard, The King & I, Sweeney Todd, The Drowsy Chaperone and Follies. As ever, the stalwart BBC Concert Orchestra (conducted by Richard Balcombe) and one of the Beeb's go-to choirs Capital Voices did stirling work keeping the whole thing together.

It was a thoroughly enjoyable and classy evening, and our "First Lady of British Musical Theatre" agreed - for there she was in all her diminutive, twinkly glory, in (as is fitting) the Royal Box!

Without further ado, let's let the lady herself provide some suitable "Sunday Music":

Magnificent!

Monday, 29 July 2024

Wasn't it good? Wasn't he fine?


Mate! [click to embiggen]

Monday, Monday, Monday. Sigh...

On this Tacky Music Monday - spurred on mainly by the combination of the terrifying thought that Bjorn & Benny's post-ABBA magnum opus Chess (the concept album, released before the show was ever staged) is forty years old this year, AND the discovery of the bizarre and unexplained array of "naked chess pieces" in the photo at the head of this post...

...here's the ultimate in camp duets - with all its high hairdos, neon, dry ice and shoulder-pads - to serve as our wake-up call. All together, now!

Have a good week, dear reader.

Wednesday, 8 March 2023

All the fives


Elaine Paige was 75 on Sunday

Elaine Paige OBE (born Elaine Jill Bickerstaff, 5th March 1948)


Gary Numan is 65 today

Gary Numan (born Gary Anthony James Webb, 8th March 1958)

Patsy Kensit was 55 last Saturday

Patsy Kensit (born Patricia Jude Kensit, 4th March 1968)

Proof, indeed (if any were needed) that we have the most eclectic musical tastes here at Dolores Delargo Towers...

Many happy returns, one and all!

Tuesday, 27 September 2022

The Voice! The Hair!

Among another slew of famous names whose birthday it is, including the late, great Meat Loaf, Nicky Haslam, Alvin Stardust, Cosimo de' Medici, (Lord) Bernard Miles, Avril Lavigne, Diane Abbott, Shaun Cassidy, Denis Lawson, Gordon Honeycombe, Lil Wayne (40), Irvine Welsh, Don Cornelius, Vincent Youmans, Barbara Murray, Dame Josephine Barstow, and - erm - professional "looney-tune" Gwyneth Paltrow (50), the magnificent Miss Barbara Dickson blows out 75 candles on her cake today!

Let's celebrate with a mere soupçon of the lady's great body of work...

...and, finally - the (camp) classic!

Many happy returns, Barbara Ruth Dickson OBE (born 27th September 1947)

Saturday, 4 December 2021

Sondheim of the Day finale - Side by Side by Sondheim and other random oddities

As introductions to the magnificent repertoire of Stephen Sondheim go, I must admit that Side By Side By Sondheim is possibly the finest. As I mentioned way back in chapter #1 of this rambling (more than a) week-long series of tributes to The Maestro, it was through listening to Madam Acarti's double CD of said classic revue - the brainchild of That Was The Week That Was producer Ned Sherrin, in response to a commission from none other than Dame Cleo Laine and Johnny Dankworth back in 1976 - that I gathered an understanding, and a nuanced appreciation, of the work of a true genius in the world of musical theatre. Basically, before that point I knew the song Send in the Clowns and the "hits" from West Side Story, and that was just about it.

Gathering the brilliantly talented combo of Sondheimites Julia McKenzie, Millicent Martin and David Kernan together, with connecting narration from Mr Sherrin himself, the revue covers everything from the popular and the well-known, to more obscure and rare numbers by The Maestro.

From Company there's the eponymous number Company, The Little Things You Do Together, Another Hundred People, (Not) Getting Married Today, Barcelona, You Could Drive a Person Crazy and Side By Side By Side. From Follies, there's Bring on the Girls, Ah, Paree!, Buddy's Blues, Broadway Baby, Losing My Mind, [David Kernan's "gay" version of] Could I Leave You? and I'm Still Here. From Gypsy, If Momma Was Married and You Gotta Get a Gimmick; and from West Side Story, A Boy Like That/ I Have a Love.

Then there's the less well-known ones - some of which have become firm favourites here at Dolores Delargo Towers, such as this one from the film The Seven Percent Solution [originally sung by our Patron Saint Régine; here done rather differently]:

Even more obscure, this one came from a weird-sounding US television show called Evening Primrose, about drop-outs who live in a department store [very 1967!]:

This fantabulosa number is from Do I Hear a Waltz?, with music by Richard Rodgers:

The next two were dropped from (respectively) Company, and from Follies:

From Anyone Can Whistle, the title song and this:

And, from a show that hasn't played in London since 2003, Pacific Overtures, this:

Leaving the best to last, however - also included in the melange was another particular favorite of ours, a song that was written for yet another revue [bizarrely based on Mad Magazine; a collaboration with Richard Rodgers' daughter Mary] - here as part two of a faboo skit by Kit and the Widow [Part one being just too good not to feature!]:

We went to se a revival of the show at "the Venue" (now The Leicester Square Theatre) - gosh! - fourteen years ago, which we thought was faboo, if not a patch on the original (what could be?)

Read more about Side by Side by Sondheim at Sondheim.com


In 1992, combined pressures from Cameron Mackintosh and Julia McKenzie persuaded Mr Sondheim to do a "updated version" of the 1976 classic.

Titled Putting It Together, it actually only featured four songs from Side by Side (Marry Me a Little, You Could Drive a Person Crazy - this time in first person "I" - (Not) Getting Married Today and Could I Leave You?). From A Little Night Music it featured Every Day a Little Death (with another song dropped from most performances of that show My Husband the Pig), Now, Night Waltzes, Country House, Bang and The Miller's Son; from Company, Have I Got a Girl for You, Sorry-Grateful and Being Alive; Pretty Women and Sweet Polly Plunkett from Sweeney Todd; Hello Little Girl from Into The Woods; and The Gun Song from Assassins.

Also woven into the mix were songs from a Sondheim show we've never been to see A Funny Thing Happened on the Way to the Forum, including my fave:

From another Sondheim show we've never seen Sunday in the Park with George, the number that inspired the revue's title...

...and two from Dick Tracy:

More about Putting It Together

The revue also featured numbers from a couple of productions that we did actually go and see...


Merrily We Roll Along is a very clever conceit - based as it is on a satirical play from the Depression era by Moss Hart and George S. Kaufman, the show's narrative runs entirely in reverse; from the opening scenes of embittered individuals, forcibly and callously cast aside by the lead character (and former friend) Franklin Shepard in his quest for fortune and success, to the closing ensemble numbers where the group are all young and idealistic and very much a "gang" of like-minded characters just setting out on their uncertain destinies.

We and our own "gang" went to see it in its Olivier-award-winning revival by Sondheimite Maria Friedman at the Harold Pinter Theatre in 2013.

It is a phenomenal show, with a clutch of excellent songs, such as these...

And then, there's this - a genuinely heart-wrenching number if ever there was one!

[Another one of Sondheim's that's become a bit of a "standard" in its own right, and has been recorded by Bernadette Peters, Judy Collins, La Streisand, Mandy Patinkin, Cleo Laine and even Jane McDonald]

Read a rather good article about the show by arts professor Laurence Maslon, or else Wikipedia


And the other show?

It's probably more famous for this number than anything...

...it's a musical "freely adapted from" the writings of the ancient Greek playwright Aristophanes, involving the God of Wine Dionysus, Hades and the resurrected spirits of George Bernard Shaw and William Shakespeare - The Frogs. Again, only Stephen Sondheim could have possibly come up with this idea!

We caught it at its first UK production since the 1990s (and its West End première; bearing in mind this was a show that begain its life - in a swimming pool in Yale University with Meryl Streep among its cast - in 1974) at the bijou Jermyn Street Theatre in 2017. Ever since then, "Brek-kek-kek-kek" has become a bit of mantra for us - it made such an impression! Here's some grainy footage of the faboo Nathan Lane in (I believe) his own revised production in 2004:

All about The Frogs at Music Theatre International


And finally...

...the best tribute a Maestro could expect:

RIP, Stephen Joshua Sondheim (22nd March 1930 – 26th November 2021)

[The final one of a series of tributes I have posted to Mr Sondheim this week.]
Previous "Sondheim of the Day" entries:

Wednesday, 24 October 2018

Once upon a song



"A man will never grow old if he knows what he’s doing tomorrow and enjoys it. There are many who treat it as just a business, but it’s more than a business. Unless you get goose bumps listening to ‘Porgy and Bess’ or ‘Carousel,’ then you’re in the wrong game.”

“A lot of people don’t love writing as much as I do. I would rather write a song than do most things in life. When I have a song to write I’m very happy.”


Madam Arcati and I were thrilled to bag tickets for the BBC Radio 2 recording of An Evening With Don Black, hosted by Michael Ball, at the Radio Theatre (in the glittering Art Deco surroundings of BBC Broadcasting House) last night. Don Black, the lyricist who has won an Oscar , two Tony awards, a Golden Globe and six Ivor Novellos! We haven't ben in such esteemed company since Stephen Sondheim...

Needless to say, it was an excellent, often funny, often poignant tribute to one of our greatest living songwriters - and featured not only a lengthy in-depth exploration of his life and work, and a selection of the great man's own choices from his estimable back catalogue, but also special performances by Lee Mead, Marti Webb and Mr Ball himself!

We loved it.

...but, what of that back catalogue? Well, it is indeed quite remarkable how many songs that are dear to everyone's hearts - whether pop chart hits, numbers from musicals or Bond (and other) movie themes - were actually written by Mr Black. He wrote the theme song from Born Free, Sam for Olivia Newton John, The World Is Not Enough (as recently featured here) for Garbage, Surrender for kd lang, Ben for Michael Jackson, Love Changes Everything - the song that made Mr Ball a star - and indeed all the songs for the theatrical blockbusters Aspects of Love, Tell Me On A Sunday/Song And Dance and Sunset Boulevard (with Andrew Lloyd-Webber), I'll Put You Together Again for Hot Chocolate, The Man with the Golden Gun for Lulu, just about the entire repertoire of Matt Monro (he was the crooner's manager and great friend, after all), songs for True Grit, Out Of Africa and Dances With Wolves; and he worked with a vast range of composers in the process, including John Barry, Charles Strouse, the aforementioned Mr Lloyd Webber, Quincy Jones, Jule Styne, Henry Mancini, Meat Loaf, Elmer Bernstein, Michel Legrand, A. R. Rahman, Marvin Hamlisch and Debbie Wiseman...

...and here's a roll-call of just some of them:









...and, finally, possibly my favourite of all of 'em [and certainly one that I would love to think would be played at my funeral]:


In my heyday
Young men wrote to me
Everybody seemed to have time to devote to me
Everyone I saw all swore they knew me
Once upon a song

Main attraction, couldn't buy a seat
The celebrity celebrities were dying to meet
I've had every accolade bestowed on me
And so you see

If I never sing another song
It wouldn't bother me
I had my share of fame
You know my name

If I never sing another song
Or take another bow
I would get by, but I'm not sure how

Always posing, but you love it all
Though you have to learn to act like you're above it all
Everything I did the world applauded
Once upon a star

Framed citations, hung on every wall
Got a scrapbook full of quotes, I can recall them all
There were times I felt the world belonged to me
And so you see

If I never sing another song
It wouldn't bother me
I had my share of fame
You know my name

If I never sing another song
Or take another bow
I would get by, but I'm not sure how
But I'm not sure how
But I'm not sure how


Not bad for a humble Jewish boy from Hackney!

Don Black OBE (born 21st June 1938)

Sunday, 10 September 2017

All day and all of the night



Wow. We had another excellent day of entertainment this year's Proms in the Park yesterday - in spite of the wind, the showers, the depleted number of attendees from "our gang", Tony Blackburn and all...

The closing party fo the extensive Proms season has long been a highlight of our social calendar here at Dolores Delargo Towers, serving as a most fitting end to the "Summer Season", and the herald of the "Autumn/Winter Collection" to come. For many years, we have attended en masse, but this year it was just Madam Acarti, Baby Steve, Houseboy Alex and I. We still managed to bring enough provisions for a siege, however, and had a hoot, to boot!



Having got through the security blockade (very early, considering the doors weren't supposed to open till 3pm), we made our usual dash and bagged a spot in our usual area close enough to the stage, but not hemmed in, and cracked open the booze. Oh, and food, too.



Holding court over the early section of proceedings was the annoying longest-serving DJ on Radio 2 Tony Blackburn. We ignored his inanity, as he introduced the opening act - the rather cute and immensely talented Hungarian pianist Peter Bence - a world record-holder for the most piano key hits in one minute (765) - who treated us to some examples of his mastery with a selection of interpretations of rock and pop hits by the likes of Sia, Queen and Michael Jackson. Like this one:




It did rain. Quite a bit, for a while. But the wind soon blew the black clouds away, in time for our next act.



After resounding applause, Mr Bence gave way to the universally popular and brilliant Texas! With a back-catalogue such as theirs - including Black-Eyed Boy, Summer Son, Inner Smile and (of course) the anthemic Say What You Want, and with the charismatic charms of lead singer Sharleen Spiteri, the audience was singing and dancing along. Everyone thoroughly enjoyed their set.

Up next was the very talented and energetic cast of the musical Five Guys named Moe [based around the boppy jazz music of bandleader Louis Jordan], which, with the incorporation of brilliantly choreographed and instantly recognisable numbers such as including Is You Is Or Is You Ain't My Baby? and Choo Choo Ch’Boogie, was excellent entertainment indeed!



Speaking of sing-and-dance-alongs... Our final act on the "daytime bill" was the one we had been looking forward to the most - those incomparable "party faves", Steps! We sang, we attempted their famous dance routines, we whooped and cheered! Celebrating twenty years this year since they first formed, they whipped us all into a frenzy with a cavalcade of hits such as One for Sorrow, Last Thing on My Mind, Story of a Heart (written by Abba!), After The Love Has Gone, Neon Blue and their barn-stormer Tragedy. [One comment on the whole thing, however - despite all the rehearsal (we heard Steps while we were queuing), why was the sound so shit? The BBC should be ashamed.] Here (with some very shaky hand-held phone-camera work by someone in the 40,000-strong audience) they are, performing Stomp:


As the screams from the audience subsided and the sun began to set, it was time for the break, and the inevitable trek to the loos. For the second half we had a far more sensible MC, the lovely Michael Ball who (inevitably) opened with a song. But it wasn't he who was the "proper" opening act. Oh, no - that honour went to the booming tonsils of the superb Sir Bryn Terfel, with a couple of fabulous numbers including the Welsh folk song Ar Hyd y Nos (All Through The Night).



But then it was his turn to give way to another "national treasure" - the powerhouse that is Elaine Paige! She sang (beautifully) an eclectic clutch of songs, including Radio Ga Ga by Queen, Piaf's Hymn to Love (If you love me, really love me), and As if We Never Said Goodbye from Sunset Boulevard. Sadly missing from the set were such "hand-wavers" as Memory, Don't Cry For Me Argentina or I Know Him So Well. Which left us feeling a bit deprived, really.

Bryn came back to the stage to perform a fabulously OTT rendition (complete with a milk churn as prop) of a song with which we all identify - If I Were a Rich Man from Fiddler on the Roof. Superb! Again, he handed over the baton - this time to that unlikeliest of '70s pop superstars, Mr Gilbert O'Sullivan. Never a "house favourite", nevertheless we all knew ever word to every song he performed - and sang with gusto to such "classics" as Matrimony, Nothing Rhymed and of course, the eternally popular Get Down:


This year, our "hosts" BBC Radio 2 celebrate fifty years as a broadcast station (previously known as "The Light Programme"), and here is the lavish celebratory video montage they put together for the occasion, which is fab:


[Needless to say, it was "Our Tel" Terry Wogan - long-time host of Proms in the Park - who go the biggest cheers.]

That over, it was time for our headliner, the legend that is Sir Ray Davies, erstwhile leader of The Kinks (looking slightly frail). Regardless, he managed to whip up a storm with a romping set of hit after hit, including Sunny Afternoon, Victoria, You Really Got Me, All Day and All of the Night, Dedicated Follower of Fashion, Days and, fittingly, Waterloo Sunset:


Brilliant!

However, of course, no "headliner" can compare to the riotous entertainment yet to come, as we transferred our attentions from park ("Hello Park!") to the Royal Albert Hall ("Hello, Hall!"), starting with a rather wonderful Finlandia performed by the BBC Symphony Orchestra [in celebration of the centenary of Finnish independence]. Then, without further ado it was time for the traditional Grand Finale - opening with the hugely popular "Sea Songs":


Swedish Wagnerian soprano Nina Stemme stormed onto the stage dressed as a Valkyrie to deliver Rule Britannia:


After the impassioned speech by conductor Sakari Oramo, we braced ourselves for the lung-bursting, flag-waving, foot-stomping final numbers - Land of Hope and Glory...


...and Jerusalem:


Thus, with fireworks, Auld Land Syne and the National Anthem, that was it. Farewell to another great evening, and farewell to summer...

Same time, next year?!

Monday, 28 March 2016

A Mighty Wind



Having a rare Bank Holiday off together, Madame Arcati and I have surveyed the carnage in the extensive gardens here at Dolores Delargo Towers caused by last night's 55mph gales. Thankfully, not much was destroyed completely, and although the little plants inside were shaken off their shelves, at least the (plastic) greenhouse is still on its moorings. Hey Ho.

In the words of Miss Elaine Paige on this Tacky Music Monday - Anything Goes...


The world has gone mad today
And good's bad today,
And black's white today,
And day's night today


Happy Monday!

Tuesday, 5 March 2013

But I was ever so much younger then



As today is the 65th birthday of the lovely and pocket-sized singer-and-musical-theatre-player turned Radio 2 presenter Miss Elaine Paige, I thought it apt to feature perhaps her finest recorded moment (in the company of the incomparable Miss Barbara Dickson).

Every queen in the universe can sing this song word for word - it's I Know Him So Well!


Camper than a row of tents...

Elaine Paige OBE official website

Thursday, 2 August 2007

Who Killed the Drowsy Chaperone?



Well, who would have thought that I would absolutely love a musical that had Elaine Paige in it?!

However we went to see The Drowsy Chaperone last night - in its last week in the West End for some unfathomable reason - and, my word! what a show!

Its premise is extremely clever. The narrator ("Man in Chair") is an ageing show fan, who from the outset takes the audience into his confidence and tells of his love of a mythical 1920s show (The Drowsy Chaperone), the music of which he uses to escape from his dreary daily life.

As he plays his treasured vinyl copy, the show comes to life - in his own meagre apartment - and the Man in Chair takes us through his beloved show - the plot of what is obviously an extremely second-rate and hammy production, full of clumsy scenes and songs and a cast of has-beens, even for their era.

But in doing so the real magic unfolds with his own enthusiasm for the show, as we are treated to some genuinely superb costumes, humour and choreography - particularly from the lead characters Janet Van der Graaf (the incredible Summer Strallen, whose legs and footwork were astonishing!) and Robert Martin (John Partridge, whose dance number on roller skates was amazing).

In truth, the show really belongs to the Man in Chair himself (Steve Pemberton, famously known as "Tubbs" in The League of Gentlemen). Such gags as the record "jumping" and the cast "jumping" with it, to his mistake in putting the wrong musical on - which leads to a gloriously overblown camp Oriental (non-PC) number appearing on stage instead of our regular snippets of the show - to the quite poignant ending where he appears to "see" the characters sing the show just for him, are captivating, as he demonstrates his sheer passion for a world he would never know - but one which he wishes was his.

And how much do we empathise with that!


A truly original and altogether astonishing production, The Drowsy Chaperone will be a very sad loss to a West End currently so full of contrivance and over-familarity - a West End that needs a show of this class and calibre to maintain its credibility!

Perhaps the promoters' biggest mistake was to use Elaine Paige (whose role is a very good, very funny, very skilled, but relatively minor part of the whole thing) as their only selling point.

Read The Guardian blog by Kelly Nestruck - Who Killed the Drowsy Chaperone?