Showing posts with label Kraftwerk. Show all posts
Showing posts with label Kraftwerk. Show all posts

Saturday, 18 March 2023

Tell me now, how does it feel?

Happy 40th Birthday! New Order's Blue Monday first arrived in the charts on this weekend in March 1983:

  • It reached #12 on 23rd April.
  • Having not left the Top 100 all year, it re-entered the Top 40 on 17th September.
  • It hit its highest chart position - #9 - on 15th October.
  • However, it was actually a remix by none other than Quincy Jones that gave the song its highest chart place (#3) five years later, in May 1988.

An all-time classic, way back in 2009 I decided to post a "recipe" of the "ingredients" that contributed to its composition, based upon a Sky Arts documentary at the time - and lo and behold, Alex Petridis in The Guardian has done the same. Some of the ingredients he used were the same as mine, but there are some interesting differences...

Both he and I acknowledged that this slice of Italo disco brilliance (which Bernard Sumner has always cited as one of his favourite songs) was a key element:

It's undeniable that Giorgio Moroder's groundbreaking collaboration with Donna Summer was a big influence on the band, but I chose the obvious number...

...whereas Mr Petridis suggested this album track:

It's undeniable that this one had to be in the mix, and our lists coincided again:

Although, inevitably, a soupçon of Kraftwerk had to be there, the "flavours" diverged - as Alex chose this:

Whereas I specified one that was a tad more familiar:

There was one more piece in the Guardian article that came as a bit of a "left-fielder", however. Apparently Peter Hook claimed the sparse riffs of Blue Monday were inspired by the twanging lead guitar in Ennio Morricone's score for For a Few Dollars More!

Whatever the ingredients, the resulting "dish" is delicious, indeed:

New Order official website


STOP PRESS:

The official lyric video...

Tuesday, 20 July 2021

Feeding the masses


My audience is thrilled at the news

You will no doubt have noticed, dear reader, the appearance of a glossy new widget in the right-hand column of this blog (and indeed a similar one on my other blog Dolores Delargo Towers: Museum of Camp).

Let me explain...

The gnomes at Google (and somehow you just knew it would be their doing) have been tinkering about with things again. For many years, my myriad loyal acolytes have had the option to not only add me to their "Reading List" within Blogger itself, but also the opportunity to receive a regular dose of the madness I publish in their inbox by clicking "Follow by Email" as well. This service used to be provided by an odd little site called "Feedburner", which Google apparently (like YouTube, Maps and Blogger and so forth) owns, but never listed as one of its "apps". Now, 14 years in, they have decided to "improve" it.

"Improve", as is so often the case with such things, actually means "remove the functionality that emails people" - rendering it somewhat useless to me and to many others. So I went searching and, prompted by a sales pitch email from them which (for once) I did not send to "Junk", found a replacement (also free) service called Follow.It. Hurrah!

The people at Follow.It were very helpful in getting both "feeds" set up - it certainly isn't difficult to do - and assured me that the subscriber end of things is very simple too (although I'll need to wait till I find a site that I want to follow by email before I can have any opinion on that). So if you are already a subscriber you should from now on receive an email from Follow.it rather than Feedburner (or Blogger) notifying you of this post having been published. Hopefully not too many such notifications will go to "Junk"...

Enough "techie stuff". On with the show! - with a most appropriate choon:

Thursday, 7 May 2020

Heute Abend die Mensch-Machine





As a shorter-than-usual week's "excitement" working from home draws to its close (it's a bank holiday for the 75th anniversary of VE Day tomorrow), so our thoughts should normally be drawing towards party planning, and all that!

By bizarre happenstance, the sad news of the death of the "Chief Robot", founder-member of the one of the most influential bands in pop history Kraftwerk Florian Schneider has provided us with an opportunity (of sorts) to do so - firstly with an unexpectedly camp remix of one of their classic hits Man Machine by the genius that is Matt Pop...


...and a possibly even more unexpected appearance by another of their tracks, here being whooped up by the enthusiastic dancers on what appears to be a "modern" follow-up to America's iconic Soul Train show:


Faboo!

RIP Florian Schneider-Esleben (7th April 1947 – 30th April 2020)

Thursday, 16 June 2016

Sie hat hier schon alle Männer abgecheckt



As the fantastically eclectic Dangerous Minds says...

"...here’s that amazing klezmer cover of Kraftwerk you needed in your life!"

Das Model by the Knoblauch Klezmer Band (and their rather cute singer):


L'Chayim!

Monday, 24 June 2013

Computer love



Continuing our countdown to Gay Pride on Saturday, we should not forget that yesterday was the 101st anniversary of the birth of that remarkable gay hero Alan Turing (read my blog on his centenary last year).

In honour of the greatest computer genius of the 20th century, I thought a bit of Kraftwerk might not go amiss...


Pride in London 2013

Monday, 9 April 2012

Happy Birthday Mr President...



Significant milestones are always worth celebrating - and as one of the "Friends of Dolores Delargo Towers", Miss Minogue's Number One Fan Marky Marc celebrates his 50th birthday today, I thought I'd post this gem of a mash-up (hot off the presses!).

Kylie's Slow vs Kraftwerk's The Model works like a charm:



Visit Marky's blog Shine On And On for all your Kylie needs!

Tuesday, 14 February 2012

For beauty we will pay





Time-slip moment...

There has been a lot of coverage in the media - not least the BBC - lately about the fact it is thirty years since Kraftwerk's The Model, a song from five years earlier and originally released as the B-side to Computer Love, hit the top of the UK charts in February 1982.

It is impossible to adequately capture in mere words the incredible influence Kraftwerk's cold, robotic musical style had upon the world since their emergence in the mid-70s. Without them, there would undoubtedly be no John Foxx and Ultravox, no Gary Numan, no OMD, no Spandau Ballet, no Duran Duran and inevitably the era of the Futurists/New Romantics that formed the background of the early 80s might not have happened (or at least happened differently). Truly amazing pioneers!

Here's that fabulous breakthrough hit...


She's a model and she's looking good
I'd like to take her home that's understood
She plays hard to get, she smiles from time to time
It only takes a camera to change her mind

She's going out to nightclubs drinking just champagne
And she has been checking nearly all the men
She's playing her game and you can hear them say
She's looking good for beauty we will pay

She's posing for consumer products now and then
For every camera she gives the best she can
I saw her on the cover of a magazine
Now she's a big success, I want to meet her again



STOP PRESS

Just for the delectation of the lovely Henry, who would like to hear more Kraftwerk...




Enjoy!

Tuesday, 10 March 2009

Those who came before me lived through their vocations



I was watching Sky Arts' Songbook featuring Bernard Sumner (of Joy Division and New Order fame) last night, and the interviewer asked where the inspiration for the biggest-selling 12" single of all time Blue Monday came from.

Well, apparently the whole thing was conceived during New Order's first tour as a band after Ian Curtis' suicide and the end of Joy Division, and pays its dues to the influence of the electro gay disco being played in New York in the early 80s.

Take a slice of this:


Mix liberally with a bit of this:


And some of this:


And add a little of this:


And you get this...