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Showing posts with label trace adkins. Show all posts
Showing posts with label trace adkins. Show all posts

Tuesday, June 13, 2023

STAGECOACH: THE TEXAS JACK STORY -- Movie Review by Porfle



 

Originally posted on 10/31/16

 

There are really great westerns and there are really awful westerns.  And in the very middle between the two, there are pretty good westerns.  These are the ones that tide you over while you're waiting for the next really great one to come along.

STAGECOACH: THE TEXAS JACK STORY (2016) is one of those pretty good ones, and, having watched it, I feel sufficiently tided over for awhile. 

Country crooner Trace Adkins (TRADED), who has that long-haired, gravelly-voiced "outlaw country" thing down pat, plays former stagecoach bandit Nathaniel Reed.  Nate's been trying to make a go at the straight and narrow life with his schoolmarm wife, Laura Lee (Michelle Harrison, "The Flash"), although times are hard for the small-time rancher.


They get a lot harder when renegade lawman Woody Calhoun (Kim Coates), sporting an eye patch thanks to one of Nate's bullets years before, catches up with him along with his female deputy, a sadistic, trigger-happy blonde named Bonnie Mudd (Helena Marie, "Supernatural").  One of Nate's old cohorts, Frank (Claude Duhamel), shows up first to warn him and before we know it, the air around Nate's ranch is filled with bullets.

When it's over, Nate's beloved Laura Lee has apparently been killed and, in desperation, he returns to what he knows best--robbing stagecoachs with Frank and another old saddle pal, the likable Sid (Judd Nelson, THE BREAKFAST CLUB).  But the vengeful Calhoun and Mudd are now more determined than ever to get them and will leave no dastardly deed undone until Nate and his gang are dead.

While there are some nice plot twists along the way, this is a pretty straightforward story that's well told and gives us a decent amount of the no-frills western shoot 'em up action that we're looking for.


Editing is a bit clunky at times, but the direction by Terry Miles (DAWN RIDER, LONESOME DOVE CHURCH) is capable enough, with photography that's consistently eye-pleasing.  It does seem rather odd seeing stagecoaches rumbling through dense green forests instead of deserts (the film was shot in Canada), but there's a richly authentic feel to the settings and costumes. 

As Nate (aka "Texas Jack"), Adkins is no Olivier, yet he's a decent enough actor with the right presence for this sort of role.  He works well alongside Judd Nelson, who's fun to watch as good-natured stagecoach robber Sid (let's face it, Judd Nelson has always been fun to watch, even in clunkers like STEEL). 

Kim Coates, whom I will always think of as "Chet" in THE LAST BOY SCOUT, just does what he does best--playing a sneering bad guy who revels in being bad--and gives the film some of its best moments, particularly during an extended, tension-filled saloon scene between him and Duhamel that is quite simply one of my favorite scenes from a western in years.


Coates also has a terrific co-star in Helena Marie as Calhoun's deputy, Bonnie Mudd, one of the best female gunslinger characters I've ever seen.  She plays the role to perfection, a character who's equal parts realism and fantasy, yet entirely convincing.  Other cast standouts are Duhamel as the duplicitous Frank, and Michelle Harrison as Nate's devoted wife Laura Lee.

Dialogue is a bit on the corny side at times, with the occasional gem such as when Judd Nelson's character boasts, "It's gonna take a lot more than dyin' to kill Sid Dalton."  An offhand reference to UNFORGIVEN's "we've all got it comin', kid" speech is also nicely done.  Most of the really juicy lines are delivered by Coates and Marie, who, truth be told, are the main reasons for watching this movie.

While hardly a new classic, STAGECOACH: THE TEXAS JACK STORY serves up a decent helping of good old meat-and-potatoes western fun that should please fans of the genre until the next blockbuster horse opera comes galloping into town. 



Read our original coverage HERE



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Monday, June 12, 2023

TRADED -- Movie Review by Porfle



 

(Originally posted on 5/10/16)

 

One of the recent spate of big screen horse operas, TRADED (2016) isn't a sweeping spectacle, nor does it try to be.  But it is a solid and in many ways traditional Western that fans of the genre should find reassuringly old school.

Having just lost his young son to a deadly snake bite, humble rancher Clay Travis (Michael Paré, STREETS OF FIRE, THE PHILADELPHIA EXPERIMENT) and his profoundly distraught wife Amelia (Constance Brenneman) suffer further emotional pain when their rebellious teenage daughter Lily (Brittany Elizabeth Williams) runs off to Wichita in hopes of being a Harvey Girl but instead is kidnapped into prostitution. (Shades of TAKEN.)

Paré, who has aged well and fits the role of concerned frontier dad to a tee, plays Clay Travis as a regular guy--albeit rather stoic--instead of trying to come off as super-cool, which I find refreshing.  He isn't superhuman either, so we're impressed by his displays of shooting and fighting skill, holdovers from his past life, as well as his overall tenacity.


We discover more interesting things here and there about this less domesticated past life, including his acquaintance with a former whore named Nell (Natalia Cigliuti), now a madam of her own Dodge City brothel.  A chance run-in with a former enemy results in one of those classic fast-draw showdowns in the street that make Westerns so much fun to watch. 

Naturally he'll be forced to use all his old skills on the trail of his elusive daughter as she passes through various hands until finally ending up in the clutches of the monstrous saloon-owner-slash-pimp Lavoie (Tom Sizemore).

The procession of bad guys Clay encounters keeps getting worse and worse, with Sizemore's Lavoie being the most coldblooded bastard of them all.  (Which he play with much relish.)


Runner-up in the bad guy stakes is country crooner Trace Adkins (AN AMERICAN CAROL, A COUNTRY CHRISTMAS) as Ty Stover, every bit the badass and the subject of one of TRADED's more satisfying comeuppances.

Helping Clay along the way is philosophical bartender Billy, played by legendary singer-actor Kris Kristofferson (PAT GARRETT AND BILLY THE KID) who also seems to be fitting comfortably into his silver years as an actor.

Old fave Martin Kove (BARE KNUCKLES, CROOKED, THE LAST HOUSE ON THE LEFT) gets to play what may be his grungiest character yet, the vile, incestuous stepfather to a frightful-looking young girl (Marie Oldenbourg) named "Girl" ("They say I'm too ugly to have a name") in whose clutches Clay ends up after a bad experience on the train to Dodge City.  A set-to between these three midway through the film is short but sweet and had me cheering.


One of the film's best features is its look--attractively photographed with realistic set design and costumes, TRADED has the authentic, sun-burnished look of one of those great made-for-TNT Westerns such as CONAGHER or CROSSFIRE TRAIL. (In my opinion, Ted Turner's cable channel TNT made some of the finest traditional Westerns of the last thirty or forty years.)

Direction by Timothy Woodward Jr. (SWAT: UNIT 887, THROWDOWN) gets the job done without being too fancy.

Clay Travis' odyssey is punctuated by moments of violence which at times are surprisingly, even shockingly hard-edged, although aside from that and some pretty rough language and sexual situations, TRADED is an old-fashioned Western at heart.  Which, for me, is one of its best qualities, because I love old-fashioned Westerns.



From Cinedigm and Status Media



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