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Showing posts with label haunted. Show all posts
Showing posts with label haunted. Show all posts

Thursday, November 7, 2024

SECRETS IN THE WALLS -- DVD review by porfle


Originally posted on 9/6/11

 

Lightweight chills may semi-scare you when you learn the SECRETS IN THE WALLS (2010), a Lifetime Channel ghost flick that takes us by-the-numbers into familiar fright territory.

Jeri Ryan stars as Rachel, a divorced mom raising daughters Lizzie and Molly in a cramped city apartment.  A new job takes her to one of those quiet, tree-lined neighborhoods where she ends up buying a large old house after getting the full B.S. treatment from a smarmy real estate agent.  At first, it seems the place is just perfect, until Rachel and the girls discover that it's haunted.

As is often the case, the scenes which gradually introduce the supernatural element into the characters' lives are the spookiest.  It's only later when the filmmakers have to start showing and explaining more that things get less convincing and more contrived.  A latter-half plot twist really pushes the whole thing to a new level of incredulity.



Till then, though, we're treated to a rather politely unsettling thriller that zings us with a few minor jump scares, plus some creepy situations revolving around a hidden room in the basement which hides a decades-old secret.  Claiming the basement as her bedroom, teenage daughter Lizzie (Kay Panabaker, "CSI", "No Ordinary Family") is the focus of the haunting, with her "night terror" ordeal providing the most effective chills in the entire story.  Later, when that thing I referred to happens, she proves a rather generic presence even when trying to be menacing.

All of the characters are pretty shallow, with the still-striking Jeri Ryan ("Star Trek: Voyager"'s Seven of Nine) serving as both the standard strong-single-mom and the derisively eye-rolling skeptic type who always irritates me by condescendingly poo-pooing any notion of the supernatural until it hits her right over the head.  Peyton List as Molly performs her current specialty, which is being somebody's cute little blonde daughter as in the recent BEREAVEMENT

Molly, it turns out, is psychic and senses what's going on in the house although naturally Mom chalks it up to an overactive imagination.  Thanks to writer's convenience, Rachel's new co-worker Belle (Oscar nominee Marianne Jean-Baptiste, "Without a Trace", TAKERS) is also a "sensitive" and offers to help, giving us a psychic duo to double-team the invasive entity.  Molly, of course, sees it popping up all over the place in the early scenes, which gives Peyton List plenty of chances to act scared.
 


The script by William Penick and Chris Sey is almost a checklist of comfortably familiar elements, some of which I've already mentioned.  They include (1) the real estate agent pawning off a haunted house on an unsuspecting buyer, (2) the "strong" single mom who is also (3) an annoying skeptic, (4) the sensitive child who can see ghosts and (5) whose strange drawings concern her teacher, (6) the secret room that's been walled off, (7) the medicine cabinet mirror that reveals a ghost when opened, and (8) the "main character digs up a shocking old news story at the library" scene.  And when the real estate agent mentions that the house is the only one in the neighborhood with an open staircase, you pretty much know that sooner or later someone's going to fall over the railing.

The DVD from Vivendi is in widescreen with Dolby 5.1 sound.  No subtitles, but closed-captioning is provided.  No extras.

Not great by any means but not bad enough to avoid, SECRETS IN THE WALLS is easy-to-take entertainment for viewers who want to shudder at some mildly spooky happenings without being taken too far out of their comfort zones.


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Tuesday, November 5, 2024

THE HAUNTING -- Movie Review by Porfle

 

Originally posted on 6/16/10

In 2010, Fangoria magazine teamed up with Lightning Media and Blockbuster for a series of eight horror/thrillers which were available exclusively on DVD, VOD, and digital download under the "Fangoria FrightFest" banner. This film is part of that series.


Hardly the sort of flashy, pyrotechnics-packed SPFX show POLTERGEIST turned out to be, 2009's THE HAUNTING (aka NO-DO: THE BECKONING) is the kind of slow-building, stately-paced ghost story that really gets under your skin if you're willing to settle in and let it go to work on you.

In 1940s Spain under General Franco, propaganda newsreels known as "No-Dos" packaged the latest news for general theater audiences, but a certain number of these films containing sensitive material were made for privileged eyes only.  Thus, only high-ranking members of the Catholic church were allowed to view footage involving a mysterious prostitute purported to be able to perform miracles, and the ill-fated process of judging her suitability for canonization which resulted in her supposed suicide and other unfortunate consequences.

Jump ahead to the present day, where Francesca (Ana Torrent), Pedro (Francisco Boira), their young daughter Rosa, and their infant son have just moved into the imposing old country mansion, formerly a school for priests, where the previous events took place.  Having lost their first child ten years earlier, Francesca is overprotective of their new baby to the point of frazzled obsession, which worries her husband.  And making things worse is the fact that Francesca is beginning to experience a growing number of terrifying paranormal visions as Pedro fears that she's losing her mind.  But we know better, don't we?


One thing that has always creeped me out is the use of scratchy, faded old black and white film as a mysterious element in stories such as this.  THE HAUNTING really scores on this count, with the forbidden No-Do reels playing a crucial role in ratcheting up the creep-out factor.  We discover that they were made using a special emulsion that made it possible to capture supernatural entities on the film, which is demonstrated by some pretty disturbing images.  When Father Miguel (Héctor Colomé), a psychiatrist priest bent on helping Francesca, opens up a shadowy, top-secret vault and plays one of the forbidden reels for her and Pedro (thus risking excommunication), it's one of the skin-crawling highpoints of THE HAUNTING. 

Meanwhile, back at the mansion, we find that the couple's new home isn't going to help Francesca's unstable mental condition much.  In fact, they might as well have just moved into the friggin' Haunted Mansion ride at Disneyland.  The distraught new mother keeps waking up in the middle of the night by banging noises and footsteps coming from the attic, which naturally her annoying skeptical husband never hears, and before long she's seeing ghostly figures floating around.  In one scene she grabs a flashlight and follows a trail of footprints into one of the upper rooms, where they go right up the wall and onto the ceiling.

The house is so alive with restless spirits that the film soon has us watching the shadows in every shot, waiting for them to coalesce into eerie figures.  Adding to the nightmare is Francesca's constant concern for her baby, whose incessant screaming has her at wit's end, and the presence of a weird old woman named Blanca (María Alfonsa Rosso) who keeps hanging around the house due to her involvement in the ghastly events of years past.  Even Francesca's daughter Rosa is starting to act strange, as though she knows something she's not telling.
 


The film is directed with stylish assurance by Elio Quiroga and elegantly photographed, with a very deliberate pace that allows us to wallow in the deeply atmospheric mood.  Argento fans should feel at home here, as will those who enjoy creepy old B-movies such as THE SCREAMING SKULL.  Special effects for their own sake are kept to a minimum and serve the story, with some genuinely unsettling ghostly images augmented by two or three blood-chilling jump scares.  A robust musical score alternates between sinewy subtlety and ear-splitting cacophony. 

As the story builds to a climax there's a fairly shocking surprise ending with some nasty twists.  (I'm glad I'm not one of those "I saw it coming" people--who wants to always know the surprise before it's revealed?)  In one of the best moments, Francesca, following one of the ghosts into the house's musty attic, finds herself inside the darkest and most ghastly of the old No-Do films and witnesses firsthand the horrors which inspired the haunting itself.  Unfortunately, the appearance of a final apparition which is meant to be the ultimate embodiment of evil is a bit of a letdown after all the anticipation, its monsterish countenance rather conventional and not very imaginatively designed.  But this is a minor quibble since the rest of the film is so pervasively effective.

DVD specs were unavailable, but according to Fangoria.com the film, "arriving as a Blockbuster exclusive August 6, will include a subtitled making-of featurette, the 8 FANGORIA FRIGHTS cable special and the eight FrightFest trailers. The DVD will offer both Spanish (with subtitles) and English-language soundtracks."

I've seen THE HAUNTING twice now and liked it even more the second time because I could better appreciate its visual style, good performances, and devious little nuances.  It's an old-fashioned ghost story with the visceral impact of a modern horror tale, and it left me feeling satisfied if not entirely terrified.

 


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Saturday, September 14, 2024

THE ABANDONED -- Movie Review by Porfle


Originally posted on 11/19/10

 

I have to go to the bathroom real bad, damn it.  But the bathroom is at the end of a dark hallway which is behind a closed door, and it's late, and I'm by myself. 

Watching scary movies by myself at night isn't the same as it was when I was a kid; rarely do I see one that cuts right through my adult sensibilities and makes me afraid to go down a dark hallway because there might be something creeping up behind me or because when I turn on the bathroom light that same something will be standing in there ready to lunge at me.  THE ABANDONED (2006), however, is one of those movies.

The story begins as Marie (Anastasia Hille) arrives in Moscow to track down her origins, having been adopted as an infant after her Russian mother was found brutally murdered.  She discovers that she has inherited the old home place, a sprawling, dilapidated farmhouse in the middle of the deep, dark woods between nothing and nowhere, and hires a farmer to take her there in his truck.  Before they leave, an old Russian woman pleads with her not to go, while other bystanders regard her with fear and sorrow.  It's very similar to the scene at the beginning of DRACULA in which the villagers beseech Renfield not to travel to the evil Count's castle, and we all know what happened to him.

After what seems like hours of travel, the driver leaves Marie alone in the woods at night, within walking distance of the house.  Out of the corner of her eye, Marie thinks she sees a ghostly figure glide across the path up ahead.  She reaches the really, really spooky old house and goes inside, peering into the deep darkness with her flashlight and making her way slowly through shadowy, cobwebbed rooms and corridors.  She hears noises.  And maybe a voice or two.  I'm thinking, "Would I be in that house at that time?  No, I would not."  I'm also thinking that there's gonna be a "jump" shock any second now, and I'm right--there is.  But expecting it doesn't help.  In fact, it just makes it worse.


A lot of horror flicks these days depend on jump shocks, which can startle the crap out of you for a few seconds but are soon forgotten.  This film is filled with them, but they're often only the beginning of a long sequence of sustained fear that doesn't subside after you've been soundly goosed.  The interplay of the various cinematic elements is masterful in these scenes--direction, photography, special effects, and acting are all outstanding--creating the sort of sustained terror that usually comes along only in your worst nightmares.  This movie, in fact, is like one long nightmare that you don't even fully wake up from when the end credits start rolling.

But back to Marie.  After the first really scary stuff happens, she discovers that there's someone else in the house with her.  That is, another living, flesh-and-blood someone.  He turns out to be her twin brother, Nicolai (Karel Roden of BLADE II and HELLBOY), who has also been drawn to the house trying to find out what awful thing happened to their mother there, forty years ago.  After suffering through one hellishly terrifying ordeal after another, they finally find out.  I'm not going to tell you any more of what happens, but when Nicolai has a sudden realization and says ominously to Marie, "We're haunting ourselves...", you just might be thinking: "No sh*t!"  One thing's for sure--the old "blank white eyeballs" thing has rarely looked scarier.

The last haunted house movie that tried to scare me was THE MARSH.  But it tried to do this with a bunch of obvious CGI and noisy, flashy effects.  THE ABANDONED has some CGI, too, but it's the best kind--the kind that tries not to look like CGI.  Both of these films contain a similar scene in which a decrepit old room goes backward in time to its original state, but the difference is stunning.  One scene seems to say "Look at this cool CGI!", while the other is more interested in maintaining your level of involvement in the scene itself.


THE ABANDONED looks great, with beautiful photography and imaginative editing worthy of an art film, always establishing and maintaining the right mood without being merely for show.  The sound design and haunting score also contribute substantially to the ominous atmosphere, making even the scenes of Marie arriving in Moscow seem forboding and pulsing with bad tidings for what's to come.

The house itself is a marvel of production design, a labyrinth of dingy rooms, spooky corridors, and ominous passageways that constantly had me muttering "Don't go in there!"  And with it, the stage is set for Spanish director Nacho Cerdà to do his stuff.  To paraphrase a line from POLTERGEIST, he knows what scares you.  His handling of this type of material is masterful compared to the ham-fisted direction often seen in similar films.  And the two leads, Anastasia Hille and Karel Roden, are so good that they put the whole thing across with utter conviction.  It didn't even bother me that the last few minutes didn't really seem to make total sense, because the worst nightmares rarely do. 

I've seen a lot of horror films, especially of the haunted house variety, that tried their best to be scary but just didn't know how to do it, or how to sustain it all the way through to the end.  But THE ABANDONED knows how.  Boy, does it ever.  It left me feeling drained, stunned, entertained yet uncomfortably uneasy and disturbed; and most of all, really, really creeped out.  And I still have to go to the bathroom real bad, damn it.



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Monday, November 15, 2021

Gravitas Travels Down "AUTUMN ROAD", Halloween-Flavored Horror Drama Debuts Nov 23 -- Watch Trailer HERE!

 


Travel Down Riley Cusick's "AUTUMN ROAD"

Indie Horror Drama Blends a Haunted House, A Ten Year Mystery, and a Strange Pair of Twins

Available Digital HD and Cable VOD November 23rd Across North America from Gravitas Ventures

 

Los Angeles, CA - Gravitas Ventures and The Last Motel have announced the VOD release of Riley Cusick's Autumn Road.  The Halloween-flavored horror drama follows a young woman who returns to her hometown ten years after her sister vanished trick-or-treating and becomes wrapped up with two brothers who run a haunted house. Autumn Road will be available in North America November 23rd, on a number of digital and cable platforms, including iTunes, Amazon, Vudu, Google Play, Comcast, Dish and Shaw.


WATCH THE TRAILER:




Cusick, who previously directed a number of shorts and appeared as an actor in Chelsea Stardust's Satanic Panic and Joe Begos' VFW, makes his feature directorial debut in Autumn Road and headlines as twins Charlie and Vincent. He is joined onscreen by a cast including Lorelei Linklater (Boyhood, Bomb City), Justin Meeks (Kill Or Be Killed, Butcher Boys) and Lar Park Lincoln (Friday The 13th Part VII: The New Blood).

Autumn Road was produced by Xander McCabe under his new The Last Motel banner while Eric Floyd and Mark Schultz served as executive producers. Riley Cusick directed from his own script.

 


 

10 years after a young girl goes missing on Halloween night, her grief-ridden sister returns to their hometown to make peace with her unresolved past. Along the way she becomes entangled with two idiosyncratic identical twins from her childhood who now run the town's roadside haunted house. With nowhere else to go, she is drawn deeper and deeper into their world of scares, secrets, and enchanting house of horrors. While one twin pulls her closer, the other’s threats and scare tactics escalate to a breaking point where he must decide what lines he’s willing to cross. At the same time, her connection with her sister is growing as she starts to unearth new information about who she was and what happened that night all those years ago. The three haunted souls soon find themselves on a melancholic journey for truth set against the backdrop of an approaching Halloween season and the anniversary of her sister’s disappearance.

 

iTunes Preorder Link

 

Autumn Road: 95 minutes / USA / English 



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Saturday, February 27, 2021

TERROR FILMS Sets Premiere Date for Paranormal Horror Film "REVISITANT" This March 5th -- See Trailer HERE!

 


 

Los Angeles, CA (Thursday, February 25th, 2021) – Genre distributor TERROR FILMS has acquired Worldwide, digital rights to Renaissance Entertainment’s paranormal horror film REVISITANT.

Written, directed and produced by Jon Binkowski, the film is follow up to his 2014 film, The Visitant. This second film reunites several of the original cast members including: Michele Simms (Killer Kids), Sallie Glaner (Marriage Killer) and Lisa Enos Smith. Smith has also executive-produced both films.

Co-written by Stephen DeWoody and produced by Patty Bender, the film centers around a single mother and her two teenage daughters. Together, they find themselves under attack by an evil entity that was passed onto them by its previous victim. 

 


REVISITANT will make its worldwide debut Friday, March 5th on the KINGS OF HORROR Youtube Channel. The KINGS OF HORROR channel hosts over 1 million subscribers and is still growing. As well, The Visitant debuted on KINGS OF HORROR in November of 2015 and has garnered over 7-million views. 

Now, this original film will be reintroduced to horror fans as a lead-in to REVISITANT. The showing of The Visitant will include a live chat with filmmakers Jon Binkowski and Lisa Enos Smith - on February 26th. To join that event, visit this link here  and set a reminder: https://youtu.be/7KDrmYRUc4o

Then, REVISITANT will be released across multiple digital platforms on April 16th, six weeks after its initial streaming window on KINGS OF HORROR. In advance of the film’s debut, the genre distributor is sharing the official trailer, poster and several images - to give horror fans a sneak peek. 



WATCH THE TRAILER:






To learn more about Terror Films, visit: TerrorFilms.net

And here: https://www.facebook.com/TerrorFilmsLLC

To learn more about KINGS OF HORROR, visit their official channel at:

https://www.youtube.com/channel/UCu0bxC7vG_HKWJ7ijO9QKwg



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Friday, October 16, 2020

Joe Bob's Haunted Drive-In, A Live Halloween Experience!

 


JOE BOB'S HAUNTED DRIVE-IN

October 27/28 and October 31
Torrance and Pasadena, CA

GET YOUR TICKETS HERE!



Joe Bob’s Haunted Drive-In is a Halloween haunt event which blends a horror shorts film festival with the live experience of a zombie invasion. As real zombies invade the audience, the onscreen entertainment will interact with the live action to create a scary, fun, and immersive experience unlike any other.

Joe Bob and Darcy the Mail Girl will also be in-person at all screenings!

 


HAUNTED DRIVE-IN DATES

October 27 & 28
Roadium Drive-In
2500 W. Redondo Beach Blvd
Torrance, CA 90504

October 31
The Rose Bowl
1001 Rose Bowl Drive
Pasadena, CA 91103

GET YOUR TICKETS HERE!



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