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Showing posts with label Steven Spielberg. Show all posts
Showing posts with label Steven Spielberg. Show all posts

Sunday, March 22, 2026

Porfle Admits: "I Was Christopher Walken's Personal Chef" (short story)


 

(I wrote this short story way back in 2008. While entirely fictional, I like to think that it could have happened, or perhaps even should have happened.)

 


Back when I was Christopher Walken's personal chef, I never knew what random horrors each day would bring. I remember one day in particular, in which Mr. Walken sat in his darkened study, lost in one of his strange, pensive moods. He summoned me just as the grandfather clock in the drafty hallway struck noon.




I stood there, awaiting his orders, for quite a long time. He sat in a large leather-bound chair, hands pressed together under his chin, as though pondering his options with grave consideration. Finally, in his familiar low, halting voice, he spoke.



"I would like...the Buggles," he said. "For lunch."



"The Buggles?" I repeated, not sure I'd understood. "You mean, the 80s 'new wave' musical duo?"



"Yes, exactly," he said, relieved that I was familiar with them. A slight smile played upon his lips as he nodded, relishing some mental image that I daren't even imagine.



I wasn't sure what to say. Where the hell had this idea come from? "The Buggles broke up a long time ago," I informed him. "They're, uh, not a duo anymore."



"Then..." he said thoughtfully, "you could get...the ingredients for the Buggles...and make some new ones."



I thought about this seemingly nonsensical request for a moment, when suddenly the horrifying truth dawned on me. By "ingredients", he meant that he wanted me to kidnap Trevor Horn and Geoffrey Downes, the original members of the Buggles, and cook them for lunch. His lunch.



"I can't do that," I said firmly. "I...I won't do that. They're human beings, not just 'ingredients' for some ghastly lunch for you." I cringed, waiting for him to explode in a fit of anger, or at least send me packing.



"Oh," he said softly, as though my words had actually made some kind of sense to him. "Okay. Well, then...I'm not sure what other...lunch options...are available to me. Let's go into the kitchen and...explore them. Shall we?" He rose from his chair and waited for me to lead him into the kitchen, since he had no idea where it was. So I did.



When we got there, he gazed around in silent wonder at all the utensils and appliances. Finally, he spoke. "Where do you keep...the people?" he asked, gesturing with his hands.



"The people? What people?" I inquired, baffled.



"The people that you cook," he explained. "Where...do you store them before preparing them...for my meals?" He asked this as though it were the most normal thing in the world.



Forcing back a retching wave of hot bile, I contained my revulsion long enough to respond. "I don't cook people!" I exclaimed. "I cook food! FOOD! Nobody cooks PEOPLE! That's HORRIBLE!"



He looked at me with a sort of serene puzzlement for a moment, then shrugged. He noticed something on the counter. "What is that?"



"That," I said, grateful for the change of subject, "is a sandwich that I made for my own lunch."



"Ah," he said, amazed. "A...sandwich. Could you make one of those...for me?"



"Sure," I said, relieved. "What kind of sandwich would you like?



"Are there...different kinds?"



"Oh, yes," I said. "You can put whatever you want in a sandwich. Any kind of meat, in addition to things like tomatoes, lettuce, cheese, pickles--"



"Make me," he said with growing excitement, "a Buggles sandwich."



I slapped my forehead. "No...no, you don't understand," I said, exasperated. "You can't--"



"With some of that pickles and...er, cheese things that you indicated," he added. "And I...I really am hungry today, so...make me two of these Buggles sandwiches. Each of them containing half...of each separate Buggle. With cheese." He took a deep breath and stood back with his mouth open, eagerly waiting for me to confirm my understanding of his instructions.



"Look, Mr. Walken," I said, finally tiring of this charade and spelling it out for him, slowly and plainly. "I cannot and WILL not cook people for you to eat for lunch, or for any other meal. You're asking me to commit MURDER, for heaven's sake...so that YOU can indulge in cannibalism, one of the most utterly HEINOUS acts a person can commit. Why, the very notion of this fills me with an inutterable HORROR which I can scant express with mere words!" I leaned wearily against the counter, drained by my emotional turmoil.



He thought about this for a long time, then held up his index finger and began to speak. "Are you...trying to tell me..." he said slowly, a look of concern on his face, "that we...are out of cheese?"



"NO!" I screamed. "WE'RE OUT OF BUGGLES! YOU'LL HAVE TO EAT SOMETHING ELSE!"



"Ah," he nodded, appearing to understand me at last. I waited anxiously, fearfully, for his next words. He extended his arm so that his sleeve would retract and reveal his wristwatch. He looked at it, furrowing his brow. "It's five minutes after twelve," he announced. "Is my lunch ready yet?"



"No," I said. "You told me you wanted the Buggles for lunch, and I told you I could not and would not kidnap and cook them for you. Therefore, you have yet to present me with a viable alternative meal to prepare for you."



"I understand," he affirmed. "Well, then," he said breezily, "I'll just invite some friends over for lunch, and you can cook some of them." He pulled an address book out of his pocket, went over to the phone, and began calling people while I simply stared at him in disbelief. Thirty minutes later, the livingroom was filled with guests milling around drinking cocktails.



"There's Meryl Streep," he said to me in a low voice, pointing. "I'd like some spaghetti and Streep balls as an appetizer. And over there," he added, indicating a gentleman standing next to the Picasso, "is Dennis Hopper. As an entree, I'd like some thick, juicy Dennis Hopper steaks. Ribeyes, of course."



"Of course," I said wearily.



"And to snack on...umm, who's left...oh, just do something fun with Steven Spielberg. Maybe a sort of festive meatloaf. Or some jerky. But you'd better hurry, because he never stays long."



"So...I just slaughter them now?" I asked.



"Yes, yes, just slaughter them now," he urged. "I'm famished."



Steeling myself, I clutched the meat cleaver and began to inch forward. Suddenly a wave of hysteria swept through me and I screamed at the top of my lungs: "NO! NO! I WON'T DO IT! I WON'T SLAUGHTER AND COOK HOLLYWOOD'S ELITE FOR YOUR LUNCH!"



With that, I flung the meat cleaver aside and ran shrieking from the room. On my way out, I could hear Mr. Walken explain to his guests, "Well, you just can't get good help these days."



Later, he found me hiding in the kitchen, trembling. He noticed my sandwich sitting uneaten on the counter. "Are you...going to eat that?" he asked.



"No, you can have it," I said in a quavering voice. "I couldn't bear to eat anything right now."



He picked up half of the sandwich and took a bite. "Mmm, this is very good," he appraised. "Who is it?"



It was Underwood Chicken Spread, but I lied. "It's Tom Cruise. I got a good deal on the cast of TOP GUN at the meat market."



And so, for the next several weeks, I gave Christopher Walken chicken spread sandwiches for breakfast, lunch, and dinner, and told him that we were working our way through the entire cast of TOP GUN. When that was over, I switched to deviled ham and told him we were starting in on PULP FICTION. This eventually presented a problem, since I'd forgotten that he was in it. So one day, two weeks into PULP FICTION, he asked, "When do I get to eat me for lunch?" Thinking fast, I opened up a can of Spam and pointed at it. "This is you," I said. "Oh...I look good," he drooled.


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Friday, January 19, 2024

What If They Turned "JAWS" Into A Bad 70s Sitcom? (video)

 


(Originally posted on 8/11/21)


Remember how a classic movie would be so great at the theater...

...and then they'd try to recreate the same magic...

...by turning it into a crappy TV series?

Remember? Huh? Do ya? Huh? Huh?

Well, here's what it might've looked like if they did that to "Jaws"!


Video by Porfle Popnecker
Music by Roger Steinman



I neither own nor claim any rights to this material.  Just having some fun with it. Thanks for watching!



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Saturday, June 9, 2018

Universal Pictures and Amblin Entertainment's "JURASSIC WORLD: FALLEN KINGDOM"



UNIVERSAL PICTURES and AMBLIN ENTERTAINMENT Present

"JURASSIC WORLD: FALLEN KINGDOM"

In Association with LEGENDARY PICTURES / PERFECT WORLD ENTERTAINMENT


It’s been three years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment.  Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles.  When the island’s dormant volcano begins roaring to life, Owen (CHRIS PRATT) and Claire (BRYCE DALLAS HOWARD) mount a campaign to rescue the remaining dinosaurs from this extinction-level event.  Owen is driven to find Blue, his lead raptor who’s still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission. 

Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times.
With all of the wonder, adventure and thrills synonymous with one of the most popular and successful series in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaurs—along with new breeds more aweinspiring and terrifying than ever before.   Welcome to Jurassic World: Fallen Kingdom.  


Stars Pratt and Howard return alongside executive producers STEVEN SPIELBERG and COLIN TREVORROW for the epic action-adventure.  Directed by J.A. BAYONA (The Impossible, The Orphanage), Jurassic World: Fallen Kingdom is written by Jurassic World’s director, Trevorrow, and its co-writer, DEREK CONNOLLY.  Producers FRANK MARSHALL and PAT CROWLEY once again partner with Spielberg and Trevorrow in leading the filmmakers for this stunning installment.  BELÉN ATIENZA joins the team as a producer.  

The accomplished group is joined by co-stars JAMES CROMWELL (Babe) as Benjamin Lockwood, a wealthy entrepreneur who was Dr. John Hammond’s partner in creating Jurassic Park; JUSTICE SMITH (The Get Down) as Franklin Webb, Claire’s whip-smart hacker in the Dinosaur Protection Group, who is more comfortable being the “guy in the chair” at home base than in the middle of action; DANIELLA PINEDA (The Detour) as Dr. Zia Rodriguez, a genius paleo-veterinarian whose abilities in this archaic sub-specialty have never been tested on live dinosaurs; RAFE SPALL (Prometheus) as Eli Mills, Lockwood’s right-hand man who recruits Claire and Owen to bring the dinosaurs to a private reserve; TED LEVINE (Shutter Island) as Wheatley, a tough-asnails mercenary that Mills puts in charge to run the ground operation at Isla Nublar; TOBY JONES (Captain America series) as Eversoll, brought in by Mills to supervise the operations at Lockwood estate after the rescue mission; GERALDINE CHAPLIN (A Monster Calls) as Iris, housekeeper of the estate and keeper of family secrets; and ISABELLA SERMON, who makes her debut as Lockwood’s infectiously optimistic granddaughter, Maisie, a 10-year-old who has lived at the mansion her entire life.  


Series stalwarts BD WONG and JEFF GOLDBLUM reprise their roles as, respectively, Dr. Henry Wu and Dr. Ian Malcolm.  Wu, a corrupt geneticist whose name is synonymous with InGen, is as near-sighted as ever in his pursuit of scientific breakthroughs.  For his part, eccentric mathematician Malcolm first predicted doom for Hammond’s Jurassic Park a quarter of a century prior.  His unparalleled grasp on chaos theory and those who abuse power will prove invaluable…especially as Owen and Claire uncover a most deadly endgame. 

Bayona’s army of creative talents are led by cinematographer OSCAR FAURA (A Monster Calls, The Orphanage), production designer ANDY NICHOLSON (Gravity, Captain America: The First Avenger), costume designer SAMMY SHELDON DIFFER (Ex Machina, Imitation Game), Oscar®-winning creature effects creative supervisor NEAL SCANLAN (Star Wars Episode VII: The Force Awakens, Rogue One: A Star Wars Story) and Oscar®-winning composer MICHAEL GIACCHINO (Up, Jurassic World).  The Jurassic Park theme is by five-time Academy Award® winner JOHN WILLIAMS (Star Wars saga, Harry Potter series). Jurassic World: Fallen Kingdom was filmed in the United Kingdom and on the Hawaiian islands.






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Thursday, February 16, 2017

Sony Classical Set To Release "John Williams & Steven Spielberg: The Ultimate Collection" On March 17



Sony Classical Set To Release
John Williams & Steven Spielberg:
The Ultimate Collection
On March 17, 2017

"Marion's Theme from 'Raiders of the Lost Ark'"
Now Available via The Hollywood Reporter, here: https://goo.gl/g1Vusx

Pre-Order via Amazon

Special 3-CD Collection Includes New Recordings
Plus Bonus DVD Featuring Documentary
Steven Spielberg & John Williams: The Adventure Continues


February 16, 2017 - Celebrating one of the most definitive and beloved partnerships in the history of motion pictures, John Williams & Steven Spielberg: The Ultimate Collection delivers an essential sampling of Williams's musical scores for Spielberg's films - a critically acclaimed, award-winning, chart-topping collaboration now in its fifth decade. Comprised of a three-CD set and bonus DVD, John Williams & Steven Spielberg: The Ultimate Collection is available from Sony Classical on March 17, 2017.

This collection brings together Williams's two previous discs of his music for Spielberg films, which he recorded with the Boston Pops Orchestra for Sony Classical: The Spielberg/Williams Collaboration (1991) and Williams on Williams: The Classic Spielberg Scores (1995). Those discs include music from Sugarland Express (1974) through Jurassic Park and Schindler's List (1993).

Bringing the collection up to date is an all-new third disc, recorded in 2016 with Williams conducting the Recording Arts Orchestra of Los Angeles, and with Spielberg as executive producer. It features the first release of brand new recordings of music from Indiana Jones and the Kingdom of the Crystal Skull, Amistad, The BFG, Lincoln, The Adventures of Tintin, Minority Report, Catch Me If You Can, Raiders of the Lost Ark, Saving Private Ryan, War Horse, The Terminal, Munich and Spielberg's 1999 documentary The Unfinished Journey.

The bonus DVD that accompanies this new three-CD collection presents Steven Spielberg & John Williams: The Adventure Continues, a new documentary by filmmaker and film historian Laurent Bouzereau, who has been documenting Spielberg's work for more than twenty years.

"I was very happy with the fact that when I was music director of Boston Pops, we were able to record a lot of the music that I'd written for Steven's films," Williams said about the first two discs in the collection. "So I said to him, 'Steven, wouldn't it be great if we could complete the Sony collection and put in all the things that we didn't have when the last disc was recorded, this time with our great orchestra here in Los Angeles?'  To which Steven responded, 'This is a great idea. Let's do it!'"

When Steven Spielberg made his first theatrical feature The Sugarland Express (1974), he sought John Williams to compose the score. With two exceptions, all of Spielberg's films have featured a Williams score. In its continuity and its infinite range of style and expression, their partnership is unique, even in light of other such legendary collaborations in film history, including Bernard Herrmann with Alfred Hitchcock, Nino Rota with Federico Fellini, and Ennio Morricone with Sergio Leone.

"Oh, this has been a great adventure," Spielberg tells Williams at the end of Bouzereau's film. "This has been a greater adventure than all the Indiana Jones movies put together for me ... It's been an honor for me to work all these years with John and to have his friendship, his partnership, his brotherhood. When we made Sugarland Express, we didn't realize we'd set our paths to be partners and friends for the rest of our lives."

In his ongoing career, now in its sixth decade, Williams has won five Academy Awards (three for Spielberg films), seven BAFTA (British Film Academy) awards, four Golden Globes, and twenty-two Grammy Awards for his film scores. His fifty Academy Award nominations, as of 2017, are a record among composers, and he is second only to Walt Disney in holding the most Academy Award nominations by an individual artist.  Fifteen of those nominations are for scores from Spielberg films.

Sony Music Masterworks comprises Masterworks, Sony Classical, OKeh, Portrait and Masterworks Broadway imprints. For email updates and information please visit www.SonyMasterworks.com.

John Williams & Steven Spielberg: The Ultimate Collection Tracklisting:

DISC 1 - CD
1 Raiders of the Lost Ark from "Raiders of the Lost Ark" 
2 Theme from "Always" 
3 Adventures on Earth from "E.T. The Extra-Terrestrial"
4 Theme from "Sugarland Express"
5 Title Theme from "Jaws"
6 Out to Sea / The Shark Cage Fugue from "Jaws" 
Out to Sea
The Shark Cage Fugue from Jaws
7 Exsultate Justi from "Empire of the Sun" 
8 Parade of the Slave Children from "Indiana Jones and the Temple of Doom"      
9 Over the Moon from "E.T. The Extra Terrestrial" 
10 March from "1941" 
11 Cadillac of the Skies from "Empire of the Sun" 
12 Scherzo for Motorcycle and Orchestra from "Indiana Jones and the Last Crusade"
13 Close Encounters of the Third Kind/When You Wish Upon a Star Medley
Close Encounters of the Third Kind (Excerpts)
When You Wish Upon A Star (interpolated)  

DISC 2 - CD
1 Flying from "E.T. The Extra-Terrestrial"   
2 Theme From "Jurassic Park"    
3 Remembrances from "Schindler's List"   
4 Flight to Neverland from "Hook"     
5 The Battle Of Hollywood From "1941" (includes the Irish folksong "The Rakes of Mallow")  
6 Smee's Plan From "Hook" 
7 The Barrel Chase From "Jaws"
8 My Friend,The Brachiosaurus from "Jurassic Park"  
9 Jim's New Life From "Empire Of The Sun"    
10 The Dialogue From "Close Encounters Of The Third Kind" 
11 The Lost Boys Ballet From "Hook" 
12 Theme from "Schindler's List"  
13 The Basket Chase from "Raiders Of The Lost Ark" 
14 The Face Of Pan from "Hook"     
15 The Banquet Scene from "Hook"

DISC 3 - CD
1 The Adventures of Mutt from "Indiana Jones and The Kingdom of the Crystal Skull"
2 Dry Your Tears, Afrika from "Amistad" 
3 The BFG from "The BFG"
4 With Malice Toward None from "Lincoln"
5 The Duel from "The Adventures of Tintin"
6 A New Beginning from "Minority Report"  
Escapades for Alto Saxophone and Orchestra from "Catch Me If You Can" 
7 Movement 1: Closing In 
8 Movement 2: Reflections
9 Movement 3: Joy Ride
10 Marion's Theme from "Raiders of the Lost Ark"
11 Hymn to the Fallen from "Saving Private Ryan"
12 Dartmoor, 1912 from "War Horse"
13 Viktor's Tale from "The Terminal"
14 Prayer for Peace from "Munich" 
15 Immigration and Building from "The Unfinished Journey"
16 With Malice Toward None from "Lincoln" (Alternate Version)

READ OUR REVIEWS OF JOHN WILLIAMS' SCORES FOR THE FIRST THREE INDIANA JONES MOVIES HERE


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