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Showing posts with label scream queens. Show all posts
Showing posts with label scream queens. Show all posts

Tuesday, April 7, 2026

INVASION OF THE SCREAM QUEENS -- DVD Review by Porfle




Originally posted on 6/27/14

 

This is one of those documentaries in which you're either very interested in the subject, and thus won't mind so much sitting through eighty some-odd minutes of talking heads with the occasional film clip...OR, you have no interest whatsoever in scream queens or the movies they appear in or a documentary about them, in which case it's unlikely you'll ever find yourself watching director Donald Farmer's INVASION OF THE SCREAM QUEENS (Wild Eye Releasing, 1992) anyway.

Of course, if you're in the first group, then these are some pretty nice talking heads and chances are what most of them have to say will have you perking up your ears. This is because (a) these ladies are just plain fun to look at, and (b) anyone with a passion for B-movies, and especially low-budget horror flicks, will find inside info and anecdotes here that are quite engaging.

I wish I could say this is true of the entire film. Unfortunately, it alternates between the good and the not so good, since some of these actresses tend to be on the yakky side and it's not all riveting stuff. Plus, I was surprised to find so few film clips on display to spice up some of these monologues--indeed, although we hear about the making of several movies, we rarely actually get to see scenes from them. And a number of them aren't even what I would consider "scream queen" material anyway.


One disadvantage I had in watching this is that I never really sampled a wide variety of films of this nature, choosing instead to pick a few favorite actresses and concentrate exclusively on renting their videos (or watching heavily edited versions of them on "USA Up All Night"). So the best passages, for me, are the ones in which they're onscreen talking about movies and filmmakers that I'm familiar with. This includes Michelle Bauer (my all-time favorite scream queen), Martine Beswick, Brinke Stevens, and the venerable Mary Woronov. (Linnea Quigley is conspicuous in her absence here.)

Michelle Bauer tells us how she got started in the B-movie biz after meeting Fred Olen Ray during a "Playboy" video shoot. She's strikes me as the most talented and professional of the bunch (with the exception of Mary Woronov), although this may be entirely due to the fact that I've had the hots for her ever since the day I first rented HOLLYWOOD CHAINSAW HOOKERS.

Always lovely Martine Beswick talks about the catfight scene with Raquel Welch from ONE MILLION YEARS B.C. and also her co-starring role in another well-remembered Hammer production, DR. JEKYLL AND SISTER HYDE (from which we actually get to see a lengthy film clip). Later, another familiar face, Elizabeth Kaitan, speaks at length from the balcony of her apartment.


Perky Janus Blythe is almost unrecognizable as the actress who played Ruby in THE HILLS HAVE EYES for Wes Craven and has some stories about working with snakes and meeting Jonathan Demme on the set. Soft-spoken Melissa Moore turns out to be both cute and captivating as she relates her experiences working with Roger Corman and getting to appear with BLOOD FEAST's Fuad Ramses himself, Mal Arnold.

Several other women are featured as well, including Ruth Collins (LITTLE DEVILS), Goth-y sisters Marya Gant (A POLISH VAMPIRE IN BURBANK) and Katina Garner (HALLOWEEN NIGHTS), Deborah Stern of Mark Pirro's NUDIST COLONY OF THE DEAD, and writer-star Vivian Schilling (TERROR EYES, SOULTAKER).

The stories these women tell are interesting because they're real behind-the-scenes accounts of their experiences making B-movies, rather than pre-written Bruce Vilanch-style quips for them to recite. Most of the participants speak in a warm, relaxed manner in which they let their natural charm come through rather than having to do shtick for the camera.


Video and sound quality are on par with an old VHS tape you might stick in the machine after finding it lying under a couch cushion for several years. (Some parts may have you reflexively reaching to adjust your tracking.) The videotape-level visuals don't bother me at all--in fact, they're rather appropriate even though some of the clips look like third generation dubs--but the sound made me wince a few times. (This may have been due to my watching a screener, however.) There are rough transitions and, overall, the casual, unpolished air of home video.

There's a lot to like for fans of these actresses and their movies in INVASION OF THE SCREAM QUEENS. For me, however, there just wasn't enough of it, and too much tiresome footage that threatened to yakkity-yak me to sleep. So as much as I gained from watching it, I must admit that I was a little relieved when it finally ended.


(NOTE: I reviewed a screener without the extras. The official disc should include a new 2013 interview with Donald Farmer, deleted/extended interviews from the original production, and an excerpt featuring Linnea Quigley from the out of print book that started it all, "Invasion of the Scream Queens.")




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Friday, January 10, 2025

KING KONG (1933) -- DVD Review by Porfle



(NOTE: This review was written upon the DVD's initial release in 2005.)

Before CGI, before summer blockbuster films like JAWS, before "giant-monster-on-the-loose" movies of any kind, there was...KING KONG. Depression audiences who barely had two coins to scrape together jammed theaters in 1933 to witness this thrilling pinnacle of pure escapism and marvel at the sight of a giant gorilla battling dinosaurs, wrestling elevated trains, and swatting biplanes from his lofty perch atop the towering Empire State Building. Up to that time, KING KONG was the most spectacular, jaw-dropping adventure film ever made, and few films since, if any, have even come close to topping it.

The first forty minutes or so consist of careful, methodical build-up as flamboyant movie producer Carl Denham (Robert Armstrong) sets sail for Skull Island with the crew of a merchant ship called The Venture. He's heard stories of a giant monster called Kong who lives on the island, and plans to capture the beast on film. Along for the ride are the beautiful Ann Darrow (Fay Wray) to provide the "love interest" for his movie, and first mate Jack Driscoll (Bruce Cabot) to provide the love interest for Ann.

When they arrive, they witness a tribe of natives preparing to sacrifice a young girl to Kong. But one look at Ann, whom they call "the golden woman", convinces them that she would make a much more unique bride for the beast. ("Well, blondes are scarce around here," Denham notes.) They steal onto the ship that night and kidnap Ann, then open the massive doors of the huge protective wall that separates them from the rest of the island and bind her to an altar. As the crew of The Venture discover Ann's absence and race to the rescue, the natives wait atop the wall in awed silence for the arrival of the fearsome Kong. Suddenly there are loud, echoing footsteps...the trees are torn aside...and there stands King Kong, the greatest of all movie monsters.


 
All necessary exposition is laid out for us so that when Kong makes his appearance at this point, the rest of the film is a non-stop rollercoaster ride of action. Kong takes Ann in hand and disappears into the dense jungle, with Denham, Driscoll, and most of the Venture crew in hot pursuit. But it doesn't take long for these hunters to become the hunted, when they suddenly find themselves on the run from an array of ill-tempered prehistoric beasts ("from the dinosaur family!", Denham informs us). In one horrific scene, the sailors are trapped on a log over a deep chasm as the enraged Kong shakes them off into the pit below. Having dispatched his pursuers, Kong takes Ann to his lair at the top of Skull Mountain, engaging in awesome battles with various other giant creatures along the way.

But Driscoll, who managed to avoid plunging into the pit, rescues Ann and returns her to the native village. An angry Kong arrives moments later, pounds his way through the door of the great wall, and goes on a rampage in which he chews and stomps several unfortunate villagers. Denham, however, is prepared for such an eventuality, and hurls a gas bomb which knocks Kong unconscious. Realizing that the giant ape himself is worth more than any motion picture, Denham arranges to have a giant raft built to transport Kong back to New York, where he will be put on display for paying customers. "We're millionaires, boys!" he cries to the surviving sailors. "I'll share it with all of you!"

We all know, of course, that once Kong is taken to the Big Apple, he escapes and goes on a rampage of destruction that climaxes at the top of the Empire State Building, where he must fight off attacking biplanes amidst a hail of machine gun bullets -- one of the most enduring images in movie history and popular culture. 

KING KONG continues to astound all but the most jaded viewers even today, which is a tribute to the imagination and ingenuity of its makers. Special effects wizard Willis O'Brien laid the groundwork for all future effects-laden "event" movies as he created ways of bringing the most outrageous visions to the screen, many of which are still used today. His meticulous frame-by-frame stop-motion animation of Kong and the various dinosaurs never fails to impress, especially in the spectacular battle between Kong and the Tyrannosaurus Rex. 

Murray Spivack's sound design was an amazing feat considering that sound itself had only existed in movies for a few years before KING KONG. And the musical score by Max Steiner, with its beautiful descriptive passages and themes for various characters, is a masterpiece that showed all film composers to come how it should be done.

Upon its re-release in 1938, several of the more violent scenes were censored, including Kong popping various Skull Islanders and New Yorkers into his mouth and chewing on them, or stomping them underfoot. And the scene in which Kong curiously peels off bits of Fay Wray's clothing and sniffs them was deemed inappropriate as well, and out it went. The film was also darkened considerably to disguise much of the blood that flows during the battle scenes. For many years, this was the only version of the film available, until finally the excised scenes were rediscovered and restored in the early 70s.


 
Now, with Warner Brothers' current release of KING KONG on DVD, the film is restored, uncensored, and better-looking than ever before, with special features that will delight fans of the film. There is a commentary featuring stop-motion master Ray Harryhausen (SEVENTH VOYAGE OF SINBAD, JASON AND THE ARGONAUTS) and special-effects veteran Ken Ralston that is fun to listen to since the men are such devoted Kong fans. 

A documentary on the life of Kong producer Merian C. Cooper (upon whom the character of Carl Denham is based) is a fascinating look at a man whose exploits rival those of Indiana Jones. And the seven-part documentary "RKO Production 601:The Making Of Kong, Eighth Wonder Of The World" is packed with fascinating details about the film and comments from well-known filmmakers who have been influenced by it.

LORD OF THE RINGS director Peter Jackson, whose KONG remake hits theaters in December 2005, went to great lengths to help make this DVD a special event, including assembling his special-effects artists to recreate the legendary lost "Spider Pit Sequence" which was originally removed from the film due to its intensity ("It stopped the show!", as Merian C. Cooper put it). Jackson also created a new Kong scene using the same equipment and methods employed by Willis O'Brien, simply to give us an idea of how the effects for KONG were done since there is so little behind-the-scenes documentation of the original work. 

Also included are scenes from Willis O'Brien's aborted dinosaur project CREATION, which are so well-restored that they look as though they might have been filmed yesterday. And rounding out the special features on the disc are trailers from KING KONG, SON OF KONG, MIGHTY JOE YOUNG (Willis O'Brien's three great "Giant Ape" movies), and other Cooper productions.

If you're a fan of KING KONG, or you just want to see what all the fuss is about, there's never been a better time to watch this film in all its glory. The passage of time, and the advancement of special-effects technology, have not dimmed its power. It is still one of the greatest -- perhaps the greatest -- adventure films ever made.



Read our review of the 2005 Peter Jackson remake

Read our review of SON OF KONG


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Wednesday, August 12, 2020

Sleepover with Joe Bob Briggs on August 14!




THE LAST DRIVE-IN SUMMER SLEEPOVER

Hosted by Joe Bob Briggs
Friday, August 14


Only on Shudder
9 p.m. Eastern time/6 p.m. Pacific


We've never squeezed this many guests into the trailer park before, and all five of them are icons, from the guy who created the ‘Hatchet’ series to the guy who played Jason to one of the masterminds behind ‘Impractical Jokers’ to two bona fide scream queens. It's a Pop Culture Brain-Exploding Overdose, and they all came ready to dish.

Find us at @therealjoebob, @kinky_horror, https://www.instagram.com/joebobbriggsofficial/ and www.facebook.com/JoeBobBriggs. And join other Drive-In Mutants in the live chat at https://tinyurl.com/JoeBobSlack





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Sunday, March 22, 2020

SCREAM QUEEN -- DVD Review by Porfle




Writer-director Tatiana Bliss' SCREAM QUEEN (Indican Pictures, 2005) doesn't try to be an in-depth, definitive portrait of a horror actress and her trials and travails in both the movie business and fandom at large.

While touching fleetingly on such concerns, it's mainly just a lightweight comedy with all of that stuff serving as a backdrop for both farcical situations and awkward attempts at something more heartfelt.

Liz Lavoie plays Dana Lewis, the titular scream queen who's tired of shrieking her way through the usual gore/zombie/serial killer flicks and starts trying to break into the upper levels of the acting business where they hand out gold statuettes.


Bliss takes a few stabs here and there about how poor, put-upon horror actresses are taken advantage of by sleazy male producers and directors, how they're seen as sex objects who can't really act (not always an incorrect assessment), how drugs and alcohol seem to force their way down their throats, and various other boo-hoo stuff meant to give the story more heft.

But it's basically just a straightforward comedy in which she ends up in the desert making an ultra cheapo horror flick with some of her most obsessive fanboys turned filmmakers armed with a digital video camera and no budget.


Lavoie gets to play Dana in constant hyperactive freakout mode as she finds herself surrounded by weirdos (a guy whose significant other is a blow-up doll, a brain-fried trailer couple who cook meth in addition to feeding the crew, a standard "religious fanatic" and her emotionally stunted daughter, and various other overly-agitated characters), not to mention a novice director (Nipper Knapp as "Jason") with a growing, and unwelcome, romantic attachment to her.

The screenplay veers between abject silliness and small pockets of semi-seriousness, as Dana gradually warms up to her co-workers and discovers that winning bigtime acting awards may not be as important as simple human interaction on a warmly intimate level.


This, unfortunately, goes awry when she suddenly gets a chance to chuck her newfound friends (including a budding romance with Jason) in favor of a chance at real stardom.

Production values are bargain basement quality but the film never pretends otherwise.  In fact, the slapdash nature of the whole thing adds to a certain breeziness that gets us through a few less-than-inspired passages in what is basically a pretty familiar story.

A bit amateurish and insubstantial, SCREAM QUEEN is, at its best, a pleasantly amusing timewaster that's interesting mainly because it's a no-budget exploitation movie about people making a no-budget exploitation movie.


TECH SPECS
Runtime: 86 minutes
Format: 1:85
Sound: Dolby SR
Language: English
Genre: Comedy, Horror, Cult
Rating: R
Country: USA

Bonus: Bloopers, Deleted Scenes, Auditions, Interviews, Trailers

WATCH THE TRAILER




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Tuesday, January 22, 2019

Terror Films Teams with Cyfuno Ventures for Multi-Horror Picture Release




Terror Films Teams with Cyfuno Ventures for Multi-Horror Picture Release

Los Angeles, CA - (Tuesday, January 22nd, 2019) – TERROR FILMS has teamed up with CYFUNO VENTURES to release: AFTER DARK, HELL TOWN, ASYLUM THE LOST TAPES and DON’T F*CK IN THE WOODS internationally. These films will appear on: Amazon Prime, Google Play and iFlix; the launch begins this Tuesday, January 29th.

The films, all of which have been released domestically by various distributors, will now be available digitally in multiple countries including: the U.K., Ireland, Asia, Africa and many others.


From Scream Queens to Killer Creatures, Scary-ass Ghosts and Dumb Twenty-Somethings putting themselves in deadly situations, there’s something for everyone in these titles. TERROR FILMS is sharing a promotional sizzle reel (found below) and banner created just for the international release. You can learn more about the films here.

The Official Sizzle Reel: 



AFTER DARK - Spring break for seven college students is derailed after a flat tire leaves them deserted on a dark road and stranded with a menacing drifter.

HELL TOWN - From award-winning directors Steve Balderson and Elizabeth Spear and Scream Queen Debbie Rochon comes this special feature presentation comprised of three episodes from the never before released prime-time, melodramatic whodunnit, horror-comedy series.

ASYLUM THE LOST FOOTAGE - A group of amateur ghost hunters go missing after they journey into the bowels of an abandoned Insane Asylum, in a search for evidence of paranormal activity. Video cards, salvaged from the building, reveal the tragic fate of the missing ghost hunters.

DON’T F*CK IN THE WOODS - A group of friends, on a camping trip to celebrate graduating college, soon find their good times ruined when they viciously attacked by a mysterious creature.

To Learn More About Terror Films visit: http://www.terrorfilms.net
Or: https://www.facebook.com/TerrorFilmsLLC
More on Cyfuno Ventures visit: https://www.cyfuno.com


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Monday, September 12, 2016

"TALES OF POE" Combines Classic Horror Stories and Iconic Scream Queens in New Trailer



Edgar Allan Poe Resurrected by Iconic Scream Queens
Wild Eye Releasing Brings Tales of Poe to DVD
And Digital HD October 11th

"A loving tribute to the work of one of history's greatest horror writers."
-- Rue Morgue Magazine

"A truly stylized take on Poe's work and just brimming with beauty,
elegance and downright horror.
" -- HorrorMovies.ca

"Something very special to the horror genre...
both beautiful and horrifying.
" -- Hacked in the Head

   
New York, NY - Wild Eye Releasing has announced the October 11th DVD and Digital HD release of the acclaimed horror anthology Tales of Poe.  Since the world premiere at the famous Egyptian Theater in Hollywood, Tales of Poe has been met with acclaim and awards on the festival circuit.  San Francisco Weekly called the anthology "a worthy successor to the Roger Corman/ Vincent Price Poe films" while Icons of Fright hailed the result as "downright stunning to witness...wickedly adventurous". 

Co-directed by Bart Mastronardi and Alan Rowe Kelly and co-written by Michael Varrati, Tales of Poe combines the classic horror prose with the star power of legendary scream queens Adrienne King (Friday the 13th, Friday the 13th Part 2), Caroline Williams (Texas Chainsaw Massacre 2, Halloween 2), Amy Steel (Friday the 13th Part 2, April Fool's Day) Debbie Rochon (Model Hunger, Hell Town) and Lesleh Donaldson (Happy Birthday to Me, Funeral Home). 

Based on the timeless works of Edgar Allan Poe, three of the renowned author's most popular stories (The Tell Tale Heart, The Cask of Amontillado, and Dreams) receive unique retellings by directors Bart Mastronardi & Alan Rowe Kelly. Offering a compelling and shocking journey into madness and the macabre, Tales of Poe features some of the most beloved final girls in horror movie history in new and exciting roles.

               Tales of Poe (Official Trailer)


Order Tales of Poe on Amazon

The October 11th DVD release of Tales of Poe (SRP $19.95) will exclusively include a behind the scenes featurette, deleted scenes, an interview with co-director Bart Mastronardi, trailers and more.



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Wednesday, July 13, 2016

"TALES OF POE" Combines Classic Horror Stories and Iconic Scream Queens in New Trailer



TALES OF POE With Debbie Rochon and Iconic "Final Girls"

See the Trailer Now!

New York, NY - Wild Eye Releasing has unleashed a new trailer and artwork for the acclaimed indie anthology Tales of Poe.  Since the world premiere at the famous Egyptian Theater in Hollywood, Tales of Poe has been met with acclaim and awards on the festival circuit.  San Francisco Weekly called the anthology "a worthy successor to the Roger Corman/ Vincent Price Poe films" while Icons of Fright hailed the result as "downright stunning to witness...wickedly adventurous". 

Co-directed by Bart Mastronardi and Alan Rowe Kelly, Tales of Poe combines the classic horror prose with the star power of legendary scream queens Adrienne King (Friday the 13th, Friday the 13th Part 2), Caroline Williams (Texas Chainsaw Massacre 2, Halloween 2), Amy Steel (Friday the 13th Part 2, April Fool's Day) Debbie Rochon (Model Hunger, Hell Town) and Lesleh Donaldson (Happy Birthday to Me, Funeral Home).  Wild Eye plans to release Tales of Poe on DVD and Digital HD in October.

Based on the timeless works of Edgar Allan Poe, three of the renowned author's most popular stories (The Tell Tale Heart, The Cask of Amontillado, and Dreams) receive unique retellings by directors Bart Mastronardi & Alan Rowe Kelly. Offering a compelling and shocking journey into madness and the macabre, Tales of Poe features some of the most beloved final girls in horror movie history in new and exciting roles.

Tales of Poe will premiere on DVD and Digital HD this Halloween season.





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